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Sunday

12 September 2010

Science of Spiritual Healing Nithyananda

1,395Dated photos
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A man seated on an ornate gold throne with red velvet cushions, smiling while reading loose papers held in one hand and resting a clipboard on his lap. He has long dark hair swept back, a red tilak on his forehead, a dark rudraksha mala around his neck, and wears a cream and gold-bordered white shawl and dhoti. A microphone stands at the right and a white table with a silver-toned object sits at the left. Behind him is a backdrop showing a stone temple tower beside green foliage. Swamiji (probable): long swept-back hair, rudraksha mala and a throne seat, consistent with the discourse setting described on the page.A large indoor satsang hall with a white draped ceiling and rows of colourful striped cylindrical banners hanging from it. Hundreds of devotees, mostly women in white and cream saris and salwar, sit cross-legged on blue, red and striped floor mats facing a stage at the far end. Two large projection screens flank a decorated stage with a deity murti and floral arrangements in front of a painted forest backdrop. Several gilded deity figures stand along the left wall. Ceiling fans turn overhead and some attendees wear coloured saris in yellow, blue, orange and pink.A seated man reads from loose sheets of paper on a gilded, ornately carved golden throne with a red cushioned seat and red armrest cushions. He wears a white and cream dhoti with a gold-bordered cloth over the shoulder, and a dark rudraksha mala around his neck. A microphone stand is at right. Behind him is a large backdrop of a stone temple carving and green foliage. A vase of orange flowers and a water bottle sit on a white platform at left, and an orange and gold cloth hangs at upper right. a person: long swept-back hair, rudraksha mala and white ritual clothing, seated on the throne in a discourse setting.

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1,395 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

Panchatapas

3 dated photos in previewSource gallery
A man with long, swept-back dark hair sits with eyes closed in meditation outdoors, wearing a saffron-orange shawl wrapped over his shoulders and a long strand of dark rudraksha beads hanging on his chest. A red bindi is on his forehead. Behind him are blurred green palm and tropical plants, and an orange stone structure stands at the left edge. The appearance cues match the Swamiji (probable) label from the page, with long hair, saffron clothing and rudraksha mala, so the person is described as a probable Swamiji in meditation.A photograph of an outdoor meditation setting in a palm-lined compound. In the foreground a seated man in saffron-orange robes and a rudraksha mala sits cross-legged with eyes closed on a mat inside a circular stone-lined pit of gravel. Behind him stands an orange-painted pedestal supporting a black Nandi bull statue garlanded with marigolds, with a tall copper-coloured pillar above. A brass oil lamp rests near him, and white kolam designs decorate the ground. To the right, three men in white and yellow clothing sit on mats in meditation. Dark stone deity statues and small red-framed plaques stand at left, with thatched huts and a white building beyond.Outdoor photo of a man with long dark hair and a red bindi seated cross-legged in meditation with eyes closed, wearing a sleeveless saffron-orange robe and a long dark rudraksha mala. His hands rest clasped in his lap on an orange cushion over a wooden platform. A brass kalasha-style vessel with a handle and spout sits in the foreground. Behind him, two men in white dhotis sit on the sand, one in a yellow shawl; palm trees, a white building and a bamboo fence form the background.
02

Paadapooja

7 dated photos in previewSource gallery
A seated man in an orange sleeveless saffron robe and a long rudraksha mala sits on an ornate gold-and-red throne with his hands folded and eyes closed, a red tilak on his forehead. Fruit, apples and bananas, sits on trays beside him. In the foreground, a bald man in white and several devotees with folded hands face the throne. A woman in a yellow sari and bangles sits with hands in anjali near silver offering plates holding apples and flowers. Embroidered orange cloth and a white tower fan are visible in the background. Swamiji (probable): the seated figure wears saffron robes, a rudraksha mala and long swept-back hair, and sits on the throne as the honoured guru.A photograph of a seated puja or satsang scene in a hall with pink walls. On the right, a long-haired man in orange sleeveless robes and a rudraksha mala sits with eyes closed and hands folded on a red-cushioned gold throne; the throne is carved with gilt scrollwork. Probable Swamiji by appearance: long swept-back hair, orange robes and rudraksha mala. Before him, a bald man in white with a rudraksha mala sits with eyes closed, and a woman in a yellow sari with a mala sits beside him. On the left, a woman in a white sari with yellow border holds a mala, and a bald priest in white with tilak speaks into a microphone. Brass trays hold apples, pink lotus flowers and offerings, with a tray of apples on a side table near the throne.A large indoor satsang hall with a white draped ceiling and rows of colourful striped cylindrical banners hanging from it. Hundreds of devotees, mostly women in white and cream saris and salwar, sit cross-legged on blue, red and striped floor mats facing a stage at the far end. Two large projection screens flank a decorated stage with a deity murti and floral arrangements in front of a painted forest backdrop. Several gilded deity figures stand along the left wall. Ceiling fans turn overhead and some attendees wear coloured saris in yellow, blue, orange and pink.A large indoor satsang hall with a white draped fabric ceiling and ceiling fans. Hundreds of seated attendees, mostly men in white clothes, face a distant stage. Tall decorative cylindrical pillars with colourful geometric patterns and orange tassels hang from the ceiling. On the left, a golden throne-like peetha holds a deity murti with red and gold adornments. A large projection screen and backdrop with painted imagery stand at the front.Large indoor satsang hall under a white tented ceiling with ceiling fans, viewed from the back of a seated audience of many men in white clothes, some in blue or purple shirts, sitting on striped mats facing a stage. On the stage, a central figure in orange robes sits on an ornate gold-and-red throne before a backdrop of a deity murti flanked by tall devotional pillars. Several women in saffron and green saris sit near the stage. Colourful striped and patterned decorative pillars with orange tassels hang from the ceiling. Camera tripods are set up at the front. A large projection screen is visible on the left and right.Close view of bare feet resting on a golden-patterned surface, with the lower body wrapped in orange saffron cloth. Around the feet are ornate silver bowls filled with white flowers, pink petals, red marigold-style blossoms, whole red apples, and small heaps of white offerings. The gold ornamental background suggests a temple setting, and the arrangement matches a padapuja offering of flowers and fruit at the feet of a revered teacher.
03

Morning-Satsang

1 dated photos in previewSource gallery
Photograph of a smiling man with long, swept-back black hair seated on an ornate gilded throne with a red cushion, wearing a sleeveless saffron-orange robe draped over one shoulder and a long rudraksha mala of dark beads. A red bindi marks his forehead, and a small microphone is clipped near the throne. Swamiji (probable): the long swept-back hair, saffron robe and rudraksha mala are the cues, seated as a speaker on the throne during a discourse.
04

Sarvadarshan

1 dated photos in previewSource gallery
A photograph of a ceremonial moment in an indoor hall. A man with long dark hair, wearing an orange saffron robe and rudraksha mala, sits on a red and gold ornate throne and smiles while a small boy in a pale gold embroidered kurta bows and touches his hands. Behind them, a bald man in a white shirt and white dhoti with a tilak stands beside a fruit tray and a brass plate, and a woman in a yellow shawl and white sari holds an offering. On the left, a woman in a yellow and green silk sari with gold necklace watches, and another boy in a green embroidered kurta stands near her holding a small object. A tall red-and-gold throne frame, a backdrop with a tree and temple carving, and red apples on a tray complete the scene. a person seated on the throne, identified by long swept hair, saffron robe and rudraksha mala.
05

Teerthavari-Thepotsavam

4 dated photos in previewSource gallery
A raised platform draped in a white cloth and orange runner floats in a stepped tank of water, carrying a deity murti decorated with yellow and purple flower garlands beneath a multicoloured umbrella and a gold-trimmed canopy. Beside the murti stands a framed portrait of a saffron-robed figure with long hair, garlanded in yellow flowers, set on a red cushioned seat with a small brass lamp. Around the platform, several men wade in the water: two in front wear white dhotis with gold garlands, one holding a brass vessel, and others in white shirts and dhotis push and steady the float. A potted plant and banana leaves frame the scene against red tiered steps.A photograph of a floating ritual barge being pushed through a water tank by devotees wearing white dhotis and shirts, several standing waist-deep in the water. The barge is decorated with yellow and white marigold garlands, banana leaves, and a multicoloured canopy umbrella. Under the canopy sits a Ganesha murti adorned with flowers. Beside it, a framed portrait labelled "Paramahamsa Nithyananda" shows a seated figure in saffron robes and a beaded mala, garlanded with yellow flowers on a red cushion. Brass lamps and flower offerings rest on the orange cloth. A man in white with a yellow shawl holds the umbrella pole at the rear, and a bald devotee in white watches from the lower right. Red-painted steps and fountains line the tank behind.A decorated boat procession on a water tank with red stepped banks behind it. A deity murti in a gilded frame sits under a multicoloured umbrella and an orange fringed canopy, garlanded with yellow, white and purple flower strands and banana leaves. Beside it stands a framed portrait of a person in orange robes, also garlanded with yellow marigolds. A man in white clothes stands at the back of the boat, and several young men in white dhotis wade in the water pushing or steadying the boat by its sides. Petals float on the water.A decorated ceremonial platform stands before a tall red-brick stepped wall. Under a multicoloured umbrella and a saffron-yellow fringed canopy sits a small deity murti garlanded with marigolds and purple flowers. Beside it, a framed portrait labelled "Paramahamsa Nithyananda" shows a saffron-robed figure, garlanded with a yellow marigold chain. Banana plants and flower garlands frame the platform. Several young men in white dhotis and shirts stand and kneel around the base, some in shallow water, one holding a long object near the platform. Water and a pot sit at the front.
06

Online-Kalpataru-Darshan-To-Singapore

6 dated photos in previewSource gallery
A seated man sits on an ornate gold-and-red throne with carved gold armrests, smiling and holding a small gold trident in his right hand. He wears a white dhoti with gold-bordered yellow edging, a white shawl, and a long necklace of dark rudraksha beads, with a red tilak on his forehead and long swept-back dark hair. A microphone stand is visible at the right edge beside white curtains. The appearance of this long-haired figure in saffron-free white ritual dress with rudraksha malas and gold ornaments is consistent with the page's reference to a person; the identification remains appearance-based and uncertain, so this is a probable candidate.A photograph of a man seated on an ornate gold throne with a deep red velvet back and lion-footed armrests, against a backdrop of a purple-tinted forest print. He wears a white dhoti with a gold border and a white shawl, a long rudraksha mala, and a red bindi, and raises his right hand in blessing while holding a gold-tipped staff. A small potted palm, a monitor on a blue-draped table and stacked books sit to the left, and a partly visible person holding papers stands at the right edge.A smiling man sits on an ornate gold throne with a deep red velvet back and gold lion-shaped armrests, in front of a large backdrop of a banyan-like tree in muted purple tones. He wears a white dhoti with a golden-yellow striped border and a white upper cloth, a dark rudraksha mala around his neck, and holds a golden ceremonial staff in his right hand. A potted palm, a monitor and a sheet of paper held by a person at the right edge sit in the room.A man with a shaved-looking head and a rudraksha mala is seated on an ornate gold throne with carved lion-shaped armrests and a deep red cushion, in front of a large printed backdrop of a banyan-like tree. He wears a white dhoti and shawl with gold border, a red tilak on his forehead, and rests his hands on the armrest. A computer monitor, a plant, stacked books and a blue-draped table are at left in a room with a thatched ceiling.A man with long swept-back hair, a red bindi and a dark rudraksha mala sits smiling on a large ornate gold throne with a red velvet back, flanked by a gold lion-form armrest. He wears a white dhoti and shawl with gold borders. In front of him a monitor sits on stacked books beside black speakers and a blue-draped table, with a potted palm at left and a forest-tree backdrop behind.A seated man in ordinary cream-white dhoti and shawl with a yellow border sits on an ornate gold throne with a red velvet back. He wears a long rudraksha mala of dark brown beads and a small red tilak on his forehead, holding a gold ceremonial staff with his right hand while his left rests on a gold lion-head armrest. A green palm frond and a lilac painted backdrop of trees surround him.
07

Online-Kalpataru-Darshan-Mumbai

3 dated photos in previewSource gallery
A man seated before a gold-ornate red backdrop, wearing a gold-brown textured turban with a red tilak mark on his forehead, long dark hair falling behind his shoulders, and a pale pink draped garment edged with gold-brown border. He wears a heavy gold bead necklace with a gold trident pendant and a small black lapel microphone clipped to his garment. His gaze is turned to the side and he appears to be speaking. Swamiji (probable): long swept-back hair, ornate gold necklace and saffron-toned ceremonial clothing identify a.Close-up photograph of a seated person's raised right hand in an open-palm gesture against a blurred green palm-leaf background. The person wears a pink garment and a heavy gold ornamental necklace of large ornate beads with black bands; the left hand rests on the lap with gold ornamentation visible. Only the arms and hands are visible, with no face shown.A seated man with palms pressed together in namaste sits on an ornate gilded throne with red velvet cushioning and lion-head armrests. He wears a tan turban, a light pink dhoti and shawl with dark brown borders, and a long beaded necklace. Behind him hangs a large photographic backdrop of a banyan tree. A gold canopy with leaf-shaped tassels hangs above. In front, a blue cloth-draped table holds a laptop, a monitor, speakers and cables, with an orange cloth panel and a potted palm nearby. The figure's appearance is consistent with the page's identification of a person, but the face is not clearly visible, so the identity is uncertain.
08

Nsp-Energy-Darshan

8 dated photos in previewSource gallery
A seated man in profile, palms pressed together in namaste, is adorned with a long red rose garland and gold bead necklaces over white clothing. He wears a light tan turban and a small red tilak mark on his forehead. Behind him is an ornate gold and red throne, and a plate of bananas sits on a stand at the left. The dark blue backdrop suggests a stage or satsang hall. Appearance-based candidate: a person, identified by the turban, rose garland, gold beads and ceremonial seating.A seated man sits on an ornate gold throne with red cushions in front of dark blue drapes. He wears a pinkish-beige turban, a white dhoti-style garment with dark border trim, and a long red flower garland draped over his shoulders and down to the platform. Gold beaded necklaces hang on his chest, and a red bindi marks his forehead. His hands rest on his lap and he looks upward. A Swamiji (probable) candidate appears here: the turban, flower garland, gold necklaces and white saffron-free ceremonial dress with a throne setting are presented as a seated spiritual teacher during a discourse setting.A man seated on an ornate gold throne with a red cushioned seat and red bolster pillows, set against a dark blue draped backdrop. He wears a pink-brown turban, a red tilak on his forehead, a white draped garment with dark trim, and multiple gold beaded necklaces. A long red-pink flower garland hangs from his shoulders to his feet, which rest on a pile of pink and yellow flowers. Swamiji (probable): long dark hair visible at the neck, a turban, ornate gold necklaces and a garland, consistent with the page's Swamiji event.A seated man sits on an ornate gold throne with a red cushioned seat and armrest pads, in front of a dark blue draped curtain. He wears a beige turban, a red bindi, a white garment with a dark border and a gold bead necklace, and a long red flower garland hangs to his feet, which rest on a small red cloth with flowers. A table with a small decorative object is at the right edge. A candidate appearance-based label applies: a person, seated on the throne as the central figure, with a turban, gold bead mala and garland cues. One person is visible.Close-up photograph of a smiling man wearing a bronze-brown textured turban, a red kumkum mark on his forehead, long dark hair falling behind his shoulders, and a thick garland of red roses over a pink garment with a dark border. Behind him is an ornate gold throne back decorated with gold spheres and scrollwork. A partially visible hand in a white sleeve rests at the left edge.Close profile photograph of a smiling man wearing a gold-grey textured turban with a red tilak mark on his forehead. Long dark hair falls behind his shoulder, and he wears gold ornamental necklaces over a white garment. A blurred orange-clad figure is at the left edge.
09

Nithyanandam-Program-Session-With-Swamiji-In-Afternoon

15 dated photos in previewSource gallery
A seated man with long, swept-back dark hair, wearing a white dhoti and shawl with gold borders, a red vermilion mark on his forehead and a long rudraksha mala with multiple strands. He sits on a red cushioned throne with ornate gold carved armrests and smiles while speaking near a microphone on a stand. A leafy green backdrop fills the background. Swamiji (probable): the long hair, rudraksha malas and ceremonial white and gold clothing are visible cues of a discourse seat.A man sits cross-legged on an ornate gilded throne with red cushions, speaking into a microphone on a stand at right. He wears a white dhoti with gold-striped borders, a bare upper body, a long rudraksha mala with dark beads, and a red bindi on his forehead. Behind him hangs a large backdrop printed with a deity pair in red and pink garments, decorated with yellow and red flower garlands, gold ornaments and a trident. Flower arrangements of orange and yellow blooms stand to the left, with a small shrine panel to the right and gold lamp stands on the pillars. The setting is a stage for a discourse. The page labels the speaker as Swamiji, with visible cues of long hair, rudraksha beads and a throne, so the appearance is a probable match.A man with long, swept-back dark hair and a red bindi sits in front of an ornate gold throne with repoussé floral and scroll carving. He wears a white dhoti-style garment with a gold border draped over one shoulder, and a long mala of rudraksha beads hangs to his chest. He gestures with one hand near a microphone on a stand, appearing to speak to an audience during a discourse. The background shows red and pink floral decorations. Only one physical person is visible.A seated man in white dhoti and shawl with gold-edged border sits on an ornate gold throne with red cushions, speaking into a microphone and gesturing with his right hand. He wears a long rudraksha mala and a red bindi. Behind him a large backdrop shows a deity murti with multiple arms, a trident, garlands of yellow and red flowers, and gold ornaments. Gold lamp stands flank the scene.A smiling man with shoulder-length dark wavy hair sits cross-legged on an ornate gold-and-red throne with a small microphone at his side. He wears a white upper cloth with a gold border, a matching white and gold-striped lower cloth, and a long rudraksha mala of dark beads, with a red tilak on his forehead. His hands rest in a mudra in his lap. Behind him hangs a large backdrop of red and white fabric with floral garlands in red and yellow. The setting appears to be a discourse or satsang hall.A smiling man with long, swept-back dark hair and a red bindi sits on an ornate gold throne with a red cushion, holding a white card with a printed header and a small photo, and papers in his other hand. He wears a white dhoti-style cloth draped over the shoulder with a long rudraksha mala across his bare chest, and a microphone stand is in front of him. Background foliage is green. Swamiji (probable): the long swept-back hair, rudraksha mala and gold throne are the qualifying cues, and he is presented as the speaker holding notes at the event.
10

MUMBAI-KALPATARU

5 dated photos in previewSource gallery
A two-panel collage. On the left, a young boy with dark hair and a dark top speaks into a handheld microphone while seated before a laptop, with a woman in a pink top visible in the background under a red-and-white canopy. On the right, a person in an orange top sits at a laptop on a table facing a large projection screen showing a white slide, with another seated figure beside them and a red-and-white tent overhead.A seated man in a gold-ornate red-cushioned throne, palms pressed together in namaste with eyes closed. He wears a pale tan turban, white dhoti and kurta with black trim, a red flower garland draped over his shoulders and a gold chain. Behind him are blue drapes; to the right a small table holds bananas, fruit and flowers. a person: long hair, saffron-free white ritual dress and a ceremonial garland; the throne and garland support a ceremonial honouring setting. A pedia source line appear in the lower right cornerA man stands barefoot on a gold-trimmed footstool in front of an ornate gold and red throne with a dark maroon cushion, against a deep blue curtain backdrop. He wears a light tan turban, a pale pink dhoti and shawl with dark brown-and-gold borders, and a long gold-and-beige bead garland around his neck. His palms are pressed together in namaste at chest level with head bowed. The gilded throne and carpeted dais suggest a formal discourse stage. A small purple bird-like logo appears in the upper left corner.A man seated on an ornate gold-and-red throne with carved lion-head armrests, smiling and holding his palms together in greeting. He wears a tan turban, a pale pink robe draped over one shoulder with a dark border, matching pink trousers, and a long gold bead necklace. A potted palm and a black-and-white tree photograph backdrop stand behind him, with a red-and-gold figure at the left edge. A person's arm and a camera-like object appear at the lower left. Candidate matches the Swamiji (probable) cues of a turban, pink saffron-toned ceremonial robe and gold bead necklace on a throne, presented in a satsang-style setting.A person in pink and gold ceremonial dress sits on an ornate gold throne with a red velvet back, under a hanging gold canopy with tassels. He wears a tan turban, a gold necklace, and a red tilak on his forehead, and his hands are joined in a greeting. In front of him is a desk with a monitor and a draped orange cloth, and blue-covered tables and speakers sit in the foreground. Behind him is a backdrop of a forest scene. Swamiji (probable): the cues are the turban, the gold necklace and the ornate pink ceremonial clothing, and the seated figure is in the central throne position.
11

MUMBAI-KALPATARU

44 dated photos in previewSource gallery
A seated man on an ornate gold throne with a red velvet back, carved lion-form armrests and a gold lion base. He wears a tan turban, a pink dhoti-style cloth, a black sash and a long strand of gold-coloured beads around his neck, and he looks to his right. Beside the throne stands a man in white kurta and white trousers with an orange shawl and a rudraksha mala, hands folded. A computer monitor and a white-draped table sit at right, with a dark backdrop and potted green plant at left. The seated figure matches the a person appearance cues of a turban and ornate throne adornments, though the identification is uncertain. Visible physical people: two.A seated man in a pink dhoti-style garment with dark borders sits on an ornate gold throne with carved lion-like armrests and a deep red cushion. He wears a tan turban with a small red bindi, a long necklace of gold beads, and a small clip-on microphone at his chest. Beside him, a second man in white kurta with an orange-red shawl stands near a desk with a monitor and orange cloth draped on the table. Curtains and a dark forest backdrop form the setting. a person cues: turban, gold beads, ceremonial throne and pink-and-gold attire, seated on the throne.A seated man in a pink dhoti and pink wrap with black-bordered edges, wearing a tan turban and a beaded gold-coloured mala necklace, sits on an ornate gold throne with a red velvet back and lion-shaped armrests, hands pressed together in anjali mudra with eyes closed. Behind him a black-and-white tree photograph hangs on a wall, with white curtains, a potted palm plant and a thatched ceiling in the room. A partially visible person in red stands at the left edge and another person is at the lower right edge.A seated man in a brown turban and pink dhoti-style garment with dark trim gestures with raised hands during a talk, smiling with eyes lowered. He wears a long gold bead necklace and a small lapel microphone clipped to his clothing. He sits on an ornate gold-and-red throne with carved gold filigree. Behind him is a large black-and-white photograph of a banyan tree with aerial roots, and a potted palm stands at the left edge. A red tilak mark is on his forehead.A seated man in a pink dhoti-style garment with dark trim, wearing a tan turban and a long gold-bead necklace, sits on an ornate gold throne with red velvet cushions and carved lion-form armrests under a gold canopy with hanging tassels. A thatched ceiling and a potted palm frame the room, and a monitor sits at left. A man in an orange-and-white shirt kneels at the throne's lower right, and a microphone is visible.
12

GANESHA-BRAHMOTSAVAM

6 dated photos in previewSource gallery
A photograph of a decorated Ganesha murti, the elephant-headed deity, shown as a metal statue seated frontally beneath an ornate orange canopy with a gold-patterned top. The murti wears a jewelled crown, large ear ornaments, layered gemstone necklaces with green and red stones, and a dark red garment. Its hands hold objects, and it sits on an orange cloth draped over a base, framed by garlands of yellow and purple marigolds, pink and white flowers, and green leaves. No physical people are visible.A bronze Ganesha murti stands at centre, heavily adorned with jewelled ornaments in red, green and white stones, a jewelled crown and orange cloth. It is framed by a garland arrangement of yellow marigolds, purple globe flowers, green leaves, white blossoms and pink petals, beneath a yellow and orange canopy with fringed tassels. No people are visible.Close-up photograph of a silver Ganesha murti (deity murti) adorned with an elaborate jewelled crown, orange headcloth and encrusted ornaments in red, green and white stones. Large paisley-shaped jewelled ornaments hang from the ears, a green teardrop gem sits on the forehead and a red gem decorates the chest. The murti is surrounded by yellow marigold garlands, purple flowers and green leaves, with an orange fringed canopy above. No people are visible.Close-up photograph of a silver-toned Ganesha murti, the elephant-headed deity, richly dressed for worship. The face is adorned with a large green gemstone and jeweled ornaments set with red, green and white stones and pearls. An orange silk turban-like headdress with a gold-patterned border sits atop the head, and a red jeweled disc is set on the chest above a red and gold brocade cloth. Marigold-like flowers and green leaves frame the top of the image. No physical people are visible.A decorated deity murti is set on a grey elephant vehicle beneath a large yellow umbrella with red fringe and a lotus-patterned top. The murti wears silver and jewelled ornaments with red, green and white stones, a silver crown and a silver necklace. It is garlanded with yellow marigolds, purple and pink flower strands, white jasmine and green leaves. An orange cloth drapes the elephant's back and a red cloth covers the base. Behind it are striped white and red steps and a doorway, with a person in light clothing partly visible inside the entrance.A photograph of a decorated Ganesha murti seated on a grey elephant-shaped vahana or ratha base under an orange and gold canopy with tassels. The murti is adorned with silver-toned ornaments, jeweled necklaces with red and green stones, and a crown, and is framed by garlands of yellow, pink, purple and white flowers and green leaves. An orange cloth with a gold border covers the base. No people are visible; the setting includes a tiled floor with kolam designs and a doorway.
13

TEPOTSAVAM-ON-GANESHA-BRAHMOTSAVAM

26 dated photos in previewSource gallery
A photograph of a floating ceremonial platform on a river ghat with red-and-white striped steps behind it. The platform is decorated with marigold and multicolour garlands and banana leaves, and a yellow fringed parasol and a multicoloured umbrella shelter a deity murti or framed image on a small shrine. A seated man in white robes with a yellow shawl sits on the platform. Several men in white clothes stand waist-deep in the reddish water, some holding garlands and some assisting at the platform edge. The scene suggests a river puja or ritual procession.A photograph of a ceremony in shallow reddish water in front of a red-brick tiered stepped ghat. In the foreground, several young men in white dhotis and white shirts stand waist-deep in the water; two in the centre wear saffron-and-white cloth over the shoulders and gold-coloured garlands, and one holds a small brass vessel. Behind them, a raised white-draped platform holds a decorated deity murti with flower garlands, green banana leaves and a multicoloured parasol above. A framed portrait in saffron robes with a yellow flower garland stands beside it under a saffron parasol. A man in white clothing sits on the platform at right, and another stands in white on the right edge of the water. The scene appears to be a water-based puja or procession rite.Devotees wade in a reddish water tank beside red-painted stone steps while a raised platform carried on the water holds a deity murti decorated with garlands and a framed portrait labelled with garlands. Several men in white clothes stand in the water; a bare-chested man in front wears a gold necklace and a cloth over the shoulder, and another holds a small brass pot. A multicoloured umbrella and a yellow fringed canopy shelter the platform, with banana leaves and marigold garlands decorating it. A seated man in white on the right sits beside the portrait, which shows a figure in saffron-orange robes wearing a rudraksha-style garland and ornate necklace; whether this is a person is uncertain from appearance alone.A photograph of a ritual bathing scene in a red-brick-walled water tank. Several men stand waist-deep in green water: a shaved-headed man in the centre wears a dark patterned cloth around his waist with a white garment over his shoulders and a beaded necklace, while another shaved-headed man beside him wears a white cloth and garland. Other men in white clothes stand nearby, one with a blue lanyard. Above them, on a raised platform draped in white cloth and decorated with marigold garlands, a framed picture and a brass vessel sit beneath a banana leaf. Two men in white stand at the platform edge.Outdoor river or tank ritual in shallow water beside red stone steps. A decorated palanquin platform draped in white cloth and garlanded with yellow marigolds, banana leaves and colourful beaded hangings holds a framed portrait of a smiling man in orange robes seated on a red cushion, flanked by a silver-and-gold deity murti. Men in white dhotis and white shirts wade in the water; the bald man in front holds a brass vessel and wears gold necklaces. A man in a yellow shawl and white garment sits on the platform beside the portrait. Brass vessels, a kalasha and flower offerings sit on the orange cloth.Outdoor photo of a wide red-painted stepped ghat or amphitheatre filled with seated devotees dressed in white. Several people in the foreground sit on the lower steps, one bald man in white in front. In the middle, an orange cloth and a red bolster are laid across the steps, possibly reserved seating. Standing figures in white and an orange-robed person stand higher up near a white railing under an overcast sky.
14

NITHYANANDAM-PROGRAM

2 dated photos in previewSource gallery
A man with long black hair swept back and a long rudraksha mala draped over his shoulders sits on an ornate gold throne with carved scrolls and red cushioned armrests. He wears a white and cream dhoti with a cream shawl across his chest and smiles broadly while holding a long slender stick. Behind him stands a red and gold backdrop with a painted deity panel. a person, seated in the discourse setting; appearance-based label only.
15

NITHYANANDAM-PROGRAM

59 dated photos in previewSource gallery
A seated man with long, swept-back dark hair and a red bindi sits on an ornate gold-carved throne with red cushions, eyes closed and palms pressed together in namaste. He wears a cream dhoti with yellow borders, bare-shouldered, and a long rudraksha mala hangs to his waist. A small microphone stands at his right. Behind him is a red curtain and carved gold panels.A large hall with a white fabric ceiling and hanging colourful tassel decorations in red, blue, yellow and orange. Many seated devotees in white clothes sit on red-striped and orange mats, with some raising their hands. In the foreground a bald man in white with an orange shawl sits on an orange mat, and at right an altar area with a deity murti and flower decorations is visible. The setting appears to be a satsang or discourse session.A man with long dark wavy hair and a red tilak on his forehead sits on an ornate gold throne with peacock-feather style carved backrest, speaking into a microphone on a stand. He wears a white dhoti-style garment with gold-bordered edges and a long rudraksha mala of dark brown beads hanging to his lap. His hands are folded together in his lap, and he smiles while looking to the side. The red cushion of the throne is visible at left.A seated man in a white and gold-bordered dhoti and shawl sits cross-legged on an ornate gold throne with red cushions, eyes closed and smiling. A dark rudraksha mala hangs across his chest, a red bindi marks his forehead, and his hands rest in a meditative mudra. A microphone on a stand is at his side, and behind him are red draped fabric, a garland and a deity image. The seated man is a teacher giving a discourse. Based on visible cues including the long hair, rudraksha mala and ornate setting, this is a probable Swamiji (probable) in a speaking role.A man with long, swept-back dark hair sits on an ornate gold throne with carved floral and foliate filigree and rounded finials, against a red cushion. He wears a white dhoti-style garment with a gold border draped over one shoulder, a long mala of dark rudraksha beads, and a red bindi on his forehead. His hands rest folded in his lap, and a small microphone is clipped near his neck. He smiles and looks to the side. Swamiji (probable): long swept-back hair, rudraksha mala and ceremonial golden throne.A seated man with long dark hair sits on an ornate gold throne with red cushions, smiling, wearing a white dhoti with gold-bordered edge, a white shawl and a long black rudraksha mala, with a red bindi on his forehead. His hands rest together in his lap and a microphone stand is positioned beside him. Behind the throne is a large printed backdrop of a deity pair in red and pink garments with yellow and red flower garlands, flanked by golden lamp pillars, with a small shrine on the right and a vase of orange flowers at left.
16

SINGAPORE-EN-KALPATARU

2 dated photos in previewSource gallery
A monitor on a stack of books sits on a blue draped table in a plain room with cream walls and a window. The screen shows a video of a man in orange or saffron robes seated in a discourse setting. Beside the monitor a small book is propped up on a stand. At the right edge, a seated person in yellow clothing is partly visible. The scene looks like a viewing session of a recorded talk.A smiling man with short dark hair sits on an ornate gold throne with a deep red seat and carved lion-head armrests. He wears a cream-white dhoti and shawl and a dark rudraksha-style mala with a gold pendant at the neck, and raises his right hand in greeting while holding a small gold object in his left. Behind him a pinkish-purple decorative backdrop with floral patterns stands beside a potted green plant and a dark monitor on the left. The page suggests a person connection, but the cues are limited to the throne and the mala and the appearance is uncertain.
17

SINGAPORE-EN-KALPATARU

47 dated photos in previewSource gallery
A man with long swept-back dark hair sits on an ornate gilded throne with a red velvet back and lion-form armrests, hands pressed together in namaskar. He wears a white dhoti with a gold border, a shawl draped over his shoulder, and a rudraksha mala with a ceremonial gold pendant. Beside him stands a young man in a white kurta with a rudraksha mala and a tilak on his forehead, hands folded. A green palm plant and a large tree photo backdrop frame the scene, with white curtains at the window.A photograph of a seated man on an ornate gold-and-red throne with carved lion-head armrests, palms pressed together in namaste and eyes closed. He has long dark hair, a rudraksha mala around his neck, and wears a white dhoti with a gold border and a bare upper body. A woman in white clothing stands behind a table with papers, and a man in white stands beside a laptop at the right. A palm plant is at left and a white curtain behind the window. The setting is a simple room with a plain wall and a printed backdrop of trees.A seated man with long dark hair and a bead necklace sits on an ornate gold throne with a red velvet back, palms pressed together in greeting in front of a computer monitor on a blue draped table stacked with books. A standing man in white clothes with a rudraksha mala stands to the right, hands folded. Behind them is a large photograph of a banyan tree and a potted palm on the left, with white curtains and a gold ceremonial canopy overhead. The seated man has distinctive long hair, bead adornment and a gold-ornamented throne, matching the a person cues, shown in a live talk setting.A photograph of a monitor on a desk showing a live video call window labelled Lifeline Foundation Singapore. On the screen, a figure in a pale robe stands at the front of a large hall while seated attendees in white clothes fill the floor; a small inset image shows a painted deity with a red crown. The video feed is seen through the monitor, with a webcam mounted on top and wooden cubby shelving behind.A seated man in a cream and gold-bordered dhoti and shawl sits on a dark red and gold throne-like chair, hands pressed together in anjali with eyes closed, long dark hair falling behind him. Beside him stands a gilded lion-like figure. In front of him on a blue draped table, a monitor displays a live video feed of a room, with stacked books and a small digital clock. A green sofa and white plastic chairs sit in the room, a standing light is on the left, and a second man in white kurta stands in the background. Thatched roof beams and white curtains frame the hall. The seated man is an appearance-based a person (long swept-back hair, ornate gold accents, cream-and-gold clothing) addressing a remote audience via screen.A man seated on an ornate gold throne with a red velvet back and carved lion-shaped armrests, under a gold ceremonial umbrella hanging from a thatched bamboo ceiling. He has long dark hair, a rudraksha mala, and wears a white dhoti and shawl with yellow borders, with palms pressed together in namaste and eyes closed. Beside him stand a potted palm and a video camera, with a laptop on a low table at the lower left. Behind the throne hangs a large backdrop of a banyan tree.
18

PHOENIX-EN-KALPATARU

35 dated photos in previewSource gallery
A photograph of a man in long flowing saffron-orange robes and a black rudraksha mala sits on an ornate gold throne with a red velvet back and carved lion-form armrests. He has long swept-back dark hair, a red tilak on his forehead, and eyes closed while extending one hand outward in a gesture of teaching. A potted palm stands at left, a blue cloth-covered table with a laptop and speaker sits in the foreground, and a purple-and-white backdrop hangs behind the throne. The person matches the Swamiji (probable) appearance cues of long hair, saffron clothing and rudraksha beads, and he is giving a discourse on spiritual healing.A seated man in an orange robe with a black rudraksha mala and a gold ornament sits on an ornate gold throne with a red cushion, holding a small gold object and gesturing while smiling. A second man in white robes with a yellow shawl stands at the left beside a potted palm. A blue draped table holds books, a monitor and a laptop, and a large backdrop of a tree-root image fills the right side. Wooden thatched ceiling and white curtains frame the hall.A photograph of a long-haired figure seated with their back to the camera on an ornate wooden chair, dressed in an orange-red garment with a golden armrest. In front of them a monitor on a stack of books shows a video call with a smiling man wearing headphones. Behind is a room with white curtains, white plastic chairs, a studio light and a blue mat. The seated figure appears to be a person in orange robes, and the page links this to a person, but the face is not visible, so identity is uncertain. Only one physical person is present, the seated figure.A man with long swept-back dark hair and a red bindi sits smiling on an ornate gold throne with a deep red cushioned seat and carved gold lion-shaped armrests. He wears orange-saffron robes and a dark rudraksha mala, and holds a gold trident-topped staff upright in his hands. Behind him is a large mauve-tinted backdrop of trees, with a potted palm to the left and a monitor edge in the foreground. A gold carved crest sits atop the throne back. Swamiji (probable) is seated as the speaker of this discourse on spiritual healing, presented from a throne with long swept-back hair, saffron robes and rudraksha beads.A smiling man with long dark hair sits on an ornate gold throne with a red velvet back and lion-shaped gold armrests. He wears an orange sleeveless robe and a dark rudraksha mala with a red tilak on his forehead. He raises one hand in a gesture while holding a golden trident-topped staff. A potted palm stands at left against a purple tree-patterned backdrop. a person: the long swept hair, saffron robe, rudraksha mala and throne match the page's identification, so treat this as a probable identification.A man with long, swept-back dark hair sits on an ornate gold throne with a red velvet back and gold lion-shaped armrests. He wears an orange sleeveless robe, a long rudraksha mala, and a red bindi, and holds a gold trident-topped staff in his folded hands while smiling with eyes closed. A potted palm and a dark monitor stand at the left edge, and a painted tree backdrop fills the background. Swamiji (probable): the long swept-back hair, saffron robe, rudraksha mala and throne match the appearance cues for this page's event.
19

PHOENIX-EN-KALPATARU

1 dated photos in previewSource gallery
Indoor photograph of a seated person on a gold-framed red throne wearing orange robes, rudraksha malas and a long dark braid, raising a hand in blessing toward devotees. A standing man in orange robes holds a metal tray with red offerings beside the throne. Five men stand to the left: one in a pink striped shirt, one in a red t-shirt, one in a white shirt holding a green leaf, and an older man in white with a head cloth. A small gold deity figure and a monitor sit in the foreground. A pink backdrop and green plants fill the background.
20

MORNING-SARVA-DARSHAN-IN-BIDADI

18 dated photos in previewSource gallery
Photograph inside a temple-style covered hall with a corrugated metal roof and orange walls, decorated with colourful painted pillars and hanging paper-leaf strings. A man with long hair, wearing an orange saffron robe and a dark rudraksha mala, stands at a railing receiving a folded paper from an elderly man in white. Beside him a bald man in saffron holds a tray with a brass vessel on an orange cloth. Devotees in white dhotis and shirts stand along the railing, with hands folded in greeting. Behind them a temple gopuram-style arch frames the outdoor courtyard. A portrait of a sage hangs on the orange wall.A photograph inside a covered hall with orange-painted walls and decorated pillars. A man in saffron robes with long swept-back dark hair, a rudraksha mala and a bare chest/shoulder covering, smiles and raises his right hand in blessing toward an elderly man in white who bows with hands folded. Beside them a monk in saffron with a shaved head holds a golden kalasha-like vessel on an orange cloth. A younger man in a white shirt with a lanyard stands at the railing, and a man in white kurta stands in the background. Several people are visible in the room. Probable Swamiji is the saffron-clad figure with long hair, rudraksha mala and blessing gesture, identified by appearance cues, not by face.Photograph of an indoor pavilion with a corrugated metal roof decorated with hanging paper cranes and colourful pillars. A long-haired man in saffron-orange robes and a rudraksha mala stands at right, smiling and receiving a small wooden box from a man in a white shirt who has his palms pressed together. Beside him a monk in orange cloth holds a brass item. Men in white shirts and white dhotis stand along a steel railing, with a golden deity murti visible in the background.A man in a saffron-orange sleeveless top and orange dhoti stands barefoot, bowing forward at a waist-high grey granite ledge carved with floral and animal reliefs. He holds a dark rudraksha mala in his right hand and rests his head against the stone edge in deep reverence. Beside him stands a red and gold brocade-covered cylindrical pedestal topped with a silver finial, with a red-and-orange drape and a red-and-white striped wall behind. The setting suggests a temple courtyard. Only one person is visible.A photograph of a person in an orange saffron garment bending forward at a carved grey stone ledge, face lowered and resting near the stone, one hand flat on the stone. Long wet dark hair falls forward, and a long dark rudraksha mala hangs from the neck, its beads dangling over the stone. Ornate stone carving with floral and scroll relief is visible on the ledge and pillar, with a red wall at the upper left. Only one physical person is present.Photograph of a stone and gilded shrine pavilion with a red curtain backdrop and a gold arched frame. Two gold-coloured deity murtis sit on a raised throne, one wearing a red turban and holding a trident-like attribute, with a large white Nagaraja-style hooded cobra head above them, adorned with yellow and purple marigold garlands. Below in front, a figure in orange robes sits on a white seat, seemingly a statue or depiction of a seated teacher with a rudraksha mala. Brass oil lamps stand on both sides, with brass vessels, a bowl of flowers and a small figure in the corner.
21

PRATHYAKSHA-PADA-PUJA

1 dated photos in previewSource gallery
22

PRATHYAKSHA-PADA-PUJA

48 dated photos in previewSource gallery
A man with long dark hair sits with eyes closed on an ornate gold throne with a red cushion, hands folded in his lap. He wears a sleeveless saffron-orange garment draped over the shoulders and a long necklace of dark rudraksha beads, with a red bindi and white markings on his forehead. Behind him, a pink and white backdrop is decorated with garlands. A dark-haired person's head is partially visible at the lower right edge, making the scene a meditative seated pose at a stage or satsang setting. The seated man is an appearance-based probable Swamiji candidate, marked by long swept-back hair, saffron clothing, and rudraksha mala cues.A seated man in an orange sleeveless robe with a long black-and-orange rudraksha mala sits on an ornate gold-and-red throne with carved gilt arms, eyes closed and hands folded in his lap. A central figure with long swept-back hair and a red bindi fits the Swamiji (probable) cues of long hair, saffron clothing and rudraksha beads, and is in the in-person position. Before him, devotees sit on the floor with palms pressed together in namaste: a woman in a yellow sari, a woman in white and green, a shaved-headed woman in a green-patterned sari, and a woman in a floral sari in the foreground. Silver plates hold red apples, flowers and fruit; a fruit tray sits on a side table, and a white tower fan stands at right beside a pink wall. A man in white stands behind a window at upper right. The setting resembles a satsang or darshan with padapuja-style offerings.A photograph of a seated man in orange saffron robes and a long rudraksha mala, with long swept-back hair, sitting on an ornate gold throne with a red cushioned seat and eyes closed in meditation. Before him on the floor, a brass tray holds apples and pink lotus flowers. Around him, devotees sit in a ritual gathering: a bald man in white with a rudraksha mala and vertical tilak, a woman in a white sari with a yellow shawl, another woman in yellow and green, and priests in white dhotis with white tilak marks and gold necklaces, one holding a microphone. Fruit and flowers sit on a small side table near the throne.A photograph of an indoor hall during a satsang-style discourse. In the foreground, a seated group of women and a few men sit on an orange mat before a gold-edged tray holding fruit, flower petals and small offering dishes. A standing man in a bright orange sleeveless top and black curly hair speaks from a wooden lectern-like platform trimmed in red and gold, with a rudraksha mala and a ceremonial gold-rimmed backdrop behind him. Several seated figures in white ritual clothing with shaved heads and vertical forehead markings sit near microphones, and a large audience in white garments fills the back of the hall beneath ceiling fans and a pale draped ceiling. A woman in a red and green sari sits near the tray, and a woman in a yellow shawl wears a rudraksha mala. Text overlay reads copyright and source credits.A discourse hall scene where a man in an orange sleeveless top with long, swept-back dark hair stands at a wooden lectern with a microphone, speaking to the assembly. Before him, a golden tray holds apples, wrapped sweets, and small offering bowls. Seated devotees on the floor include a woman in a red-and-green saree with a shaved head, a woman in a floral kurta, a woman in a yellow-and-green saree, and several men in white dhotis with sacred marks and rudraksha malas. A larger group in white clothing sits in rows of chairs in the background, and the hall has pink walls and dark red curtains.
23

NITHYA-SATSANG-IN-BIDADI

14 dated photos in previewSource gallery
A seated man in an orange saffron garment and a rudraksha mala with dark beads, smiling, with long swept-back dark hair and a red tilak on his forehead. He sits on an ornate gold-carved throne with a red cushioned seat and a microphone stand nearby, against a dark green backdrop. Swamiji (probable): the long hair, orange clothing, rudraksha mala and ornate throne are distinctive visible cues.A seated man in saffron-orange robes sits on an ornate gilded throne with red cushions, hands pressed together in namaste before a microphone stand. He has long dark hair, rudraksha beads around his neck, and bare feet. Behind him a large backdrop shows a stone temple gateway with carved pillars and a red-draped shrine holding a deity murti decorated with yellow and white garlands. Golden candle-stands flank the throne and a small ritual setup sits to the side. The seated figure is a person by appearance, marked by long swept hair, saffron clothing and rudraksha mala, presiding over a discourse.A man with long dark hair and a red bindi sits with palms pressed together in namaste on an ornate gold-carved throne with red cushions. He wears an orange saffron robe and a black rudraksha mala, with a microphone stand beside him. Behind him a large backdrop shows a garlanded figure in red and white clothing, with gold pillars and a small decorated shrine niche on the right. The setting appears to be a discourse or satsang stage.A smiling man with long, swept-back dark hair sits on an ornate gold throne with a red cushioned seat and red padded armrest, wearing an orange sleeveless shawl over orange robes and a long mala of dark rudraksha beads. A red bindi marks his forehead, and a microphone stands at his side. Swamiji (probable): the long swept-back hair, saffron clothing and rudraksha mala are the appearance cues for the discourse speaker seated on the throne.A man seated on an ornate gold throne with a red cushioned seat, wearing a sleeveless saffron-orange garment draped over his body and a dark rudraksha mala with beads around his neck. He has long, swept-back dark hair and a red bindi on his forehead, and is smiling as he speaks, with a microphone on a stand in front of him. Behind him is a backdrop of green foliage, and a gold-and-wood lectern is at the lower left. Appearance-based candidate: a person, seated as a teacher giving a discourse.Close-up photograph of a person's bare feet and lower legs in orange saffron robes, resting on a red cushioned platform in front of an ornate gold-carved throne with scrolling floral and foliate relief. Only the feet and lower legs are visible; the face and upper body are out of frame.
24

PANCHA-TAPAS

1 dated photos in previewSource gallery
An outdoor photograph of a temple courtyard with palm trees and a tall red-and-white shrine base with a tall ornate pillar. A saffron-robed figure sits cross-legged on a raised platform in front of the shrine, with several white-clad people seated on the ground around circular stone-rimmed pits on the paved path. Stone statues stand among the trees behind the shrine.
25

PANCHA-TAPAS

38 dated photos in previewSource gallery
A photograph of an empty unpaved dirt road running toward an orange-painted compound wall on the right, lined with tall coconut palms and green shrubs. Beyond the road stands an orange-red building with a red sign and a small white structure, with a billboard visible near the entrance. Grass and tall reed-like plants grow on the left. No people are visible, and the sky is overcast.A man with long swept-back dark hair sits cross-legged in meditation with eyes closed, hands clasped in his lap, on a woven mat over a raised wooden platform in an outdoor ashram courtyard. He wears a sleeveless saffron-orange cloth draped over the shoulders and an orange lower garment, with a long necklace of dark rudraksha beads and a red vertical tilak on the forehead. Beside him sits a polished brass kalasha vessel with a handle, and a small teal patterned cloth lies on the mat. Behind him are red-painted stepped stone structures, plumeria trees, and ash-marked fire pits with white chalk kolam designs on the ground.Outdoor photo of a man seated cross-legged in meditation with eyes closed and hands folded in his lap. He has long dark hair falling past his shoulders, a red kumkum dot on his forehead, and wears saffron-orange sleeveless robes with a wrap draped over one shoulder. A long dark rudraksha mala hangs to his waist. He sits on an orange cloth over a low wooden seat, with a brass kalasha-style vessel at the lower left. Behind him are orange-painted stepped plinths, a dirt courtyard, and white chalk kolam lines on the ground.A man with long, swept-back black hair sits cross-legged in meditation with eyes closed and hands clasped in his lap. He wears a sleeveless saffron-orange wrap over his shoulders, orange dhoti-style garment, and a long rudraksha mala of dark beads strung with white spacers reaching his chest. A red bindi marks his forehead. Behind him is a dusty open ground with orange-red stone plinth blocks at left and white kolam-style chalk lines on the ground. Swamiji (probable), the figure in saffron with rudraksha mala and long hair, is seated in meditation.A man with long, swept-back dark hair stands outdoors with eyes closed in meditation, wearing a saffron-orange shawl draped over his shoulders and a long rudraksha mala of dark beads hanging to his chest. A red bindi is on his forehead. Behind him are lush green palms and foliage, and an orange carved stone pillar stands at the left edge.Outdoor photo of a man seated in lotus-style meditation on a low wooden seat over a white mat, eyes closed, hands folded in his lap. He wears a saffron-orange robe draped over his shoulders and a long dark rudraksha mala. Long dark hair falls past his shoulders and a red mark sits on his forehead. Beside him is a brass kalasha-style oil lamp. Behind him stands a dark stone Nandi bull with a garland of yellow, orange and purple flowers on a terracotta plinth. To the right, a second man in white ritual dress with a bare shaved head and white shawl sits in meditation. Palm trees and flowering plants fill the background, and the ground shows a ring of stones and small fire remains.
26

NSP Darshan

80 dated photos in previewSource gallery
Wide view from the back of a large hall during a seated discourse. Hundreds of people in white clothes sit on beige plastic chairs on an orange floor, many of them shaved-headed men in white. At the front, a figure in orange robes stands near a woman in white on a raised platform before a dark stage with a draped white and red canopy.A seated man with hands pressed together in namaste sits on an ornate gold-carved throne with red cushions against a dark blue draped backdrop. He wears a light cream-white dhoti and shawl, a pale brown turban-style head covering, and a long red floral garland draped to his lap, with a smaller gold chain at his neck. A red-cloth-draped table at left holds offerings with fruit. The seat and backdrop suggest a formal stage or satsang setting.A seated man on an ornate gilded throne with red cushions performs a namaste gesture with eyes closed. He wears a pink turban with a red bindi, a pale lavender-white robe with dark trim, a red and green flower garland draped over his shoulders and chest, and a gold bead necklace. Red and green flower offerings lie at his feet on a red platform. Behind him hangs a deep blue curtain.A seated man with eyes closed and palms pressed together in anjali mudra sits on an ornate gold and red throne against a blue curtain. He wears a beige turban with a red bindi, white ritual garments, and a long red flower garland with gold-beaded rudraksha-style mala. Bare feet rest on a cushioned platform with a red and green flower offering. A tray of bananas sits on a side table at right. a person: the saffron-free white attire, turban, and long garland with gold beads on a ceremonial throne are the cues; this is a seated devotional gesture during a satsang-style setting.A man seated on an ornate red-upholstered throne with gold carved details, eyes closed and palms pressed together in anjali mudra. He wears a grey-gold textured turban with a red tilak mark on the forehead, a white garment over the shoulders, a thick red flower garland and a gold bead necklace. Behind him hangs a deep blue draped curtain, and a small wooden table with brass items is visible at the right edge.Photograph of a man seated on an ornate gold-and-red throne in front of a dark blue draped curtain, with palms pressed together in namaste and eyes closed. He wears a pale mauve turban with a red tilak on his forehead, a white dhoti with a dark border, and a long red flower garland over a gold bead necklace, with a gold bangle on his wrist. A tray of bananas and a small plate of flowers sit on a wooden side table, and red and green floral offerings lie at his feet. The scene suggests a seated discourse setting. a person by appearance cues: turban, red garland and gold beads, seated on a throne.
27

E-Kalpataru for Toronto

25 dated photos in previewSource gallery
A man seated on an ornate gold-and-red throne with carved golden lion-form armrests, palms pressed together in namaste and eyes lowered. He wears a brown turban, a red tilak on the forehead, a pale pink dhoti-style garment with dark brown border, and a long gold bead necklace. Behind him is a black-and-white photographic backdrop of a large tree, with green palm fronds at left and a laptop screen at the bottom edge.A man in a photograph sits before an ornate gold-carved throne with a deep red backdrop, his palms pressed together in anjali mudra. He wears a brown turban, a red bindi on his forehead, a pink garment with a dark border and gold beaded necklaces. A potted plant and a blurred tree-branch backdrop appear at the left. A probable Swamiji is present, identified by long swept-back hair, a turban, ornate gold necklaces and a pink ceremonial garment with the throne setting; this appearance-based label is not a confirmed identification.A seated man in a pink dhoti and pink wrap with dark brown border sits on an ornate gold-and-red throne flanked by gold lion-shaped armrests. He wears a brown turban, a long rudraksha-style bead necklace with gold beads, and holds his palms together in anjali mudra with eyes closed, smiling. A potted green palm stands beside the throne in front of white curtains.A photograph of a man seated on a red throne-like chair in a plain room with white curtains, pale walls and a visible ceiling fan. He wears a tan turban, a pink shawl draped over bare shoulders, and gold-coloured ornaments, and he holds his palms together in a namaste greeting while smiling. Behind him, a second person in an orange robe and a rudraksha-style necklace stands near the wall. On a blue-covered table to the left, a monitor shows a live feed of a small audience. A gold deity murti sits in the lower right foreground, and a framed painting leans against the left wall.A man seated on an ornate gilded throne with a red velvet back and gold lion-form armrests, smiling with palms pressed together in anjali namaskar. He wears a brown turban with a red tilak on the forehead, a pink dhoti-style robe with a dark border, and a long gold bead mala around his neck. A large black-and-white photographic backdrop of a tree trunk stands behind him, with a green potted palm to the left and white curtains beyond. A small microphone-like device is visible at lower left, and a partially visible figure in orange clothing stands at the far left edge. Appearance-based cues such as the turban, ornate gold throne and gold mala are consistent with a person seated in a satsang-style setting, but the figure cannot be confirmed from appearance alone.A man with a tan turban and a bare upper torso draped in pink cloth sits on an ornate gold throne with a red velvet back and lion-shaped armrests, gesturing with one hand and holding a gold-tipped staff. He wears long rudraksha-style beaded garlands and a gold necklace. Behind him is a backdrop of a large tree photograph. At left, a man in an orange robe stands beside a laptop and a potted palm.
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September 12 2010

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September 12 2010

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Contents

Title:

Science of Spiritual Healing Nithyananda

Narration:

In this discourse, Paramahamsa Nithyananda describes in detail the science of spiritual healing.

Video and Audio:

Science of Spiritual Healing Nithyananda

VideoAudio

Transcript:

(00:23)

Sadāshiva samārambām shankarācharya madhyamām Asmadācharya paryanthām vande guru paramparām.

I welcome you all with My love and respects. This whole week, every day, I will express one dimension of spiritual healing; today, just the basic, simple science of spiritual healing. The subtle energy is a phenomena, experienced, described, Consciously used, in all mystical traditions of the world; all mystical traditions, all spiritual traditions. Please understand, all religions has two component, one; their mystical and spiritual core tradition and social and political rules.

(02:13)

All religions which has a mystical and spiritual core, knows the science of subtle energy and spiritual healing. They know, they experienced, Consciously used the spiritual healing science. In the Vedic tradition it is called prana; that subtle energy; we call it prana shakti. In China it is called qi in Japan they call it ki. So many names are used; even in the native Hawaiian tradition they have a name for it. They know this science. Native American tradition, even they have name and special techniques and process, to consciously use this subtle energy. In all mystical and spiritual traditions this subtle energy is experienced, understood, Consciously used, for creating medical miracles in the body and mind and extraordinary happenings in the situation.

(03:53)

Understand, there is same energy, when it is used on the body and mind, whatever alterations happens, the extraordinary happenings happens, is called healing; the medical miracle. If the same energy is used on the matter outside, whatever extraordinary happenings happen is called miracles. It’s the same energy in a different way.

(04:24)

Let me explain first the dimension of spiritual healing. I want to tell you exactly what happens during the healing; when I put my hand on somebody or when they come near me for healing, what happens. Please understand, I do not do anything. I just be. I put my hand on that person so that, that person will feel comfortable, will feel I attended him, I am attending him. Exactly what happens I will describe. His being is raised to the vibration of My being. Please understand, everything is made out of molecules, molecules are made out of atoms, atoms are made out of something called subatomic particles; the quarks, subatomic particles. So quarks are nothing but energy field and the energy field which keeps all this quarks tight together, that gives the form of solid form to anything which exists.

(6:04)

Please understand, the other day I was reading article, very beautifully they describe what Shiva sutras and Patanjali yoga sutras are describing. See, the energy field which keeps all this quarks together, that is responsible for this forms and solid entities, however solid it may look, it is made out of subatomic particles; quarks, which are energy fields and the energy field which keeps all of them together is responsible for things appearing as they are appearing; whether it is a human body or animal body or this wall or this mic or this chair, anything. By nature the energy fields have the tendency, whenever it is brought near the higher energy field; it just raises itself to that energy field and starts vibrating in that same vibration.

(07:28)

That article beautifully describes with so many examples. If you play sound A in piano and keep the guitar near without doing anything, just this vibration, exactly the guitar also will create the sound A, and if you keep the pendulum clocks, five-clock on the same wall, in few days you will see all the clocks, all the pendulums are moving in unison; may be in few hours not even few days. In the same way, that vibrating fork, if you bring the other fork which is not vibrating, just no movements, just bring it near, it will start vibrating. I can give you hundreds of examples.

(08:33)

Whenever you are brought near the higher frequency, higher vibration, higher Conscious being, suddenly you are lifted to that Consciousness, to that vibration, to that frequency. That is why again and again and again, how much ever you try; you should tell about all your problems when you come near me, suddenly they disappear. It is not that you tried once and it happens. How many times you tried, come near, suddenly either you forget or they look they are no more problems. They are not there. They are not that important to your inner space. They lose their power over you, because you are raising to the higher Consciousness. They lose their power over you.

(09:40)

Just now, I read this beautiful poem; story described in poem form. Now I have a story to tell you all from this book; first a one liner then a story. You may think how did I read so much? It says very beautifully you are like a master on a lean donkey. If you become lean, the donkey will become dragon. If you are powerful, the donkey will obey you. Understand, you are a master on donkey. If you feel weak or powerless, the donkey will become dragon. That will become powerful and if you ascertain your strength, your frequency, your Consciousness, your energy; the donkey will be a polite slave and humble servant. This is a one liner.

(11:10)

Of course, I have interpreted in My own way and I have story from this. Whenever you come near the Master and He raises your frequency, whatever is forgotten in you, understand they are not worthy of living; they are not part of you. But if you give importance to that part which is lost or forgotten near Master’s presence, you will be joining with the wrong group. You are giving power to the wrong side. When you give power to the wrong side, you do not allow you to stay in that higher frequency. You do not allow the healing to happen and mind creates all kinds of doubts. "Eh, how can healing happen? How can this be possible, eh?"

(12:35)

Understand, sometime I request people who come for healing, to stay here for few days. Every day, I will be touching them only once in the morning sarva darshan. They will ask can I go back to my house in Bangalore and come back every day. I tell them, no, stay here. Not that I am going to be giving healing for them 2-3 times a day. They will ask even if I stay here I will meet only once you. I tell them, no, not for Me healing, that will happen only once, but if you go there you will be losing the energy, because you are constantly going to be supporting the other side. They will create all kinds of doubts in you.

(13:21)

See it’s like a, it’s such a subtle process of raising you to the higher frequency. It’s almost like a, you have a hologram about you in you. I have a hologram about Me in Me. Understand your Conscious mind processes only 400 bit of information per second, but your unconscious mind processes, 11 million bits of information per second; 400 - 11 million. See the fight. It’s not fair. Human being shouldn’t have been put in such worse misery. See your Consciousness processes only 400 bits of information, unconscious process 11 thousand bits of information. So your hologram about you stays in your unconscious. Slowly when you come near me, My hologram works on that hologram and the subtle suggestions are given to your hologram and it is asked to relax, dismantle itself. So this hologram can suggest, can help, "Come on, see here, you are born to be healthy."

(15:31)

It’s like Krishna inviting gopas and gopis to play in Brindavan. They say no, no we have too much work, we have to churn, we have to make butter and we have to take care of the cows, feed them and get milk. Krishna says fools, even if you do all that, finally I am going to steal that butter and eat. Why don’t you work little bit for your joy also? See when Krishna steals the butter and eats, He says the futility of life; understand He tells you the futility of life. Don’t waste your time and life just for the goal. Play it also, enjoy it also. Have Leela and grace the cows. Have milk and play with Krishna and churn and create butter. So the very life becomes joy, very living becomes joy.

(16:46)

It’s like the Superconscious hologram inspiring the unconscious hologram. But unfortunately these guys go and stay back in Bangalore or somewhere and get all poisons fed, they say "Eh, maybe this Swami is trying to take money out of you." How can anything happen just by a touch? So many ideas; I tell you negative ideas are straight poison and they have thousand things to tell about Masters.

(17:24)

Somebody asked me, "Why did you allow some controversy to happen around you Swamiji?" I tell them I need to be compassionate towards the people who don’t have any argument, any idea to disrespect me. I supply material even for them. Understand they really want some arguments, something, they are dying and anybody wants something so strongly, with so much of urge, it becomes my responsibility to bless them; Tathastu. I tell them, "Alright have little material." When spiritual seekers ask, when I can supply 7000 hours video for them, why not 7 minutes? Let their urge also be fulfilled. Of course, I did not even supply, they created; that’s all. Anyhow I allow the creation to happen.

(18:39)

Understand, so this unconscious mind goes on creating weight on your unconscious holograms, the negativity, that’s why the Zen Masters say, even what you think is wrong, if it is done by a wise man; an Enlightened being, accept it. It is good for you.

(19:07)

I have a story for you from this book now. For this I have story for you. An Enlightened being is travelling in the forest. He sees from a distance, a man lying down sleeping under a tree, with mouth wide open and he sees a small snake, poisonous snake enters into the mouth of that guy. He is so fast asleep, little semi conscious, that guy did not even realize that snake getting into the system, into the mouth and this Master was not able to stop, he ran, he tried his best to run, he couldn’t stop, the snake has already gone in and he just gave few slaps to that guy and woke him up and there were only rotten apples all around. That tree was apple tree, rotten apples were all around. He was forcing this guy to eat that rotten apples.

(20:19)

The guy who woke up, he said, "Why are you having so much of anger with me? I don’t even know you? Why do you have so much of enmity towards me? Why are you doing this to me?" Master was not ready to listen. Healthy guy; he is just pushing the rotten apples into his mouth and he was shouting, screaming and Master held his head and pushed literally down the throat all the rotten apples and little mud also, and this guy could not tolerate and he is screaming and shouting, "Why are you doing this to me? Why are you killing me?" And Master did not answer back; the deep compassion, he literally pushed the rotten apples inside his throat, was made to swallow, in few minutes, because of that rotten apple and little mud and he felt so nausea and vomited everything out; throw everything out. Then came not only the rotten apple, the snake also. Everything came out. Then the guy fell at the feet of the Master saying, you are Gabriel or God.

(21:39)

Understand, when He asks you to inhale and exhale intensely and holds, asks you to hold as long as possible or when He asks you to do some seva, which you are not interested, the other day I received a letter from somebody, "I am bored of the pep sessions, pep talks about the seva." Understand, they wrote that, "I am not- I can’t handle any more sessions without you and this pep talks about seva are really boring." I am responsible for those sessions. Understand, I am responsible for those sessions. They are the rotten apples I am putting inside your mouth. You think I am doing something wrong to you or you may not need them. Of course the devotee wrote with lot of respect, but unfortunately he is not able to understand.

(22:44)

Understand whatever you think as good for you, you are ready to accept; whatever you think, may not be directly good for you, you resist. Understand, I know little more than what you need or what you know about you. Exactly if you have little problem with seva, that is what you need for living Enlightenment. If you have little problem or if you are not that inspired to do seva, like sitting with Me, sitting with Me is too inspiring than the seva, forget about all sitting with me, go and do that. That is what is obstacle. That is what is obstacle. I am not teaching you Enlightenment by sitting with closed eyes. I am teaching living Enlightenment.

(23:43)

People tell me, "Swamiji, I will take weapon for you." I want you to live for me, live every moment, live every moment, doing what you really don’t like and what I am asking you to do. Understand what you don’t want to do, what I am asking you to do, live every moment that is what living for me. I don’t want you to take weapon for me. I don’t want you to take, give life for me, No! I want you to live for me. Have this knowledge weapon and live Enlightenment. That’s what I want you to do for Me. Understand when I am putting rotten apple in your mouth I know the reason; you may not know, I know the reason.

(24:41)

So whenever the Superconscious hologram elevates the unconscious hologram, all other collective unconscious holograms tells that hologram, higher hologram, he is not raising your hologram, you are being destroyed. Understand, the hologram feels like holocaust. Hologram feels like holocaust. The unconscious hologram feels holocaust. No. When the Superconscious hologram cast itself on the unconscious hologram, it is not holocaust, it is holy casting. Understand it’s not holocaust it is holy casting. The Superconscious hologram is suggesting and reassembling, reorganizing, the unconscious hologram to such pattern, the health happens. The evolving happens.

(26:10)

Actually for spiritual healing you don’t need anything except the understanding about time. When that Superconscious hologram is casting itself on the unconscious hologram, the unconscious hologram needs to spend little time with the Superconscious hologram; that’s all, nothing else, nothing else. Nothing else needs to be done, little time. How to spend that time? We will see tomorrow. I am going to give series of messages everyday just on spiritual healing for next one week.

(27:10)

I bless you all; understand this truth of the Superconscious hologram casting itself on the unconscious hologram. Allow the Superconscious hologram to cast itself and let the holy casting happen in you. It is not holocaust it is holy casting. All the collective unconscious holograms shouting towards you, is holocaust. Trying to stop you getting the holy casting, is holocaust. So let you all experience the presence of the Superconscious hologram, experience spiritual healing. Live and radiate the eternal bliss. Live and radiate the eternal bliss, Nithyananda. Thank you.

(28:26)

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Panchatapas

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Online-Kalpataru-Darshan-To-Singapore

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Online-Kalpataru-Darshan-Mumbai

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Nsp-Energy-Darshan

Nsp-Energy-Darshan - DSC_3677.JPG Nsp-Energy-Darshan - DSC_3678.JPG Nsp-Energy-Darshan - DSC_3680.JPG Nsp-Energy-Darshan - DSC_3681.JPG Nsp-Energy-Darshan - DSC_3682.JPG Nsp-Energy-Darshan - DSC_3683.JPG Nsp-Energy-Darshan - DSC_3684.JPG Nsp-Energy-Darshan - DSC_3685.JPG Nsp-Energy-Darshan - DSC_3687.JPG Nsp-Energy-Darshan - DSC_3688.JPG Nsp-Energy-Darshan - DSC_3689.JPG Nsp-Energy-Darshan - DSC_3690.JPG Nsp-Energy-Darshan - DSC_3691.JPG Nsp-Energy-Darshan - DSC_3692.JPG Nsp-Energy-Darshan - DSC_3693.JPG Nsp-Energy-Darshan - DSC_3694.JPG Nsp-Energy-Darshan - DSC_3695.JPG Nsp-Energy-Darshan - DSC_3696.JPG Nsp-Energy-Darshan - DSC_3697.JPG Nsp-Energy-Darshan - DSC_3699.JPG Nsp-Energy-Darshan - DSC_3700.JPG Nsp-Energy-Darshan - DSC_3701.JPG Nsp-Energy-Darshan - DSC_3702.JPG Nsp-Energy-Darshan - DSC_3703.JPG Nsp-Energy-Darshan - DSC_3704.JPG Nsp-Energy-Darshan - DSC_3705.JPG Nsp-Energy-Darshan - DSC_3706.JPG Nsp-Energy-Darshan - DSC_3708.JPG Nsp-Energy-Darshan - DSC_3709.JPG Nsp-Energy-Darshan - DSC_3710.JPG Nsp-Energy-Darshan - DSC_3711.JPG Nsp-Energy-Darshan - DSC_3713.JPG Nsp-Energy-Darshan - DSC_3715.JPG Nsp-Energy-Darshan - DSC_3716.JPG Nsp-Energy-Darshan - DSC_3720.JPG Nsp-Energy-Darshan - DSC_3722.JPG Nsp-Energy-Darshan - DSC_3725.JPG Nsp-Energy-Darshan - DSC_3729.JPG Nsp-Energy-Darshan - DSC_3730.JPG Nsp-Energy-Darshan - DSC_3731.JPG Nsp-Energy-Darshan - DSC_3733.JPG Nsp-Energy-Darshan - DSC_3734.JPG Nsp-Energy-Darshan - DSC_3736.JPG Nsp-Energy-Darshan - DSC_3739.JPG Nsp-Energy-Darshan - DSC_3745.JPG Nsp-Energy-Darshan - DSC_3747.JPG Nsp-Energy-Darshan - DSC_3748.JPG Nsp-Energy-Darshan - DSC_3749.JPG Nsp-Energy-Darshan - DSC_3750.JPG Nsp-Energy-Darshan - DSC_3755.JPG Nsp-Energy-Darshan - DSC_3756.JPG Nsp-Energy-Darshan - DSC_3757.JPG Nsp-Energy-Darshan - DSC_3758.JPG Nsp-Energy-Darshan - DSC_3763.JPG Nsp-Energy-Darshan - DSC_3768.JPG Nsp-Energy-Darshan - DSC_3769.JPG Nsp-Energy-Darshan - DSC_3770.JPG Nsp-Energy-Darshan - DSC_3775.JPG Nsp-Energy-Darshan - DSC_3776.JPG Nsp-Energy-Darshan - DSC_3779.JPG Nsp-Energy-Darshan - DSC_3780.JPG Nsp-Energy-Darshan - DSC_3781.JPG Nsp-Energy-Darshan - DSC_3782.JPG Nsp-Energy-Darshan - DSC_3783.JPG Nsp-Energy-Darshan - DSC_3786.JPG Nsp-Energy-Darshan - DSC_3787.JPG Nsp-Energy-Darshan - DSC_3791.JPG Nsp-Energy-Darshan - DSC_3805.JPG Nsp-Energy-Darshan - DSC_3831.JPG Nsp-Energy-Darshan - DSC_3832.JPG Nsp-Energy-Darshan - DSC_3845.JPG Nsp-Energy-Darshan - DSC_3851.JPG Nsp-Energy-Darshan - DSC_3875.JPG Nsp-Energy-Darshan - DSC_3876.JPG Nsp-Energy-Darshan - DSC_3877.JPG Nsp-Energy-Darshan - DSC_3878.JPG Nsp-Energy-Darshan - DSC_3889.JPG Nsp-Energy-Darshan - DSC_3915.JPG Nsp-Energy-Darshan - DSC_3918.JPG Nsp-Energy-Darshan - DSC_3921.JPG Nsp-Energy-Darshan - DSC_3923.JPG Nsp-Energy-Darshan - DSC_3927.JPG Nsp-Energy-Darshan - DSC_3928.JPG Nsp-Energy-Darshan - DSC_3930.JPG Nsp-Energy-Darshan - DSC_3933.JPG Nsp-Energy-Darshan - DSC_3934.JPG Nsp-Energy-Darshan - DSC_3946.JPG Nsp-Energy-Darshan - DSC_3953.JPG Nsp-Energy-Darshan - DSC_3954.JPG Nsp-Energy-Darshan - DSC_3985.JPG Nsp-Energy-Darshan - DSC_3988.JPG Nsp-Energy-Darshan - DSC_3989.JPG Nsp-Energy-Darshan - DSC_3991.JPG Nsp-Energy-Darshan - DSC_3992.JPG Nsp-Energy-Darshan - DSC_3993.JPG Nsp-Energy-Darshan - DSC_3997.JPG Nsp-Energy-Darshan - DSC_3998.JPG Nsp-Energy-Darshan - DSC_3999.JPG Nsp-Energy-Darshan - DSC_4011.JPG Nsp-Energy-Darshan - DSC_4012.JPG Nsp-Energy-Darshan - DSC_4021.JPG Nsp-Energy-Darshan - DSC_4022.JPG Nsp-Energy-Darshan - DSC_4023.JPG Nsp-Energy-Darshan - DSC_4024.JPG Nsp-Energy-Darshan - DSC_4026.JPG

Nithyanandam-Program-Session-With-Swamiji-In-Afternoon

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DSC_4411.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4413.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4416.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4428.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4431.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4434.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4435.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4436.JPG Nithyanandam-Program-Session-With-Swamiji-In-Afternoon - DSC_4443.JPG

Photos Of The Day:

MUMBAI-KALPATARU

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GANESHA-BRAHMOTSAVAM

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TEPOTSAVAM-ON-GANESHA-BRAHMOTSAVAM

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NITHYANANDAM-PROGRAM

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PHOENIX-EN-KALPATARU

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MORNING-SARVA-DARSHAN-IN-BIDADI

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PRATHYAKSHA-PADA-PUJA

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NITHYA-SATSANG-IN-BIDADI

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PANCHA-TAPAS

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