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Thursday

9 September 2010

490Dated photos
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A seated man in a cream turban and beige sannyasi-style wrap with gold-edged trim sits on a gold upholstered throne-like chair on a stage. He wears a long gold bead necklace and raises one hand in a gesture while speaking into a microphone on a boom stand. A vase with red and white flowers stands at left, and a green banner with large gold lettering reading Yoga partly visible above him. The setting is a satsang-style discourse.A photograph of a man in saffron-orange robes seated cross-legged on an orange cushion placed on a low wooden platform over a white mat. He wears a long rudraksha mala with dark beads and a red tilak on his forehead, and his hands rest on his knees in a meditative posture. A brass kalasha-style vessel with a handle sits on the mat beside him. Behind him, two people in white dhotis with red borders stand and sit on the sandy ground near a red-orange pillar. Scattered grey ash lines the sand. The seated figure is an appearance-based a person, identified by saffron robes, rudraksha mala and tilak, but the image is not conclusive.Outdoor temple courtyard with a sandy ground and palm trees behind. In the foreground a man with long dark hair tied back, wearing a saffron-orange cloth draped over his body and a dark rudraksha mala, walks barefoot with his palms pressed together in anjali, eyes lowered. Behind him on the left a second saffron-robed figure stands near a stone sculpture. Several people in white dhotis, some with orange shawls and one in a yellow shawl, stand or bend over on the ground among grey stone statues and orange-painted shrines. A red-cushioned chair sits beside the steps, decorated with white kolam patterns. Near the centre, a long-haired saffron-clad man is shown performing a ritual act; an older man in white shirt stands further back.

Photos of the day

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490 distinct dated photos. Source gallery sets may overlap.

01

Panchatapas

12 dated photos in previewSource gallery
A man in saffron-orange robes sits cross-legged in meditation on a woven mat in an outdoor courtyard. He wears a dark rudraksha mala around his neck and a red tilak on his forehead, with hands resting in his lap and eyes closed. Behind him stands an orange-painted stepped pedestal topped by a dark Nandi bull statue draped with red and orange garlands and a garland of marigolds on a copper kalasha-style structure. A brass kalasha vessel sits beside him on the mat. To the right, a bare-chested priest in white dhoti and shawl sits with folded hands near a dark shivalinga. Palm trees and greenery surround the scene. A serpent statue is visible at left.
02

Morning-Satsang

13 dated photos in previewSource gallery
03

Sarvadarshan

5 dated photos in previewSource gallery
A temple scene with a man in orange robes and a rudraksha mala walking down a red carpet, palm raised in greeting, toward a golden shrine holding garlanded deity murti. Two men in white dhotis with red borders stand nearby, one with palms pressed together in namaskar and another in the background. A cameraman with a video camera on a tripod films beside a metal railing, under an orange cloth canopy and red-pillared roof. A brass plate with offerings sits at the lower left. The orange-robed figure is an appearance-based a person with a rudraksha mala walking in procession.A man with long, wavy black hair leans forward over a grey stone ledge, his face lowered toward the stone and his right hand resting open on the stone. He wears a flowing saffron-orange robe and a long necklace of dark rudraksha beads that hangs down past the ledge. A white tilak mark is visible on his forehead. The carved stone pillar behind him suggests a temple setting. Swamiji (probable): the long swept-back hair, saffron robe and rudraksha mala match the cues for the Swamiji candidate.
04

Nithyanandeshwara-Paramashiva-Golden-Temple

2 dated photos in previewSource gallery
05

Ganapati-Homa

6 dated photos in previewSource gallery
06

Nsp-Session-With-Swamiji

18 dated photos in previewSource gallery
A large audience of mostly men in white clothes sits cross-legged on the floor of a hall, facing a stage. On the stage, a figure in orange robes with a red-orange garment and a beaded necklace sits in a brown upholstered armchair behind a small white podium with a flower arrangement. Swamiji (probable) is seated in the centre, with long hair and saffron-orange robes and a rudraksha-style necklace. Behind him hangs a dark blue curtain with a dark banner reading NSP and the Tamil text நித்தியானந்த ஸ்புரணா. A large white banner on the right shows concentric coloured rings. Swags of maroon and white drapery hang along the top of the stage, and a white projection screen stands on the left.A photograph of a seated speaker on a stage at a Nithyananda Dhyanapeetam event. A man with long dark hair, wearing an orange saffron robe and a long dark rudraksha mala, sits cross-legged in a plush peach-coloured armchair with carved black wooden frame, hands raised in a teaching gesture, facing left toward an unseen audience. A microphone stand stands beside him. Behind him hangs a black backdrop with large white Tamil lettering reading a Nithyananda Dhyanapeetam name. At left, a white podium holds a glass vase of red and yellow artificial flowers and a water bottle. No other people are visible in the frame.A seated man in orange saffron robes sits cross-legged on an ornate orange upholstered throne with carved black wooden backrest and armrests. He wears a black rudraksha mala around his neck and a red bindi on his forehead, with long dark hair swept back. Hands rest in his lap. A microphone stand and a small white podium with a microphone stand at left are visible, with red flowers at the left edge. Behind him is a black backdrop with large white letters partly visible at top right.
07

Seeragapadi-milk-pot-procession

11 dated photos in previewSource gallery
A long procession of women walks barefoot along a paved village road lined with coconut palms and green shrubs, with a low hill behind. Each woman balances a metal pot wrapped in white cloth on her head, one hand raised to steady it. Most wear white saris with gold or orange borders, while others wear orange, pink, blue and yellow saris. Several wear gold bangles and necklaces. The scene resembles a ritual pot-carrying procession.
08

01--Satsang

21 dated photos in previewSource gallery
A man seated cross-legged on an ornate gold throne with carved scrollwork and red velvet cushions, in front of a deep blue curtain. He wears an orange sleeveless saffron-coloured wrap and matching orange dhoti, a long rudraksha mala with dark beads, and a red tilak on his forehead. His hair is long and swept back, and he raises both palms outward while speaking into a stand microphone. A cymbal on a stand and a book are at the left edge, and a red cushioned footstool sits at his feet. Appearance-based probable Swamiji cues: long swept-back hair, saffron clothing and rudraksha mala on a gold throne.A man seated cross-legged on a red cushioned dais in front of an ornate gold arched throne with carved floral motifs. He wears a sleeveless saffron-orange garment draped over the body and orange lower wrap, with a long rudraksha mala around his neck and a red tilak on his forehead. His long dark hair is swept back, and he holds his hands together in front of him while a gooseneck microphone stands beside him. A dark blue curtain forms the backdrop.A photograph of a man seated cross-legged on an ornate gold throne with red cushions in front of a deep blue draped curtain. He wears an orange saffron robe, a long rudraksha mala necklace, and has a red bindi on his forehead. He sits with both hands raised to cover his eyes, a gesture of inward focus. A microphone stand is beside him, a water bottle sits on a white lectern at right, and a cymbal stand is visible at left. Appearance-based candidate, a person, based on orange robe, rudraksha mala and ornate throne cues, giving a discourse. Single physical person on stage.A man sits cross-legged on an ornate gilded throne with a red velvet seat and red bolster cushions, in front of a blue draped curtain. He wears an orange saffron robe, has long swept-back dark hair, and wears a long rudraksha mala. He holds a pair of wooden sticks and smiles while looking to his right. A microphone on a gooseneck stand is near his face, and a cymbal on a stand is at the left edge. Swamiji (probable): long swept-back hair, saffron clothing and rudraksha mala, seated on a throne as a discourse speaker.A man with long swept-back dark hair sits cross-legged on an ornate gilded throne with a tall arched back and red cushions, speaking into a gooseneck microphone during a talk. He wears a sleeveless saffron-orange robe, orange dhoti-style cloth, a red bindi and a long rudraksha mala, with his hands raised in an explanatory gesture. Behind him hangs a dark blue draped curtain, and a cymbal stand is visible at the left edge.A man seated cross-legged on an ornate gold throne with a deep red cushion and red bolster pillows, speaking into a microphone on a stand before a dark blue draped curtain. He wears a sleeveless saffron-orange robe, a long rudraksha mala of dark beads, and a small red bindi on his forehead, with long hair swept back. He gestures by placing both index fingers to his temples. A cymbal stand and a water bottle sit at the left edge of the stage and a book rests on a lectern. Swamiji (probable): the saffron robe, rudraksha mala, long swept-back hair and throne seating form the qualifying cues for a discourse at the stage.
09

02- Living-Enlightenment-Process-LEP

10 dated photos in previewSource gallery
A man sits cross-legged on an ornate gold throne with red cushions in front of a dark blue curtain during a talk. He wears an orange robe, a long dark rudraksha mala, and a red bindi, with long dark hair swept back. Both hands are raised to his nose in a gesture. A microphone on a stand is in front of him, a cymbal stands to the left, and water bottles sit on white side tables. The appearance matches the Swamiji (probable) cues of long swept-back hair, saffron clothing, rudraksha mala and a throne, so he is marked as an in-person candidate.A man seated cross-legged on an ornate gold throne with a tall curved back and red cushions, speaking into a microphone on a stand. He wears saffron-orange robes, a long rudraksha mala with dark beads, and a small red bindi, with long dark hair swept back. His hands rest together at his waist. Blue curtains hang behind the stage, with a cymbal on a stand at left, water bottles on podiums, and a small purple bird logo at top left. Swamiji (probable): long swept-back hair, saffron clothing and rudraksha mala on a throne.A man with long dark hair sits cross-legged on an ornate gold throne with a red cushion, speaking into a gooseneck microphone. He wears a saffron-orange robe and a long black rudraksha mala. His left hand rests on his knee and his right hand is raised to his head. A cymbal stand, water bottles on small white podiums, and a navy curtain frame the stage.A seated man in saffron-orange robes sits cross-legged on an ornate gold throne with a carved, arched back and red cushions, in front of a dark blue draped curtain. He wears a rudraksha mala with long dark beads, a red tilak on his forehead, and has long dark hair swept back. A microphone on a flexible stand is positioned before him, and a water bottle sits on a table at right. A small cymbal rests on a stand at left. Probable Swamiji, identified by long swept-back hair, saffron clothing and rudraksha mala as the discourse speaker on the throne.A man seated cross-legged on an ornate gold throne with a red cushioned seat and armrest pillows, in front of a deep navy blue draped curtain. He wears a saffron-orange robe and a long rudraksha mala with dark beads, and has long swept-back hair and a red bindi. His right hand is raised to his head as he speaks, with a microphone on a boom stand before him. Water bottles sit on small white tables at either side, and a brass cymbal-like object rests on a stand at left. Appearance-based probable Swamiji (probable): long hair, orange robes, rudraksha mala and ornate throne. The scene reads as a seated discourse on stage.A seated man in saffron-orange robes and a long black rudraksha mala speaks into a microphone while sitting cross-legged on an ornate gold throne with red cushions. He gestures with his right hand and holds a small wooden stick in his left. Long dark hair falls to his shoulders, and a small vermilion mark is on his forehead. Behind him hangs a dark blue draped curtain. A brass cymbal stands on a stand at left, a water bottle sits on a table at left, and a bottle and microphone stand are at right. The scene shows a discourse setting.
10

03--Yoga-Sutras-Session

288 dated photos in previewSource gallery
A man seated on an ornate cream upholstered throne with carved black wooden arms, speaking into a microphone on a stand at right. He wears a white turban with a small red mark on his forehead, a beige-gold draped robe, and a long necklace of large gold beads. His right hand is raised in a gesture as he talks, and his left hand rests in his lap. Papers and a clipboard lie on the armrest and a side table, and a dark purple curtain hangs behind him. Appearance-based a person cues: white turban, beige-gold robe, gold bead necklace, seated on a throne.A seated man in a cream-coloured silk shawl and dhoti with gold-brown border sits in a cushioned ornate dark-wood throne chair, eyes closed, palms raised near his face in a teaching gesture. He wears a white turban with a small red tilak on his forehead, a long gold bead necklace of large gold-toned beads, and a lavender-cloth book rests on the armrest. A microphone stand and boom are in front of him, with a gold-glittered banner behind and a purple curtain at left. a person seated on the throne during a discourse.A seated man in a cream-coloured dhoti-style wrap and a white turban sits cross-legged on a gold upholstered throne with black carved armrests, hands pressed together in namaste at his chest. He wears a long orange-beaded mala around his neck. A microphone stand is in front of him. Behind him hangs a large gold-lettered banner reading Yoga Sutras, with a yellow yoga-pose figure in the middle of the word, above a dark blue curtain. To the left, a white pedestal holds a glass vase of red and white flowers and a water bottle. The scene is a stage talk. The seated man appears to be a person, based on the turban, the orange-beaded mala and the ornate throne.A man seated on an ornate cream-upholstered throne with black carved wooden arms, speaking at a microphone on a stand. He wears a cream turban, a cream garment and a heavy gold beaded necklace, with a red tilak on his forehead. His eyes are lowered and his right hand is raised in a gesture before a round brass cymbal on a stand. Behind him a large sign reads Sutras in gold letters on a green band, with dark blue drapes beyond.A blurred photograph of a speaker on a low stage giving a talk with a handheld microphone. He wears a white turban, a golden-beige unstitched robe draped over one shoulder with matching beige dhoti-style trousers, and a yellow beaded necklace. Behind him is a whiteboard on an easel with handwritten notes in columns, in front of a dark blue curtain. A window and pale wall are visible on the right. The speaker's identity is uncertain from appearance; the setting suggests a discourse session.A seated man in a cream turban and beige draped robe sits cross-legged on an ornate golden-beige throne with black carved backrest. He wears a long gold bead necklace and a red bindi, hands resting in his lap. A microphone on a flexible stand sits near his face. Behind him a green wall shows large gold glitter letters and a yellow figure logo.
11

more Photographs

13 dated photos in previewSource gallery
Close view of a ritual tray in a temple setting. A hand in orange sleeve rests on a large steel plate holding small silver bowls, scattered white flowers and petals. The tray appears used for an offering or puja arrangement. No face is visible and no person can be identified.A photograph of a devotee gathering inside a covered courtyard hall with an orange-painted wall and a corrugated roof. Many seated devotees in white and pale clothing face a central aisle lined with a long red carpet and metal railings. At the far end, a raised platform holds a figure seated in front of a bright backdrop; the figure is too small and distant for any appearance-based identification. Women in colourful saris sit among the men in white kurtas and dhotis. The scene looks like a formal satsang or darshan with a seated crowd.
12

02-Pancha-Tapas

5 dated photos in previewSource gallery
A photograph of a man in saffron-orange robes seated cross-legged on an orange cushion placed on a low wooden platform over a white mat. He wears a long rudraksha mala with dark beads and a red tilak on his forehead, and his hands rest on his knees in a meditative posture. A brass kalasha-style vessel with a handle sits on the mat beside him. Behind him, two people in white dhotis with red borders stand and sit on the sandy ground near a red-orange pillar. Scattered grey ash lines the sand. The seated figure is an appearance-based a person, identified by saffron robes, rudraksha mala and tilak, but the image is not conclusive.Outdoor temple courtyard with a sandy ground and palm trees behind. In the foreground a man with long dark hair tied back, wearing a saffron-orange cloth draped over his body and a dark rudraksha mala, walks barefoot with his palms pressed together in anjali, eyes lowered. Behind him on the left a second saffron-robed figure stands near a stone sculpture. Several people in white dhotis, some with orange shawls and one in a yellow shawl, stand or bend over on the ground among grey stone statues and orange-painted shrines. A red-cushioned chair sits beside the steps, decorated with white kolam patterns. Near the centre, a long-haired saffron-clad man is shown performing a ritual act; an older man in white shirt stands further back.A barefoot man in a flowing saffron-orange dhoti-style wrap and a black rudraksha mala walks across a green mat at a temple entrance. Long dark hair is swept back, and he looks down as he steps. Behind him, a red-and-white striped structure and an orange-draped cart stand near a palm-lined courtyard, while a group of men in white dhotis and shirts stands on the left, some with hands joined. Inside the doorway, a dark stone deity murti stands on a pedestal beside potted plants. The cart may be a palanquin or ratha. A white circular logo appears in the lower left corner.A crowd of devotees stands under a corrugated metal canopy with exposed steel trusses, hands joined in anjali, in a temple-like hall. Men on the left wear white dhotis and shirts; a shaven-headed priest in white with a red-striped shawl stands at right beside a woman in a cream sari with a red border who also has hands folded. Further back, women in saris stand near an ornate deity murti with a golden canopy and orange drapes. On the orange wall hang a framed portrait of a man in orange robes seated in meditation, and a banner. The scene suggests prayer or puja.A man with long swept-back black hair and a red bindi sits on a red cushioned throne with an ornate gold-embossed back. He wears a sleeveless saffron-orange wrap and a long double-strand of dark rudraksha beads, with his hands folded in his lap in a meditative pose. Swamiji (probable): the saffron wrap, long swept-back hair, rudraksha mala and throne seating are the cues for the Nithyananda Paramashivam presentation.
13

03-Pada-Puja

21 dated photos in previewSource gallery
A man in saffron-orange robes and a long rudraksha mala sits on an ornate gold throne with a red cushion, palms raised in a teaching gesture. Behind him stands a deity murti with a crown and trident-like staff, garlanded with yellow and purple flowers, flanked by gold oil lamps and carved stone pillars. Two people in the lower foreground, one in white with dark hair, face the throne. The man has long swept-back hair and distinctive saffron and rudraksha cues, matching the page's Swamiji reference, so he is a probable Swamiji in person. A gold-and-red ritual setting with a green plant backdrop.Close-up photograph of a pair of bare feet resting on an ornate gold-coloured tray or pedestal, with gold-plated decorative fittings. A person in an orange-saffron garment stands above, and a second person's arm and orange cloth are blurred at the left edge. Beside the feet lie a cluster of gold-coloured ornaments, white and red flowers, and a rudraksha-style mala. The scene suggests a padapuja, the ritual washing and worship of a teacher's feet.Close-up photograph of bare feet resting on a gilded golden throne or peetha with ornate carved edges. A person in orange saffron robes sits above, with only the lower legs and feet visible. On the left, a hand in white clothing touches or supports the feet while another hand rests nearby. A red velvet covering is visible at the top of the frame. The background is dark.Three men sit cross-legged on a mat in a hall with red walls, hands pressed together in namaskar with eyes closed. The man on the right wears a white dhoti and shawl with coloured borders and a horizontal tilak on his forehead. The two men on the left wear saffron-orange robes; the middle one wears glasses and a shaved head, and the left one wears a wristwatch. Brass puja vessels, a kalasha-style lamp, and small offerings sit on an orange cloth before them. A camera on a tripod and other seated devotees in white and yellow clothing appear in the background.A photograph of a seated group of shaven-headed men in plain white dhoti and shawl with red-bordered edges, hands pressed together in anjali mudra during a puja. Three men in the front row are in focus, with brass plates, bells, small lamps, flowers and fruit on mats before them. Behind them, more seated devotees and a wooden-railed hall with hanging decorations and wall pictures. The setting suggests a ritual gathering in an ashram hall.A photograph of several shaved-headed men in white dhotis and white shawls with red borders, seated cross-legged on a woven mat during a puja. The man in front centre holds a small brass vessel and spoon over a red cloth with brass puja vessels and a small offering dish. The man at right sits with palms pressed together in prayer, and a brass lamp with a lit flame sits beside him. Behind them, other seated participants and a metal railing are visible, with a pillar and bright indoor walls at the back. No identifiable a person figure is visible.
14

04-Satsang

15 dated photos in previewSource gallery
A smiling man with long dark hair swept back sits before an ornate gold-embossed backdrop and a red cushioned seat. He wears an orange saffron shawl over his shoulders, multiple rudraksha mala beads around his neck, and a red kumkum mark on his forehead. A microphone stands beside him. Appearance cues match the page's a person candidate, so this is a probable identification based on distinctive visible adornments and clothing rather than facial recognition.A man seated on an ornate gold-carved throne with a red cushion, wearing a sleeveless saffron-orange robe draped over one shoulder and a long mala of dark rudraksha beads. He has long dark hair swept back, a red bindi-style mark on his forehead, and looks to the side beside a black microphone on a stand. Swamiji (probable) is shown in this seated teaching pose; appearance cues include the long swept-back hair, saffron robe and rudraksha mala. The gold throne backdrop and microphone indicate a discourse setting.Close-up photo of a man with long, swept-back black hair wearing an orange robe and multiple rudraksha mala beads, a red bindi and white forehead marks. He is seated in front of an ornate gold throne with a red cushion and speaks into a black microphone at lower right. Swamiji (probable): the long swept-back hair, saffron robe and rudraksha malas match the page's claim, so he is labelled as a probable in-person candidate.Close-up photograph of a smiling man with long, swept-back black hair, wearing an orange saffron garment draped over his shoulders and multiple rudraksha mala beads around his neck. He has a red bindi and white vibhuti marks on his forehead and is raising one hand near a microphone. Behind him is an ornate gold repoussé backdrop with a red cushion at the left edge.Close-up photograph of a smiling man with long dark hair swept back, wearing an orange saffron shawl and a multi-strand rudraksha mala of dark brown beads. He has a red bindi and white vertical tilak on his forehead, and his right hand is raised in a gesture while he speaks. A black microphone is at the right edge, and behind him is a red cushion in front of an ornate gold-embossed throne. Probable Swamiji: long swept-back hair, saffron clothing and rudraksha mala, seated on a gilded throne with a microphone as the speaker.Close-up photograph of a bare foot resting on an ornate gilded throne. A person in flowing saffron-orange robes sits with the foot visible at the lower centre, toes relaxed. The throne has carved gold-painted floral and scroll patterns, with a dark maroon cushioned seat above. The foot is the only visible body part.
15

07-Morning-Session-NSP

30 dated photos in previewSource gallery
A large hall filled with seated audience members on white plastic chairs, viewed from the back. Most attendees wear white or saree-style outfits in teal, red, blue, orange and purple, with many women wearing long braids or buns. A white fabric ceiling and rows of ceiling fans overhead. At the far end a stage has maroon drapes with white tassels, a dark backdrop with a golden emblem, a wooden seat with a lit oil lamp on a small table, and a circular green-and-yellow graphic on an easel. Two projection screens flank the stage.A large indoor hall filled with a dense audience of men seated on orange-brown plastic chairs, photographed from behind. Most attendees wear white shirts and white trousers, with a few in darker or patterned clothes. A stage at the far end has a dark backdrop with a draped valance, a small illuminated emblem, and a projection screen showing a concentric target-like graphic. Ceiling fans hang beneath a white fabric canopy, and side windows let in daylight.A large indoor hall seen from behind the audience, with a crowd of men seated in rows on beige plastic chairs facing a stage. Most wear white shirts and white dhotis, and several have grey or white hair. A man in the foreground wears a dark rudraksha-style necklace. The stage at the far end has a dark drape with a small illuminated screen showing a colourful target-like graphic, and a dark backdrop with a gold emblem. Ceiling fans and draped white fabric hang above, with a few white banners and a backlit screen beside the stage. A white cloth bag with a printed figure hangs from a chair on the left.A man seated cross-legged on an ornate brown velvet throne with black carved wooden armrests and backrest, speaking with eyes closed and one hand raised in a gesture. He wears a sleeveless saffron-orange robe and a long black bead mala around his neck, with a small red mark on his forehead. Long dark hair falls to his shoulders. A white lectern with a water bottle stands at left, a microphone on a stand is at right, and a bouquet of red and white flowers sits at the left edge. Behind him a dark blue backdrop bears large white Tamil script lettering. The photo is credited to a person.A photograph of a seated speaker on a stage before a black backdrop with white Tamil script reading NSP and நித்யானந்த ஸ்ப்ரணா. A man with long dark hair wears an orange-saffron shawl and a dark rudraksha mala, seated on a peach-coloured cushioned throne-style chair with carved dark wooden arms and back, speaking into a microphone on a stand. A white table to the left holds a vase of red and yellow flowers and a water bottle. Blue drapes frame the background.A photograph of a man with long swept-back dark hair seated on an ornate peach-upholstered throne with black carved wooden armrests and backrest. He wears a sleeveless saffron-orange garment with a matching wrap and a long necklace of dark rudraksha beads, and his feet are bare. A microphone stand stands beside him, a small microphone sits on a white table at left, a water bottle and red and yellow flowers appear at left, and a dark blue curtain hangs behind him beneath a large white decorative lettering panel.
16

09-Meditation

20 dated photos in previewSource gallery
A large hall filled with seated devotees on orange and red mats in rows, most dressed in white with some in colourful shirts, sitting cross-legged with hands in meditative poses. Small paper cards lie on the mats at the front. Ceiling fans, a wall clock and bright lights hang above, and a raised white platform sits at the lower left. The seated people face toward the front of the hall in silent meditation or listening.A large indoor hall with a concrete floor and ceiling fans, where hundreds of seated devotees fill rows on orange and blue mats facing a stage area. Most wear white dhotis and white kurtas, while a few wear shirts, pink or blue garments. Many sit with folded hands or eyes closed in meditation, and small printed sheets lie on the mats in front of them. A wall clock and ceiling lights are visible above a white canopy. No identifiable a person figure is visible in this view, so the presenter is not shown.A large seated gathering of devotees sits on orange floor mats in a hall during a meditation session. Many men wear white shirts and white dhotis, some with rudraksha malas around their necks, others in patterned shirts or pale kurtas. Numerous participants have shaved heads, and many raise a hand to the face with fingers touching the nose, as in nadi shodhana breathing. Some hold papers or sheets on the mat beside them. A camera on a tripod stands at the upper left, and a purple cloth hangs near the top-left corner. Lamps and a stage are not clearly visible. No single figure can be identified as a person from appearance here.A large indoor hall with ceiling fans, rows of fluorescent lights and white tent-like ceiling panels holds a seated audience of many devotees sitting cross-legged on orange and purple mats. Most wear white or cream kurtas and shirts; some wear orange or maroon. Several have closed eyes or hands raised to the face in meditation, and some hold small cloth bags printed with a portrait. A speaker stands at a lectern at the far left. A white donation box sits at the right foreground. The scene is a meditation or listening session.A large hall filled with seated devotees on orange and purple mats during a meditation session. Many men in white kurtas and light shirts sit cross-legged with their fingers raised near their faces in a mudra-like gesture. Some wear lanyards with badges, and several have shaved heads. Cloth bags printed with a face portrait lie on the orange mats in front. A staff member stands near the back wall, and a camera operator is visible on the right. No identifiable a person figure is present in the frame.A large seated congregation of men fills a hall, sitting cross-legged on orange mats and cushions. Most wear white kurta-pyjama or white shirts and white dhotis, and many have shaved heads. Several participants hold their right hand to the nose in a nasal breathing practice, eyes closed, with white name badges and rudraksha malas visible. Some men in cream or patterned shirts sit among them. Ceiling lights and a camera tripod are visible at the top. No individual is identifiable as a person from the visible cues in this image.

September 09 2010

Original wiki page
Contents

Title

Video and Audio

The Art of Right Listening by Nithyananda

VideoAudio

Transcript

sadāshiva samārambhām shankarācāryā madhyamām | asmat ācārya paryantām vande guru paramparām ||

(0:48)

The today’s subject, today’s sutra is Art of right listening. Listening has been prescribed as a first step in almost all spiritual traditions in the world. Rishis, the oldest spiritual tradition, Vedic tradition, they start with the spirituality with the word shravana - listening. Buddhist tradition starts with their, starts the eight steps for nirvana; first step is right listening. J Krishnamurti, the modern day master goes a step ahead, step further, says ‘Right listening is God’. He gives the place of God to right listening.

(2:40)

What is exactly right listening? Hearing is different, listening is different. Hearing means, sound enters into your ears, gets processed, either it creates fear or greed or different emotions. Listening means, sound enters into your system and gets absorbed into your system; leads your system from sound to silence. Understand, it’s like almost, if the pond is dirty, if you put little lime powder, the lime powder will take the dust and settle on the ground. So in few minutes the whole pond will be clean. Same way, the right listening is put on chaotic mind - the mind which is full of words, right listening is sprinkled, sprayed like a lime powder, it will take away all the dust, which is words and thoughts in your mind and settle down on the ground.

(4:29) Right listening means the sounds which leads you from sound to silence. The right listening can happen when you are ready to listen with anything; chirping of the bird can lead you to enlightenment. Sound of bamboo can be the Upanishad mantras. The sound of Ganges can be the Anahata dhvani. With right listening, everything that echoes in your system, everything that reverberates in your inner space, leads you to silence. Of course the possibility for right listening, the happening of right listening, happens more in the presence of a living master, an incarnation, who himself has experienced the Anahata dhvani - the sound which is uncreated, in His inner space. Again and again and again the emphasis on right listening is put because the right listening is an independent, intelligent, technique, which can directly lead you to the higher space and higher reality.

(6:58)

With the right listening you will understand, the sound waves which reaches your inner space, is deeper than the visions which reaches your inner space. When I say this, I mean, the sounds which you are hearing now, the words which are entering your inner space, are more stronger, more truthful, more higher reality than the scenes you are seeing around you. The wax out of which the scenes are created, which you are seeing around you, is of much lower quality than the words which are reaching your inner space. The sound which I am creating now, which is reaching your inner space, is more stronger base material, to create what you want than what you are seeing as a scene. As long as you feel what you are seeing is more stronger reality than what you are hearing, you are in illusion - Maya. You are hallucinating. The right listening has not yet happened in you.

(8:35)

When you feel what you are listening, the words which are entering your inner space is more powerful than the scene you are seeing, the right listening is happening in you. Sit with the deep awareness, how the words are touching your ears and reverberating your inner space. You will see, the words which are touching your inner space and reverberating and the reactions created by them and the space created by them, consciousness happens in you by them, are more higher reality than the scenes you are seeing around you. This is what I call ‘art of right listening’. Better I’ll use the word ‘science of right listening’. The word art is too much loaded and abused by too many people with too many words. Science of listening.

(10:49)

As rishis describe listening in their own way - shravana, Buddha describes right listening, Krishnamurti describes ‘right listening is God’; I will add my part to the right listening. I will give you a powerful process for right listening. Bring your awareness to the third eye area, forehead, see very clearly the sounds; sounds is the right word, not even words. Sounds from the master, how it penetrates your third eye, please understand, sounds from master reaches your system through your third eye, not through your ears. Ordinary words, which leads you to more and more words, reaches you towards your ears. The words which leads you from sound to silence, the sounds which leads you from sound to silence, reaches your system through third eye. Have your awareness in the third eye, see how the words are penetrating and how they are reverberating and what kinds of meanings, emotions, experiences, they are creating in your system; just see the whole thing. Seeing the whole thing is listening.

(12:58)

Understand, listen through the third eye, whatever happens inside, see it, that’s all. This is a powerful process to listen. Whenever you find time, sit with masters discourses, words, listen through third eye; you will have new understanding. By the end of the discourse, you would have been already put in deep silence. Never ever listen to a person who creates more thoughts in you. Listen to the words and a person who leads you to the deeper and deeper space of silence and higher and higher space of realities. The master's words come from a frequency, where what you are seeing as the world is too small. What you see as the world is illusion in My space. So anything comes from My space and reaches your inner space, lead you to the same experience of My space. So any word which comes from This inner space and enters your inner space, leads you to the same experience of My inner space, means this is smaller reality than the sounds created.

(15:08)

Sit with this science of right listening, the process of science of right listening, it is enlightenment. I don’t want to say it will lead you to enlightenment. It is enlightenment! What Upanishads calls as ‘shravana’, what Buddha calls as ‘sammati’, what J Krishnamurti calls as ‘right listening is God’, I am giving you this process to make all that three as experience into you.

(16:04)

My unique contribution to the spiritual tradition is creating processes, sharing the processes with the world, to make every truth into experience, reality. So I will add My part to the shravana, sammati, right listening. This part - the science of listening - Sit with your awareness on the third eye, listen through the third eye and see how the sounds penetrate your system and how it reverberates in your system. What all emotions, experiences, expressions, ripples, it creates and those ripples and emotions and experiences, where it leads you - just see. You will experience right listening as rightly said by J Krishnamurti, God Himself.

Let you all live and radiate enlightenment. Live and radiate the eternal bliss Nithyananda. Thank you.

(17:30)

Photos

Photos For The Day

Panchatapas

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Paadapooja

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Morning-Satsang

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Sarvadarshan

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Nithyanandeshwara-Paramashiva-Golden-Temple

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Ganapati-Homa

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Nsp-Session-With-Swamiji

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Photos Of The Day:

Seeragapadi-milk-pot-procession

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01--Satsang

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02- Living-Enlightenment-Process-LEP

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03--Yoga-Sutras-Session

20100909_Photo_1000_IMG_5294_CMP_WM 20100909_Photo_1001_IMG_5380_CMP_WM 20100909_Photo_1002_DSC_9020_CMP_WM 20100909_Photo_1003_IMG_5448_CMP_WM 20100909_Photo_1004_DSC_9017_CMP_WM 20100909_Photo_1005_IMG_5348_CMP_WM 20100909_Photo_1006_DSC_8985_CMP_WM 20100909_Photo_1007_DSC_8966_CMP_WM 20100909_Photo_1008_IMG_5288_CMP_WM 20100909_Photo_1009_IMG_5222_CMP_WM 20100909_Photo_1010_IMG_5336_CMP_WM 20100909_Photo_1011_IMG_5463_CMP_WM 20100909_Photo_1012_IMG_5301_CMP_WM 20100909_Photo_1013_IMG_5240_CMP_WM 20100909_Photo_1014_IMG_5436_CMP_WM 20100909_Photo_1015_IMG_5354_CMP_WM 20100909_Photo_1016_DSC_8999_CMP_WM 20100909_Photo_1017_IMG_5363_CMP_WM 20100909_Photo_1018_IMG_5401_CMP_WM 20100909_Photo_1019_IMG_5372_CMP_WM 20100909_Photo_1020_IMG_5410_CMP_WM 20100909_Photo_1021_IMG_5427_CMP_WM 20100909_Photo_1022_IMG_5345_CMP_WM 20100909_Photo_1023_DSC_8988_CMP_WM 20100909_Photo_1024_IMG_5266_CMP_WM 20100909_Photo_1025_IMG_5251_CMP_WM 20100909_Photo_1026_IMG_5472_CMP_WM 20100909_Photo_1027_IMG_5310_CMP_WM 20100909_Photo_1028_IMG_5445_CMP_WM 20100909_Photo_1029_IMG_5233_CMP_WM 20100909_Photo_1030_IMG_5299_CMP_WM 20100909_Photo_1031_DSC_8977_CMP_WM 20100909_Photo_1032_DSC_8994_CMP_WM 20100909_Photo_1033_DSC_9006_CMP_WM 20100909_Photo_1034_IMG_5391_CMP_WM 20100909_Photo_1035_IMG_5285_CMP_WM 20100909_Photo_1036_IMG_5388_CMP_WM 20100909_Photo_1037_DSC_8972_CMP_WM 20100909_Photo_1038_IMG_5254_CMP_WM 20100909_Photo_1039_IMG_5263_CMP_WM 20100909_Photo_1040_IMG_5422_CMP_WM 20100909_Photo_1041_IMG_5340_CMP_WM 20100909_Photo_1042_IMG_5377_CMP_WM 20100909_Photo_1043_IMG_5415_CMP_WM 20100909_Photo_1044_IMG_5236_CMP_WM 20100909_Photo_1045_IMG_5322_CMP_WM 20100909_Photo_1046_IMG_5440_CMP_WM 20100909_Photo_1047_DSC_9028_CMP_WM 20100909_Photo_1048_IMG_5280_CMP_WM 20100909_Photo_1049_IMG_5394_CMP_WM 20100909_Photo_1050_IMG_5409_CMP_WM 20100909_Photo_1051_DSC_8991_CMP_WM 20100909_Photo_1052_IMG_5248_CMP_WM 20100909_Photo_1053_IMG_5309_CMP_WM 20100909_Photo_1054_DSC_9003_CMP_WM 20100909_Photo_1055_DSC_9012_CMP_WM 20100909_Photo_1056_DSC_9025_CMP_WM 20100909_Photo_1057_IMG_5318_CMP_WM 20100909_Photo_1058_IMG_5259_CMP_WM 20100909_Photo_1059_DSC_8980_CMP_WM 20100909_Photo_1060_IMG_5418_CMP_WM 20100909_Photo_1061_IMG_5385_CMP_WM 20100909_Photo_1062_IMG_5291_CMP_WM 20100909_Photo_1063_IMG_5466_CMP_WM 20100909_Photo_1064_IMG_5304_CMP_WM 20100909_Photo_1065_IMG_5333_CMP_WM 20100909_Photo_1066_IMG_5451_CMP_WM 20100909_Photo_1067_IMG_5227_CMP_WM 20100909_Photo_1068_IMG_5366_CMP_WM 20100909_Photo_1069_IMG_5404_CMP_WM 20100909_Photo_1070_IMG_5433_CMP_WM 20100909_Photo_1071_IMG_5351_CMP_WM 20100909_Photo_1072_IMG_5245_CMP_WM 20100909_Photo_1073_DSC_8963_CMP_WM 20100909_Photo_1074_IMG_5399_CMP_WM 20100909_Photo_1075_DSC_8964_CMP_WM 20100909_Photo_1076_IMG_5220_CMP_WM 20100909_Photo_1077_IMG_5303_CMP_WM 20100909_Photo_1078_DSC_9009_CMP_WM 20100909_Photo_1079_IMG_5334_CMP_WM 20100909_Photo_1080_IMG_5275_CMP_WM 20100909_Photo_1081_IMG_5242_CMP_WM 20100909_Photo_1082_IMG_5403_CMP_WM 20100909_Photo_1083_IMG_5361_CMP_WM 20100909_Photo_1084_IMG_5356_CMP_WM 20100909_Photo_1085_IMG_5434_CMP_WM 20100909_Photo_1086_IMG_5296_CMP_WM 20100909_Photo_1087_IMG_5382_CMP_WM 20100909_Photo_1088_DSC_8978_CMP_WM 20100909_Photo_1089_DSC_9005_CMP_WM(1) 20100909_Photo_1090_DSC_9015_CMP_WM 20100909_Photo_1091_IMG_5328_CMP_WM 20100909_Photo_1092_DSC_8987_CMP_WM 20100909_Photo_1093_IMG_5428_CMP_WM 20100909_Photo_1094_IMG_5278_CMP_WM 20100909_Photo_1095_DSC_8996_CMP_WM 20100909_Photo_1096_IMG_5439_CMP_WM 20100909_Photo_1097_DSC_9004_CMP_WM 20100909_Photo_1098_DSC_8969_CMP_WM 20100909_Photo_1099_IMG_5393_CMP_WM 20100909_Photo_1100_IMG_5287_CMP_WM 20100909_Photo_1101_IMG_5412_CMP_WM 20100909_Photo_1102_IMG_5370_CMP_WM 20100909_Photo_1103_IMG_5253_CMP_WM 20100909_Photo_1104_DSC_9018_CMP_WM 20100909_Photo_1105_IMG_5447_CMP_WM 20100909_Photo_1106_IMG_5325_CMP_WM 20100909_Photo_1107_IMG_5312_CMP_WM 20100909_Photo_1108_IMG_5470_CMP_WM 20100909_Photo_1109_IMG_5231_CMP_WM 20100909_Photo_1110_DSC_8971_CMP_WM(1) 20100909_Photo_1111_DSC_8975_CMP_WM 20100909_Photo_1112_IMG_5282_CMP_WM 20100909_Photo_1113_IMG_5396_CMP_WM 20100909_Photo_1114_DSC_8993_CMP_WM 20100909_Photo_1115_IMG_5369_CMP_WM 20100909_Photo_1116_DSC_8976_CMP_WM(1) 20100909_Photo_1117_DSC_9001_CMP_WM 20100909_Photo_1118_IMG_5228_CMP_WM 20100909_Photo_1119_DSC_8970_CMP_WM 20100909_Photo_1120_IMG_5417_CMP_WM 20100909_Photo_1121_IMG_5375_CMP_WM 20100909_Photo_1122_IMG_5342_CMP_WM 20100909_Photo_1123_IMG_5420_CMP_WM 20100909_Photo_1124_IMG_5234_CMP_WM 20100909_Photo_1125_IMG_5317_CMP_WM 20100909_Photo_1126_IMG_5442_CMP_WM 20100909_Photo_1127_IMG_5331_CMP_WM 20100909_Photo_1128_IMG_5306_CMP_WM 20100909_Photo_1129_IMG_5464_CMP_WM 20100909_Photo_1130_IMG_5225_CMP_WM 20100909_Photo_1131_IMG_5353_CMP_WM 20100909_Photo_1132_IMG_5431_CMP_WM 20100909_Photo_1133_IMG_5406_CMP_WM 20100909_Photo_1134_DSC_8982_CMP_WM(1) 20100909_Photo_1135_IMG_5364_CMP_WM 20100909_Photo_1136_IMG_5247_CMP_WM 20100909_Photo_1137_IMG_5270_CMP_WM 20100909_Photo_1138_DSC_8961_CMP_WM 20100909_Photo_1139_IMG_5239_CMP_WM 20100909_Photo_1140_DSC_9027_CMP_WM 20100909_Photo_1141_DSC_9010_CMP_WM 20100909_Photo_1142_DSC_8982_CMP_WM 20100909_Photo_1143_IMG_5387_CMP_WM 20100909_Photo_1144_IMG_5293_CMP_WM 20100909_Photo_1145_IMG_5255_CMP_WM 20100909_Photo_1146_IMG_5262_CMP_WM 20100909_Photo_1147_IMG_5341_CMP_WM 20100909_Photo_1148_IMG_5423_CMP_WM 20100909_Photo_1149_IMG_5414_CMP_WM 20100909_Photo_1150_IMG_5376_CMP_WM 20100909_Photo_1151_IMG_5237_CMP_WM 20100909_Photo_1152_IMG_5441_CMP_WM 20100909_Photo_1153_IMG_5314_CMP_WM 20100909_Photo_1154_DSC_9029_CMP_WM 20100909_Photo_1155_IMG_5476_CMP_WM 20100909_Photo_1156_IMG_5389_CMP_WM 20100909_Photo_1157_DSC_8973_CMP_WM 20100909_Photo_1158_IMG_5408_CMP_WM 20100909_Photo_1159_DSC_8990_CMP_WM 20100909_Photo_1160_IMG_5249_CMP_WM 20100909_Photo_1161_IMG_5308_CMP_WM 20100909_Photo_1162_DSC_9002_CMP_WM 20100909_Photo_1163_DSC_8977_CMP_WM(1) 20100909_Photo_1164_IMG_5395_CMP_WM 20100909_Photo_1165_IMG_5384_CMP_WM 20100909_Photo_1166_IMG_5290_CMP_WM 20100909_Photo_1167_DSC_9013_CMP_WM 20100909_Photo_1168_IMG_5319_CMP_WM 20100909_Photo_1169_DSC_9024_CMP_WM 20100909_Photo_1170_IMG_5258_CMP_WM 20100909_Photo_1171_DSC_8981_CMP_WM 20100909_Photo_1172_IMG_5419_CMP_WM 20100909_Photo_1173_DSC_8962_CMP_WM 20100909_Photo_1174_IMG_5398_CMP_WM 20100909_Photo_1175_IMG_5305_CMP_WM 20100909_Photo_1176_IMG_5467_CMP_WM 20100909_Photo_1177_IMG_5450_CMP_WM 20100909_Photo_1178_IMG_5332_CMP_WM 20100909_Photo_1179_IMG_5226_CMP_WM 20100909_Photo_1180_IMG_5405_CMP_WM 20100909_Photo_1181_IMG_5367_CMP_WM 20100909_Photo_1182_IMG_5350_CMP_WM 20100909_Photo_1183_IMG_5432_CMP_WM 20100909_Photo_1184_IMG_5273_CMP_WM 20100909_Photo_1185_IMG_5244_CMP_WM 20100909_Photo_1186_DSC_9021_CMP_WM 20100909_Photo_1187_DSC_9016_CMP_WM 20100909_Photo_1188_IMG_5349_CMP_WM 20100909_Photo_1189_DSC_8984_CMP_WM 20100909_Photo_1190_IMG_5295_CMP_WM 20100909_Photo_1191_IMG_5381_CMP_WM 20100909_Photo_1192_DSC_9013_CMP_WM(1) 20100909_Photo_1193_IMG_5223_CMP_WM 20100909_Photo_1194_IMG_5337_CMP_WM 20100909_Photo_1195_IMG_5300_CMP_WM 20100909_Photo_1196_IMG_5241_CMP_WM 20100909_Photo_1197_IMG_5276_CMP_WM 20100909_Photo_1198_IMG_5355_CMP_WM 20100909_Photo_1199_DSC_8998_CMP_WM 20100909_Photo_1200_IMG_5437_CMP_WM 20100909_Photo_1201_IMG_5400_CMP_WM 20100909_Photo_1202_IMG_5362_CMP_WM 20100909_Photo_1203_DSC_8967_CMP_WM 20100909_Photo_1204_IMG_5289_CMP_WM 20100909_Photo_1205_IMG_5298_CMP_WM 20100909_Photo_1206_DSC_8976_CMP_WM 20100909_Photo_1207_IMG_5411_CMP_WM 20100909_Photo_1208_IMG_5373_CMP_WM 20100909_Photo_1209_IMG_5344_CMP_WM 20100909_Photo_1210_DSC_8989_CMP_WM 20100909_Photo_1211_IMG_5426_CMP_WM 20100909_Photo_1212_IMG_5267_CMP_WM 20100909_Photo_1213_IMG_5250_CMP_WM 20100909_Photo_1214_IMG_5311_CMP_WM 20100909_Photo_1215_IMG_5473_CMP_WM 20100909_Photo_1216_IMG_5326_CMP_WM 20100909_Photo_1217_IMG_5232_CMP_WM 20100909_Photo_1218_IMG_5390_CMP_WM 20100909_Photo_1219_IMG_5284_CMP_WM 20100909_Photo_1220_IMG_5358_CMP_WM 20100909_Photo_1221_DSC_8995_CMP_WM 20100909_Photo_1222_IMG_5219_CMP_WM 20100909_Photo_1223_IMG_5458_CMP_WM 20100909_Photo_1224_DSC_9007_CMP_WM 20100909_Photo_1225_DSC_8969_CMP_WM(1) 20100909_Photo_1226_DSC_8992_CMP_WM 20100909_Photo_1227_IMG_5368_CMP_WM 20100909_Photo_1228_DSC_9000_CMP_WM 20100909_Photo_1229_IMG_5229_CMP_WM 20100909_Photo_1230_IMG_5283_CMP_WM 20100909_Photo_1231_IMG_5397_CMP_WM 20100909_Photo_1232_IMG_5374_CMP_WM 20100909_Photo_1233_IMG_5416_CMP_WM 20100909_Photo_1234_IMG_5421_CMP_WM 20100909_Photo_1235_IMG_5343_CMP_WM 20100909_Photo_1236_IMG_5235_CMP_WM 20100909_Photo_1237_IMG_5474_CMP_WM 20100909_Photo_1238_IMG_5316_CMP_WM 20100909_Photo_1239_IMG_5443_CMP_WM 20100909_Photo_1240_DSC_8971_CMP_WM 20100909_Photo_1241_IMG_5330_CMP_WM 20100909_Photo_1242_IMG_5452_CMP_WM 20100909_Photo_1243_IMG_5307_CMP_WM 20100909_Photo_1244_IMG_5224_CMP_WM 20100909_Photo_1245_IMG_5430_CMP_WM 20100909_Photo_1246_IMG_5352_CMP_WM 20100909_Photo_1247_IMG_5365_CMP_WM 20100909_Photo_1248_IMG_5407_CMP_WM 20100909_Photo_1249_IMG_5246_CMP_WM 20100909_Photo_1250_IMG_5271_CMP_WM 20100909_Photo_1251_IMG_5386_CMP_WM 20100909_Photo_1252_DSC_9020_CMP_WM(1) 20100909_Photo_1253_IMG_5238_CMP_WM 20100909_Photo_1254_DSC_9011_CMP_WM 20100909_Photo_1255_IMG_5379_CMP_WM 20100909_Photo_1256_DSC_8983_CMP_WM 20100909_Photo_1257_IMG_5221_CMP_WM 20100909_Photo_1258_IMG_5302_CMP_WM 20100909_Photo_1259_IMG_5335_CMP_WM 20100909_Photo_1260_DSC_9008_CMP_WM 20100909_Photo_1261_IMG_5457_CMP_WM 20100909_Photo_1262_IMG_5243_CMP_WM 20100909_Photo_1263_IMG_5360_CMP_WM 20100909_Photo_1264_IMG_5402_CMP_WM 20100909_Photo_1265_IMG_5435_CMP_WM 20100909_Photo_1266_IMG_5357_CMP_WM 20100909_Photo_1267_DSC_8965_CMP_WM 20100909_Photo_1268_DSC_9014_CMP_WM 20100909_Photo_1269_DSC_9023_CMP_WM 20100909_Photo_1270_IMG_5429_CMP_WM 20100909_Photo_1271_DSC_8986_CMP_WM 20100909_Photo_1272_IMG_5268_CMP_WM 20100909_Photo_1273_IMG_5297_CMP_WM 20100909_Photo_1274_IMG_5383_CMP_WM 20100909_Photo_1275_DSC_8979_CMP_WM 20100909_Photo_1276_DSC_8968_CMP_WM 20100909_Photo_1277_IMG_5392_CMP_WM 20100909_Photo_1278_IMG_5286_CMP_WM 20100909_Photo_1279_IMG_5279_CMP_WM 20100909_Photo_1280_IMG_5438_CMP_WM 20100909_Photo_1281_DSC_9005_CMP_WM 20100909_Photo_1282_DSC_8974_CMP_WM 20100909_Photo_1283_IMG_5424_CMP_WM 20100909_Photo_1284_IMG_5346_CMP_WM 20100909_Photo_1285_IMG_5371_CMP_WM 20100909_Photo_1286_IMG_5413_CMP_WM 20100909_Photo_1287_IMG_5252_CMP_WM 20100909_Photo_1288_IMG_5324_CMP_WM 20100909_Photo_1289_IMG_5446_CMP_WM 20100909_Photo_1290_DSC_9019_CMP_WM 20100909_Photo_1291_IMG_5471_CMP_WM 20100909_Photo_1292_IMG_5313_CMP_WM 20100909_Photo_1293_IMG_5230_CMP_WM

more Photographs

  • 20100909 02a-pada-puja CMP WM 33.jpg
  • 20100909 01a-Nithyananda-Pancha-Tpas CMP WM 33.jpg
  • 20100909 01b-Devotees-in-Pancha-Tapas CMP WM 33.jpg
  • 20100909 02b-Pada-puja-lotus-Feet-of-Nithyananda CMP WM 33.jpg
  • 20100909 02c-Ashramites-Pada-puja CMP WM 33.jpg
  • 20100909 02d-Devotees-Pada-puja CMP WM 33.jpg
  • 20100909 03a-Nithyanandas-Morning-message CMP WM 33.jpg
  • 20100909 04a-Sarva-Darshan-by-Nithyananda CMP WM 33.jpg
  • 20100909 05a-serving-prasad CMP WM 33.jpg
  • 20100909 07a-NSP-swamiji-nithyananda-morning-session CMP WM 33.jpg
  • 20100909 07b-NSP-participants-morning-session CMP WM 33.jpg
  • 20100909 07c-NSP-involved-participants-morning-session CMP WM 33.jpg
  • 20100909 07d-NSP-pranayama-morning-session CMP WM 33.jpg

02-Pancha-Tapas

20100909_Photo_1000_DSC_9836_CMP_WM 20100909_Photo_1001_DSC_9841_CMP_WM 20100909_Photo_1002_DSC_9843_CMP_WM 20100909_Photo_1003_DSC_9844_CMP_WM 20100909_Photo_1004_DSC_9848_CMP_WM

03-Pada-Puja

20100909_Photo_1000_DSC_0010_CMP_WM 20100909_Photo_1001_DSC_0012_CMP_WM 20100909_Photo_1002_DSC_0014_CMP_WM 20100909_Photo_1003_DSC_9863_CMP_WM 20100909_Photo_1004_DSC_9864_CMP_WM 20100909_Photo_1005_DSC_9865_CMP_WM 20100909_Photo_1006_DSC_9902_CMP_WM 20100909_Photo_1007_DSC_9907_CMP_WM 20100909_Photo_1008_DSC_9908_CMP_WM 20100909_Photo_1009_DSC_9914_CMP_WM 20100909_Photo_1010_DSC_9918_CMP_WM 20100909_Photo_1011_DSC_9931_CMP_WM 20100909_Photo_1012_DSC_9933_CMP_WM 20100909_Photo_1013_DSC_9951_CMP_WM 20100909_Photo_1014_DSC_9952_CMP_WM 20100909_Photo_1015_DSC_9956_CMP_WM 20100909_Photo_1016_DSC_9957_CMP_WM 20100909_Photo_1017_DSC_9959_CMP_WM 20100909_Photo_1018_DSC_9960_CMP_WM 20100909_Photo_1019_DSC_9971_CMP_WM 20100909_Photo_1020_DSC_9972_CMP_WM

04-Satsang

20100909_Photo_1000_DSC_0019_CMP_WM 20100909_Photo_1001_DSC_0031_CMP_WM 20100909_Photo_1002_DSC_0036_CMP_WM 20100909_Photo_1003_DSC_0043_CMP_WM 20100909_Photo_1004_DSC_0044_CMP_WM 20100909_Photo_1005_DSC_0050_CMP_WM 20100909_Photo_1006_DSC_0053_CMP_WM 20100909_Photo_1007_DSC_0057_CMP_WM 20100909_Photo_1008_DSC_0059_CMP_WM 20100909_Photo_1009_DSC_0063_CMP_WM 20100909_Photo_1010_DSC_0073_CMP_WM 20100909_Photo_1011_DSC_0074_CMP_WM 20100909_Photo_1012_DSC_0077_CMP_WM 20100909_Photo_1013_DSC_0078_CMP_WM 20100909_Photo_1014_DSC_0080_CMP_WM

07-Morning-Session-NSP

20100909_Photo_1000_DSC_0125_CMP_WM 20100909_Photo_1001_DSC_0127_CMP_WM 20100909_Photo_1002_DSC_0128_CMP_WM 20100909_Photo_1003_DSC_0130_CMP_WM 20100909_Photo_1004_DSC_0131_CMP_WM 20100909_Photo_1005_DSC_0138_CMP_WM 20100909_Photo_1006_DSC_0141_CMP_WM 20100909_Photo_1007_DSC_0143_CMP_WM 20100909_Photo_1008_DSC_0147_CMP_WM 20100909_Photo_1009_DSC_0148_CMP_WM 20100909_Photo_1010_DSC_0151_CMP_WM 20100909_Photo_1011_DSC_0152_CMP_WM 20100909_Photo_1012_DSC_0160_CMP_WM 20100909_Photo_1013_DSC_0163_CMP_WM 20100909_Photo_1014_DSC_0166_CMP_WM 20100909_Photo_1015_DSC_0171_CMP_WM 20100909_Photo_1016_DSC_0174_CMP_WM 20100909_Photo_1017_DSC_0181_CMP_WM 20100909_Photo_1018_DSC_0184_CMP_WM 20100909_Photo_1019_DSC_0185_CMP_WM 20100909_Photo_1020_DSC_0189_CMP_WM 20100909_Photo_1021_DSC_0196_CMP_WM 20100909_Photo_1022_DSC_0209_CMP_WM 20100909_Photo_1023_DSC_0212_CMP_WM 20100909_Photo_1024_DSC_0214_CMP_WM 20100909_Photo_1025_DSC_0221_CMP_WM 20100909_Photo_1026_DSC_0222_CMP_WM 20100909_Photo_1027_DSC_0242_CMP_WM 20100909_Photo_1028_DSC_0243_CMP_WM 20100909_Photo_1029_DSC_0263_CMP_WM

09-Meditation

20100909_Photo_1000_IMG_4118_CMP_WM 20100909_Photo_1001_IMG_4120_CMP_WM 20100909_Photo_1002_IMG_4125_CMP_WM 20100909_Photo_1003_IMG_4126_CMP_WM 20100909_Photo_1004_IMG_4127_CMP_WM 20100909_Photo_1005_IMG_4128_CMP_WM 20100909_Photo_1006_IMG_4132_CMP_WM 20100909_Photo_1007_IMG_4133_CMP_WM 20100909_Photo_1008_IMG_4136_CMP_WM 20100909_Photo_1009_IMG_4137_CMP_WM 20100909_Photo_1010_IMG_4139_CMP_WM 20100909_Photo_1011_IMG_4150_CMP_WM 20100909_Photo_1012_IMG_4152_CMP_WM 20100909_Photo_1013_IMG_4153_CMP_WM 20100909_Photo_1014_IMG_4157_CMP_WM 20100909_Photo_1015_IMG_4158_CMP_WM 20100909_Photo_1016_IMG_4159_CMP_WM 20100909_Photo_1017_IMG_4165_CMP_WM 20100909_Photo_1018_IMG_4166_CMP_WM 20100909_Photo_1019_IMG_4167_CMP_WM