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Wednesday

22 September 2010

How Not to Miss the Master

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A photograph of an open-sided golden shrine set in a stone-pillared pavilion with carved granite columns. Two gilded deity murtis sit on a raised golden throne-like pedestal: a figure in a red turban with a trident and a female figure in a crown and gold ornaments, both draped in green and pink cloth and decorated with garlands of yellow, orange and purple flowers. Tall brass oil lamps stand on both sides, and offerings of fruit, flowers and a brass kalasha-style vessel lie on the platform in front. Red curtains frame the back of the shrine. No people are visible in the scene.A man seated on an ornate gold-carved throne with red cushions, wearing an orange saffron robe and a long dark rudraksha mala, his feet resting on a gold-edged platform decorated with pink lotus flowers. A woman in a teal and blue sari kneels with palms joined in namaskar, and a bald man in white dhoti and shawl with prayer beads also sits with joined hands. Before the throne are gold trays holding lotus flowers, fruit, small oil lamps and brass bowls, with a tray of apples and bananas on a side table. Behind them are orange and red walls with white stripes, a microphone stand, and a gold-framed carved panel. Several seated devotees are partially visible in the foreground.A photograph of a padapuja ceremony in an ornate courtyard with orange and red walls and white-and-red striped trim. A man seated on a gold-carved throne with red cushions wears an orange robe and a dark rudraksha mala, eyes closed, hands resting on his lap. Devotees kneel in front of him: a woman in a teal-and-blue sari with palms joined, a man in white dhoti and shawl with joined hands, and men in white and yellow clothing. Silver trays holding pink flowers, red fruit and brass vessels are placed before the throne, and apples and sweets sit on a side table. A woman in orange sits in the background beside a small oil lamp.

Photos of the day

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432 distinct dated photos. Source gallery sets may overlap.

01

nithyanandam-living-enlightenment

3 dated photos in previewSource gallery
02

1--Pada-Puja

114 dated photos in previewSource gallery
A photograph of a padapuja ceremony in an ornate courtyard with orange and red walls and white-and-red striped trim. A man seated on a gold-carved throne with red cushions wears an orange robe and a dark rudraksha mala, eyes closed, hands resting on his lap. Devotees kneel in front of him: a woman in a teal-and-blue sari with palms joined, a man in white dhoti and shawl with joined hands, and men in white and yellow clothing. Silver trays holding pink flowers, red fruit and brass vessels are placed before the throne, and apples and sweets sit on a side table. A woman in orange sits in the background beside a small oil lamp.A man seated on an ornate gold-carved throne with red cushions, wearing an orange saffron robe and a long dark rudraksha mala, his feet resting on a gold-edged platform decorated with pink lotus flowers. A woman in a teal and blue sari kneels with palms joined in namaskar, and a bald man in white dhoti and shawl with prayer beads also sits with joined hands. Before the throne are gold trays holding lotus flowers, fruit, small oil lamps and brass bowls, with a tray of apples and bananas on a side table. Behind them are orange and red walls with white stripes, a microphone stand, and a gold-framed carved panel. Several seated devotees are partially visible in the foreground.A photo of a padapuja ceremony in an open courtyard with red and white striped walls. A man seated on an ornate gold throne with red cushions wears orange robes, a rudraksha mala and a loose orange shawl, with his feet resting on a golden tray. Devotees kneel before him with palms pressed together: a woman in a teal and blue sari, a bald man in white dhoti and shawl, a man in white with folded hands, and a partly visible man in the foreground. Silver trays hold pink lotus flowers, red apples and small brass vessels. A microphone stand stands behind, with red curtains and a potted plant at right.A photograph of a satsang in an orange-walled hall. A man seated on a gilded wooden throne at left wears orange robes, a rudraksha mala and a microphone is set before him; he sits with hands in lap facing the gathering. Before him a wooden lectern-style table holds a tray of fruit and sweets and a plate of wrapped candies. Seated devotees in front, some in white dhotis and orange shawls, others in yellow and orange saris, sit with palms pressed together in anjali. Behind them more devotees sit on the floor, and a carved stone pillar stands at the far left edge. A red stone-framed sign on the wall carries printed English and Tamil-script text.A photograph of a padapuja-style gathering in a red-walled hall with orange floor mats. On the left, a man in an orange robe with a beaded mala sits on a gold-trimmed seat before a wooden lectern and a microphone, a carved stone pillar beside him. In front of him, seated devotees with hands folded in namaste include a bald man in white, a man in a light blue shirt, a woman in white with a yellow shawl, and a woman in an orange top. Brass trays of flowers, fruit and offerings sit on the mats. Behind them, rows of seated devotees, many in white and orange, face the speaker. A wall board lists a number of people trained in a meditation programme.A wide photograph of an indoor satsang hall with orange-painted walls and a corrugated metal roof. On the left, a man in an orange robe with a garland sits on a raised golden-trimmed seat beside a carved stone pillar, with a wooden lectern and offering trays in front of him. Seated on red and orange mats below him, devotees in white and yellow clothing sit with hands pressed together in namaste, including a man in pale blue kurta and a woman in white with a yellow shawl. A stack of brass plates and offerings lies on the floor, and a video camera on a tripod films the gathering at the right, with more seated devotees in the background. Some devotees wear orange shawls.
03

2--Satsang-Morning

39 dated photos in previewSource gallery
A smiling man in saffron-orange robes sits cross-legged on an ornate gold throne with red cushions, a black rudraksha mala draped over his chest and a red tilak on his forehead. A microphone on a black stand is positioned in front of him, and his hands rest together in his lap. Behind the throne, a gold kalasha-topped structure is decorated with yellow and red marigold garlands and green draping. The setting suggests a satsang discourse. The person is shown seated and speaking, with a bare left arm visible and bare feet resting on a red footstool.A seated man in saffron-orange robes sits on an ornate gilded throne with a red cushioned seat and red bolster pillows, a microphone on a stand beside him. He wears a long rudraksha mala and a red-tinted tilak on his forehead, hands resting in his lap, feet bare on a red footstool. Behind the throne rise a gold-carved backrest, a golden deity murti with red and yellow marigold garlands, and draped green cloth. Appearance-based probable Swamiji: long swept-back hair, saffron robes, rudraksha mala and a gilded throne are visible cues, matching a satsang discourse setting. One person is physically present.A seated man in saffron-orange robes sits on an ornate gold throne with a deep red cushioned seat and red bolster pillows. He wears a dark rudraksha mala around his neck and a red bindi on his forehead, with hands resting in his lap and bare feet on a red footstool. A microphone on a stand is near him. Behind the throne hang yellow and magenta flower garlands and a golden kalasha-like finial. The setting suggests a satsang talk. a person is seated on the peetha, with saffron robes and rudraksha mala as the distinguishing cues.A smiling man in saffron-orange sleeveless robes sits on an ornate golden throne with a red cushioned back. He wears a long rudraksha mala of brown beads, a red bindi on his forehead and has his hands resting in his lap. A black microphone on a gooseneck stand is in front of him. Looks like a satsang discourse.A seated man in orange saffron robes sits on an ornate gilded throne with a red cushioned backrest, speaking into a black gooseneck microphone. He wears a dark rudraksha mala necklace and has a red kumkum mark on his forehead, with his hands resting in his lap. The elaborate golden carvings of the throne frame him. Appearance-based candidate: a person, seated in a dais setting with rudraksha mala and saffron robes, consistent with a satsang discourse.A seated man in an orange saffron sleeveless robe and a long dark rudraksha mala sits on an ornate gold throne with a red velvet back and cushions, smiling with a red tilak on his forehead. A microphone on a stand is beside him, and his bare feet rest on a red cushioned footstool. Behind the throne hang yellow and red marigold garlands and green drapery, with gilded pillars in the background. The page identifies this as Swamiji, and his appearance shows long swept-back hair, saffron robes, rudraksha beads and a throne, matching the probable candidate cues, so he is labelled Swamiji (probable) in this photograph.
04

3--Sarva-Darsan

16 dated photos in previewSource gallery
A photograph of a darshan line inside a covered hall with a red carpet running down the middle between metal railings. Beside him, a monk in an orange robe holds a brass tray. Devotees in white dhotis and kurtas and a woman in white stand with palms pressed together along the railings. Colourful painted pillars and a decorated backdrop frame the scene.A photograph of a darshan line under a metal-roofed pavilion with red and blue patterned pillars. A man in orange robes with a long rudraksha mala and swept-back hair places his hand on the head of a devotee bowing before him. Beside him, a younger monk in orange holds a tray. Devotees in white dhotis and white shirts stand behind a metal railing, some with hands folded in prayer, and a man in a red checked shirt stands at left. A red carpet runs along the walkway.A photograph inside a covered hall with a red carpet runway and metal railings where devotees queue. A man in orange robes, with a rudraksha mala and a swept-back hairstyle, stands barefoot raising one hand in blessing while receiving offerings from the devotees in white shirts, checked shirts and white dhotis, some with palms pressed together. Beside him a second monk in orange robes holds a folded cloth tray, and a basket sits nearby. Painted columns in red, blue and yellow and a hanging decorative canopy appear behind them. Swamiji (probable) is shown with distinctive orange robes, rudraksha mala and long swept-back hair while giving blessings to devotees in a darshan line.A figure in saffron-orange robes with a long rudraksha mala and a white tilak on the forehead places a hand on the head of a devotee at a railing. The devotee is in a light checked shirt with hands pressed together in namaskar. Other devotees in white garments wait behind the rail, and a saffron-robed attendant holds a tray with a coconut-like object. Colourful painted pillars with geometric patterns frame the scene under a metal-roofed hall with a red carpet runner.A photograph of a Sarva Darsan style gathering under a tent with striped and patterned banners. A man in long swept-back hair and an orange robe with a dark rudraksha mala raises his right hand in blessing toward a devotee. Beside him, a monk in orange holds an orange-cloth tray with a small object on it. On the left, a man in a white checked shirt stands with palms pressed together in namaskar, and a man in a red-and-white checked shirt with an orange lower cloth stands with hands folded. Behind them, a person in white clothing holds a small pink container. A red carpet runs along the aisle and a metal railing separates the crowd from the walkway.A photograph at a Sarva Darshan style gathering in a covered hall with striped red, blue and yellow pillars. A man in an orange robe with a dark rudraksha mala and a white tilak on his forehead raises his right hand in blessing over the head of a devotee in a white shirt, who bows with palms pressed together. Beside them, a man in a white shirt and an elderly man with folded hands also bow. An attendant in orange holds an orange tray with a folded cloth. Other people stand in the background against a metal railing, and a red carpet covers the floor. The orange-robed blessing figure has long swept-back hair and ornate ceremonial appearance, consistent with the page's a person reference, though the image does not confirm identity beyond appearance.
05

4--Temple

166 dated photos in previewSource gallery
Close-up photograph of a gold-plated ceremonial ratha or chariot fitting or processional wheel-hub decoration, with ornate engraved golden bands, floral garlands of yellow marigolds, purple flowers and red roses draped across it, and a gilded deity-like figure with a jewelled crown at right. A green draped cloth forms the backdrop and a golden staff is visible at top. No people are visible.Close-up photograph of an ornate golden deity murti. Garlands of yellow marigolds, purple flowers and deep red roses are draped across it. A gold ornamental crown-like finial with green stone inlays appears at the right edge, and a golden background panel with floral engraving frames the scene. No people are visible.Close-up photograph of a richly ornamented golden ceremonial object. Its gold surface carries intricate relief patterns, ring bands and a crowned top with green jewelled elements. Behind it, more gold metalwork and a teal fabric draping are visible. No people are shown.Close photograph of a gilded ceremonial object. Ornate gold bands and rings with small jewelled inlays encircle the upper shaft, and a gold-embossed base sits beneath it. A green cloth drapes behind, with gold ornamental fittings on the left and a stone column in the background on the right. No people are visible in the frame.A golden deity murti in a procession or temple setting, seated with a tall gold crown and layered jewelled necklaces with red, green and white stones. The figure holds a raised gold object in one hand and wears a gold-framed arch behind. Beside it at left is a second gold figure in a red turban and ornate necklaces. Red and yellow-purple flower garlands drape over the central figure and a gold chariot-like base with green gem-set fittings sits in front. Red curtains and ornately carved gold panels form the backdrop. No living people are visible.A gold-plated statue of a deity seated on a green-draped platform, holding a trident in one hand and a ceremonial rod in the other. It wears a red turban with a gold crown, a dark rudraksha-style mala with a large gold pendant, and ornate jewelled necklaces and earrings. Marigold and red flower garlands hang over the seated figure, with a red velvet backdrop behind. This is a deity murti, not a living person, so no physical people are present.
06

5--Pancha-Tapas

94 dated photos in previewSource gallery
Outdoor ashram courtyard with sandy ground, tall palms and a red-and-white painted stone platform in the foreground. Behind it, a tall red-orange pillar and a red stepped shrine base hold a dark deity murti, with a kalasha and marigold garlands. A row of saffron-robed and white-clad sannyasis and devotees sit cross-legged on mats in meditation and puja around the shrine. A saffron-robed figure sits in front of the shrine, apparently leading the group, while a woman in pink sits at the left edge. Grey stone sculptures stand along the left side near a small signboard. Pigeons perch on the platform.An outdoor temple courtyard with palm trees and grey stone statues along the left, including figures and a Nandi-like bull. An orange-brick shrine with a tall flagpole wrapped in flower garlands stands at centre. Around the shrine, a line of seated participants sit in meditation on circular marked seats: a central figure in orange robes with a yellow-fringed cloth and red garland sits before a small brass lamp, flanked by people in orange, saffron and white clothes. Pigeons perch on a concrete platform in the foreground.Outdoor photo of a ritual courtyard with a tall orange-painted pillar topped by a black bull statue on an orange stepped base, decorated with yellow and orange garlands. Several people sit in meditation or prayer on mats and sand patches around the pillar, some in white clothes and some in saffron or orange robes, with yellow garments visible on others. One seated figure in saffron-orange robes sits centrally before the pillar with a small offering plate in front. Coconut palms, grey stone statues of deities and figures stand behind, and pigeons roam the paved foreground. A plain brown-topped square platform sits in the front. No clearly identifiable a person is visible as an appearance-based candidate, so the figure in the center is described only by role.Outdoor photo of a seated ritual or meditation scene in a palm-fringed courtyard. A young man in orange saffron robes and a rudraksha mala sits cross-legged on a raised circular platform ringed with grey ash, with a brass kalasha-style vessel and a small cloth before him. Behind him stands an orange-and-red stepped shrine holding a black Nandi bull statue draped with yellow and red marigold garlands and a tall copper pillar. Another man in white dhoti sits cross-legged further back on a mat, and an orange-robed person sits at the right edge. White rangoli kolam designs with yellow and red flower petals decorate the ground, and two white doves are visible in the foreground.Outdoor temple courtyard with a red stepped shrine holding a black Nandi bull statue garlanded with orange and yellow marigolds, palm trees behind. A man in saffron-orange robes with rudraksha mala and tripundra marks sits cross-legged at the centre of a chalk-drawn kolam with flower petals, a brass oil lamp before him. Several men in white dhoti and shawls sit meditatively on small mats within circular ash or sand platforms to the right, one in saffron. Smoke rises from a fire pit in the background. The posture is seated meditation or puja. The central figure's appearance is consistent with the page's a person label but is not distinctive enough to confirm.Outdoor ashram scene with a central seated figure in orange robes and a rudraksha mala, sitting cross-legged on a mat in front of a red-orange stepped plinth bearing a black Nandi bull statue garlanded with yellow and orange flowers. Behind the plinth stand grey stone sculptures and palms. A brass oil lamp sits before the central figure on a white-bordered ring of crushed paper and white kolam patterns and petals decorate the ground. Around the courtyard, several other people sit in meditation: two in yellow and white, one in white, and one in orange robes, each on their own mat within a circle. Incense smoke rises at the right.

September 22 2010

Original wiki page
Contents

Title:

How Not to Miss the Master

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Missing during a live public talk - Nithyananda Satsang. In this talk entitled How Not To Miss The Master, The Supreme Pontiff of Hinduism revealed that If you have the guarantee he (Guru) loves you, that missing will not be there. It is the fear that He may not love you anymore is the root of the missing. His Divine Holiness (HDH) shared his experience when He disrespected Arunagiri Yogeeshwara by bringing Mata Vibhutananda Puri between their relationship; He describes the relationship with Arunagiri Yogeeshwara, sharing that He tasted that extreme missing - a very painful feeling that Arunagiri Yogeeshwara may not love Him anymore. His Divine Holiness reassured everyone that the cosmos keeps everything alive to show some beautiful qualities to the world and will keep them alive just to show the courage which He is radiating, with which all of His disciples are standing with Him.

Video and Audio:

How Not to Miss the Master: Nithyananda Morning Message

VideoAudio

Transcript:

Sadashiva samarambam shankaraacharya madhyamaam Asmadaacharya paryanthaam vande guru paramparaam.

1:01 Today’s subject is How Not To Miss The Master. Fifteen days you guys are going to be physically away. When you understand master is not a mass you will not miss. As long as you think he is a mass you will miss. If somebody is mass he cannot be master if somebody is master he is not just mass. Who has mastered the mass is master.

2:10 I have the right to talk about not missing the master because I know the extreme missing and extreme fulfillment. When Arunagiri Yogeeshwara, when I felt I disrespected Arunagiri Yogeeshwara by bringing Mata Vibhutananda Puri between our relationship; my relationship with Arunagiri Yogeeshwara, I tasted that extreme missing. It is not only me missing, suddenly feeling that he may not love you anymore. That’s too painful. If you have the guarantee he loves you, that missing will not be there. It is the fear that he may not love you anymore is the root of the missing.

3:12 Understand even when physically I was not there with you guys you all loved me, stood with me. So I will stay with you, have a deep love for all of you guys. So understand I have a deep love for all of you. I still live in this body drag this body just to be with you all. So understand this next fifteen days till I come back and see you guys physically, I give you one process. You all had process for 40 min, 20 min, 1/2 an hour, 2 hour, 3 hour. I give you one process for this whole till I come back and see you guys. This one process; don’t miss the master you won’t miss me; just this one process I LOVE YOU. I am with this as process. Just be with this one process I Love You, I am With You. Just have this as a process not as my word not just as my consolation, have it as a process, you will experience me; the real me. I will be with you guys. Nobody can do anything.

4:47 Understand, I am with you, I will be with you, we will live and radiate enlightenment, go on creating enlightened beings on the planet earth. We will stand. Just the courage I am showing, I am worthy of living. The courage with which we are all standing together we are worthy of living.

5:14 Understand anything worthy of living cosmos does not destroy. We are most beautiful flowers of cosmos. It will stand with us. Don’t worry, we are worthy of living and cosmos will let us live. Cosmos wants us to live. It wants to show to the world the courage. You see cosmos keeps everything alive to show some beautiful qualities to the world. It will keep us alive just to show the courage which I am radiating, with which all of you are standing with me. Just to show the example for courage, cosmos will keep me and all of us alive doing our work.

6:06 Let us stand with it. Let us stand with it. Let us offer our whole body and mind into the one fire of courage. Let us disappear into courage. Let us disappear into courage. Cosmos will keep us alive. Cosmos will keep us alive. We will live. We will live. We will live. So have this one process I love you. Let you all experience and radiate enlightenment. Let us all achieve and radiate the eternal bliss Nithyananda.

Thank you. 7:36

Title:

La vérité sur 2012

Narration (French):

2012- Tout le monde en parle, la NASA, les philosophes, les psychologues, les hommes de science, les astronomes, les mystiques... 2012 marque t'elle la fin du monde? Est-ce le jugement dernier? Est-ce Armageddon? Pourquoi le calendrier Maya s'arrête-t'il en 2012? Quelle est la vérité au sujet de ces prophéties?

Video and Audio (French Translation):

VideoAudio

Photos Of The Day:

nithyanandam-living-enlightenment

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1--Pada-Puja

IMG_9471_CMP_WM IMG_9472_CMP_WM IMG_9473_CMP_WM IMG_9474_CMP_WM IMG_9475_CMP_WM IMG_9476_CMP_WM IMG_9477_CMP_WM IMG_9478_CMP_WM IMG_9479_CMP_WM IMG_9480_CMP_WM IMG_9481_CMP_WM IMG_9482_CMP_WM IMG_9483_CMP_WM IMG_9484_CMP_WM IMG_9485_CMP_WM IMG_9486_CMP_WM IMG_9487_CMP_WM IMG_9488_CMP_WM IMG_9489_CMP_WM IMG_9490_CMP_WM IMG_9491_CMP_WM IMG_9492_CMP_WM IMG_9493_CMP_WM IMG_9494_CMP_WM IMG_9495_CMP_WM IMG_9496_CMP_WM IMG_9497_CMP_WM IMG_9498_CMP_WM IMG_9499_CMP_WM IMG_9500_CMP_WM IMG_9501_CMP_WM IMG_9502_CMP_WM IMG_9503_CMP_WM IMG_9504_CMP_WM IMG_9505_CMP_WM IMG_9506_CMP_WM IMG_9507_CMP_WM IMG_9508_CMP_WM IMG_9509_CMP_WM IMG_9510_CMP_WM IMG_9511_CMP_WM IMG_9512_CMP_WM IMG_9513_CMP_WM IMG_9514_CMP_WM IMG_9515_CMP_WM IMG_9516_CMP_WM IMG_9517_CMP_WM IMG_9518_CMP_WM IMG_9519_CMP_WM IMG_9520_CMP_WM IMG_9521_CMP_WM IMG_9522_CMP_WM IMG_9523_CMP_WM IMG_9524_CMP_WM IMG_9525_CMP_WM IMG_9526_CMP_WM IMG_9527_CMP_WM IMG_9528_CMP_WM IMG_9529_CMP_WM IMG_9534_CMP_WM IMG_9535_CMP_WM IMG_9536_CMP_WM IMG_9537_CMP_WM IMG_9538_CMP_WM IMG_9539_CMP_WM IMG_9540_CMP_WM IMG_9541_CMP_WM IMG_9542_CMP_WM IMG_9543_CMP_WM IMG_9544_CMP_WM IMG_9547_CMP_WM IMG_9548_CMP_WM IMG_9549_CMP_WM IMG_9550_CMP_WM IMG_9551_CMP_WM IMG_9552_CMP_WM IMG_9553_CMP_WM IMG_9554_CMP_WM IMG_9555_CMP_WM IMG_9556_CMP_WM IMG_9557_CMP_WM IMG_9558_CMP_WM IMG_9559_CMP_WM IMG_9560_CMP_WM IMG_9561_CMP_WM IMG_9562_CMP_WM IMG_9563_CMP_WM IMG_9564_CMP_WM IMG_9565_CMP_WM IMG_9566_CMP_WM(1) IMG_9566_CMP_WM IMG_9567_CMP_WM IMG_9568_CMP_WM IMG_9569_CMP_WM IMG_9570_CMP_WM IMG_9571_CMP_WM IMG_9572_CMP_WM IMG_9573_CMP_WM IMG_9574_CMP_WM IMG_9575_CMP_WM IMG_9576_CMP_WM IMG_9577_CMP_WM IMG_9578_CMP_WM IMG_9579_CMP_WM IMG_9580_CMP_WM IMG_9581_CMP_WM IMG_9582_CMP_WM IMG_9583_CMP_WM IMG_9584_CMP_WM IMG_9585_CMP_WM IMG_9586_CMP_WM IMG_9587_CMP_WM IMG_9588_CMP_WM IMG_9589_CMP_WM IMG_9590_CMP_WM IMG_9591_CMP_WM

2--Satsang-Morning

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3--Sarva-Darsan

IMG_9639_CMP_WM IMG_9640_CMP_WM IMG_9641_CMP_WM IMG_9642_CMP_WM IMG_9643_CMP_WM IMG_9644_CMP_WM(1) IMG_9645_CMP_WM IMG_9646_CMP_WM IMG_9647_CMP_WM IMG_9648_CMP_WM IMG_9649_CMP_WM IMG_9659_CMP_WM IMG_9660_CMP_WM IMG_9661_CMP_WM IMG_9662_CMP_WM IMG_9670_CMP_WM

4--Temple

IMG_9530_CMP_WM IMG_9531_CMP_WM IMG_9532_CMP_WM IMG_9533_CMP_WM IMG_9545_CMP_WM IMG_9546_CMP_WM IMG_9666_CMP_WM IMG_9667_CMP_WM IMG_9668_CMP_WM IMG_9669_CMP_WM IMG_9671_CMP_WM IMG_9672_CMP_WM IMG_9674_CMP_WM IMG_9675_CMP_WM IMG_9676_CMP_WM IMG_9677_CMP_WM IMG_9678_CMP_WM IMG_9679_CMP_WM IMG_9680_CMP_WM IMG_9681_CMP_WM IMG_9682_CMP_WM IMG_9683_CMP_WM IMG_9684_CMP_WM IMG_9685_CMP_WM IMG_9686_CMP_WM IMG_9687_CMP_WM IMG_9688_CMP_WM IMG_9689_CMP_WM IMG_9690_CMP_WM IMG_9691_CMP_WM IMG_9692_CMP_WM IMG_9693_CMP_WM IMG_9694_CMP_WM IMG_9695_CMP_WM IMG_9696_CMP_WM IMG_9697_CMP_WM IMG_9698_CMP_WM IMG_9699_CMP_WM IMG_9700_CMP_WM IMG_9701_CMP_WM IMG_9702_CMP_WM IMG_9703_CMP_WM IMG_9704_CMP_WM IMG_9705_CMP_WM IMG_9706_CMP_WM IMG_9707_CMP_WM IMG_9708_CMP_WM IMG_9709_CMP_WM IMG_9710_CMP_WM IMG_9711_CMP_WM IMG_9712_CMP_WM IMG_9713_CMP_WM IMG_9714_CMP_WM IMG_9715_CMP_WM IMG_9716_CMP_WM IMG_9717_CMP_WM IMG_9718_CMP_WM IMG_9719_CMP_WM IMG_9720_CMP_WM IMG_9721_CMP_WM IMG_9722_CMP_WM IMG_9723_CMP_WM IMG_9724_CMP_WM IMG_9725_CMP_WM IMG_9726_CMP_WM IMG_9727_CMP_WM IMG_9728_CMP_WM IMG_9729_CMP_WM IMG_9730_CMP_WM IMG_9731_CMP_WM IMG_9732_CMP_WM IMG_9733_CMP_WM IMG_9734_CMP_WM IMG_9735_CMP_WM IMG_9736_CMP_WM IMG_9737_CMP_WM IMG_9738_CMP_WM IMG_9739_CMP_WM IMG_9740_CMP_WM IMG_9741_CMP_WM IMG_9742_CMP_WM IMG_9743_CMP_WM IMG_9744_CMP_WM IMG_9745_CMP_WM IMG_9746_CMP_WM IMG_9747_CMP_WM IMG_9748_CMP_WM IMG_9749_CMP_WM IMG_9750_CMP_WM IMG_9751_CMP_WM IMG_9752_CMP_WM IMG_9753_CMP_WM IMG_9754_CMP_WM IMG_9755_CMP_WM IMG_9756_CMP_WM IMG_9757_CMP_WM IMG_9758_CMP_WM IMG_9759_CMP_WM IMG_9760_CMP_WM IMG_9761_CMP_WM IMG_9762_CMP_WM IMG_9763_CMP_WM IMG_9764_CMP_WM IMG_9765_CMP_WM IMG_9766_CMP_WM IMG_9767_CMP_WM IMG_9768_CMP_WM IMG_9769_CMP_WM IMG_9770_CMP_WM IMG_9771_CMP_WM IMG_9772_CMP_WM IMG_9773_CMP_WM IMG_9774_CMP_WM IMG_9775_CMP_WM IMG_9776_CMP_WM IMG_9777_CMP_WM IMG_9778_CMP_WM IMG_9779_CMP_WM IMG_9780_CMP_WM IMG_9781_CMP_WM IMG_9782_CMP_WM IMG_9783_CMP_WM IMG_9784_CMP_WM IMG_9785_CMP_WM IMG_9786_CMP_WM IMG_9787_CMP_WM IMG_9788_CMP_WM IMG_9789_CMP_WM IMG_9790_CMP_WM IMG_9791_CMP_WM IMG_9792_CMP_WM IMG_9793_CMP_WM IMG_9794_CMP_WM IMG_9795_CMP_WM IMG_9796_CMP_WM IMG_9797_CMP_WM IMG_9798_CMP_WM IMG_9799_CMP_WM IMG_9800_CMP_WM IMG_9801_CMP_WM IMG_9802_CMP_WM IMG_9803_CMP_WM IMG_9804_CMP_WM IMG_9805_CMP_WM IMG_9806_CMP_WM IMG_9807_CMP_WM IMG_9808_CMP_WM IMG_9809_CMP_WM IMG_9810_CMP_WM IMG_9811_CMP_WM IMG_9812_CMP_WM IMG_9813_CMP_WM IMG_9814_CMP_WM IMG_9815_CMP_WM IMG_9816_CMP_WM IMG_9817_CMP_WM IMG_9818_CMP_WM IMG_9819_CMP_WM IMG_9820_CMP_WM IMG_9821_CMP_WM IMG_9822_CMP_WM IMG_9823_CMP_WM IMG_9824_CMP_WM IMG_9825_CMP_WM IMG_9826_CMP_WM IMG_9827_CMP_WM IMG_9828_CMP_WM

5--Pancha-Tapas

IMG_9373_CMP_WM IMG_9374_CMP_WM IMG_9375_CMP_WM IMG_9376_CMP_WM IMG_9377_CMP_WM IMG_9378_CMP_WM IMG_9379_CMP_WM IMG_9380_CMP_WM IMG_9385_CMP_WM IMG_9386_CMP_WM IMG_9387_CMP_WM IMG_9388_CMP_WM IMG_9389_CMP_WM IMG_9390_CMP_WM IMG_9391_CMP_WM IMG_9392_CMP_WM IMG_9393_CMP_WM(1) IMG_9393_CMP_WM IMG_9394_CMP_WM IMG_9395_CMP_WM IMG_9396_CMP_WM IMG_9397_CMP_WM IMG_9398_CMP_WM IMG_9400_CMP_WM IMG_9401_CMP_WM IMG_9402_CMP_WM IMG_9403_CMP_WM IMG_9404_CMP_WM IMG_9405_CMP_WM IMG_9406_CMP_WM IMG_9407_CMP_WM IMG_9408_CMP_WM IMG_9409_CMP_WM IMG_9410_CMP_WM IMG_9411_CMP_WM IMG_9412_CMP_WM IMG_9413_CMP_WM IMG_9414_CMP_WM IMG_9415_CMP_WM IMG_9416_CMP_WM IMG_9417_CMP_WM IMG_9418_CMP_WM IMG_9419_CMP_WM IMG_9420_CMP_WM IMG_9421_CMP_WM IMG_9422_CMP_WM IMG_9423_CMP_WM IMG_9424_CMP_WM IMG_9425_CMP_WM IMG_9426_CMP_WM IMG_9427_CMP_WM IMG_9428_CMP_WM IMG_9429_CMP_WM IMG_9430_CMP_WM IMG_9431_CMP_WM IMG_9432_CMP_WM IMG_9433_CMP_WM IMG_9434_CMP_WM IMG_9435_CMP_WM IMG_9436_CMP_WM IMG_9437_CMP_WM IMG_9438_CMP_WM IMG_9439_CMP_WM IMG_9440_CMP_WM IMG_9441_CMP_WM IMG_9442_CMP_WM IMG_9443_CMP_WM IMG_9444_CMP_WM IMG_9445_CMP_WM IMG_9446_CMP_WM IMG_9447_CMP_WM IMG_9448_CMP_WM IMG_9449_CMP_WM IMG_9450_CMP_WM IMG_9451_CMP_WM IMG_9452_CMP_WM IMG_9453_CMP_WM IMG_9454_CMP_WM IMG_9455_CMP_WM IMG_9456_CMP_WM IMG_9457_CMP_WM IMG_9458_CMP_WM IMG_9459_CMP_WM IMG_9460_CMP_WM IMG_9461_CMP_WM IMG_9462_CMP_WM IMG_9463_CMP_WM IMG_9464_CMP_WM IMG_9465_CMP_WM IMG_9466_CMP_WM IMG_9467_CMP_WM IMG_9468_CMP_WM IMG_9469_CMP_WM IMG_9470_CMP_WM