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Nithyanandapedia
Monday

13 September 2010

Secrets of Spritual Healing

1,102Dated photos
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A photograph of a temple courtyard with an empty ornate gold-and-red throne (peetha) with a red cushioned seat and a small gold footstool in the foreground. A man in white ritual clothes kneels forward, forehead bowed to the footstool, hands joined in prostration. Behind him, several women in white and cream saris stand with palms pressed together in namaskar, one holding a white cloth to her face, and a woman in a green blouse stands at the right. A person in white dhoti stands at far left beside the throne, and a wall with orange panels and a red curtain forms the background.Exterior of the Sri Anandeshwara Temple, an orange-walled building with a red and white striped base and a signboard reading SRI ANANDESHWARA TEMPLE above the entrance. Two dark stone dvarapala guardian statues with orange shawls flank the white steps leading into the temple. A woman in an orange sari with an orange shawl stands at the left with her back to the camera, facing the entrance, with yellow flowers and a white floral kolam rangoli on the ground in front of her. A person in a white sari stands on the right near a red and orange banner advertising a Life Blissful program with a portrait of a smiling man in an orange turban. Potted green plants and a large stone pedestal lamp sit near the steps.A photograph of a gilded deity murti pair seated within an ornate golden arched niche framed by a red cloth backdrop. The central figure holds a sword-like staff and wears a red-and-white turban; beside him a smaller goddess figure wears a golden crown and jewelled garments. Garlands of yellow, purple and red flowers hang along the left side. Two tall polished brass oil lamps with bird-shaped finials stand in front, and a patterned ceiling is visible above. No living people are visible in the scene.

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01

1--Temple-Photos

6 dated photos in previewSource gallery
A photograph of a temple courtyard with an empty ornate gold-and-red throne (peetha) with a red cushioned seat and a small gold footstool in the foreground. A man in white ritual clothes kneels forward, forehead bowed to the footstool, hands joined in prostration. Behind him, several women in white and cream saris stand with palms pressed together in namaskar, one holding a white cloth to her face, and a woman in a green blouse stands at the right. A person in white dhoti stands at far left beside the throne, and a wall with orange panels and a red curtain forms the background.A photograph of a gilded deity murti pair seated within an ornate golden arched niche framed by a red cloth backdrop. The central figure holds a sword-like staff and wears a red-and-white turban; beside him a smaller goddess figure wears a golden crown and jewelled garments. Garlands of yellow, purple and red flowers hang along the left side. Two tall polished brass oil lamps with bird-shaped finials stand in front, and a patterned ceiling is visible above. No living people are visible in the scene.Exterior of the Sri Anandeshwara Temple, an orange-walled building with a red and white striped base and a signboard reading SRI ANANDESHWARA TEMPLE above the entrance. Two dark stone dvarapala guardian statues with orange shawls flank the white steps leading into the temple. A woman in an orange sari with an orange shawl stands at the left with her back to the camera, facing the entrance, with yellow flowers and a white floral kolam rangoli on the ground in front of her. A person in a white sari stands on the right near a red and orange banner advertising a Life Blissful program with a portrait of a smiling man in an orange turban. Potted green plants and a large stone pedestal lamp sit near the steps.Outdoor view of the Sri Anandeshwara Temple entrance, an orange-painted building with a dark signboard reading SRI ANANDESHWARA TEMPLE above an open doorway. Two black stone deity statues in saffron cloths flank the white-and-red striped steps. On the right, a large red banner shows a smiling man in an orange turban and saffron robes beside the words Life Bliss Program, with listed items such as Physical Health and Mental Health. A person in an orange robe with a rudraksha mala walks across the paved forecourt in bare feet, carrying a sandal, while a person in white clothes stands near the banner. Yellow flower petals and a white kolam design decorate the ground in front, and green tropical plants line the path.A figure in saffron-orange robes with a rudraksha mala around the neck walks across a dusty courtyard in front of a temple with a red-and-white striped plinth and steps. The temple facade reads ANANDESHWARA TEMPLE in white letters on a brown band. Behind the figure, a priest in white dhoti stands in the open doorway, and a black stone deity sculpture in a saffron shawl stands to the right against the orange wall. A white kolam with yellow flowers lies on the ground at lower left.A man with long dark hair walks left along a paved path in front of a terracotta-coloured wall. He wears a sleeveless saffron-orange top, an orange dhoti-style lower garment and an orange wrap draped over one shoulder, with black-and-orange sandals. Behind him, a Kannada sign reads Sri Anandeshwara Devasthana. A large poster on the wall shows a smiling man in an orange turban and orange robes beside the words Navaratri, celebration of the Divine Mother, with dates and Dashara. Hedges, flowering shrubs, a small tree and red bollards surround the path, and a second poster panel is to the right.
02

10--VIP-Meeting

16 dated photos in previewSource gallery
A small room with pale walls and an orange patterned curtain. On the left, a man in an orange saffron robe with gold border and an orange turban sits on a patterned sofa, resting his chin on one hand, with a long wooden staff leaning beside him. In the centre-right, a man with long swept-back hair and orange robes, garlanded with white flower necklaces, sits on a beige sofa reading an open book. A bald man in orange robes kneels at the lower right on a red rug and white petals. A low wooden table holds water bottles and papers, and white flower petals are scattered on the floor.A photograph of an indoor room with a patterned green sofa, a pale pink-cushioned couch, a dark wooden coffee table holding water bottles and papers, and a red shag rug over white floor tiles. Three people wear saffron-orange robes. On the left, a man in an orange turban and orange dhoti with gold borders sits on the sofa, one hand raised to his chin, with a tall wooden staff leaning beside him. On the right, a person with long dark hair and a white and orange flower garland reads an open illustrated book. A third person in orange and maroon kneels at the lower right corner, partly cropped. Swamiji (probable): the seated man in the orange turban and gold-bordered dhoti, with the staff, is a candidate for the Swamiji depiction on this page.A seated man in an orange robe and matching orange turban sits in an upholstered armchair in a plain room with pale walls. He extends both hands to offer or receive a red cloth-wrapped object held by a standing man in an orange robe with a maroon border, who is bald and smiling. Behind him stands another person in orange with dark hair. Two small dumbbells rest on the floor, a water bottle sits near the chair, and a folded white towel lies on a small side table.A photograph of a smiling man with long dark wavy hair seated on a bed with beige patterned bedding and pillows. He wears a sleeveless saffron-orange robe and a red tilak on his forehead, and is draped with long garlands of white and yellow chrysanthemums with red and green accents. He holds open a red-covered photo album or book with colourful pictures, and a second closed book with a blue cover rests on the bed beside him. A wall and a cable are visible in the background.A photograph of a small room with pale walls and a tiled floor, containing three people in orange robes. On the left, a man in an orange turban and orange saffron-coloured wrap sits on a green patterned sofa, with a wooden staff leaning beside him and a rudraksha mala around his neck, his hand resting at his chin. In the centre, a person with long dark hair wearing a white flower garland and an orange robe sits on a bed holding an open book or magazine. On the right, a bald man in an orange robe with a striped border sits cross-legged on an orange mat near a red shag rug. A small wooden table holds water bottles and papers, and a laptop sits on the bed. A corner of the room is hung with orange curtains.A photograph of an indoor meeting in a small room with a patterned green sofa, a cushioned beige sofa, a dark wooden coffee table holding a water bottle, and a red shaggy rug on the floor. A man in an orange turban and orange shawl with gold border sits at left, bending forward and extending a red-covered book toward a seated man on the right. That seated man wears a long, dark-haired style, a white flower garland and orange robes, and holds an open book on his lap. A third man in a shaved-head, orange robe with maroon border sits at right, also reaching toward the exchange. Three people are visible in the scene.
03

11--Nithyanandam-Afternoon-session

64 dated photos in previewSource gallery
A seated man in an orange saffron robe sits cross-legged on an ornate gold-and-red throne with a carved golden arch behind him, holding a small object near his mouth as he speaks. He has long dark hair and a red bindi. A vase of orange and yellow flowers stands on a white pedestal to the left, and a microphone stand is set beside the throne against a dark blue curtain. A patterned rug covers the floor, and the scene is a stage talk or discourse. One person is visible. A copyright overlay appears at the lower right.A man with long dark hair and a red bindi sits smiling on an ornate gold-and-red throne with a red velvet seat and cushion. He wears a flowing saffron-orange robe draped over one shoulder and bare feet, with one leg crossed over the other. He holds up a small red-and-white book in his raised right hand, and a microphone stand is visible beside him against a dark blue drape. The appearance is consistent with the page's reference to a person, with cues of long hair, saffron clothing and a throne, though the identity cannot be confirmed from appearance alone.A man with long, swept-back dark hair and a red tilak on his forehead sits on an ornate gold-leaf throne with red velvet cushions, smiling and speaking into a microphone on a boom stand. He wears a flowing saffron-orange robe draped over one shoulder with a white waist cloth, and his bare left foot rests on a red-cushioned golden footstool. Behind him hang deep blue drapes, and a vase of orange and yellow flowers and a water bottle sit on a white table at the left. A cropped lower-right corner shows a monitor on a glossy floor.A smiling man with long dark hair and a small red forehead mark sits on an ornate gold-leaf throne with red velvet cushions and armrests. He wears a saffron-orange draped garment and holds a folded paper in one hand while one bare foot rests on the red footstool. A microphone on a stand is near his face. A vase of orange flowers and a water bottle sit on a side table, and blue curtains form the backdrop. Swamiji (probable): long swept-back hair, saffron clothing and a throne mark him as the discourse speaker at a seated talk.A man with long, swept-back dark hair and an orange saffron wrap sits on an ornate gilded throne with red velvet cushions and a golden footstool. He smiles while holding a small white and red object in his raised hand, one bare foot resting on the footstool. A microphone on a stand is near his face. A red-and-gold cushion rests beside him and dark drapery forms the backdrop. The long hair, saffron clothing and throne together make this a probable Swamiji (probable) seated in person during a talk.A photograph of a man seated on an ornate gold throne with red velvet cushions, reading a small open book. He wears an orange saffron robe draped over his body, has long dark hair swept back, and is barefoot with his feet resting on a gold footstool with a red cushion. A microphone stand stands to the right, a vase of yellow and orange flowers and a water bottle sit on a white table to the left, and a dark blue curtain backdrop fills the background. The seated figure resembles the Swamiji candidate described on the page, with long swept-back hair, saffron clothing and a throne, so this is an appearance-based probable identification.
04

12--Yoga-sutras-Evening-session

83 dated photos in previewSource gallery
An empty stage set for a Yoga Sutras session. A large ornate gold throne with a red cushioned seat and back sits center stage on a patterned red rug, with a small gold footstool before it. A red banner with gold lettering reading Yoga Sutras with a yoga figure hangs above on a dark navy curtain. Flanking the throne are two white pedestals, one holding a microphone stand, a small flower arrangement and a bottle, with orange-and-red flower bouquets on glass vases. White tower speakers stand on orange-draped platforms at the stage edges. The glossy white stage reflects the throne. No people are visible.An empty stage set for a Yoga Sutras event. A large gold ornate throne with a red seat cushion and red armrests stands centre stage on a patterned rug, with a small gold footstool before it. Flanking white pedestals hold a water bottle and a microphone stand, and orange-and-red flower arrangements sit beside the throne. A red banner reads Yoga Sutras with gold lettering. Dark curtains hang behind, white tower speakers stand on orange-draped pedestals at the sides, and the glossy floor reflects the throne. No people are visible.A photo of a stage with a dark blue curtain backdrop and a red banner reading Yoga Sutras at the upper right. A standing figure in a dark blue wrap and white border, with a dark rudraksha-style mala and forehead markings, stands at left with palms pressed together in namaste. A white fan on an orange-draped block stands centre stage, a vase of orange and yellow flowers and water bottles sit on a white table, and an ornate gold and red throne-style chair is at right. One person is visible.A stage set for a Yoga Sutras talk, with a red banner reading YOGA SUTRAS partly visible at upper right. A woman in a dark blue sari stands with palms pressed together in anjali mudra near a white tower fan on an orange cloth, with her head bowed. At right is an ornate gold and red throne with a red cushion, beside a white draped side table holding a bottle and a small object, an orange and white flower arrangement, and a patterned rug on the glossy stage floor. The black curtain forms the backdrop. No a person candidate is visible in the frame; the empty throne is unoccupied.A stage set for a Yoga Sutras session, with a red banner reading Yoga Sutras in gold letters above an ornate gold-and-red throne. A lone figure in a dark blue robe stands at the left with hands pressed together in namaste, head bowed. Flower arrangements of orange and white blooms flank the throne, a water bottle and microphone sit on a side table, a white tower fan stands at the left, and a small gold footstool sits before the throne on a patterned rug.A person in a dark blue draped garment stands on a red-cushioned step before an ornate gold throne with red seat cushions and orange pillows. The figure bends forward with hands pressed together in namaskar, head lowered. A red banner with gold lettering reading 'Yoga Sutras' hangs behind against black drapery. A microphone stand, a bouquet of red, white and orange roses, and a small vase of orange flowers stand on a patterned carpet on a glossy white stage.
05

13--Pada-puja

102 dated photos in previewSource gallery
A seated man in an orange sleeveless robe and long swept-back dark hair sits with palms pressed together in anjali mudra on an ornate gold throne with red cushions. He wears a long rudraksha mala and a red bindi on his forehead. Behind him stands a golden deity murti draped in a red cloth, garlanded with yellow, purple and green flower malas, beside a golden kalasha and a tall brass lamp. Two heads of seated devotees are visible in the lower foreground.A man in an orange saffron robe with a rudraksha mala sits with palms pressed together in namaste on an ornate gold throne with a red cushion, eyes closed, long hair swept back. Behind him stands a gold-plated shrine with a golden deity murti of a seated couple, one wearing a pink-red turban and crown, the other a gold crown, flanked by yellow and purple garlands. In front of the deities is a shivalinga adorned with garlands on a gold peetha, with a red cloth draping the alcove. Gold lamp stands frame the shrine. The seated man is a Swamiji (probable), identified by his swept-back long hair, orange saffron robe, rudraksha mala and gold throne setting. Scene is a single-person ritual photograph with 1 physical person.A seated man in an ornate gilded throne sits in front of a golden shrine with his palms pressed together in namaste and eyes closed. He wears a saffron-orange garment, a dark rudraksha mala around his neck and long dark hair falling behind him. Behind him, a gold-and-red shrine holds a golden deity murti of a seated Shiva-Parvati pair, the central figure in a red turban, with a silver shivalinga in front and yellow and purple marigold garlands draped on both sides. Brass oil lamps stand on either side of the arch.A courtyard ritual at an ashram with orange-painted walls and a corrugated roof. A man in orange robes with long swept-back hair and a rudraksha mala sits on a red-cushioned golden throne at right, palms pressed together in prayer. Around him, about a dozen seated devotees in white and cream clothes, several women in yellow-bordered saris, press their palms together before brass plates of flowers and offerings on the floor. A standing figure in white stands in a doorway behind, and a golden throne with a red cushion sits at left beside a tripod camera. Brass lamps and a kalasha-like vessel stand at right. Probable Swamiji cues: long swept-back hair, orange robe and mala on the seated figure at right, who is presiding over the puja.A photograph of a pada puja-style gathering in a courtyard with an orange-painted wall and red-and-white striped pillars. A man with long swept-back hair, wearing saffron-orange robes and a rudraksha mala, sits with palms pressed together in namaste on an ornate gold throne with red cushions, a fruit tray and flowers placed before him. Several devotees in white and cream clothes kneel or sit in front, hands folded, some wearing yellow shawls. A wooden board with a list of names hangs on the wall behind, and a banana plant stands nearby. Swamiji (probable): the seated figure shows long swept-back hair and saffron-orange clothing with rudraksha beads, consistent with the page's reference to Swamiji at this event.A photograph of a puja at an open-air temple courtyard with orange-and-white striped walls and a golden throne. A man in an orange robe with long dark hair and a rudraksha-style mala sits with palms pressed together on a red-cushioned golden throne; the figure matches the page's Swamiji cues of long swept-back hair, saffron clothing and malas, so this is an appearance-based probable Swamiji. Around him, devotees in white dhotis and white clothes, some with yellow shawls, sit on the floor with hands folded in namaskar. Brass plates holding flowers and offerings sit in front of them, and a shaved-headed priest in white stands at the back with a gold-trimmed lamp stand and kalasha nearby.
06

14--Yoga-Sutras-Evening-session-1

153 dated photos in previewSource gallery
A large hall with pink walls and a white fabric ceiling holds a seated meditation or yoga session. Many participants in white clothes sit cross-legged on red-and-white striped mats, most with eyes closed and hands folded, several wearing dark beaded malas. Colourful woven hangings with orange tassels hang from the ceiling. A blue sign on the wall reads Photography, Video Camera, Mobile Camera and Audio recording, with prohibition symbols. A few women in orange and red sit among the rows. No a person candidate is clearly identifiable by appearance, so the figures are described by role only.A photograph of a large hall with a white fabric ceiling and ceiling fans, where a seated group of people in white clothing meditate with eyes closed on striped blue and red mats. In the foreground a bald man in a white kurta sits cross-legged with hands resting on his lap, a wristwatch visible; to his left another bald man in white wears a rudraksha-style mala. Behind them rows of other seated participants in white, some in white shirts. Hanging from the ceiling are colourful cylindrical fabric decorations with blue, red, yellow and orange patterns and orange tassels. A blue sign with small text hangs on the wall at right, and orange curtains frame a window at left.A photograph of a seated meditation or yoga session in a room with orange-red curtains and pale walls. Many participants sit on striped mats and blue cushions, most dressed in white clothing. A bald man in the foreground wears a dark beaded mala and closes his eyes. A man in white with a mala and a lanyard sits in the right foreground. A bald person in a light top bows forward, forehead resting on the mat. Women in white and one in a green kurta sit in the back rows, some with eyes closed or head tilted back. Water bottles sit on the floor. No identifiable a person figure is clearly visible.Photograph of a seated group of devotees in white clothing meditating with eyes closed at a large indoor satsang hall. In the foreground a shaved-headed man in a white kurta with a small red tilak on his forehead sits with eyes closed and wears a small orange-and-white identity badge on his chest. To his left, a bald man with a dark wooden mala necklace sits in a white t-shirt, also with eyes closed. Behind them a woman with dark hair pulled back and others in white clothes sit in rows. The people appear to be seated for meditation or a discourse. No one in the scene is identified as a person.A photograph of a stage set for a Yoga Sutras session. A single person in a blue sari stands on a glossy white stage with hands pressed together near the chest, appearing to speak into a microphone. Behind them hangs a dark blue curtain, and a red banner reads Yoga Sutras. To the right is an ornate gold and red throne-style chair beside a small white table holding a water bottle, tissues and an orange flower arrangement. A white tower fan sits on an orange-draped stand at centre stage. Maroon curtains frame the left edge.A photograph of a person with long dark curly hair standing in profile on a polished grey floor in front of a navy blue curtain. He wears a blue wrap garment with a white edge and an orange cloth beneath it, and a beaded necklace, with palms pressed together at the chest in namaste. Behind him a red banner reads Yoga Sutras with a gold yoga-style emblem. To the right, a white table holds a gold ornate chair, a bouquet of orange and yellow flowers in a metal vase, glasses and water bottles. Visible in the photo are one person and the stage furnishings.
07

2--Puja-With-Murthi

26 dated photos in previewSource gallery
A white marble seated statue of a guru figure sits on an orange cloth draped over a pedestal in an indoor hall with concrete floor. The statue wears a white turban with a red bindi, a white shawl, and holds one hand raised in blessing while the other rests on the knee; a pink lotus lies in its lap. Behind it, glass-fronted cabinets display gold and silver deity murtis and ornaments. Cardboard boxes sit at the right edge. The statue is a depiction, not a living person, so no physical people are present.A photograph of an outdoor shrine area at a temple-style structure. On the left, a deity murti sits seated on a red-draped throne, decorated with yellow and white marigold garlands, with brass oil lamps in front. In the foreground, a woman in an orange saffron sari with a garland and a red shawl stands with palms pressed together in namaskar before the shrine. Orange and red cloth hangs from red pillars, and a wooden offering table with a brass kalasha stands nearby. Two women in white dress stand at the right by an orange-walled building. A green banana plant leans beside the pillar. The shrine is a puja setting with the murti receiving worship.A man in saffron-orange robes and a white flower garland stands on an orange mat beside a wooden lectern, gesturing with his hands toward a shrine. Long dark hair falls to his shoulders and he wears a yellow-and-white garland with a yellow tassel. Behind him a golden-framed shrine holds a seated deity murti in a red cloth draped with yellow and orange marigold garlands, flanked by tall brass oil lamps on a stone platform. A red-and-orange curtain hangs beside a banana plant, and a corrugated roof and orange walls enclose the open courtyard. A small figure stands near the shrine. The scene looks like a puja setting with a murthi and a speaker.A photograph inside a plain hall with a concrete floor and a corrugated roof. In the centre, a woman in an orange sari-style garment places white and orange garlands on a white deity murti set on a white table draped with an orange cloth. A man in white dhoti and shawl films her with a large video camera on his shoulder. Another man in white, with a shaved head, stands at right beside a blue plastic chair and a brass tray. Behind them are tall painted pillars, a wooden cabinet with glass doors holding small golden deity figures, and framed pictures on the left wall. No one visible is clearly identifiable as a person from appearance.A photograph inside a plain hall with a corrugated metal roof and exposed steel trusses. In the centre, a figure with long, swept-back dark hair wears a sleeveless orange robe and stands before a white marble statue of a seated figure wearing a white turban and a white flower garland, placed on a draped orange-cloth table. Three men stand to the left: a bald man in white dhoti with a red-bordered cloth and a gold necklace, a man in orange with glasses, and a man in white kurta and white trousers with a tilak. Brass vessels, a small bell and a lamp sit on the floor and table, with orange and gold cloth folded nearby, and colourful striped poles decorate the wall.A photograph inside a plain hall with a corrugated metal roof and white walls. A person with long, swept-back dark hair and an orange sleeveless top with orange dhoti is performing a puja, placing a white cloth or garland over a white marble murti of a seated figure on a white pedestal draped with an orange cloth with gold border. The murti wears a white and red floral garland. Nearby on the floor are brass puja vessels, a tray, and folded orange cloths. To the left, several people stand with palms pressed together: one in orange robes, one balding man in orange, a man in white shirt and white dhoti, and a man in white kurta. A yellow and blue cylindrical decorative banner hangs from the ceiling, a framed picture is on the wall, and a round brass plate hangs beside it.
08

3--Sarva-Darshan

27 dated photos in previewSource gallery
A photograph of a seated figure on an ornate gold throne with a red cushioned seat, wearing orange saffron robes and a long dark braid, with a rudraksha mala around the neck. A man in white ritual clothes with a rudraksha mala and a wristwatch leans forward, one hand raised in blessing, touching the seated person's head. Before the throne sits a gold-rimmed tray holding garlands and flowers. Standing behind them are several people in white and cream clothing, including a woman with a long braid wearing a light orange shawl. A gold-framed red throne stands in a red-walled hall with a shrine and a small deity murti at the right edge.A photograph of a devotee in white kurta and white dhoti, with a rudraksha mala, bowing with palms joined and touching his forehead to the feet of a seated figure on an ornate gilded throne with red cushions. The seated figure wears an orange sleeveless top and orange dhoti, with long dark hair swept back, a rudraksha mala and a white forehead mark, and holds a folded white cloth. Fruits and a tray sit on a wooden side table, and a gold-rimmed brass offering plate with flowers lies in front. Behind them stand white-clad attendants, a wall clock, a black board reading Dhyanapeetam, a small deity murti and a stone pillar. Appearance-based label: Swamiji (probable), with the seated figure's orange robes, long swept-back hair and rudraksha mala as cues.A photograph of a seated figure in saffron-orange robes with long dark hair, rudraksha beads and a light tilak on the forehead, sitting on an ornate gold throne with a red cushion. A standing devotee in white dress with a bald head and white tilak bows with palms joined near the seated figure and reaches toward the seated person's forehead while another attendant touches the head. A tray with fruit and offerings sits on a small wooden table beside the throne. Behind them stand a woman in white with a long braid and a man in yellow-and-white dress. A dark plaque reads Dhyanapeetam and a bell hangs in the background, with a stone pillar and a small black deity murti decorated with flowers at right. The setting is an orange-walled hall with a banana plant. The seated figure appears to be Swamiji (probable), based on the long hair, saffron robes, rudraksha malas and throne.A seated man in an orange sleeveless garment with a rudraksha mala and a long swept-back hairstyle sits on a gold-carved throne with red cushions, receiving a folded paper from a man in white clothes with a rudraksha mala and wristwatch. A tray of red fruit sits on a wooden stand between them. Behind them a woman in a yellow vest and white sari stands with hands together, and other men in white stand near a dark wall plaque and green banana leaves. Swamiji (probable): the seated figure shows long swept-back hair, orange ochre clothing and rudraksha malas, consistent with the page's reference to Swamiji at this event.A photograph at an orange-walled Dhyanapeetam ashram courtyard. A man with short grey hair, wearing a white dhoti and white kurta with a rudraksha mala, leans forward holding a silver tray of offerings toward a woman seated on a gold-and-red throne. The seated woman wears orange robes and has long dark hair. Behind them, a woman in white with a yellow shawl and a monk in orange robes stand nearby, and a woman with a long braid wears white with a pink-and-white shawl among onlookers in white. A gold-framed red throne, a green banana-leaf decoration and a black board on the wall are visible, with a wall clock and a carved stone pillar at right.Outdoor photo at an orange-walled ashram building courtyard. A man with long, swept-back dark hair in an orange robe sits on an ornate golden throne with red cushions, reaching forward to receive an offering from a woman in a white and orange shawl. A woman in a yellow-bordered white sari stands beside him holding a tray with fruit and flowers. Standing nearby are people in white clothing and orange sashes, including a bald man in white and women in white saris with gold borders. A red gate, a stone carved pillar and golden lamps frame the scene, and a sign reading Dhyanapeetham is visible on the wall. The seated man shows distinctive long hair and orange robes consistent with the a person appearance cues, so he is described as a person.
09

4--Pancha-Tapas

20 dated photos in previewSource gallery
A photograph of a man seated outdoors with eyes closed in meditation, wearing an orange saffron wrap over his shoulders and a long dark rudraksha mala draped across his chest. He has long dark hair swept back and a white vertical forehead mark. Behind him, two other seated figures in white and yellow garments sit on a dusty ground with scattered pale stones, and red banners are visible at the top. The scene suggests an outdoor meditation session. Appearance cues include long swept-back hair, saffron clothing and rudraksha malas, which are distinctive, so this is a probable Swamiji (probable) seated in meditation.A man with swept-back dark hair sits with eyes closed in meditation, wearing an orange sleeveless wrap and a long rudraksha mala of dark beads over the shoulders. He has a red bindi and white tilak marks on his forehead. Behind him, other people in white garments with yellow shawls sit on the ground, and grey stones or ash piles lie scattered on the dirt in an outdoor setting. A red banner is visible at the top left. The figure's appearance, with long swept-back hair, saffron clothing and rudraksha malas, is consistent with the a person label, though the identity is uncertain.A photograph of a man seated outdoors with eyes closed in meditation, wearing an orange saffron shawl over his shoulders and a long rudraksha mala of dark beads draped across his chest. He has long, swept-back dark hair, a white vibhuti line across the forehead and a red kumkum dot between the brows. Behind him, out of focus, people in white and yellow clothing sit on the sandy ground, with red signboards visible at the top of the frame. Gravel and stones lie on the ground around him.Outdoor photo of a seated meditation or puja gathering on bare ground under coconut palms. In the centre, a man with long hair and a rudraksha mala wears an orange robe and sits with eyes closed and hands folded in his lap on a mat, in front of a circular kolam drawing of white lines and grey stones with a brass oil lamp to his left. Behind him stands an orange stepped pedestal holding a dark linga draped with a red garland, beneath a tall copper-coloured pillar with a yellow garland. Around him, several people in white and yellow clothes sit on mats, and a man in orange sits at the right edge. Grey stone deity sculptures stand among the trees at left.Outdoor photo at a temple-like ground with palm trees and stone sculptures. A man seated cross-legged on a mat with eyes closed, wearing an orange saffron robe and a rudraksha mala, sits at the center of a circular ring of ash inside a sandy courtyard. Behind him stands an orange brick shrine-like structure holding a large black Shiva linga draped with a red cloth and a garland. A brass oil lamp sits in front of him. Several other people in white and saffron robes sit in meditation on mats nearby, and a copper kalasha-like finial rises above the shrine. The man seated at the center shows swept-back long hair and a rudraksha mala, which the page identifies as a person; that identification is appearance-based and unconfirmed.Outdoors in a palm-lined courtyard, a man in an orange robe with a long dark braid and a dark rudraksha mala sits cross-legged in meditation on a mat at the centre of a circular sand-and-white-line kolam. A brass oil lamp rests beside him. Behind him is a tall copper pillar and a black stone deity murti on a red pedestal, with grey stone sculptures along the left. Around him, several people sit in meditation on mats; those on the left wear white with yellow shawls, and a man on the right wears an orange robe. Red signboards stand in the background. Visible people: about six.
10

September 13 2010

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A seated man in blue ceremonial cloth with a white shoulder-draped border sits cross-legged on a red cushioned dais in front of an ornate gold throne-back. He wears rudraksha malas, white sacred ash marks with a red dot on his forehead, and holds a clipboard with a paper sheet while smiling and looking down. A microphone stand is at his right. Behind him a red banner shows gold lettering and a yellow yoga asana silhouette in a standing pose. A small purple logo appears at the bottom left.A seated man in a blue-grey wrap and long rudraksha malas sits cross-legged on a red cushioned dais in front of a gold ornate throne back. He has a white tilak on his forehead and long swept-back hair, smiling while looking down at a clipboard resting on his lap. A microphone stand is at his right. Behind him a red banner with large gold lettering and a yellow yoga asana silhouette. Probable Swamiji by appearance: long swept-back hair, rudraksha malas and a blue-grey wrap, seated on a gold throne at a yoga event.A seated man on a red velvet throne with an ornate gold carved backrest, lecturing at a microphone. He wears a blue-grey draped garment with a light edge trim, long dark rudraksha malas hanging to his waist, and a red bindi with a white forehead mark. His right hand is raised in a palm-out gesture while he holds a folded paper in his left hand. Behind him a red backdrop shows large gold-lettered text and a yellow painted figure in a yoga pose.

September 13 2010

Original wiki page
Contents

Title:

Secrets of Spritual Healing

Narration

Going a step further in the series of talks on spiritual healing, Paramahamsa Nithyananda reveals deeper secrets of spiritual healing.

Video and Audio

Secrets of Spritual Healing

VideoAudio

Transcript

(00:21)

Sadāshiva samārambām shankarācharya madhyamām Asmadācharya paryanthām vande guru paramparām

I welcome you all with My love and respects. Today I will speak on another one dimension of secrets of spiritual healing. Yesterday I was sharing a truth, that all you need to get healed, is just to spend little time in the higher frequency. What do I mean by the word spending time? To spend time you need to have time. Having time does not mean, not having work. Understand, not having anything to do does not mean you have time. No. You need to have time, only then you can spend it.

(02:02)

What do I mean by the word - have time; you need to have time, means, the time is supposed to be your own. You should be the owner of your time. Not that your thoughts will be owner of your time or something else will be owner of your time. Look in, simple thing, this simple word, are you owner of your time. No! Everybody else except you owns your time. Everybody else except you owns your time. The whole world is nothing but a huge fight to own more and more people’s time, that’s all. Whether it is the field of politics or field of art or field of science or even the field of religion, it is nothing but, if you own more people's time you are a big guy, that’s all. In every field trying to own time; actually the subtle way of trying to own more time is reason for giving birth to kids and bringing them up as you want and fulfilling what you wanted in your life, in their life; just wanted to have little more time, wanted to own more time.

(03:39)

You don’t understand this important secret, if you know how to own your time, you will not be trying to own other's time; means you will not be bullying around; you will not be bossing around; you will not be destroying lives. Whether it is in the field of industry or politics or religion or science, if you own more people's time, you are big guy. But in spirituality, if you own your time, you are a big guy.

(04:29)

Owning time, first thing understand, time is a matter. Only then, you will have respect for yourself and you will understand; you can own time. As long as you think time as something mysterious, ununderstandable, uncatchable, undescribable no… you will think that is too big. Time is a simple matter, just like this kerchief; hanky. You can own it. Second thing; decide to hate everything which tries to owns your time, everything, everything; anything which tries to own your time, hate it. Jut escape from it, even if it is Guru. If you think I am trying to own your time escape from Me. Understand, if you think I am trying to own your time, you have a wrong concept about Me. I am constantly trying to make you own your time.

(06:05)

I can give you a very powerful technique to own your time. Take 21 days and make your routine very stable. Like a, morning 6 o'clock you will be in this part doing this, 6:30 you will be in this part doing this, 7:30 you will be in this part doing this. Like this, from morning till night make a clear routine and decide for any reason the routine is not going to change and tell your mind you are supposed to be comfortable and happy in that time doing that, that’s all. You will own time. It’s a very powerful process.

(06:50)

Understand, I did this; I did this in my life. I still remember, in Omkareshwar I did this. I'll make a routine, morning whatever time I used to get up, from that time to going to bed, I know thoroughly, at this moment I will be near this stone sitting. Not doing anything, nothing much to do, but even then I will be sitting at this moment near this stone and thinking about this; standardized it. Standardize it. Standardize the routine just for 21 days and decide I am going to be doing this happily. Nothing can be done, the body is frozen.

(07:40)

That is, that time, the body is going to be like that, in that place, means you will eliminate the disturbance of bio-memory from your life, that’s one of the major enemy. You are trying to fight with two enemies at a time. No. Eliminate one enemy, make one enemy handicap. He has no more right over you. Now fight with the enemy of not owning the time.

(08:08)

If you try to learn language and concept, both newly, you will not be able to learn. Pick up a book which you know thoroughly the whole concepts, read in a new language, you learn the language or pick up a book which you know the language, but new concept, you will learn the concept. But if concept and language both are new, you will not learn both. So your life, your body language, that daily routine, is the new language and the concept is a new concept; if both you are trying to learn, you will not be able to. You will miss it.

(08:50)

So freeze the body language. This is the time you will be coming out and this is the way you will be walking and make the whole life as ritual. Just clear frozen ritual. You may think, what is this? It is completely against Swamiji’s teachings. He always asks you to be spontaneous, spontaneous. Now the purpose is different. Understand, the purpose is different. Actually if you do what I am saying, you will understand the inner spontaneity. After you catch that thread of inner spontaneity, the outer spontaneity will happen. I am teaching you the technique to catch the inner spontaneity. I can tell you if you catch the inner spontaneity technique, one moment spending with Me is enough, the initiation will happen. Not only just spiritual healing; initiation itself will happen.

(09:50)

Freeze the whole day routine. Morning 5 o’clock, you will just wake up. I am really surprised this guys are following the routine properly. No really, they don’t miss dropping at least one leaf and coming and sitting for my morning session, message, you see they are there. I think they are not able to see from here, so they are sitting there. Every day they are here and the pujari says they are not there after this morning session. Once I leave the temple they are not there. Only next day morning they are there and he says even for night stay they don’t come here. Only that morning 8 o'clock and funny thing is, that a last two days I was not here, few days, they were not there. No, they came morning and went away. They were not there. And like them make a routine. Make a routine and actually they understand, they know, they are understanding what I am talking, I am talking about them. Blessed fellows they are very clearly understanding; they are feeling little shy that’s all.

(11:20)

Make a routine, clear routine. Define it and tell yourself, physical or mental disturbance is not going to change this routine. If my mind goes crazy or body dies, it is going to happen during this routine. At some place, suddenly body may fall or anything may happen, I am not bothered; but this is not going to be changed. Freeze it from morning till night just for 21 days and go with it completely, ritualistically. You will not see Me, without going and touching, exactly it will be same spot. If you see My routine, it will be same spot where I put my head in Anandeshwara temple. It will be same spot where I put my head on the Banyan tree. It will be same step.

(12:14)

I am just teaching you a process. Freeze it; freeze it and 21 days, morning till night, decide body movement can’t be changed. I have only one freedom, I can enjoy it or suffer with it. That is frozen, that is completely frozen like a robo movement. Physicality is frozen. Psychology, I have freedom. Should I enjoy or should I suffer? Within 21 days you will see time is a matter and you will own it. Something will happen in you.

(12:57)

See, when I say Unclutch, I know very clearly it is a solid happening, not some vague thinking. Same way, when I say own time, if you continuously try to unclutch and fight, fight, fight with it for 10 - 15 days, immediately you will understand, Unclutching is a solid happening. It is not just vague thinking or some daydreaming. No. When you sit for Unclutching, Unclutching is happening. Oh God! Unclutched. Same way, within this 21 days you will catch what I call time as matter. You will catch it. You will see,"Oh! Time is a matter. I can push or pull. I can rewind or fast forward."

(14:33)

Try this technique, you will own time. When you try to own time, even if you spend one or two moments with Master, not only spiritual healing, even the initiation will happen. It’s a very powerful process. If you want, you can even take up that 21 days of ajnatavasa, means staying in unknown place, maybe just in one room, have food and rest whole day. Decide your routine; freeze it and live it. You will see, your mind simply will catch the time. Your mind will raise to the higher frequency than the time frequency. That is what I call catching time. Let’s go to catch the time. The mind should be so terribly bored, made to feel bored, it should catch time. Nothing else, no other feeding should be done for mind. No food. Simply it will catch time. Aghoris do that only. Aghoris are very powerful people. They don’t give time any food. Let’s catch time. Let you all experience and radiate the eternal bliss, Nithyananda. Thank you.

(16:21)

Photos

Panchatapas

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Flag-Hoisting

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Paadapooja

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Morning-Satsang

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Sarvadarshan

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Nithyanandam-Program-Session

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Nithyanandam-Afternoon-Session-With-Swamiji

Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4963.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4968.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4976.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4979.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4980.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4983.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4985.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4992.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4993.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4996.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_4999.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5000.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5003.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5009.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5012.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5019.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5025.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5028.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5033.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5037.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5038.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5039.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5040.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5042.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5043.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5044.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5045.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5048.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5058.JPG Nithyanandam-Afternoon-Session-With-Swamiji - DSC_5059.JPG

Yoga-Sutras

Yoga-Sutras - DSC_5067.JPG Yoga-Sutras - DSC_5068.JPG Yoga-Sutras - DSC_5069.JPG Yoga-Sutras - DSC_5070.JPG Yoga-Sutras - DSC_5071.JPG Yoga-Sutras - DSC_5072.JPG Yoga-Sutras - DSC_5075.JPG Yoga-Sutras - DSC_5076.JPG Yoga-Sutras - DSC_5077.JPG Yoga-Sutras - DSC_5078.JPG Yoga-Sutras - DSC_5079.JPG Yoga-Sutras - DSC_5080.JPG Yoga-Sutras - DSC_5081.JPG Yoga-Sutras - DSC_5083.JPG Yoga-Sutras - DSC_5085.JPG Yoga-Sutras - DSC_5087.JPG Yoga-Sutras - DSC_5088.JPG Yoga-Sutras - DSC_5091.JPG Yoga-Sutras - DSC_5092.JPG Yoga-Sutras - DSC_5093.JPG Yoga-Sutras - DSC_5094.JPG Yoga-Sutras - DSC_5096.JPG Yoga-Sutras - DSC_5098.JPG Yoga-Sutras - DSC_5099.JPG Yoga-Sutras - DSC_5101.JPG Yoga-Sutras - DSC_5104.JPG Yoga-Sutras - DSC_5105.JPG Yoga-Sutras - DSC_5108.JPG Yoga-Sutras - DSC_5109.JPG Yoga-Sutras - DSC_5111.JPG Yoga-Sutras - DSC_5114.JPG Yoga-Sutras - DSC_5115.JPG Yoga-Sutras - DSC_5116.JPG Yoga-Sutras - DSC_5117.JPG Yoga-Sutras - DSC_5119.JPG Yoga-Sutras - DSC_5121.JPG Yoga-Sutras - DSC_5123.JPG Yoga-Sutras - DSC_5125.JPG Yoga-Sutras - DSC_5126.JPG Yoga-Sutras - DSC_5128.JPG Yoga-Sutras - DSC_5130.JPG Yoga-Sutras - DSC_5131.JPG Yoga-Sutras - DSC_5133.JPG Yoga-Sutras - DSC_5135.JPG Yoga-Sutras - DSC_5141.JPG Yoga-Sutras - DSC_5142.JPG Yoga-Sutras - DSC_5143.JPG Yoga-Sutras - DSC_5144.JPG Yoga-Sutras - DSC_5145.JPG Yoga-Sutras - DSC_5146.JPG Yoga-Sutras - DSC_5147.JPG Yoga-Sutras - DSC_5148.JPG Yoga-Sutras - DSC_5167.JPG Yoga-Sutras - DSC_5169.JPG Yoga-Sutras - DSC_5173.JPG Yoga-Sutras - DSC_5179.JPG Yoga-Sutras - DSC_5182.JPG Yoga-Sutras - DSC_5189.JPG Yoga-Sutras - DSC_5191.JPG Yoga-Sutras - DSC_5192.JPG Yoga-Sutras - DSC_5193.JPG Yoga-Sutras - DSC_5198.JPG Yoga-Sutras - DSC_5201.JPG Yoga-Sutras - DSC_5203.JPG Yoga-Sutras - DSC_5206.JPG Yoga-Sutras - DSC_5210.JPG Yoga-Sutras - DSC_5211.JPG Yoga-Sutras - DSC_5212.JPG Yoga-Sutras - DSC_5213.JPG Yoga-Sutras - DSC_5216.JPG Yoga-Sutras - DSC_5217.JPG Yoga-Sutras - DSC_5221.JPG Yoga-Sutras - DSC_5225.JPG Yoga-Sutras - DSC_5235.JPG Yoga-Sutras - DSC_5238.JPG Yoga-Sutras - DSC_5239.JPG Yoga-Sutras - DSC_5244.JPG Yoga-Sutras - DSC_5245.JPG Yoga-Sutras - DSC_5246.JPG Yoga-Sutras - DSC_5247.JPG Yoga-Sutras - DSC_5248.JPG Yoga-Sutras - DSC_5251.JPG Yoga-Sutras - DSC_5252.JPG Yoga-Sutras - DSC_5263.JPG Yoga-Sutras - DSC_5264.JPG Yoga-Sutras - DSC_5265.JPG Yoga-Sutras - DSC_5276.JPG Yoga-Sutras - DSC_5277.JPG

LEP-Session-With-Swamiji

Lep-Session-With-Swamiji - DSC_5296.JPG Lep-Session-With-Swamiji - DSC_5297.JPG Lep-Session-With-Swamiji - DSC_5300.JPG Lep-Session-With-Swamiji - DSC_5310.JPG Lep-Session-With-Swamiji - DSC_5311.JPG Lep-Session-With-Swamiji - DSC_5320.JPG Lep-Session-With-Swamiji - DSC_5339.JPG Lep-Session-With-Swamiji - DSC_5342.JPG Lep-Session-With-Swamiji - DSC_5343.JPG Lep-Session-With-Swamiji - DSC_5345.JPG Lep-Session-With-Swamiji - DSC_5346.JPG Lep-Session-With-Swamiji - DSC_5348.JPG Lep-Session-With-Swamiji - DSC_5351.JPG Lep-Session-With-Swamiji - DSC_5352.JPG Lep-Session-With-Swamiji - DSC_5414.JPG Lep-Session-With-Swamiji - DSC_5433.JPG Lep-Session-With-Swamiji - DSC_5434.JPG Lep-Session-With-Swamiji - DSC_5435.JPG Lep-Session-With-Swamiji - DSC_5437.JPG Lep-Session-With-Swamiji - DSC_5438.JPG Lep-Session-With-Swamiji - DSC_5439.JPG Lep-Session-With-Swamiji - DSC_5440.JPG Lep-Session-With-Swamiji - DSC_5441.JPG Lep-Session-With-Swamiji - DSC_5445.JPG Lep-Session-With-Swamiji - DSC_5454.JPG Lep-Session-With-Swamiji - DSC_5456.JPG Lep-Session-With-Swamiji - DSC_5457.JPG Lep-Session-With-Swamiji - DSC_5458.JPG Lep-Session-With-Swamiji - DSC_5464.JPG Lep-Session-With-Swamiji - DSC_5469.JPG Lep-Session-With-Swamiji - DSC_5480.JPG Lep-Session-With-Swamiji - DSC_5485.JPG Lep-Session-With-Swamiji - DSC_5489.JPG Lep-Session-With-Swamiji - DSC_5492.JPG Lep-Session-With-Swamiji - DSC_5493.JPG Lep-Session-With-Swamiji - DSC_5494.JPG Lep-Session-With-Swamiji - DSC_5499.JPG Lep-Session-With-Swamiji - DSC_5500.JPG Lep-Session-With-Swamiji - DSC_5508.JPG Lep-Session-With-Swamiji - DSC_5509.JPG

Photos Of The Day:

NITHYANANDAM-LIVING-ENLIGHTENMENT-PROCESS-IN-BIDADI

  • 20100913 Photo 1000 1EwN d9-V4OvVPWe-VqGdfbn7ODitYHF8.JPG
  • 20100913 Photo 1001 19R8UBChSgAC8MtQm7AsjL9rPenAEM9xO.JPG
  • 20100913 Photo 1002 12zEQFpAdKXmf3k xZAaE8X5YF8uTqjep.JPG
  • 20100913 Photo 1003 1AC8a7h30FszLoOcJh6eDuLSHTprvOkuD.JPG
  • 20100913 Photo 1004 18LENAODSfNj1GMxB3FsRYh77Fzxm8UfV.JPG
  • 20100913 Photo 1005 1V5ZP0Gw6uWeBt2VibDxnqLXRj-n XAGm.JPG
  • 20100913 Photo 1006 11uAc76PVJjgapX3UefG viRThFLFHIWB.JPG
  • 20100913 Photo 1007 1EC0HBBgNUHu8IygECt6MqB-cBjf5crw6.JPG
  • 20100913 Photo 1008 1O9PWtO3pKKZaeHqphkdajbV3q8rFaXvs.JPG
  • 20100913 Photo 1009 1W063qvbgvu6oL8-DzJ4c7GkV-lrz7Bie.JPG
  • 20100913 Photo 1010 1mMelTmsvXDvpmGFTE4v6CPjyMMNAPFBN.JPG
  • 20100913 Photo 1011 18OsnLDWvUTnwqaxnqXLK qZIaFTVeRqh.JPG
  • 20100913 Photo 1012 1DbHRcHJn5X2sZ8iootxp2pbrw9NZ2Vtp.JPG
  • 20100913 Photo 1013 1gxJPkipL0XgmO1qbavBUfiFMWF-whg93.JPG
  • 20100913 Photo 1014 1ImoT08LEs54RwlyqT2Ejrm5Hq15AlDk9.JPG
  • 20100913 Photo 1015 11hxC5bI7Lk7-7d1YFEU2i7lVd4Yknrtw.JPG
  • 20100913 Photo 1016 1tVG8jJytirpvYMIc42v9gvSZFeY9UCF .JPG
  • 20100913 Photo 1017 11KfHp9wlzAiiWTTk4GEeZ0YzQv0FcAG3.JPG
  • 20100913 Photo 1018 1MemQv1u8S10zh -sSxLExIjPXMyp2fCY.JPG
  • 20100913 Photo 1019 1LVJdd4Y2jQ006TSSdft9jkLbpl6pXibd.JPG
  • 20100913 Photo 1020 12WXscfVO8JzUAQ mqejR1HnHLQsmmG0M.JPG
  • 20100913 Photo 1021 1L1OMROna3FA3emWaw4240FPqd5DZ6mux.JPG
  • 20100913 Photo 1022 1K7Y9n6tqPjdUKCmWZerM6E1jRDzd ugw.JPG

1--Temple-Photos

DSC_4771_CMP_WM DSC_4772_CMP_WM DSC_4773_CMP_WM DSC_4774_CMP_WM DSC_4775_CMP_WM DSC_4776_CMP_WM

10--VIP-Meeting

DSC_4941_CMP_WM DSC_4942_CMP_WM DSC_4943_CMP_WM DSC_4944_CMP_WM DSC_4945_CMP_WM DSC_4946_CMP_WM DSC_4948_CMP_WM DSC_4949_CMP_WM DSC_4950_CMP_WM DSC_4951_CMP_WM DSC_4952_CMP_WM DSC_4953_CMP_WM DSC_4954_CMP_WM DSC_4955_CMP_WM DSC_4956_CMP_WM DSC_4957_CMP_WM

11--Nithyanandam-Afternoon-session

DSC_4963_CMP_WM DSC_4964_CMP_WM DSC_4965_CMP_WM DSC_4966_CMP_WM DSC_4968_CMP_WM DSC_4976_CMP_WM DSC_4980_CMP_WM DSC_4981_CMP_WM DSC_4983_CMP_WM DSC_4984_CMP_WM DSC_4985_CMP_WM DSC_4989_CMP_WM DSC_4990_CMP_WM DSC_4992_CMP_WM DSC_4993_CMP_WM DSC_4994_CMP_WM DSC_4996_CMP_WM DSC_4997_CMP_WM DSC_4999_CMP_WM DSC_5000_CMP_WM DSC_5001_CMP_WM DSC_5002_CMP_WM DSC_5003_CMP_WM DSC_5005_CMP_WM DSC_5009_CMP_WM DSC_5010_CMP_WM DSC_5012_CMP_WM DSC_5013_CMP_WM DSC_5014_CMP_WM DSC_5015_CMP_WM DSC_5016_CMP_WM DSC_5017_CMP_WM DSC_5018_CMP_WM DSC_5019_CMP_WM DSC_5020_CMP_WM DSC_5021_CMP_WM DSC_5022_CMP_WM DSC_5023_CMP_WM DSC_5024_CMP_WM DSC_5025_CMP_WM DSC_5026_CMP_WM DSC_5029_CMP_WM DSC_5030_CMP_WM DSC_5031_CMP_WM DSC_5032_CMP_WM DSC_5033_CMP_WM DSC_5037_CMP_WM DSC_5038_CMP_WM DSC_5039_CMP_WM DSC_5040_CMP_WM DSC_5041_CMP_WM DSC_5042_CMP_WM DSC_5043_CMP_WM DSC_5044_CMP_WM DSC_5045_CMP_WM DSC_5046_CMP_WM DSC_5047_CMP_WM DSC_5048_CMP_WM DSC_5050_CMP_WM DSC_5051_CMP_WM DSC_5055_CMP_WM DSC_5058_CMP_WM DSC_5059_CMP_WM DSC_5060_CMP_WM

12--Yoga-sutras-Evening-session

DSC_4457_CMP_WM DSC_4458_CMP_WM DSC_4459_CMP_WM DSC_4460_CMP_WM DSC_4461_CMP_WM DSC_4462_CMP_WM DSC_4463_CMP_WM DSC_4465_CMP_WM DSC_4466_CMP_WM DSC_4467_CMP_WM DSC_4468_CMP_WM DSC_4470_CMP_WM DSC_4472_CMP_WM DSC_4473_CMP_WM DSC_4474_CMP_WM DSC_4475_CMP_WM DSC_4476_CMP_WM DSC_4477_CMP_WM DSC_4478_CMP_WM DSC_4479_CMP_WM DSC_4480_CMP_WM (1) DSC_4481_CMP_WM (1) DSC_4482_CMP_WM DSC_4483_CMP_WM DSC_4484_CMP_WM DSC_4485_CMP_WM DSC_4486_CMP_WM DSC_4487_CMP_WM DSC_4488_CMP_WM DSC_4489_CMP_WM DSC_4490_CMP_WM DSC_4492_CMP_WM DSC_4494_CMP_WM DSC_4495_CMP_WM (1) DSC_4496_CMP_WM DSC_4497_CMP_WM DSC_4498_CMP_WM DSC_4499_CMP_WM DSC_4500_CMP_WM DSC_4501_CMP_WM DSC_4502_CMP_WM DSC_4508_CMP_WM DSC_4509_CMP_WM DSC_4511_CMP_WM DSC_4512_CMP_WM DSC_4513_CMP_WM DSC_4515_CMP_WM DSC_4516_CMP_WM DSC_4517_CMP_WM DSC_4518_CMP_WM DSC_4519_CMP_WM DSC_4520_CMP_WM DSC_4521_CMP_WM DSC_4522_CMP_WM DSC_4524_CMP_WM DSC_4526_CMP_WM DSC_4527_CMP_WM DSC_4528_CMP_WM DSC_4529_CMP_WM DSC_4532_CMP_WM DSC_4535_CMP_WM DSC_4536_CMP_WM DSC_4542_CMP_WM DSC_4543_CMP_WM DSC_4545_CMP_WM DSC_4546_CMP_WM DSC_4547_CMP_WM DSC_4548_CMP_WM DSC_4552_CMP_WM DSC_4555_CMP_WM DSC_4556_CMP_WM DSC_4557_CMP_WM DSC_4558_CMP_WM DSC_4559_CMP_WM DSC_4562_CMP_WM DSC_4564_CMP_WM DSC_4565_CMP_WM DSC_4568_CMP_WM DSC_4569_CMP_WM DSC_4620_CMP_WM DSC_4621_CMP_WM DSC_4622_CMP_WM DSC_4623_CMP_WM DSC_4624_CMP_WM DSC_4625_CMP_WM DSC_4628_CMP_WM

13--Pada-puja

DSC_4491_CMP_WM DSC_4492_CMP_WM DSC_4493_CMP_WM DSC_4494_CMP_WM DSC_4497_CMP_WM DSC_4498_CMP_WM DSC_4500_CMP_WM DSC_4501_CMP_WM DSC_4502_CMP_WM DSC_4503_CMP_WM DSC_4504_CMP_WM DSC_4505_CMP_WM DSC_4506_CMP_WM DSC_4509_CMP_WM DSC_4510_CMP_WM DSC_4511_CMP_WM DSC_4512_CMP_WM DSC_4513_CMP_WM DSC_4516_CMP_WM DSC_4517_CMP_WM DSC_4518_CMP_WM DSC_4521_CMP_WM DSC_4522_CMP_WM DSC_4523_CMP_WM DSC_4526_CMP_WM DSC_4527_CMP_WM DSC_4528_CMP_WM DSC_4529_CMP_WM DSC_4530_CMP_WM DSC_4531_CMP_WM DSC_4532_CMP_WM DSC_4533_CMP_WM DSC_4535_CMP_WM DSC_4536_CMP_WM DSC_4537_CMP_WM DSC_4538_CMP_WM DSC_4539_CMP_WM DSC_4540_CMP_WM DSC_4541_CMP_WM DSC_4542_CMP_WM DSC_4543_CMP_WM DSC_4544_CMP_WM DSC_4545_CMP_WM DSC_4546_CMP_WM DSC_4547_CMP_WM DSC_4548_CMP_WM DSC_4549_CMP_WM DSC_4550_CMP_WM DSC_4551_CMP_WM DSC_4553_CMP_WM DSC_4554_CMP_WM DSC_4556_CMP_WM DSC_4557_CMP_WM DSC_4558_CMP_WM DSC_4559_CMP_WM DSC_4560_CMP_WM DSC_4561_CMP_WM DSC_4562_CMP_WM DSC_4563_CMP_WM DSC_4566_CMP_WM DSC_4568_CMP_WM DSC_4569_CMP_WM DSC_4570_CMP_WM DSC_4571_CMP_WM DSC_4572_CMP_WM DSC_4575_CMP_WM DSC_4576_CMP_WM DSC_4577_CMP_WM DSC_4578_CMP_WM DSC_4582_CMP_WM DSC_4583_CMP_WM DSC_4584_CMP_WM DSC_4585_CMP_WM DSC_4586_CMP_WM DSC_4589_CMP_WM DSC_4590_CMP_WM DSC_4594_CMP_WM DSC_4595_CMP_WM DSC_4596_CMP_WM DSC_4597_CMP_WM DSC_4598_CMP_WM DSC_4599_CMP_WM DSC_4600_CMP_WM DSC_4601_CMP_WM DSC_4602_CMP_WM DSC_4606_CMP_WM DSC_4610_CMP_WM DSC_4613_CMP_WM DSC_4614_CMP_WM DSC_4615_CMP_WM DSC_4616_CMP_WM DSC_4617_CMP_WM DSC_4618_CMP_WM DSC_4619_CMP_WM DSC_4621_CMP_WM DSC_4622_CMP_WM DSC_4623_CMP_WM DSC_4624_CMP_WM DSC_4625_CMP_WM DSC_4626_CMP_WM DSC_4641_CMP_WM DSC_4642_CMP_WM

14--Yoga-Sutras-Evening-session-1

DSC_5061_CMP_WM DSC_5062_CMP_WM DSC_5063_CMP_WM DSC_5065_CMP_WM DSC_5067_CMP_WM DSC_5068_CMP_WM DSC_5069_CMP_WM DSC_5070_CMP_WM DSC_5071_CMP_WM DSC_5072_CMP_WM DSC_5073_CMP_WM DSC_5074_CMP_WM DSC_5075_CMP_WM DSC_5076_CMP_WM DSC_5077_CMP_WM DSC_5078_CMP_WM DSC_5079_CMP_WM DSC_5080_CMP_WM DSC_5081_CMP_WM DSC_5082_CMP_WM DSC_5083_CMP_WM DSC_5084_CMP_WM DSC_5085_CMP_WM DSC_5086_CMP_WM DSC_5087_CMP_WM DSC_5088_CMP_WM DSC_5089_CMP_WM DSC_5090_CMP_WM DSC_5091_CMP_WM DSC_5092_CMP_WM DSC_5093_CMP_WM DSC_5094_CMP_WM DSC_5095_CMP_WM DSC_5096_CMP_WM DSC_5097_CMP_WM DSC_5098_CMP_WM DSC_5099_CMP_WM DSC_5100_CMP_WM DSC_5101_CMP_WM DSC_5102_CMP_WM DSC_5103_CMP_WM DSC_5104_CMP_WM DSC_5105_CMP_WM DSC_5106_CMP_WM DSC_5108_CMP_WM DSC_5109_CMP_WM DSC_5110_CMP_WM DSC_5111_CMP_WM DSC_5112_CMP_WM DSC_5113_CMP_WM DSC_5114_CMP_WM DSC_5115_CMP_WM DSC_5116_CMP_WM DSC_5117_CMP_WM DSC_5118_CMP_WM DSC_5119_CMP_WM DSC_5121_CMP_WM DSC_5123_CMP_WM DSC_5124_CMP_WM DSC_5125_CMP_WM DSC_5126_CMP_WM DSC_5127_CMP_WM DSC_5128_CMP_WM DSC_5130_CMP_WM DSC_5131_CMP_WM DSC_5133_CMP_WM DSC_5135_CMP_WM DSC_5136_CMP_WM DSC_5137_CMP_WM DSC_5138_CMP_WM DSC_5139_CMP_WM DSC_5140_CMP_WM DSC_5141_CMP_WM DSC_5142_CMP_WM DSC_5143_CMP_WM DSC_5144_CMP_WM DSC_5145_CMP_WM DSC_5146_CMP_WM DSC_5147_CMP_WM DSC_5148_CMP_WM DSC_5149_CMP_WM DSC_5150_CMP_WM DSC_5153_CMP_WM DSC_5159_CMP_WM DSC_5160_CMP_WM DSC_5162_CMP_WM DSC_5164_CMP_WM DSC_5167_CMP_WM DSC_5168_CMP_WM DSC_5169_CMP_WM DSC_5173_CMP_WM DSC_5175_CMP_WM DSC_5176_CMP_WM DSC_5177_CMP_WM DSC_5178_CMP_WM DSC_5179_CMP_WM DSC_5181_CMP_WM DSC_5182_CMP_WM DSC_5184_CMP_WM DSC_5185_CMP_WM DSC_5186_CMP_WM DSC_5187_CMP_WM DSC_5189_CMP_WM DSC_5190_CMP_WM DSC_5191_CMP_WM DSC_5192_CMP_WM DSC_5193_CMP_WM DSC_5194_CMP_WM DSC_5195_CMP_WM DSC_5196_CMP_WM DSC_5198_CMP_WM DSC_5201_CMP_WM DSC_5202_CMP_WM DSC_5203_CMP_WM DSC_5206_CMP_WM DSC_5208_CMP_WM DSC_5209_CMP_WM DSC_5210_CMP_WM DSC_5211_CMP_WM DSC_5212_CMP_WM DSC_5213_CMP_WM DSC_5214_CMP_WM DSC_5215_CMP_WM DSC_5216_CMP_WM DSC_5217_CMP_WM DSC_5218_CMP_WM DSC_5219_CMP_WM DSC_5220_CMP_WM DSC_5221_CMP_WM DSC_5222_CMP_WM DSC_5223_CMP_WM DSC_5225_CMP_WM DSC_5227_CMP_WM DSC_5228_CMP_WM DSC_5234_CMP_WM DSC_5235_CMP_WM DSC_5236_CMP_WM DSC_5237_CMP_WM DSC_5238_CMP_WM DSC_5239_CMP_WM DSC_5255_CMP_WM DSC_5256_CMP_WM DSC_5257_CMP_WM DSC_5263_CMP_WM DSC_5264_CMP_WM DSC_5269_CMP_WM DSC_5273_CMP_WM DSC_5274_CMP_WM DSC_5275_CMP_WM DSC_5276_CMP_WM DSC_5277_CMP_WM DSC_5278_CMP_WM DSC_5279_CMP_WM

2--Puja-With-Murthi

DSC_4741_CMP_WM DSC_4742_CMP_WM DSC_4743_CMP_WM DSC_4744_CMP_WM DSC_4745_CMP_WM DSC_4746_CMP_WM DSC_4747_CMP_WM DSC_4748_CMP_WM DSC_4751_CMP_WM DSC_4752_CMP_WM DSC_4753_CMP_WM DSC_4754_CMP_WM DSC_4755_CMP_WM DSC_4756_CMP_WM DSC_4757_CMP_WM DSC_4759_CMP_WM DSC_4760_CMP_WM DSC_4761_CMP_WM DSC_4762_CMP_WM DSC_4763_CMP_WM DSC_4764_CMP_WM DSC_4765_CMP_WM DSC_4766_CMP_WM DSC_4767_CMP_WM DSC_4768_CMP_WM DSC_4769_CMP_WM

3--Sarva-Darshan

DSC_4628_CMP_WM DSC_4629_CMP_WM DSC_4630_CMP_WM DSC_4632_CMP_WM DSC_4633_CMP_WM DSC_4634_CMP_WM DSC_4635_CMP_WM DSC_4637_CMP_WM DSC_4638_CMP_WM DSC_4640_CMP_WM DSC_4718_CMP_WM DSC_4722_CMP_WM DSC_4723_CMP_WM DSC_4724_CMP_WM DSC_4725_CMP_WM DSC_4726_CMP_WM DSC_4727_CMP_WM DSC_4728_CMP_WM DSC_4729_CMP_WM DSC_4730_CMP_WM DSC_4731_CMP_WM DSC_4732_CMP_WM DSC_4733_CMP_WM DSC_4734_CMP_WM DSC_4735_CMP_WM DSC_4737_CMP_WM DSC_4740_CMP_WM

4--Pancha-Tapas

DSC_4365_CMP_WM DSC_4366_CMP_WM DSC_4367_CMP_WM DSC_4368_CMP_WM DSC_4369_CMP_WM DSC_4370_CMP_WM DSC_4371_CMP_WM DSC_4372_CMP_WM DSC_4373_CMP_WM DSC_4374_CMP_WM DSC_4375_CMP_WM DSC_4376_CMP_WM DSC_4377_CMP_WM DSC_4378_CMP_WM DSC_4379_CMP_WM DSC_4380_CMP_WM DSC_4381_CMP_WM DSC_4382_CMP_WM DSC_4383_CMP_WM DSC_4384_CMP_WM DSC_4385_CMP_WM DSC_4386_CMP_WM DSC_4388_CMP_WM DSC_4389_CMP_WM DSC_4390_CMP_WM DSC_4391_CMP_WM DSC_4392_CMP_WM DSC_4393_CMP_WM DSC_4394_CMP_WM DSC_4395_CMP_WM DSC_4396_CMP_WM DSC_4397_CMP_WM DSC_4399_CMP_WM DSC_4401_CMP_WM DSC_4402_CMP_WM DSC_4403_CMP_WM DSC_4404_CMP_WM DSC_4405_CMP_WM DSC_4406_CMP_WM DSC_4407_CMP_WM DSC_4408_CMP_WM DSC_4409_CMP_WM DSC_4410_CMP_WM DSC_4411_CMP_WM DSC_4412_CMP_WM DSC_4413_CMP_WM DSC_4417_CMP_WM DSC_4418_CMP_WM DSC_4419_CMP_WM DSC_4420_CMP_WM DSC_4421_CMP_WM DSC_4422_CMP_WM DSC_4423_CMP_WM DSC_4424_CMP_WM DSC_4425_CMP_WM DSC_4426_CMP_WM DSC_4427_CMP_WM DSC_4428_CMP_WM DSC_4430_CMP_WM DSC_4431_CMP_WM

5--Pada-Puja

DSC_4531_CMP_WM DSC_4576_CMP_WM

6--Nithyanandam-program

DSC_4778_CMP_WM DSC_4780_CMP_WM DSC_4782_CMP_WM DSC_4783_CMP_WM DSC_4784_CMP_WM DSC_4785_CMP_WM DSC_4786_CMP_WM DSC_4787_CMP_WM DSC_4788_CMP_WM DSC_4789_CMP_WM DSC_4791_CMP_WM DSC_4792_CMP_WM DSC_4793_CMP_WM DSC_4794_CMP_WM DSC_4796_CMP_WM DSC_4797_CMP_WM DSC_4798_CMP_WM DSC_4799_CMP_WM DSC_4800_CMP_WM DSC_4801_CMP_WM DSC_4803_CMP_WM DSC_4804_CMP_WM DSC_4805_CMP_WM DSC_4806_CMP_WM DSC_4807_CMP_WM DSC_4808_CMP_WM DSC_4810_CMP_WM DSC_4811_CMP_WM DSC_4812_CMP_WM DSC_4813_CMP_WM DSC_4814_CMP_WM DSC_4815_CMP_WM DSC_4816_CMP_WM DSC_4817_CMP_WM DSC_4818_CMP_WM DSC_4820_CMP_WM DSC_4821_CMP_WM DSC_4822_CMP_WM DSC_4825_CMP_WM DSC_4826_CMP_WM DSC_4827_CMP_WM DSC_4829_CMP_WM DSC_4832_CMP_WM DSC_4835_CMP_WM DSC_4836_CMP_WM DSC_4839_CMP_WM DSC_4840_CMP_WM DSC_4843_CMP_WM DSC_4844_CMP_WM DSC_4845_CMP_WM DSC_4850_CMP_WM DSC_4853_CMP_WM DSC_4855_CMP_WM DSC_4857_CMP_WM DSC_4859_CMP_WM DSC_4860_CMP_WM DSC_4861_CMP_WM DSC_4862_CMP_WM DSC_4863_CMP_WM DSC_4864_CMP_WM DSC_4865_CMP_WM DSC_4875_CMP_WM DSC_4877_CMP_WM DSC_4879_CMP_WM DSC_4880_CMP_WM DSC_4882_CMP_WM DSC_4885_CMP_WM DSC_4886_CMP_WM DSC_4890_CMP_WM DSC_4891_CMP_WM DSC_4895_CMP_WM DSC_4897_CMP_WM DSC_4898_CMP_WM DSC_4903_CMP_WM DSC_4904_CMP_WM DSC_4905_CMP_WM DSC_4910_CMP_WM DSC_4911_CMP_WM DSC_4914_CMP_WM DSC_4915_CMP_WM DSC_4920_CMP_WM DSC_4921_CMP_WM DSC_4923_CMP_WM DSC_4924_CMP_WM DSC_4926_CMP_WM DSC_4927_CMP_WM DSC_4928_CMP_WM DSC_4929_CMP_WM DSC_4930_CMP_WM DSC_4931_CMP_WM DSC_4932_CMP_WM DSC_4933_CMP_WM DSC_4934_CMP_WM DSC_4935_CMP_WM DSC_4936_CMP_WM DSC_4937_CMP_WM DSC_4938_CMP_WM DSC_4939_CMP_WM DSC_4940_CMP_WM

7--Morning-Message

DSC_4643_CMP_WM DSC_4644_CMP_WM DSC_4645_CMP_WM DSC_4646_CMP_WM DSC_4647_CMP_WM DSC_4648_CMP_WM DSC_4649_CMP_WM DSC_4651_CMP_WM DSC_4652_CMP_WM DSC_4653_CMP_WM DSC_4654_CMP_WM DSC_4655_CMP_WM DSC_4656_CMP_WM DSC_4657_CMP_WM DSC_4660_CMP_WM DSC_4663_CMP_WM DSC_4664_CMP_WM DSC_4665_CMP_WM DSC_4667_CMP_WM DSC_4668_CMP_WM DSC_4670_CMP_WM DSC_4672_CMP_WM DSC_4673_CMP_WM DSC_4674_CMP_WM DSC_4676_CMP_WM DSC_4677_CMP_WM DSC_4678_CMP_WM DSC_4679_CMP_WM DSC_4680_CMP_WM DSC_4682_CMP_WM DSC_4683_CMP_WM DSC_4684_CMP_WM DSC_4685_CMP_WM DSC_4687_CMP_WM DSC_4688_CMP_WM DSC_4689_CMP_WM DSC_4690_CMP_WM DSC_4692_CMP_WM DSC_4694_CMP_WM DSC_4696_CMP_WM DSC_4698_CMP_WM DSC_4702_CMP_WM DSC_4705_CMP_WM DSC_4706_CMP_WM DSC_4707_CMP_WM DSC_4709_CMP_WM DSC_4713_CMP_WM DSC_4714_CMP_WM DSC_4715_CMP_WM DSC_4716_CMP_WM DSC_4717_CMP_WM

8--Flag-hosted

DSC_4432_CMP_WM DSC_4433_CMP_WM DSC_4434_CMP_WM DSC_4435_CMP_WM DSC_4436_CMP_WM DSC_4437_CMP_WM DSC_4438_CMP_WM DSC_4439_CMP_WM DSC_4440_CMP_WM DSC_4441_CMP_WM DSC_4442_CMP_WM DSC_4443_CMP_WM DSC_4444_CMP_WM DSC_4445_CMP_WM DSC_4446_CMP_WM DSC_4447_CMP_WM DSC_4448_CMP_WM DSC_4449_CMP_WM DSC_4450_CMP_WM DSC_4451_CMP_WM DSC_4452_CMP_WM DSC_4453_CMP_WM DSC_4456_CMP_WM DSC_4457_CMP_WM DSC_4458_CMP_WM DSC_4459_CMP_WM DSC_4460_CMP_WM DSC_4461_CMP_WM DSC_4462_CMP_WM DSC_4463_CMP_WM DSC_4464_CMP_WM DSC_4465_CMP_WM DSC_4466_CMP_WM DSC_4467_CMP_WM DSC_4468_CMP_WM DSC_4469_CMP_WM DSC_4470_CMP_WM DSC_4471_CMP_WM DSC_4472_CMP_WM DSC_4473_CMP_WM DSC_4474_CMP_WM DSC_4475_CMP_WM DSC_4476_CMP_WM DSC_4477_CMP_WM DSC_4478_CMP_WM DSC_4479_CMP_WM DSC_4485_CMP_WM DSC_4486_CMP_WM

9--Night-session

DSC_5280_CMP_WM DSC_5281_CMP_WM DSC_5282_CMP_WM DSC_5283_CMP_WM DSC_5284_CMP_WM DSC_5285_CMP_WM DSC_5287_CMP_WM DSC_5288_CMP_WM DSC_5290_CMP_WM DSC_5291_CMP_WM DSC_5292_CMP_WM DSC_5293_CMP_WM DSC_5294_CMP_WM DSC_5295_CMP_WM DSC_5296_CMP_WM DSC_5297_CMP_WM DSC_5298_CMP_WM DSC_5299_CMP_WM DSC_5300_CMP_WM DSC_5301_CMP_WM DSC_5302_CMP_WM DSC_5303_CMP_WM DSC_5305_CMP_WM DSC_5306_CMP_WM DSC_5307_CMP_WM DSC_5308_CMP_WM DSC_5309_CMP_WM DSC_5310_CMP_WM DSC_5311_CMP_WM DSC_5312_CMP_WM DSC_5313_CMP_WM DSC_5315_CMP_WM DSC_5316_CMP_WM DSC_5317_CMP_WM DSC_5319_CMP_WM DSC_5320_CMP_WM DSC_5321_CMP_WM DSC_5322_CMP_WM DSC_5323_CMP_WM DSC_5324_CMP_WM DSC_5326_CMP_WM DSC_5327_CMP_WM DSC_5329_CMP_WM DSC_5330_CMP_WM DSC_5331_CMP_WM DSC_5332_CMP_WM DSC_5333_CMP_WM DSC_5335_CMP_WM DSC_5336_CMP_WM DSC_5337_CMP_WM DSC_5338_CMP_WM DSC_5339_CMP_WM DSC_5342_CMP_WM DSC_5343_CMP_WM DSC_5345_CMP_WM DSC_5346_CMP_WM DSC_5347_CMP_WM DSC_5348_CMP_WM DSC_5350_CMP_WM DSC_5351_CMP_WM DSC_5352_CMP_WM DSC_5353_CMP_WM DSC_5354_CMP_WM DSC_5355_CMP_WM DSC_5356_CMP_WM DSC_5357_CMP_WM DSC_5359_CMP_WM DSC_5361_CMP_WM DSC_5362_CMP_WM DSC_5363_CMP_WM DSC_5364_CMP_WM DSC_5366_CMP_WM DSC_5367_CMP_WM DSC_5369_CMP_WM DSC_5370_CMP_WM DSC_5371_CMP_WM DSC_5372_CMP_WM DSC_5373_CMP_WM DSC_5374_CMP_WM DSC_5383_CMP_WM DSC_5384_CMP_WM DSC_5385_CMP_WM DSC_5386_CMP_WM DSC_5387_CMP_WM DSC_5388_CMP_WM DSC_5389_CMP_WM DSC_5390_CMP_WM DSC_5391_CMP_WM DSC_5392_CMP_WM DSC_5393_CMP_WM DSC_5394_CMP_WM DSC_5395_CMP_WM DSC_5396_CMP_WM DSC_5397_CMP_WM DSC_5398_CMP_WM DSC_5401_CMP_WM DSC_5402_CMP_WM DSC_5403_CMP_WM DSC_5404_CMP_WM DSC_5405_CMP_WM DSC_5406_CMP_WM DSC_5407_CMP_WM DSC_5408_CMP_WM DSC_5409_CMP_WM DSC_5410_CMP_WM DSC_5411_CMP_WM DSC_5412_CMP_WM DSC_5413_CMP_WM DSC_5414_CMP_WM DSC_5415_CMP_WM DSC_5416_CMP_WM DSC_5417_CMP_WM DSC_5418_CMP_WM DSC_5427_CMP_WM DSC_5428_CMP_WM DSC_5429_CMP_WM DSC_5430_CMP_WM DSC_5431_CMP_WM DSC_5432_CMP_WM DSC_5433_CMP_WM DSC_5434_CMP_WM DSC_5435_CMP_WM DSC_5436_CMP_WM DSC_5437_CMP_WM DSC_5438_CMP_WM DSC_5439_CMP_WM DSC_5440_CMP_WM DSC_5441_CMP_WM DSC_5442_CMP_WM DSC_5443_CMP_WM DSC_5444_CMP_WM DSC_5445_CMP_WM DSC_5446_CMP_WM DSC_5447_CMP_WM DSC_5448_CMP_WM DSC_5449_CMP_WM DSC_5450_CMP_WM DSC_5451_CMP_WM DSC_5452_CMP_WM DSC_5453_CMP_WM DSC_5454_CMP_WM DSC_5455_CMP_WM DSC_5456_CMP_WM DSC_5457_CMP_WM DSC_5458_CMP_WM DSC_5459_CMP_WM DSC_5460_CMP_WM DSC_5461_CMP_WM DSC_5462_CMP_WM DSC_5463_CMP_WM DSC_5464_CMP_WM DSC_5465_CMP_WM DSC_5466_CMP_WM DSC_5467_CMP_WM DSC_5468_CMP_WM DSC_5469_CMP_WM DSC_5470_CMP_WM DSC_5471_CMP_WM DSC_5472_CMP_WM DSC_5473_CMP_WM DSC_5474_CMP_WM DSC_5475_CMP_WM DSC_5476_CMP_WM DSC_5477_CMP_WM DSC_5478_CMP_WM DSC_5480_CMP_WM DSC_5481_CMP_WM DSC_5482_CMP_WM DSC_5483_CMP_WM DSC_5484_CMP_WM DSC_5485_CMP_WM DSC_5486_CMP_WM DSC_5489_CMP_WM DSC_5490_CMP_WM DSC_5491_CMP_WM DSC_5492_CMP_WM DSC_5493_CMP_WM DSC_5494_CMP_WM DSC_5495_CMP_WM DSC_5498_CMP_WM DSC_5499_CMP_WM DSC_5500_CMP_WM DSC_5501_CMP_WM DSC_5502_CMP_WM DSC_5503_CMP_WM DSC_5504_CMP_WM DSC_5505_CMP_WM DSC_5506_CMP_WM DSC_5507_CMP_WM DSC_5508_CMP_WM DSC_5509_CMP_WM DSC_5510_CMP_WM DSC_5513_CMP_WM DSC_5514_CMP_WM DSC_5515_CMP_WM