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Thursday

2 September 2010

Krishna the ideal conflict free idol

1,666Dated photos
1Source pages
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A seated man sits on an ornate gold throne with red velvet cushioning, one leg crossed over the other and resting on a gold footstool with a red cushion. He wears a pale mint-green embroidered kurta, a yellow silk dhoti and a white turban-style headwrap with gold trim, along with layered gold necklaces and a gold bracelet, and he is smiling. Beside him, a small golden deity murti with a bright orange and red crown, adorned with a garland, stands with hands folded in front of a draped red and gold altar. Peacock feathers, orange and yellow flower arrangements, and a microphone stand complete the stage setting. Swamiji (probable): long hair swept back under a white turban, gold necklaces and a mint-green kurta on a throne, matching the page's Swamiji flag.An outdoor gathering on a dusty dirt ground under a cloudy sky, with a tree and unfinished concrete buildings with rebar in the background. A bald man in a white kurta stands with arms folded beside a man in a blue t-shirt printed with 'IMPOSSIBILITY CHALLENGER' and a globe graphic, who is smiling. Beside them a bald man in a white t-shirt with a lanyard stands in the middle, and at right a man in white robes wears a rudraksha mala and a yellow lanyard, touching his face. Several other men in casual clothes, one in a striped shirt, stand nearby. A metal railing and small stalls appear at the back. No one is identified as a person.A photograph of a tug-of-war game on sandy ground at an outdoor ashram-style event. Several girls and young women grip a thick rope, leaning back and smiling. A girl in a pink T-shirt with a rope-like wooden necklace and blue jeans stands at the front, next to a girl in a blue and green sari-style outfit with a pink hair clip, and a girl in a yellow-green dress with an orange sash pulls at the rope's end. Behind them, a young woman in a white dupatta and a woman in a teal top watch and laugh. Seated spectators in orange and white clothing, a woman in an orange sari and a woman in a blue kurta sit in the background near a white fence and palm trees.

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1,666 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

01-Temple

42 dated photos in previewSource gallery
Outdoor photo of a bare dirt ground with two pairs of white chalk foot outlines drawn on it, each pair beside a rectangular patch of pressed, patterned earth. Green weeds and a low concrete edging run along the top of the frame. No people are visible in the scene.A dirt path in a garden runs diagonally across the frame, with white chalk footprints painted in a receding line from the foreground toward the background. Orange marigold-like flowers and green shrubs grow along a low concrete border on the left, and more greenery lines the right edge. A shadow falls across the lower right. No people are visible.A dirt path under dappled tree shade with a series of white chalk-drawn footprints leading across the ground toward the foreground. A small leafy plant grows beside a tree trunk on the right, and a concrete edging with mossy stone borders the left side. Faint red and orange cloth is visible at the top right near a stone structure. No people are visible in the scene.A small shrine niche set into the base of a large banyan tree with aerial roots and red kumkum marks on the bark. Inside the recess, a ring of marigold garlands in yellow, red and purple lies on the ground, with a few scattered petals. White rangoli-style lines are drawn on the floor in front, and a dark stone slab with a white painted symbol sits in the foreground between two pale concrete walls. No people are visible.A black stone statue of a deity stands inside a silver-coloured arched frame under trees, outdoors. The figure wears an orange-red head cloth and orange-red wrap, with a long brown rudraksha mala, and holds ritual objects in raised hands. The statue sits on a black pedestal above a mound of red-painted rocks ringed by a black and white dotted border. A small black stone plaque with Kannada script and a small stone altar bearing an Om symbol stand in front, with a brass bell and a brass lamp nearby. The scene is a shrine setting in an open garden. No people are visible.A close-up photograph of a dark brown speckled granite surface marked with a white powder-drawn Om symbol, with curving white lines and scattered white and yellow petals or grains around it. A white wavy border line runs along the top edge. No people are visible.
02

02-Ganesh-Photos

7 dated photos in previewSource gallery
A decorated Ganesha murti stands in a floral shrine on a raised flatbed platform under a open-sided shed roof. The deity has a golden crown, tusk and ornate silver necklaces, and is garlanded with white jasmine and yellow and red marigold strings. A colourful arched frame of pink, white, red, yellow and green fabric and flower garlands surrounds the murti, with a multicolour canopy above. Orange drapery forms the backdrop, and a white cloth with a striped border covers the platform. Brass lamps sit in front, with a tangle of cable beside them. No people are clearly visible in the central scene; a few partially visible figures stand at the right edge.A decorated outdoor stage features a Ganesha murti seated at the centre, with a silver-toned face, crown and ornate jewellery, draped in an orange and pink garment and wrapped in white and yellow garlands. Behind it stands an arch of striped red, pink, white and yellow garlands with hanging fabric tassels and banana leaves framing the display. A white cloth covers the platform, with brass oil lamps, a brass vessel and yellow and purple flower offerings placed in front. A black speaker sits to one side and a large orange and gold banner rises on the right. A framed photograph above shows a smiling man with a hand raised, though no identity is asserted. No people are clearly visible in the foreground.A silver Ganesha murti with an elephant head stands at the centre, wearing an ornate jewelled crown, a peacock feather, layered gem-set necklaces, bangles and an orange silk dhoti with a brocade waistband. Dense garlands of red roses, white jasmine and yellow marigolds frame the deity. Behind it, a painted backdrop shows a smiling man in orange robes raising one hand in blessing, a painted portrait rather than a physical person.A silver Ganesha murti, the elephant-headed deity, is adorned with a tall, ornate crown of jewelled filigree set with red, green and white stones and a peacock feather. Its trunk curls down and its hands hold a modak-like sweet and a gesturing hand. Heavy jewelled necklaces, bangles and ear ornaments cover the murti, draped in an orange garment. Red roses and white jasmine garlands frame it, with yellow marigold garlands at right. Behind, a blurred orange-robed figure raises a hand in blessing, but this is a backdrop image rather than a clearly identifiable person, and no physical people are in the foreground. The image is a photograph of a decorated deity murti during a festival-style display.Close view of a silver Ganesha murti, elephant-headed deity, adorned with a jewelled crown set with red, green and white stones and a peacock feather. Heavy gold and gem-studded necklaces, a red and gold silk garment and red and white flower garlands surround the figure. The trunk curls toward a small rounded object held in one hand while the other hand is raised. No people are visible; the image shows only the decorated statue.Outdoor procession scene at a small festival cart. A decorated wooden cart with a canopy of banana stalks, striped fabric and marigold garlands carries a deity murti adorned with crown, garlands and ornaments, set on an orange cloth. A black-and-white framed-style portrait of a saffron-robed figure with long hair and rudraksha beads sits under the canopy, and a kalasha-style oil lamp and bell rest on the cart. A man in a white dhoti and yellow shawl stands at the cart and offers a small green vessel. A man in a striped grey and navy shirt stands at right, and an older person with white hair is partly visible at left. A red-orange building and a bus are behind.
03

03-Pancha-Tapas

125 dated photos in previewSource gallery
Outdoors on a bare sandy ground beside a small smoking fire pit, a group of shaven-headed men in white clothes with yellow shawls sit cross-legged. A seated man in front, wearing a white outfit and yellow shawl, faces the fire area. Several grey pigeons and one white pigeon peck at grain on the sand while a dark pigeon flies up at the right. Behind them stand a black stone altar or yajna structure, palm and tropical foliage, and a red brick wall at the left. No readable text is visible apart from a small red sign.An outdoor ritual scene on a bare sandy ground beneath coconut palms. Several men in white dhotis and white shirts with yellow shawls sit cross-legged on the sand, with smoke rising from a fire area behind them. A tall orange-and-gold kalasha pillar with a garland stands at left beside an orange stone structure, and a man in white stands near it. Several pigeons are on the ground and others are flying overhead. a person is not visibly identifiable in this image.An outdoor temple courtyard of sandy ground with palm trees behind it. Several men in white dhotis and white shirts with yellow shawls sit cross-legged on the sand in front of a low orange-red temple structure topped with a tall orange pillar. A red plinth to the left holds a white bowl wrapped in marigold garlands. Pigeons walk across the foreground, and a thin smoke rises from the ground near the seated group. A corrugated roof frame stands at the top left. No figure is clearly identifiable as a person, so the seated men are described by role only.A bald man in white dhoti and white kurta with a yellow shawl sits cross-legged on bare sandy ground beside a smouldering fire pit with scattered logs and ash. Six grey pigeons with pale wing bars walk around him on the dirt. Behind are palm trees, green shrubs and a dark stone pillar or lamp stand on a low plinth. Smoke rises from the fire.A man with long dark hair sits cross-legged with eyes closed in meditation on a raised mat outdoors, wearing an orange saffron robe draped over his shoulders and a dark rudraksha mala around his neck, with a tilak on his forehead. A brass kalasha stands to his left and a small green woven mat lies to his right on bare ground with scattered gravel. Behind him stands a large black stone Shiva lingam on an orange tiered base, decorated with yellow and purple flower garlands, beside dark stone deity sculptures, a cobra-hooded statue and palm trees under a pale sky. A printed red placard with white text is visible near the statues. The man appears to be a probable Swamiji by appearance, with long swept-back hair, orange robes and rudraksha mala, though this cannot be confirmed.A man with long dark hair sits cross-legged with eyes closed in meditation on a low woven mat in an outdoor courtyard. He wears an orange saffron robe draped over his shoulders and a long necklace of dark rudraksha beads, with a red tilak on his forehead. His hands rest folded in his lap. Behind him stand dark grey stone deity statues, including a multi-headed figure and a seated figure, on an orange plinth decorated with a yellow and red flower garland. Palm trees and a parked vehicle are visible in the background, and a small red sign with white lettering stands nearby.
04

04-Flag-Hoisting

104 dated photos in previewSource gallery
Outdoor temple scene under palm trees with a copper flagstaff topped by a decorated finial and garlanded with yellow and orange flowers. A long-haired man in a flowing saffron-orange robe stands on a raised step beside a black stone Nandi bull garlanded with flowers. Two younger men attend him: one in orange robes with maroon trim, seen from behind, and one in white dhoti and shawl with maroon borders holding a small vessel. A brass tray and silver pot sit on an orange-painted platform. A white ambulance is parked nearby.Outdoor photo of a flagpole-hoisting ceremony beside an ochre-painted shrine under a corrugated roof, with coconut palms behind. A long-haired figure in a saffron-orange garment stands on a raised step at the top of a copper flagstaff, adorned with yellow and orange marigold garlands and a small carved niche. Two shaven-headed attendants, one in orange robes with a saffron shawl and one in white dhoti with a maroon border, climb a metal ladder beside them. A third attendant in white with a maroon border stands at the left by a decorated bull figure. A silver tray with a bell, a lamp and a small silver pot with green leaves sits on an orange-draped table at right.A barefoot man stands on an orange-painted stone platform outdoors, gathering his saffron-orange robe with one hand. He wears a long dark rudraksha mala, has long dark hair swept back, and a red mark on his forehead, and his gaze is lowered. Behind him are a flower garland draped on an ornate stone pillar, a grey stone figure, palm trees and a pale sky. A black metal grate sits in the foreground.Outdoor photo on a terracotta-coloured platform beside an ornate copper-clad pillar draped with a yellow and orange flower garland. A man with long, swept-back dark hair and a red forehead mark stands barefoot in a saffron-orange sleeveless wrap and dhoti, with a long black rudraksha mala around his neck and his hand holding the cloth at his hip. Beside him, a bald man in a white dhoti and shawl with red borders kneels and holds a gold tray. Palm trees and stone carvings are in the background against a bright sky. Probable Swamiji: long swept-back hair, saffron clothing and rudraksha mala are visible, but this is an appearance-based label only.Outdoors under a bright sky, two men perform a flag-hoisting ritual beside a tall copper flagstaff wrapped in yellow and red marigold garlands and a straw bundle. The man on the left wears a saffron-orange robe, a rudraksha mala and holds a brass dish. The man on the right, shown from behind with a shaved head, wears a white dhoti and shawl with red borders and holds a brass plate. Coconut palms stand behind the pole and an orange-painted stone base is visible at the bottom. The scene is a flag-hoisting ceremony.Outdoor photo beside a coconut palm of a tall copper ceremonial flagstaff or ratha-like pillar wrapped in yellow marigold garlands with red accents and bundled grass. A man in saffron-orange robes and a long rudraksha mala stands at the pillar, reaching out with one hand toward it. Beside him a man in white ritual cloth with red-bordered ends holds a brass vessel. a person (long swept-back hair, saffron robe, rudraksha mala) is the figure in orange, performing a flag-hoisting ritual.
05

05-Pada-Puja

131 dated photos in previewSource gallery
A photograph of seated devotees at a temple-style event. In the foreground, a shaved-headed man in white kurta with a rudraksha mala and a red tilak sits with eyes lowered, beside a man with a shaved head, a red tilak and a saffron-orange shawl over a white kurta, also wearing a rudraksha mala. Behind them, several men in white and dark clothing sit or stand, one with a moustache and another with a beard, and a person at the right edge holds a camera. The setting has wooden pillars and a dim hall. Neither foreground man shows the distinctive long hair, crown or ornate adornments required for a person identification, so their roles are described only as seated devotees.Close photo of a man with long dark hair swept back, wearing an orange saffron shawl over his shoulders and a rudraksha mala across his chest. He has a red tilak mark on his forehead and is draped with thick garlands of red roses and white roses with green leaves. Behind him is a gold ornate chair, and in the background are blurred red and yellow decorations. a person candidate appears in person, identified only by appearance cues: long swept hair, saffron clothing, rudraksha mala and ceremonial garlands.A photograph of a man seated on a gilded golden throne with carved lion-like ornamentation, wearing an orange-saffron shawl over his shoulders and a rudraksha mala beneath it. He wears a red tilak on his forehead and is draped with two large garlands of white roses and red roses with green leaves. He has long, swept-back dark hair and looks off to the side. Behind him are red-and-gold decorative railings and a carved stone pillar. The image shows only one person; the throne, garlands and mala are prominent cues, which mark him as a person depiction in person.A man seated on an ornate gold throne with a red cushion, wearing an orange saffron shawl over his shoulders and a rudraksha mala across his chest. He has long dark hair swept back, a red bindi and white marks on his forehead. He is draped with garlands of red roses, white roses and green leaves, with pink roses at the lower edge. Behind him are a carved stone pillar and red and yellow decorations. Appearance-based label: a person, seated in a ceremonial setting.Close-up photo of a man with long, swept-back dark hair wearing an orange-saffron shawl draped over his shoulders, a red kumkum mark on his forehead, and several rudraksha mala beads. He wears heavy garlands of red roses and white roses with green leaves, and sits in front of an ornate gold carved chair with round gold knobs. Swamiji (probable) by appearance cues: long swept-back hair, saffron shawl, rudraksha malas and garlands. Background is blurred greenery.A man with long dark hair sits with eyes closed in a gilded throne-style chair, wearing an orange-saffron shawl over his shoulders and a dark rudraksha mala. He wears red and white rose garlands around his neck and a red tilak on his forehead. Behind him is ornate gold carving and soft blurred floral background. Swamiji (probable): long swept-back hair, saffron clothing, rudraksha mala and garlands are visible cues, with the event page indicating his presence.
06

06-Sarva-Darshan

30 dated photos in previewSource gallery
A seated man in a saffron-orange robe sits on an ornate red-cushioned golden throne, smiling as he places his right hand on the head of a bowing man. The bowing man wears a white dhoti and shawl with a coloured border, and a rudraksha mala across his chest, his hands clasped near his face. The seated figure wears a garland of red roses, white flowers and a rudraksha mala. Floral garlands of marigolds, roses and white blossoms hang nearby, and red-and-orange draped cloth and carved stone pillars frame the scene. The bowing devotee is receiving a blessing, a moment of darshan in a temple-like setting.A seated man in orange saffron robes and long dark hair, wearing a red bindi and garlands of white and red roses, smiles broadly and raises one hand in greeting from a gilded throne. Beside him, a man in white ritual dhoti and shawl with a rudraksha mala and gold bracelet leans in with a hand on his chest, smiling in reply. Behind them a second figure in white clothes sits partly visible, and pink lotus flowers rest on the red cushions. Behind the throne stand carved stone pillars, a gold finial and green trees under orange drapery.Close-up photograph of a smiling man with long dark hair swept back, wearing an orange saffron garment and a red kumkum mark on the forehead. He is adorned with garlands of red roses and white roses and sits before an ornate gold throne with carved details. Background shows a blurred temple-like stone structure and greenery.A photograph inside an orange-walled hall with a corrugated roof and striped decorative pillars. A long-haired man in an orange sleeveless top and red-and-white garland stands centre, facing a man in a checked shirt who is holding a bundle of lit items toward him. A shaved-headed man in white stands in the foreground, and devotees in white shirts and dhotis crowd the aisle behind. Printed posters and a framed picture hang on the orange wall at right. a person wears the orange garment and garland, with long swept hair, and is receiving the offering in a darshan setting.A photograph of an indoor event in a hall with orange-painted walls and a banner reading "In search of Light" above. A central man with long dark hair, rudraksha mala and a fresh white and red flower garland wears saffron-orange robes and smiles. Beside him a saffron-robed monk in a shaved head holds an ornate gold-coloured ritual staff on an orange cloth. To the left a white-robed devotee in a forehead tilak holds his palms together, and a man in a striped shirt stands in front. Several women in white clothes and others stand around the room.A crowded indoor hall with orange walls and a banner overhead. A man with long swept-back black hair, wearing an orange saffron wrap, a red and white flower garland and a dark rudraksha mala, places an orange-beaded mala around the shaved head of a person in white clothes. Swamiji (probable): the long hair, saffron wrap and rudraksha cues match the appearance-based label. Around them are devotees in white and orange, a man in a blue checked shirt, and a table with boxes of sweets and money on the left.
07

07-Krishna-Puja

56 dated photos in previewSource gallery
A close-up photograph of a gilded Krishna murti decorated for worship. The figure wears a yellow turban adorned with a jeweled crown, a red flower tucked above the ear, and a yellow shawl. Necklaces of white, green and pink gemstones hang across the chest. The murti's right hand is raised near the lips in a gesture. The background is a draped blue and teal cloth. No physical people are visible.Three people kneel on a concrete floor before a small Krishna idol set in a flower-decorated cradle or swing. Garlands of yellow marigolds and pink flowers arch above and wrap around the idol, which rests on blue and teal cloth draped over an orange frame. A girl in a white dotted dress with a teal dupatta sits at left, her long hair tied with an orange ribbon. Two women in white traditional sarees with orange and green borders kneel at centre and right, the right-hand woman reaching out to adjust a flower garland. Behind them hangs a large printed backdrop of a formal garden with a tiered staircase, fountain and shrubs, framed by green vines. Potted plants line the left side. The scene reads as a Krishna puja set-up for Janmashtami celebrations.Photograph of a small indoor shrine set against a large garden backdrop printed with trees, a stone staircase and a fountain. A small deity murti sits in a cradle-like swing or palanquin decorated with yellow marigold garlands, pink and white flower strands, and orange cloth draping. Two girls in white dresses, one in a teal shawl, kneel on the floor facing the shrine. An adult woman in a white sari with an orange border and orange shawl sits to the right, watching. A purple woven mat lies in the foreground, and loose marigolds and green leaves are scattered on the floor.A photograph of women and girls decorating a small infant Krishna murti lying in a cradle under an arch of yellow and orange marigold garlands with pink flowers and an orange and gold draped cloth. Women kneel on the floor, one in a white sari with gold border reaches to place flowers on the blue cloth bed, a girl in a white dress with teal shawl and a girl with an orange hair tie watch, and another woman in white stands at right. A large garden backdrop with stone steps and trees, potted plants and an orange wall form the setting. A small Krishna murti appears in the centre of the cradle. Printed banner text is visible at top right.Close-up photograph of a metal Krishna murti decorated for worship. The figure wears a tall peacock feather and a jewelled golden crown set with white, green and magenta stones, a yellow turban-like cloth, and a red flower tucked at the side. The face has a tilak mark and the hand is raised near the mouth. Gem-studded garlands and ornaments cover the chest against a blue backdrop.Close-up photograph of a silver-faced Krishna murti dressed for worship, wearing an orange and gold turban with a jewelled crown and a peacock feather. Its face has large eyes, a red-painted lower lip and a red tilak, with pearl and gemstone earrings, a flute held at the mouth, and layered jewelled necklaces in gold, green and red. Dense garlands of red roses, white jasmine, pink flowers and green leaves surround it, with a brass bell and kalasha-style ornament softly blurred at the top.
08

08-Krishna-Darshan

1 dated photos in previewSource gallery
A seated man sits on an ornate gold throne with red velvet cushioning, one leg crossed over the other and resting on a gold footstool with a red cushion. He wears a pale mint-green embroidered kurta, a yellow silk dhoti and a white turban-style headwrap with gold trim, along with layered gold necklaces and a gold bracelet, and he is smiling. Beside him, a small golden deity murti with a bright orange and red crown, adorned with a garland, stands with hands folded in front of a draped red and gold altar. Peacock feathers, orange and yellow flower arrangements, and a microphone stand complete the stage setting. Swamiji (probable): long hair swept back under a white turban, gold necklaces and a mint-green kurta on a throne, matching the page's Swamiji flag.
09

13-Evening-Games

2 dated photos in previewSource gallery
An outdoor gathering on a dusty dirt ground under a cloudy sky, with a tree and unfinished concrete buildings with rebar in the background. A bald man in a white kurta stands with arms folded beside a man in a blue t-shirt printed with 'IMPOSSIBILITY CHALLENGER' and a globe graphic, who is smiling. Beside them a bald man in a white t-shirt with a lanyard stands in the middle, and at right a man in white robes wears a rudraksha mala and a yellow lanyard, touching his face. Several other men in casual clothes, one in a striped shirt, stand nearby. A metal railing and small stalls appear at the back. No one is identified as a person.A photograph of a tug-of-war game on sandy ground at an outdoor ashram-style event. Several girls and young women grip a thick rope, leaning back and smiling. A girl in a pink T-shirt with a rope-like wooden necklace and blue jeans stands at the front, next to a girl in a blue and green sari-style outfit with a pink hair clip, and a girl in a yellow-green dress with an orange sash pulls at the rope's end. Behind them, a young woman in a white dupatta and a woman in a teal top watch and laugh. Seated spectators in orange and white clothing, a woman in an orange sari and a woman in a blue kurta sit in the background near a white fence and palm trees.
10

September 02 2010

1168 photosView all
A man seated on an ornate gilded throne with red cushions, hands pressed together in namaste, eyes closed. He wears an orange sleeveless robe and a red tilak on his forehead, and a long garland of red and white roses hangs around his neck. Pink flowers rest on the armrests and an orange cloth lies over one cushion. Behind him stands a grey stone temple pillar carved with a deity figure, with brass lamps and a red and yellow railing beyond.A man in an orange saffron robe sits on an ornate gold-and-red throne, palms pressed together in a namaste greeting with eyes closed. He wears a long garland of red and white roses and pink roses, and a pink flower rests on the armrest. Behind him stand a carved grey stone shrine niche with a seated deity relief and brass lamps on a railing, with green foliage and an orange curtain at left.

September 02 2010

Original wiki page
Contents

Title

Krishna the ideal conflict free idol

Narration

Video and Audio

Krishna: the Ideal Conflict Free Idol by Nithyananda

VideoAudio

Transcript

(0:18)

|| Sadāshiva samārambhām Shankarācāryā madhyamām | Asmat ācārya paryantām Vande Guru Paramparām ||

(0:47)

I welcome you all with My love and respects. Today is the day of celebration. Today is Krishna Janmashtami - Krishna’s Birthday Celebration. One of the greatest Happening happened to the human Consciousness on this very day. The day, monkeys started walking with two legs - breakthrough, one of the major breakthrough in human consciousness happened - the human beings have started evolving. Same way, the day Krishna happened - greatest breakthrough in Spiritual Consciousness happened.

(1:59)

‘Krishnastu Swayam Bhagawan.’ Krishna is very God Himself - Purnavatara. Today’s subject is ‘Krishna, the Ideal conflict free Idol’. I don’t know how I’m going to describe Krishna. ‘Krishnastu Swayam Bhagawan.’ Krishna is very God. God Himself landed in the human body - Purnavatara. He set a trend for incarnations. Understand? Like a how in each field, people give a breakthrough in that field set a trend; He set a trend for how an Incarnation should land and express, exhibit and make Themself available to the human Consciousness.

(4:25)

What to describe? Whether it is mult, whether He His multidimensional human personality or extraordinary energy expression, or the playfulness, or all these things expressing itself in one six feet bio-memory without conflict. He escaping from a war and his courage - both has no conflict. His romance and His knowledge has no conflict. The Radha Krishna and Gita Krishna - no conflict. You cannot imagine, a guy who is having so much of romance -outrageous flirt, the most outrageous flirt happened on the Planet Earth - standing in the war field and giving Gita, the most comprehensive, unabridged dictionary of the World Philosophies. Both can happen from one brain without conflict.

(5:47)

I know for sure, if Radha had the doubts of Arjuna, Krishna would have delivered Gita to very Radha in that very romance mood; or Arjuna had the romance mood and the devotion, He would have flirted with Arjuna during the deliverance of Gita. He doesn’t need even two different time, to deliver the different dimensions. If you need two different time to deliver two different dimension, you have conflict inside. Here is a personality like Krishna, because there is no conflict; He can deliver, He can be Radha Krishna and Gita Krishna at the same moment simultaneously. Radha and Arjuna was there next, He would have been playing the same, the both games at a time. He is capable. Because He is conflict free.

(6:56)

He can let Yashodha bind Himself in a small stone, the rice grinding stone and He can break the Marudha trees, liberate the Gandharvas. He can be doing the both; powerless, innocent, baby, could be bound and expressing extraordinary power of breaking two Marudha trees - noth a not a joke - and liberating two Gandharvas. He can show the whole Cosmos in his mouth to Yashodha and same time, steal butter and eat from Gopika’s house.

(8:12)

There is a story, Shiva Himself came down as Gopika to enjoy the Krishna Leela. I can vouch for it, it would have happened. If He has not come down, at least He would have been jealous of Gopikas. He is the master who expressed all dimensions of an Incarnation. There is no dimension which He has not expressed, during His physical happening in the Planet Earth.

(9:09)

‘Sharva Mangalatva’ - all the auspicious qualities. He is an architect, engineer, amazing strategy planner, unimaginable Yogi, incredible intelligence and outrageous romance. He’s just undescribable, unbound energy, happened with utmost innocence and simplicity, in a conflict-free way. That is why we call His life as Krishna Leela - Krishna’s Leela. It’s a complete conflict free and unimaginable expression.

(10:54)

How much ever I try to tell, the words have no capacity to tell what I am really feeling. His love, His care, His grace - every incident in His life, every happening in His life - I can say He’s the one single man influenced maximum the whole Planet Earth, maximum number of people in the whole planet earth. Nothing like Krishna. Nothing compared to Krishna. One whole country still celebrates his Birthday, after we don’t even know how many thousands of years, and still He is a beloved for millions. Still millions live with Him. That is why I say He is Eternal, untouchable, unndescribable. You can’t define Him.

(12:41)

Even one dimension of Him, I won’t be able to describe in words; because all dimensions expressed in Him so beautifully, conflict free. He is the Ideal Idol of conflict free. His grace...From His birth to return to the Goloka, everything is a mystery. Everything is unimaginable. Everything is indescribable. All the human and Divine qualities expressed itself in its peak form in that six feet body. The extraordinary bio-memory, the extraordinary happening.

(16:02)

I think bowing down to Him is the only thing we can do, to honor Him and to imbibe Him in our bio-memories. Any words which I utter, looks so dull. Saraswati cannot sing His glory. Vedas cannot describe His greatness. Putting our foot, our head at His foot, offering our respects is the only way to imbibe Him. Let this great Incarnation, the conflict free Ideal, conflict free Idol, bless us all. Let us offer our humble devotion at His feet. Let Him bless us all to imbibe that conflict free life and imbibe His very Presence in us. ||vasudeva-sutam devam kaMsa-chANUra-mardanam | devakI-paramAnandam kRiShNam vande jagad-gurum ||

(17:40)

Title

Levitation Process Through Kleem Mantra, LEP Day 10

Description:

In this session, Swamiji guides into Samana Levitation process by Chanting Kleem Mantra

Video and Audio

Levitation Process Through Kleem Mantra, LEP Day 10

VideoAudio

Transcript

[00:00:45]

No age is not a problem. Age is not a problem, weight is not a problem, and still we have not completed Prana. After Prana it will be two energies balanced. Then let there will be a lot more stability. See for me and all Levitation was done through Parana. He didn't do it through Samana. He will make me sit on a …, see he will put many beds and below he will put a wooden plank and Ragupathy Yogi first he will make me hold Kumbhaka. So I was teaching you guys Antar Kumbhaka and Bagir Kumbhaka. That Antar Kumbhaka and Bagir Kumbhaka will do with Mathurgasniya? [00:01:24].

We will do it tomorrow.

[00:01:25]

Mathurgasniya means, I should hold the air but I should be able to chant all the 51 sanskrit syllables inside the mind holding the air.

[00:01:38]

(Swamiji demonstrates the sanskrit syllables)

[00:02:04]

This whole thing I have to chant holding the air inside. This is called Mathurgasniya Antarangaka Kumbhaka. So throughout this time I can not exhale. So it is actually possible, just a little training. That time I did, still the mantra is in the memory. If you know sanskrit, you will ahh, now I …, I chanted the whole 54 syllabells of sanskrit. How many of you know Sanskrit. I chanted the whole. Sanskrit chanting [00:2:34] - [00:02:48] [00:02:48]

That counting of the 65 and finally and the back, so this whole thing I have to hold the air. Then, then he will pull the plank, the wooden plank first, then the bed, and maybe, the usually what happens, one jerk happens. One jerk means maybe 6inch I will fall, then the body will be stabilized. That’s all. If he makes me sit on one feet height or two feet height, six inches, one jerk, that's all, and body will be stable. Maybe for 60 full seconds. Then, it will be granite floor, I have to slowly land. I have to start exhaling slowly. If I exhale fast, the body will tap[00:03:33] drop. You will have pain. So automatically the body will learn the science of slowly exhaling. If he works six years ... six years it took for him to make me levitate. After all, my body is like a spring, whatever he says I was able to do. In that it tooks six years for him. Oh with you guys it is more an initiation. It is more an initiation. More initiation but if you guys are little more stable on prana, more can be done, that’s all. If you take the responsibility that stable … in the air can be achieved. More stability can be achieved.

[00:04:21]

The prana is balanced more possible. Alright tomorrow we will do one thing, all below 40 I will pick up and work specially with them. With this prana heavily we will work. Below 40 has no danger. See as long as you are holding through the nose or through the hand or through will, you are no in danger. At the most what happens? I f you fall unconscious the hand will fall, over. Only thing you should not use any mechanical items like a corke and all. But these Nagas used cork and all. Nagas, they use cork clipe and all they use. By the powerful mechanical way they levitate. We do not need to go to that extreme, that is waste of time. I don't want you to be doing some extraordinary circularised[00.05:24] exercise. For enlightenment whatever is required if you prepare that much that is enough. Fly for enlightenment, nothing else.

[00:05:49]

Ok, let’s sit with Kirshna consciousness. Understand, it’s a process on heart. Very simple process. Nothing, just create the Kleem Beja. Kleem, understand: K L E E M. Kleem bija, nothing else. If you remember Krishna’s form, greate, no problem. If you don’t, it's ok. Only in the heart area bring your awareness, remember the Kleem Bija. Heart is related to air. Heart is related to air energy. So there is a possibility if you already experienced Levitation, you may levitate physically. Just spread and have your space.

[00:06:45]

process Yes, sit and please close your eyes. Understand the process. Just create the sound of Kleem mantra,KLEEM inside your heart internally. That's all. Please tie the eyeband. Sit in Padmasana and Samana Mudra. Means lock the hand completely. Samana Mudra and Padmasana is just to avoid the fake levitations, means you ... ordinary jumpings will not happen. Only really if the push happens from inside your body will levitate. Now bring your awareness to the heart centre. Just sit with this one Beja. Chant internally not externally. Don’t move your tongue. Just chant … in the inner space. K L E E M . If Krishnas form happens in your heart, let it happen. If it is not, it is ok. But you sit with this Bija KLEEM. This is the Bija for Kirshna consciousness. K L E E M let the Kirshna’s presence be here. Let us all humbling, pray and submit ourself. Request his great presence, his divine presence, here in all our hearts. In this whole space. Swamiji is chanting the mantra: K L E E M, … K L E E M, … K L E E M Let the Kleem Bija intensely work in your inner space. K L E E M, … K L E E M, … K L E E M [00:34:06] Swamiji is chanting the mantra Kleem Kirshnaya Namaha

[00:39:14]

Relax. Settle down. You can open your eyes. Settle down in a deep relaxed way. Relax. [00:39:56]

Title

L'art de la levitation

Description

Paramahamsa Nithyananda explique ce qu'est le samana, dans cette vidéo qui est un prélude au discours sur la lévitation qu'il a délivré récemment lors du programme Living Enlightenment Process.

Video and Audio

L'art de la levitation

VideoAudio

Photos

Panchatapas

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Flag-Hoisting

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Paadapooja

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Sarvadarshan

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Swamiji-Offered-Pooja-To-Shri-Krishna

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Blessings-To-All-Ashramites

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Evening-Games-And-Lep-Session

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Dinner-With-Swamiji

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Nithyanandeshwara-Paramashiva-Golden-Temple

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Photos Of The Day:

01-Temple

DSC_3564_CMP_WM DSC_3565_CMP_WM DSC_3566_CMP_WM DSC_3567_CMP_WM DSC_3568_CMP_WM DSC_3569_CMP_WM DSC_3571_CMP_WM DSC_3572_CMP_WM DSC_3574_CMP_WM DSC_3575_CMP_WM DSC_3576_CMP_WM DSC_3577_CMP_WM DSC_3578_CMP_WM DSC_3579_CMP_WM DSC_3580_CMP_WM DSC_3581_CMP_WM DSC_3582_CMP_WM DSC_3583_CMP_WM DSC_3584_CMP_WM DSC_3585_CMP_WM DSC_3586_CMP_WM DSC_3587_CMP_WM DSC_3588_CMP_WM DSC_3591_CMP_WM DSC_3592_CMP_WM DSC_3593_CMP_WM DSC_3594_CMP_WM DSC_3596_CMP_WM DSC_3598_CMP_WM DSC_3599_CMP_WM DSC_3600_CMP_WM DSC_3601_CMP_WM DSC_3606_CMP_WM DSC_3614_CMP_WM DSC_3615_CMP_WM DSC_3616_CMP_WM DSC_3617_CMP_WM DSC_3618_CMP_WM DSC_3619_CMP_WM DSC_3620_CMP_WM DSC_3621_CMP_WM DSC_3622_CMP_WM

02-Ganesh-Photos

DSC_3595_CMP_WM DSC_4155_CMP_WM DSC_4156_CMP_WM DSC_4157_CMP_WM DSC_4158_CMP_WM DSC_4159_CMP_WM DSC_4160_CMP_WM

03-Pancha-Tapas

DSC_3592_CMP_WM DSC_3593_CMP_WM (1) DSC_3593_CMP_WM DSC_3594_CMP_WM DSC_3595_CMP_WM DSC_3596_CMP_WM DSC_3597_CMP_WM DSC_3598_CMP_WM DSC_3599_CMP_WM DSC_3600_CMP_WM DSC_3601_CMP_WM DSC_3602_CMP_WM DSC_3603_CMP_WM DSC_3604_CMP_WM DSC_3605_CMP_WM DSC_3606_CMP_WM DSC_3607_CMP_WM DSC_3608_CMP_WM DSC_3609_CMP_WM DSC_3610_CMP_WM DSC_3611_CMP_WM DSC_3612_CMP_WM DSC_3613_CMP_WM DSC_3614_CMP_WM DSC_3615_CMP_WM DSC_3616_CMP_WM DSC_3617_CMP_WM DSC_3618_CMP_WM DSC_3619_CMP_WM DSC_3620_CMP_WM DSC_3621_CMP_WM DSC_3622_CMP_WM DSC_3623_CMP_WM DSC_3624_CMP_WM DSC_3625_CMP_WM DSC_3626_CMP_WM DSC_3627_CMP_WM DSC_3628_CMP_WM DSC_3629_CMP_WM DSC_3630_CMP_WM DSC_3631_CMP_WM DSC_3632_CMP_WM DSC_3633_CMP_WM DSC_3634_CMP_WM DSC_3635_CMP_WM DSC_3636_CMP_WM DSC_3637_CMP_WM DSC_3638_CMP_WM DSC_3639_CMP_WM DSC_3640_CMP_WM DSC_3641_CMP_WM DSC_3642_CMP_WM DSC_3643_CMP_WM DSC_3644_CMP_WM DSC_3645_CMP_WM DSC_3646_CMP_WM DSC_3647_CMP_WM DSC_3648_CMP_WM DSC_3649_CMP_WM DSC_3650_CMP_WM DSC_3651_CMP_WM DSC_3652_CMP_WM DSC_3653_CMP_WM DSC_3654_CMP_WM DSC_3655_CMP_WM DSC_3656_CMP_WM DSC_3657_CMP_WM DSC_3658_CMP_WM DSC_3659_CMP_WM DSC_3660_CMP_WM DSC_3661_CMP_WM DSC_3662_CMP_WM DSC_3663_CMP_WM DSC_3664_CMP_WM DSC_3665_CMP_WM DSC_3666_CMP_WM DSC_3667_CMP_WM DSC_3668_CMP_WM DSC_3669_CMP_WM DSC_3670_CMP_WM DSC_3672_CMP_WM DSC_3673_CMP_WM DSC_3717_CMP_WM DSC_3718_CMP_WM DSC_3719_CMP_WM DSC_3720_CMP_WM DSC_3721_CMP_WM DSC_3722_CMP_WM DSC_3723_CMP_WM DSC_3724_CMP_WM IMG_0159_CMP_WM IMG_0160_CMP_WM IMG_0161_CMP_WM IMG_0162_CMP_WM IMG_0163_CMP_WM IMG_0164_CMP_WM IMG_0165_CMP_WM IMG_0166_CMP_WM IMG_0167_CMP_WM IMG_0168_CMP_WM IMG_0169_CMP_WM IMG_0170_CMP_WM IMG_0171_CMP_WM IMG_0172_CMP_WM IMG_0173_CMP_WM IMG_0174_CMP_WM IMG_0175_CMP_WM IMG_0176_CMP_WM IMG_0177_CMP_WM IMG_0178_CMP_WM IMG_0179_CMP_WM IMG_0180_CMP_WM IMG_0181_CMP_WM IMG_0182_CMP_WM IMG_0183_CMP_WM IMG_0184_CMP_WM IMG_0185_CMP_WM IMG_0186_CMP_WM IMG_0187_CMP_WM IMG_0188_CMP_WM IMG_0189_CMP_WM IMG_0190_CMP_WM IMG_0191_CMP_WM IMG_0192_CMP_WM IMG_0194_CMP_WM IMG_0195_CMP_WM

04-Flag-Hoisting

DSC_3725_CMP_WM DSC_3726_CMP_WM DSC_3727_CMP_WM DSC_3728_CMP_WM DSC_3729_CMP_WM DSC_3730_CMP_WM DSC_3731_CMP_WM DSC_3732_CMP_WM DSC_3733_CMP_WM DSC_3734_CMP_WM DSC_3735_CMP_WM DSC_3736_CMP_WM DSC_3737_CMP_WM DSC_3738_CMP_WM DSC_3739_CMP_WM DSC_3740_CMP_WM DSC_3741_CMP_WM DSC_3742_CMP_WM DSC_3743_CMP_WM DSC_3744_CMP_WM DSC_3745_CMP_WM DSC_3746_CMP_WM DSC_3747_CMP_WM DSC_3748_CMP_WM DSC_3749_CMP_WM DSC_3750_CMP_WM DSC_3751_CMP_WM DSC_3752_CMP_WM DSC_3753_CMP_WM DSC_3754_CMP_WM DSC_3755_CMP_WM DSC_3756_CMP_WM DSC_3757_CMP_WM DSC_3758_CMP_WM DSC_3759_CMP_WM DSC_3760_CMP_WM DSC_3761_CMP_WM DSC_3762_CMP_WM DSC_3763_CMP_WM DSC_3764_CMP_WM DSC_3765_CMP_WM DSC_3766_CMP_WM DSC_3767_CMP_WM DSC_3768_CMP_WM DSC_3769_CMP_WM DSC_3770_CMP_WM DSC_3771_CMP_WM DSC_3772_CMP_WM DSC_3773_CMP_WM DSC_3774_CMP_WM DSC_3775_CMP_WM DSC_3776_CMP_WM DSC_3777_CMP_WM DSC_3778_CMP_WM DSC_3779_CMP_WM DSC_3780_CMP_WM DSC_3781_CMP_WM DSC_3782_CMP_WM DSC_3783_CMP_WM DSC_3784_CMP_WM DSC_3785_CMP_WM DSC_3786_CMP_WM DSC_3787_CMP_WM DSC_3788_CMP_WM DSC_3790_CMP_WM DSC_3791_CMP_WM DSC_3792_CMP_WM DSC_3800_CMP_WM DSC_3801_CMP_WM DSC_3802_CMP_WM DSC_3803_CMP_WM DSC_3804_CMP_WM DSC_3805_CMP_WM DSC_3806_CMP_WM DSC_3807_CMP_WM DSC_3808_CMP_WM DSC_3809_CMP_WM DSC_3810_CMP_WM DSC_3811_CMP_WM IMG_0193_CMP_WM IMG_0195_CMP_WM IMG_0196_CMP_WM IMG_0197_CMP_WM IMG_0198_CMP_WM IMG_0199_CMP_WM IMG_0200_CMP_WM IMG_0201_CMP_WM IMG_0202_CMP_WM IMG_0203_CMP_WM IMG_0204_CMP_WM IMG_0205_CMP_WM IMG_0206_CMP_WM IMG_0207_CMP_WM IMG_0208_CMP_WM IMG_0210_CMP_WM IMG_0211_CMP_WM IMG_0212_CMP_WM IMG_0213_CMP_WM IMG_0214_CMP_WM IMG_0215_CMP_WM IMG_0217_CMP_WM IMG_0218_CMP_WM IMG_0219_CMP_WM IMG_0220_CMP_WM IMG_0221_CMP_WM

05-Pada-Puja

DSC_3573_CMP_WM DSC_3817_CMP_WM DSC_3818_CMP_WM DSC_3819_CMP_WM DSC_3821_CMP_WM DSC_3823_CMP_WM DSC_3824_CMP_WM DSC_3825_CMP_WM DSC_3826_CMP_WM DSC_3828_CMP_WM DSC_3829_CMP_WM DSC_3834_CMP_WM DSC_3835_CMP_WM DSC_3836_CMP_WM DSC_3837_CMP_WM DSC_3838_CMP_WM DSC_3839_CMP_WM DSC_3840_CMP_WM DSC_3841_CMP_WM(1) DSC_3841_CMP_WM DSC_3842_CMP_WM DSC_3846_CMP_WM DSC_3847_CMP_WM DSC_3851_CMP_WM(1) DSC_3851_CMP_WM DSC_3852_CMP_WM DSC_3853_CMP_WM DSC_3854_CMP_WM DSC_3855_CMP_WM(1) DSC_3855_CMP_WM DSC_3856_CMP_WM DSC_3857_CMP_WM DSC_3858_CMP_WM DSC_3859_CMP_WM DSC_3860_CMP_WM DSC_3861_CMP_WM DSC_3862_CMP_WM DSC_3863_CMP_WM DSC_3864_CMP_WM DSC_3865_CMP_WM Done DSC_3866_CMP_WM Done DSC_3867_CMP_WM DSC_3868_CMP_WM DSC_3869_CMP_WM DSC_3870_CMP_WM DSC_3872_CMP_WM DSC_3873_CMP_WM DSC_3874_CMP_WM DSC_3875_CMP_WM DSC_3876_CMP_WM DSC_3877_CMP_WM DSC_3884_CMP_WM DSC_3885_CMP_WM DSC_3886_CMP_WM DSC_3887_CMP_WM DSC_3888_CMP_WM DSC_3889_CMP_WM DSC_3890_CMP_WM DSC_3891_CMP_WM DSC_3892_CMP_WM DSC_3893_CMP_WM DSC_3895_CMP_WM DSC_3896_CMP_WM DSC_3902_CMP_WM DSC_3903_CMP_WM DSC_3904_CMP_WM DSC_3916_CMP_WM DSC_3918_CMP_WM DSC_3919_CMP_WM DSC_3920_CMP_WM DSC_3921_CMP_WM DSC_3924_CMP_WM DSC_3927_CMP_WM DSC_3928_CMP_WM DSC_3929_CMP_WM DSC_3930_CMP_WM DSC_3931_CMP_WM DSC_3932_CMP_WM DSC_3934_CMP_WM DSC_3935_CMP_WM DSC_3936_CMP_WM DSC_3939_CMP_WM DSC_3946_CMP_WM DSC_3947_CMP_WM DSC_3948_CMP_WM DSC_3951_CMP_WM DSC_3952_CMP_WM DSC_3956_CMP_WM DSC_3957_CMP_WM DSC_3958_CMP_WM DSC_3959_CMP_WM DSC_3960_CMP_WM DSC_3961_CMP_WM DSC_3962_CMP_WM DSC_3963_CMP_WM DSC_3964_CMP_WM DSC_3965_CMP_WM DSC_3966_CMP_WM DSC_3967_CMP_WM DSC_3968_CMP_WM DSC_3969_CMP_WM DSC_3970_CMP_WM DSC_3987_CMP_WM DSC_4003_CMP_WM DSC_4004_CMP_WM IMG_0222_CMP_WM IMG_0223_CMP_WM IMG_0224_CMP_WM IMG_0225_CMP_WM IMG_0226_CMP_WM IMG_0227_CMP_WM IMG_0232_CMP_WM IMG_0233_CMP_WM IMG_0234_CMP_WM IMG_0235_CMP_WM IMG_0236_CMP_WM IMG_0237_CMP_WM IMG_0238_CMP_WM IMG_0239_CMP_WM IMG_0240_CMP_WM IMG_0241_CMP_WM IMG_0242_CMP_WM IMG_0243_CMP_WM(1) IMG_0243_CMP_WM IMG_0244_CMP_WM(1) IMG_0244_CMP_WM IMG_0245_CMP_WM IMG_0246_CMP_WM IMG_0247_CMP_WM IMG_0248_CMP_WM IMG_0249_CMP_WM IMG_0250_CMP_WM IMG_0251_CMP_WM IMG_0252_CMP_WM IMG_0253_CMP_WM IMG_0254_CMP_WM IMG_0255_CMP_WM IMG_0256_CMP_WM

06-Sarva-Darshan

DSC_3953_CMP_WM DSC_3954_CMP_WM DSC_4000_CMP_WM DSC_4092_CMP_WM DSC_4093_CMP_WM DSC_4095_CMP_WM DSC_4096_CMP_WM DSC_4097_CMP_WM DSC_4098_CMP_WM DSC_4099_CMP_WM DSC_4100_CMP_WM DSC_4101_CMP_WM DSC_4107_CMP_WM DSC_4108_CMP_WM DSC_4109_CMP_WM DSC_4110_CMP_WM DSC_4111_CMP_WM DSC_4112_CMP_WM DSC_4113_CMP_WM DSC_4114_CMP_WM DSC_4115_CMP_WM DSC_4116_CMP_WM DSC_4117_CMP_WM DSC_4118_CMP_WM DSC_4119_CMP_WM DSC_4120_CMP_WM DSC_4121_CMP_WM DSC_4122_CMP_WM DSC_4123_CMP_WM DSC_4124_CMP_WM

07-Krishna-Puja

DSC_3602_CMP_WM DSC_3603_CMP_WM DSC_3604_CMP_WM DSC_3605_CMP_WM DSC_3607_CMP_WM DSC_3608_CMP_WM DSC_3609_CMP_WM DSC_3676_CMP_WM DSC_3677_CMP_WM DSC_3678_CMP_WM DSC_3679_CMP_WM DSC_3680_CMP_WM DSC_3681_CMP_WM DSC_3682_CMP_WM DSC_3683_CMP_WM DSC_3684_CMP_WM DSC_3685_CMP_WM DSC_3686_CMP_WM DSC_3687_CMP_WM DSC_3688_CMP_WM DSC_3689_CMP_WM DSC_3690_CMP_WM DSC_3691_CMP_WM DSC_3692_CMP_WM DSC_3693_CMP_WM DSC_3694_CMP_WM DSC_3695_CMP_WM DSC_3696_CMP_WM DSC_3697_CMP_WM DSC_3698_CMP_WM DSC_3699_CMP_WM DSC_3700_CMP_WM DSC_3701_CMP_WM DSC_3702_CMP_WM DSC_3703_CMP_WM DSC_3704_CMP_WM DSC_3705_CMP_WM DSC_3706_CMP_WM DSC_3707_CMP_WM DSC_3708_CMP_WM DSC_3709_CMP_WM DSC_3710_CMP_WM DSC_3711_CMP_WM DSC_3712_CMP_WM DSC_3713_CMP_WM DSC_3714_CMP_WM DSC_3715_CMP_WM DSC_3716_CMP_WM DSC_4034_CMP_WM DSC_4035_CMP_WM DSC_4058_CMP_WM DSC_4060_CMP_WM DSC_4061_CMP_WM DSC_4062_CMP_WM DSC_4063_CMP_WM DSC_4064_CMP_WM DSC_4065_CMP_WM DSC_4066_CMP_WM DSC_4067_CMP_WM DSC_4068_CMP_WM DSC_4069_CMP_WM DSC_4071_CMP_WM DSC_4072_CMP_WM DSC_4074_CMP_WM DSC_4075_CMP_WM DSC_4076_CMP_WM DSC_4077_CMP_WM DSC_4079_CMP_WM DSC_4084_CMP_WM

08-Krishna-Darshan

DSC_3624_CMP_WM DSC_3625_CMP_WM DSC_3626_CMP_WM DSC_3630_CMP_WM DSC_3632_CMP_WM DSC_3635_CMP_WM DSC_3640_CMP_WM DSC_3641_CMP_WM DSC_3642_CMP_WM DSC_3643_CMP_WM DSC_3645_CMP_WM DSC_4161_CMP_WM DSC_4162_CMP_WM DSC_4163_CMP_WM DSC_4164_CMP_WM DSC_4165_CMP_WM DSC_4169_CMP_WM DSC_4170_CMP_WM DSC_4172_CMP_WM DSC_4173_CMP_WM DSC_4174_CMP_WM DSC_4175_CMP_WM DSC_4176_CMP_WM DSC_4177_CMP_WM DSC_4178_CMP_WM DSC_4179_CMP_WM DSC_4181_CMP_WM DSC_4182_CMP_WM DSC_4183_CMP_WM (2) DSC_4183_CMP_WM DSC_4184_CMP_WM DSC_4186_CMP_WM DSC_4187_CMP_WM DSC_4188_CMP_WM DSC_4189_CMP_WM DSC_4190_CMP_WM DSC_4191_CMP_WM DSC_4192_CMP_WM DSC_4193_CMP_WM DSC_4194_CMP_WM DSC_4195_CMP_WM DSC_4196_CMP_WM DSC_4198_CMP_WM DSC_4199_CMP_WM DSC_4201_CMP_WM DSC_4202_CMP_WM DSC_4203_CMP_WM DSC_4204_CMP_WM DSC_4205_CMP_WM DSC_4206_CMP_WM DSC_4207_CMP_WM DSC_4208_CMP_WM DSC_4210_CMP_WM DSC_4211_CMP_WM DSC_4212_CMP_WM DSC_4213_CMP_WM DSC_4215_CMP_WM (2) DSC_4215_CMP_WM DSC_4216_CMP_WM DSC_4217_CMP_WM DSC_4218_CMP_WM DSC_4219_CMP_WM DSC_4220_CMP_WM DSC_4221_CMP_WM DSC_4222_CMP_WM DSC_4223_CMP_WM DSC_4225_CMP_WM DSC_4226_CMP_WM DSC_4227_CMP_WM DSC_4228_CMP_WM DSC_4229_CMP_WM DSC_4230_CMP_WM DSC_4231_CMP_WM DSC_4232_CMP_WM DSC_4233_CMP_WM DSC_4234_CMP_WM DSC_4235_CMP_WM DSC_4236_CMP_WM DSC_4237_CMP_WM DSC_4238_CMP_WM DSC_4239_CMP_WM DSC_4240_CMP_WM DSC_4241_CMP_WM DSC_4242_CMP_WM DSC_4243_CMP_WM DSC_4244_CMP_WM DSC_4245_CMP_WM DSC_4246_CMP_WM DSC_4247_CMP_WM DSC_4248_CMP_WM DSC_4249_CMP_WM DSC_4250_CMP_WM DSC_4251_CMP_WM DSC_4252_CMP_WM DSC_4253_CMP_WM DSC_4254_CMP_WM DSC_4255_CMP_WM DSC_4256_CMP_WM DSC_4257_CMP_WM DSC_4258_CMP_WM DSC_4260_CMP_WM DSC_4261_CMP_WM DSC_4262_CMP_WM DSC_4263_CMP_WM DSC_4264_CMP_WM DSC_4265_CMP_WM DSC_4266_CMP_WM DSC_4267_CMP_WM DSC_4269_CMP_WM DSC_4270_CMP_WM DSC_4271_CMP_WM DSC_4272_CMP_WM DSC_4278_CMP_WM DSC_4283_CMP_WM DSC_4284_CMP_WM DSC_4285_CMP_WM DSC_4290_CMP_WM DSC_4291_CMP_WM DSC_4292_CMP_WM DSC_4293_CMP_WM DSC_4294_CMP_WM DSC_4295_CMP_WM DSC_4296_CMP_WM DSC_4299_CMP_WM DSC_4300_CMP_WM DSC_4301_CMP_WM DSC_4302_CMP_WM DSC_4303_CMP_WM DSC_4306_CMP_WM DSC_4307_CMP_WM DSC_4308_CMP_WM DSC_4313_CMP_WM DSC_4314_CMP_WM DSC_4315_CMP_WM DSC_4316_CMP_WM DSC_4317_CMP_WM DSC_4318_CMP_WM DSC_4319_CMP_WM DSC_4320_CMP_WM DSC_4322_CMP_WM DSC_4323_CMP_WM DSC_4326_CMP_WM DSC_4327_CMP_WM DSC_4328_CMP_WM DSC_4336_CMP_WM DSC_4337_CMP_WM DSC_4338_CMP_WM DSC_4339_CMP_WM DSC_4340_CMP_WM DSC_4341_CMP_WM DSC_4344_CMP_WM DSC_4345_CMP_WM DSC_4346_CMP_WM DSC_4348_CMP_WM DSC_4349_CMP_WM DSC_4350_CMP_WM DSC_4353_CMP_WM DSC_4356_CMP_WM DSC_4357_CMP_WM DSC_4358_CMP_WM DSC_4360_CMP_WM DSC_4362_CMP_WM DSC_4364_CMP_WM DSC_4365_CMP_WM DSC_4366_CMP_WM DSC_4368_CMP_WM DSC_4369_CMP_WM DSC_4370_CMP_WM DSC_4380_CMP_WM DSC_4385_CMP_WM DSC_4386_CMP_WM DSC_4387_CMP_WM DSC_4389_CMP_WM DSC_4390_CMP_WM DSC_4391_CMP_WM DSC_4392_CMP_WM DSC_4394_CMP_WM DSC_4395_CMP_WM DSC_4396_CMP_WM DSC_4397_CMP_WM DSC_4399_CMP_WM DSC_4402_CMP_WM DSC_4406_CMP_WM DSC_4407_CMP_WM DSC_4408_CMP_WM DSC_4410_CMP_WM DSC_4414_CMP_WM DSC_4415_CMP_WM DSC_4416_CMP_WM DSC_4418_CMP_WM DSC_4419_CMP_WM DSC_4420_CMP_WM DSC_4421_CMP_WM DSC_4422_CMP_WM DSC_4423_CMP_WM DSC_4424_CMP_WM DSC_4425_CMP_WM DSC_4426_CMP_WM DSC_4427_CMP_WM DSC_4428_CMP_WM DSC_4429_CMP_WM DSC_4430_CMP_WM DSC_4431_CMP_WM IMG_3626_CMP_WM IMG_3627_CMP_WM(1) IMG_3627_CMP_WM IMG_3628_CMP_WM(1) IMG_3628_CMP_WM IMG_3631_CMP_WM IMG_3633_CMP_WM IMG_3634_CMP_WM IMG_3635_CMP_WM IMG_3636_CMP_WM IMG_3637_CMP_WM IMG_3638_CMP_WM IMG_3641_CMP_WM IMG_3645_CMP_WM IMG_3656_CMP_WM IMG_3657_CMP_WM IMG_3658_CMP_WM IMG_3659_CMP_WM IMG_3660_CMP_WM IMG_3661_CMP_WM IMG_3662_CMP_WM IMG_3663_CMP_WM IMG_3664_CMP_WM IMG_3665_CMP_WM IMG_3666_CMP_WM(1) IMG_3666_CMP_WM IMG_3667_CMP_WM IMG_3668_CMP_WM IMG_3669_CMP_WM IMG_3670_CMP_WM IMG_3671_CMP_WM IMG_3672_CMP_WM IMG_3673_CMP_WM IMG_3678_CMP_WM IMG_3679_CMP_WM IMG_3680_CMP_WM IMG_3681_CMP_WM IMG_3682_CMP_WM IMG_3683_CMP_WM IMG_3684_CMP_WM IMG_3685_CMP_WM IMG_3686_CMP_WM IMG_3687_CMP_WM IMG_3688_CMP_WM IMG_3692_CMP_WM IMG_3693_CMP_WM IMG_3694_CMP_WM IMG_3695_CMP_WM IMG_3696_CMP_WM IMG_3697_CMP_WM IMG_3703_CMP_WM IMG_3704_CMP_WM

09-Meru-Ampal-Puja

DSC_4145_CMP_WM DSC_4146_CMP_WM DSC_4147_CMP_WM DSC_4149_CMP_WM DSC_4150_CMP_WM DSC_4151_CMP_WM DSC_4152_CMP_WM DSC_4153_CMP_WM DSC_4154_CMP_WM

10-VIP-Meeting

DSC_4125_CMP_WM DSC_4126_CMP_WM DSC_4127_CMP_WM DSC_4128_CMP_WM DSC_4129_CMP_WM DSC_4130_CMP_WM DSC_4131_CMP_WM DSC_4132_CMP_WM DSC_4133_CMP_WM DSC_4136_CMP_WM DSC_4140_CMP_WM DSC_4144_CMP_WM

11-Satsang

DSC_3971_CMP_WM DSC_3972_CMP_WM DSC_3973_CMP_WM DSC_3974_CMP_WM DSC_3975_CMP_WM DSC_3976_CMP_WM DSC_3977_CMP_WM DSC_3978_CMP_WM DSC_3979_CMP_WM DSC_3980_CMP_WM DSC_3981_CMP_WM DSC_3983_CMP_WM DSC_3984_CMP_WM DSC_3985_CMP_WM DSC_3987_CMP_WM DSC_3988_CMP_WM DSC_3990_CMP_WM DSC_3991_CMP_WM DSC_3992_CMP_WM DSC_3994_CMP_WM DSC_3997_CMP_WM DSC_3998_CMP_WM DSC_3999_CMP_WM DSC_4001_CMP_WM DSC_4002_CMP_WM DSC_4009_CMP_WM DSC_4010_CMP_WM DSC_4011_CMP_WM DSC_4012_CMP_WM DSC_4015_CMP_WM DSC_4016_CMP_WM DSC_4017_CMP_WM DSC_4018_CMP_WM DSC_4019_CMP_WM DSC_4020_CMP_WM DSC_4021_CMP_WM DSC_4022_CMP_WM DSC_4023_CMP_WM DSC_4024_CMP_WM DSC_4026_CMP_WM DSC_4027_CMP_WM DSC_4028_CMP_WM DSC_4029_CMP_WM DSC_4030_CMP_WM DSC_4031_CMP_WM DSC_4032_CMP_WM DSC_4037_CMP_WM DSC_4038_CMP_WM DSC_4039_CMP_WM DSC_4040_CMP_WM DSC_4043_CMP_WM DSC_4044_CMP_WM DSC_4045_CMP_WM DSC_4046_CMP_WM DSC_4047_CMP_WM DSC_4048_CMP_WM DSC_4049_CMP_WM DSC_4052_CMP_WM DSC_4053_CMP_WM DSC_4054_CMP_WM DSC_4055_CMP_WM DSC_4056_CMP_WM DSC_4057_CMP_WM

12-Living-Enlightenment-Process

DSC_5292_CMP_WM IMG_3706_CMP_WM IMG_3707_CMP_WM IMG_3708_CMP_WM IMG_3709_CMP_WM IMG_3711_CMP_WM IMG_3712_CMP_WM IMG_3713_CMP_WM IMG_3714_CMP_WM IMG_3715_CMP_WM IMG_3716_CMP_WM IMG_3717_CMP_WM IMG_3718_CMP_WM IMG_3719_CMP_WM IMG_3720_CMP_WM IMG_3721_CMP_WM IMG_3722_CMP_WM IMG_3723_CMP_WM IMG_3724_CMP_WM IMG_3725_CMP_WM IMG_3726_CMP_WM IMG_3727_CMP_WM IMG_3728_CMP_WM IMG_3729_CMP_WM IMG_3730_CMP_WM IMG_3731_CMP_WM IMG_3732_CMP_WM IMG_3733_CMP_WM IMG_3734_CMP_WM IMG_3735_CMP_WM IMG_3736_CMP_WM IMG_3737_CMP_WM IMG_3740_CMP_WM IMG_3741_CMP_WM IMG_3742_CMP_WM IMG_3744_CMP_WM IMG_3749_CMP_WM

13-Evening-Games

DSC_4432_CMP_WM DSC_4433_CMP_WM DSC_4434_CMP_WM DSC_4435_CMP_WM DSC_4436_CMP_WM DSC_4437_CMP_WM DSC_4438_CMP_WM DSC_4439_CMP_WM DSC_4440_CMP_WM DSC_4441_CMP_WM DSC_4442_CMP_WM DSC_4443_CMP_WM DSC_4444_CMP_WM DSC_4445_CMP_WM DSC_4446_CMP_WM DSC_4447_CMP_WM DSC_4448_CMP_WM DSC_4449_CMP_WM DSC_4450_CMP_WM DSC_4451_CMP_WM DSC_4452_CMP_WM DSC_4453_CMP_WM DSC_4454_CMP_WM DSC_4455_CMP_WM DSC_4456_CMP_WM DSC_4457_CMP_WM DSC_4458_CMP_WM DSC_4459_CMP_WM DSC_4460_CMP_WM DSC_4461_CMP_WM DSC_4462_CMP_WM DSC_4463_CMP_WM DSC_4464_CMP_WM DSC_4465_CMP_WM DSC_4466_CMP_WM DSC_4467_CMP_WM DSC_4468_CMP_WM DSC_4469_CMP_WM DSC_4470_CMP_WM DSC_4471_CMP_WM DSC_4472_CMP_WM DSC_4473_CMP_WM DSC_4474_CMP_WM DSC_4475_CMP_WM DSC_4476_CMP_WM DSC_4477_CMP_WM DSC_4478_CMP_WM DSC_4479_CMP_WM DSC_4480_CMP_WM DSC_4481_CMP_WM DSC_4482_CMP_WM DSC_4483_CMP_WM DSC_4484_CMP_WM DSC_4485_CMP_WM DSC_4486_CMP_WM DSC_4487_CMP_WM DSC_4488_CMP_WM DSC_4489_CMP_WM DSC_4490_CMP_WM DSC_4491_CMP_WM DSC_4492_CMP_WM DSC_4493_CMP_WM DSC_4494_CMP_WM DSC_4495_CMP_WM DSC_4496_CMP_WM DSC_4497_CMP_WM DSC_4498_CMP_WM DSC_4499_CMP_WM DSC_4500_CMP_WM DSC_4501_CMP_WM DSC_4502_CMP_WM DSC_4503_CMP_WM DSC_4504_CMP_WM DSC_4508_CMP_WM DSC_4509_CMP_WM DSC_4510_CMP_WM DSC_4511_CMP_WM DSC_4512_CMP_WM DSC_4513_CMP_WM DSC_4514_CMP_WM DSC_4515_CMP_WM DSC_4516_CMP_WM DSC_4517_CMP_WM DSC_4518_CMP_WM DSC_4519_CMP_WM DSC_4520_CMP_WM DSC_4521_CMP_WM DSC_4522_CMP_WM DSC_4523_CMP_WM DSC_4524_CMP_WM DSC_4525_CMP_WM DSC_4526_CMP_WM DSC_4527_CMP_WM DSC_4528_CMP_WM DSC_4529_CMP_WM DSC_4530_CMP_WM DSC_4531_CMP_WM DSC_4532_CMP_WM DSC_4533_CMP_WM DSC_4534_CMP_WM DSC_4535_CMP_WM DSC_4536_CMP_WM DSC_4537_CMP_WM DSC_4538_CMP_WM DSC_4539_CMP_WM DSC_4540_CMP_WM DSC_4541_CMP_WM DSC_4542_CMP_WM DSC_4543_CMP_WM DSC_4544_CMP_WM DSC_4545_CMP_WM DSC_4546_CMP_WM DSC_4547_CMP_WM DSC_4548_CMP_WM DSC_4549_CMP_WM DSC_4550_CMP_WM DSC_4551_CMP_WM DSC_4552_CMP_WM DSC_4553_CMP_WM DSC_4554_CMP_WM DSC_4555_CMP_WM DSC_4556_CMP_WM DSC_4557_CMP_WM DSC_4558_CMP_WM DSC_4559_CMP_WM DSC_4560_CMP_WM DSC_4561_CMP_WM DSC_4562_CMP_WM DSC_4563_CMP_WM DSC_4564_CMP_WM DSC_4565_CMP_WM DSC_4566_CMP_WM DSC_4567_CMP_WM DSC_4568_CMP_WM DSC_4569_CMP_WM DSC_4570_CMP_WM DSC_4571_CMP_WM DSC_4572_CMP_WM DSC_4573_CMP_WM DSC_4574_CMP_WM DSC_4575_CMP_WM DSC_4577_CMP_WM DSC_4578_CMP_WM DSC_4579_CMP_WM DSC_4580_CMP_WM DSC_4581_CMP_WM DSC_4582_CMP_WM DSC_4583_CMP_WM DSC_4584_CMP_WM DSC_4585_CMP_WM DSC_4586_CMP_WM DSC_4587_CMP_WM DSC_4588_CMP_WM DSC_4589_CMP_WM DSC_4590_CMP_WM DSC_4591_CMP_WM DSC_4592_CMP_WM DSC_4593_CMP_WM DSC_4594_CMP_WM DSC_4595_CMP_WM DSC_4596_CMP_WM DSC_4598_CMP_WM DSC_4599_CMP_WM DSC_4600_CMP_WM DSC_4601_CMP_WM DSC_4602_CMP_WM DSC_4603_CMP_WM DSC_4604_CMP_WM DSC_4605_CMP_WM DSC_4606_CMP_WM DSC_4607_CMP_WM DSC_4608_CMP_WM DSC_4609_CMP_WM DSC_4610_CMP_WM DSC_4611_CMP_WM DSC_4612_CMP_WM DSC_4613_CMP_WM DSC_4614_CMP_WM DSC_4615_CMP_WM DSC_4616_CMP_WM DSC_4617_CMP_WM DSC_4618_CMP_WM DSC_4619_CMP_WM DSC_4620_CMP_WM DSC_4621_CMP_WM DSC_4622_CMP_WM DSC_4623_CMP_WM DSC_4624_CMP_WM DSC_4625_CMP_WM DSC_4626_CMP_WM DSC_4627_CMP_WM DSC_4628_CMP_WM DSC_4629_CMP_WM DSC_4630_CMP_WM DSC_4631_CMP_WM DSC_4632_CMP_WM DSC_4633_CMP_WM DSC_4634_CMP_WM DSC_4635_CMP_WM DSC_4636_CMP_WM DSC_4637_CMP_WM DSC_4638_CMP_WM DSC_4639_CMP_WM DSC_4640_CMP_WM DSC_4641_CMP_WM DSC_4642_CMP_WM DSC_4643_CMP_WM DSC_4644_CMP_WM DSC_4645_CMP_WM DSC_4646_CMP_WM DSC_4647_CMP_WM DSC_4648_CMP_WM DSC_4649_CMP_WM DSC_4650_CMP_WM DSC_4651_CMP_WM DSC_4652_CMP_WM DSC_4653_CMP_WM DSC_4654_CMP_WM DSC_4655_CMP_WM DSC_4656_CMP_WM DSC_4657_CMP_WM DSC_4658_CMP_WM DSC_4659_CMP_WM DSC_4660_CMP_WM DSC_4661_CMP_WM DSC_4662_CMP_WM DSC_4663_CMP_WM DSC_4664_CMP_WM DSC_4665_CMP_WM DSC_4666_CMP_WM DSC_4667_CMP_WM DSC_4668_CMP_WM DSC_4669_CMP_WM DSC_4670_CMP_WM DSC_4671_CMP_WM DSC_4672_CMP_WM DSC_4673_CMP_WM DSC_4674_CMP_WM DSC_4675_CMP_WM DSC_4676_CMP_WM DSC_4677_CMP_WM DSC_4678_CMP_WM DSC_4679_CMP_WM DSC_4680_CMP_WM DSC_4681_CMP_WM DSC_4682_CMP_WM DSC_4683_CMP_WM DSC_4684_CMP_WM DSC_4685_CMP_WM DSC_4686_CMP_WM DSC_4687_CMP_WM DSC_4688_CMP_WM DSC_4689_CMP_WM DSC_4690_CMP_WM DSC_4691_CMP_WM DSC_4692_CMP_WM DSC_4693_CMP_WM DSC_4694_CMP_WM DSC_4695_CMP_WM DSC_4696_CMP_WM DSC_4697_CMP_WM DSC_4698_CMP_WM DSC_4699_CMP_WM DSC_4700_CMP_WM DSC_4703_CMP_WM DSC_4712_CMP_WM DSC_4713_CMP_WM DSC_4714_CMP_WM DSC_4715_CMP_WM DSC_4716_CMP_WM DSC_4717_CMP_WM DSC_4718_CMP_WM DSC_4719_CMP_WM DSC_4720_CMP_WM DSC_4721_CMP_WM DSC_4722_CMP_WM DSC_4723_CMP_WM DSC_4724_CMP_WM DSC_4725_CMP_WM DSC_4726_CMP_WM DSC_4727_CMP_WM DSC_4730_CMP_WM DSC_4731_CMP_WM DSC_4732_CMP_WM DSC_4733_CMP_WM DSC_4734_CMP_WM DSC_4735_CMP_WM DSC_4736_CMP_WM DSC_4737_CMP_WM DSC_4738_CMP_WM DSC_4739_CMP_WM DSC_4740_CMP_WM DSC_4741_CMP_WM DSC_4742_CMP_WM DSC_4743_CMP_WM DSC_4744_CMP_WM DSC_4745_CMP_WM DSC_4746_CMP_WM DSC_4752_CMP_WM DSC_4753_CMP_WM DSC_4754_CMP_WM DSC_4759_CMP_WM DSC_4760_CMP_WM DSC_4761_CMP_WM DSC_4762_CMP_WM DSC_4763_CMP_WM DSC_4764_CMP_WM DSC_4765_CMP_WM DSC_4766_CMP_WM DSC_4767_CMP_WM DSC_4768_CMP_WM DSC_4769_CMP_WM DSC_4770_CMP_WM DSC_4771_CMP_WM DSC_4772_CMP_WM DSC_4773_CMP_WM DSC_4774_CMP_WM DSC_4775_CMP_WM DSC_4776_CMP_WM DSC_4777_CMP_WM DSC_4778_CMP_WM DSC_4785_CMP_WM DSC_4786_CMP_WM DSC_4787_CMP_WM DSC_4788_CMP_WM DSC_4789_CMP_WM DSC_4791_CMP_WM DSC_4792_CMP_WM DSC_4793_CMP_WM DSC_4794_CMP_WM DSC_4795_CMP_WM DSC_4796_CMP_WM DSC_4797_CMP_WM DSC_4799_CMP_WM DSC_4800_CMP_WM DSC_4801_CMP_WM DSC_4803_CMP_WM DSC_4804_CMP_WM DSC_4805_CMP_WM DSC_4806_CMP_WM DSC_4807_CMP_WM DSC_4808_CMP_WM DSC_4809_CMP_WM DSC_4815_CMP_WM DSC_4816_CMP_WM DSC_4817_CMP_WM DSC_4818_CMP_WM DSC_4819_CMP_WM DSC_4820_CMP_WM DSC_4821_CMP_WM DSC_4822_CMP_WM DSC_4823_CMP_WM DSC_4824_CMP_WM DSC_4825_CMP_WM DSC_4826_CMP_WM DSC_4827_CMP_WM DSC_4828_CMP_WM DSC_4838_CMP_WM DSC_4839_CMP_WM DSC_4840_CMP_WM DSC_4841_CMP_WM DSC_4852_CMP_WM DSC_4853_CMP_WM DSC_4854_CMP_WM DSC_4855_CMP_WM DSC_4856_CMP_WM DSC_4857_CMP_WM DSC_4858_CMP_WM DSC_4859_CMP_WM DSC_4860_CMP_WM DSC_4865_CMP_WM DSC_4866_CMP_WM DSC_4867_CMP_WM DSC_4868_CMP_WM DSC_4869_CMP_WM DSC_4870_CMP_WM DSC_4871_CMP_WM DSC_4872_CMP_WM DSC_4873_CMP_WM DSC_4874_CMP_WM DSC_4877_CMP_WM DSC_4878_CMP_WM DSC_4885_CMP_WM DSC_4886_CMP_WM DSC_4887_CMP_WM DSC_4889_CMP_WM DSC_4890_CMP_WM DSC_4891_CMP_WM DSC_4893_CMP_WM DSC_4894_CMP_WM DSC_4895_CMP_WM DSC_4896_CMP_WM DSC_4897_CMP_WM DSC_4898_CMP_WM DSC_4899_CMP_WM DSC_4900_CMP_WM DSC_4901_CMP_WM DSC_4902_CMP_WM DSC_4903_CMP_WM DSC_4904_CMP_WM DSC_4911_CMP_WM DSC_4912_CMP_WM DSC_4913_CMP_WM DSC_4914_CMP_WM DSC_4915_CMP_WM DSC_4916_CMP_WM DSC_4917_CMP_WM DSC_4928_CMP_WM DSC_4929_CMP_WM DSC_4930_CMP_WM DSC_4931_CMP_WM DSC_4932_CMP_WM DSC_4933_CMP_WM DSC_4934_CMP_WM DSC_4935_CMP_WM DSC_4936_CMP_WM DSC_4937_CMP_WM DSC_4938_CMP_WM DSC_4940_CMP_WM DSC_4941_CMP_WM DSC_4942_CMP_WM DSC_4943_CMP_WM DSC_4946_CMP_WM DSC_4947_CMP_WM DSC_4949_CMP_WM Done DSC_4950_CMP_WM DSC_4951_CMP_WM DSC_4953_CMP_WM DSC_4954_CMP_WM DSC_4955_CMP_WM DSC_4956_CMP_WM DSC_4958_CMP_WM DSC_4965_CMP_WM DSC_4967_CMP_WM DSC_4968_CMP_WM DSC_4969_CMP_WM DSC_4970_CMP_WM DSC_4971_CMP_WM DSC_4974_CMP_WM DSC_4975_CMP_WM DSC_4980_CMP_WM DSC_4983_CMP_WM DSC_4987_CMP_WM DSC_4988_CMP_WM DSC_4989_CMP_WM DSC_4990_CMP_WM DSC_4991_CMP_WM DSC_4992_CMP_WM DSC_4993_CMP_WM DSC_4994_CMP_WM DSC_4995_CMP_WM DSC_4996_CMP_WM DSC_4997_CMP_WM DSC_4998_CMP_WM DSC_5001_CMP_WM DSC_5002_CMP_WM DSC_5012_CMP_WM DSC_5014_CMP_WM DSC_5015_CMP_WM DSC_5018_CMP_WM DSC_5019_CMP_WM DSC_5020_CMP_WM DSC_5021_CMP_WM DSC_5022_CMP_WM DSC_5023_CMP_WM DSC_5024_CMP_WM DSC_5025_CMP_WM DSC_5026_CMP_WM DSC_5027_CMP_WM DSC_5028_CMP_WM DSC_5030_CMP_WM DSC_5031_CMP_WM DSC_5034_CMP_WM DSC_5035_CMP_WM DSC_5036_CMP_WM DSC_5037_CMP_WM DSC_5038_CMP_WM DSC_5039_CMP_WM DSC_5040_CMP_WM DSC_5041_CMP_WM DSC_5042_CMP_WM DSC_5043_CMP_WM DSC_5044_CMP_WM DSC_5045_CMP_WM DSC_5046_CMP_WM DSC_5047_CMP_WM DSC_5048_CMP_WM DSC_5049_CMP_WM DSC_5050_CMP_WM DSC_5051_CMP_WM DSC_5052_CMP_WM Done DSC_5053_CMP_WM DSC_5054_CMP_WM DSC_5057_CMP_WM DSC_5059_CMP_WM DSC_5060_CMP_WM DSC_5061_CMP_WM DSC_5062_CMP_WM DSC_5063_CMP_WM DSC_5064_CMP_WM DSC_5069_CMP_WM DSC_5070_CMP_WM DSC_5071_CMP_WM DSC_5072_CMP_WM DSC_5073_CMP_WM DSC_5074_CMP_WM DSC_5076_CMP_WM DSC_5077_CMP_WM DSC_5078_CMP_WM DSC_5079_CMP_WM DSC_5080_CMP_WM DSC_5081_CMP_WM DSC_5082_CMP_WM DSC_5083_CMP_WM DSC_5084_CMP_WM DSC_5086_CMP_WM DSC_5087_CMP_WM DSC_5088_CMP_WM DSC_5089_CMP_WM DSC_5090_CMP_WM DSC_5092_CMP_WM DSC_5093_CMP_WM DSC_5094_CMP_WM DSC_5096_CMP_WM DSC_5097_CMP_WM DSC_5098_CMP_WM DSC_5099_CMP_WM DSC_5100_CMP_WM DSC_5101_CMP_WM DSC_5103_CMP_WM DSC_5104_CMP_WM DSC_5105_CMP_WM DSC_5106_CMP_WM DSC_5107_CMP_WM DSC_5109_CMP_WM DSC_5110_CMP_WM DSC_5111_CMP_WM DSC_5112_CMP_WM DSC_5113_CMP_WM DSC_5114_CMP_WM DSC_5115_CMP_WM DSC_5116_CMP_WM DSC_5117_CMP_WM DSC_5118_CMP_WM DSC_5120_CMP_WM DSC_5121_CMP_WM DSC_5122_CMP_WM DSC_5123_CMP_WM DSC_5124_CMP_WM DSC_5125_CMP_WM DSC_5126_CMP_WM DSC_5127_CMP_WM DSC_5128_CMP_WM DSC_5129_CMP_WM DSC_5130_CMP_WM DSC_5131_CMP_WM DSC_5134_CMP_WM DSC_5135_CMP_WM DSC_5136_CMP_WM DSC_5137_CMP_WM DSC_5138_CMP_WM DSC_5142_CMP_WM DSC_5149_CMP_WM DSC_5150_CMP_WM DSC_5151_CMP_WM DSC_5152_CMP_WM DSC_5154_CMP_WM DSC_5155_CMP_WM DSC_5156_CMP_WM DSC_5157_CMP_WM DSC_5158_CMP_WM DSC_5159_CMP_WM DSC_5160_CMP_WM DSC_5161_CMP_WM DSC_5162_CMP_WM DSC_5163_CMP_WM DSC_5164_CMP_WM DSC_5165_CMP_WM DSC_5184_CMP_WM DSC_5231_CMP_WM DSC_5243_CMP_WM DSC_5261_CMP_WM DSC_5468_CMP_WM

14-Dinner-With-Swamiji

DSC_5365_CMP_WM DSC_5375_CMP_WM DSC_5377_CMP_WM DSC_5380_CMP_WM DSC_5385_CMP_WM DSC_5394_CMP_WM DSC_5397_CMP_WM DSC_5427_CMP_WM DSC_5491_CMP_WM DSC_5492_CMP_WM DSC_5493_CMP_WM DSC_5501_CMP_WM DSC_5507_CMP_WM