Skip to content
Thursday

16 September 2010

Ananda Gandha Chakra Source of Super Conscious Healing

932Dated photos
1Source pages
6Media embeds
A seated man in an orange robe with a rudraksha mala sits on a golden ornate throne with red cushions in a hall with a patterned backdrop. Around him devotees in white and yellow clothing sit on the floor holding lit oil lamps and offering plates, with a woman in red with hands folded beside them. A bald priest in white with a shaved head and bare upper body sits among the group, and a plate of fruit rests on a small table at left. The figure on the throne shows the appearance cues of the a person candidate, with long swept hair, orange clothing and rudraksha beads, so this is probable; the scene is a pada puja with devotees offering oil lamps.A photograph of an empty ornate golden throne (peetha) with a red seat, red bolster cushions and a dark velvet backrest, set on a patterned carpet before a large printed backdrop of a temple sanctum. The backdrop shows a deity murti with garlands of yellow and red flowers, flanked by stone pillars and brass oil lamps. In front of the throne is a gold-decorated offering tray holding silver plates with pink flowers, red fruit and sweets. Two gold-carved side pedestals stand on either side, one with fruit. No people are visible.Close photo of a young girl with short black hair and a maroon velvet top, gold chain and pearl necklace, seated beside an adult whose hands are pressed together in anjali mudra. The adult wears white clothing, gold rings and a rudraksha mala. Blurred figures and a yellow cloth appear in the background of a devotional gathering.

Photos of the day

View all 932 photos

932 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

01-Pada-Puja

182 dated photos in previewSource gallery
A photograph of an empty ornate golden throne (peetha) with a red seat, red bolster cushions and a dark velvet backrest, set on a patterned carpet before a large printed backdrop of a temple sanctum. The backdrop shows a deity murti with garlands of yellow and red flowers, flanked by stone pillars and brass oil lamps. In front of the throne is a gold-decorated offering tray holding silver plates with pink flowers, red fruit and sweets. Two gold-carved side pedestals stand on either side, one with fruit. No people are visible.A seated man in an orange robe with a rudraksha mala sits on a golden ornate throne with red cushions in a hall with a patterned backdrop. Around him devotees in white and yellow clothing sit on the floor holding lit oil lamps and offering plates, with a woman in red with hands folded beside them. A bald priest in white with a shaved head and bare upper body sits among the group, and a plate of fruit rests on a small table at left. The figure on the throne shows the appearance cues of the a person candidate, with long swept hair, orange clothing and rudraksha beads, so this is probable; the scene is a pada puja with devotees offering oil lamps.Close photo of a young girl with short black hair and a maroon velvet top, gold chain and pearl necklace, seated beside an adult whose hands are pressed together in anjali mudra. The adult wears white clothing, gold rings and a rudraksha mala. Blurred figures and a yellow cloth appear in the background of a devotional gathering.A man with long swept-back black hair and a red bindi sits before an ornate gold-carved throne with a red upholstered seat. He wears a sleeveless orange saffron garment draped over the shoulders and a long strand of dark rudraksha beads across the chest. He gazes to the side in a temple-like setting with carved pillars behind him. Swamiji (probable): long swept-back hair, saffron clothing and rudraksha mala on a gold throne, seated in a satsang or discourse setting.A padapuja-style ritual in an indoor hall. A man with long swept-back dark hair wears saffron-orange robes and a long rudraksha mala, seated on an ornate gold-and-red throne (peetha). Devotees in white and yellow sit on the floor offering small lamps and silver plates before him. A woman in red and an older woman in a red top stand nearby, and a shaved-headed priest in white with a red-bordered cloth kneels at the front holding a plate. Fruit sits on a tray at the left and a tall window and blue curtains stand in the background. Several other attendees in white, blue and green sit or stand around the group.A seated puja scene in an indoor hall. In the foreground, a shaved-headed man in white ritual dhoti and shawl, with white tilak on his forehead, sits cross-legged with hands cupped over brass implements and a small silver-lidded container. Beside him, a man in white and a monk in saffron-orange robes sit with hands joined in prayer. Further left, a man in orange robes and a white shawl bows with palms pressed together, and a woman in white sari sits nearby. Brass oil lamps, a kalasha-style vessel, flower petals, marigolds and small brass bowls are arranged on red and orange cloths on the floor. Tripod-mounted cameras stand in the background among seated devotees in white and yellow clothing.
02

02-Morning-Message

62 dated photos in previewSource gallery
Photograph of a smiling man with long swept-back black hair and a red kumkum dot on his forehead, seated on an ornate gold peacock-patterned throne with a red cushion. He wears an orange saffron garment, a leopard-print shawl over his shoulders, and a long dark rudraksha mala with silver spacers. A microphone is visible at the right edge. a person: the long swept hair, saffron clothing and rudraksha malas with a throne setting are the qualifying cues.A large hall with a white fabric ceiling and ceiling fans, filled with seated devotees facing a distant stage. Many attendees wear white clothing, and some sit on black plastic chairs while others sit on striped mats on the floor. Tall decorated pillars wrapped in blue, yellow and red patterns with tassels stand along the hall. At the far end, a stage with a backdrop and an ornate golden seat is visible, and a golden deity statue stands at the left side of the frame. Some people in the foreground wear maroon and brown garments. The crowd is large, and the image shows a satsang-style talk in progress.A photograph in profile of a man with long swept-back black hair and a red tilak on his forehead, seated on an ornate gold throne with a red cushion. He wears an orange saffron garment and a leopard-print shawl, with a large rudraksha mala draped across his chest. A microphone stands in the lower right. Swamiji (probable): the long hair, saffron clothing, rudraksha mala and ornate throne are consistent with the page's description of the speaker, so the candidate is in person.Photograph of a man seated in front of an ornate gold-and-red throne with carved peacock-feather style backrest, speaking into a microphone at the right edge. He wears an orange saffron shawl, a long black rudraksha mala, a leopard-print shawl over the shoulders, and a red tilak mark on his forehead; his long dark hair is swept back.A man with swept-back dark hair sits on an ornate gold-carved throne with red cushions, hands pressed together in anjali mudra with a smile. He wears an orange saffron robe, a leopard-print shawl over the shoulders and a long rudraksha mala around the neck, with a red tilak on the forehead. A gold footrest with a red cushion holds his bare feet. Behind him are a painted temple-carving backdrop, red drapes and a microphone stand, and an orange-and-gold cloth hangs at upper right.A photograph of a seated man in orange saffron robes and a leopard-print top, hands pressed together in namaskar, on an ornate gold-carved throne with red cushions. A microphone stands in front of him and a printed sheet sits on a small wooden lectern beside him. Behind him is a large backdrop showing a temple-like scene with a blue-clothed deity murti, garlands, a kalasha-style brass vessel and a small offering table. Blue drapes frame the left side of the stage. The scene suggests a satsang discourse.
03

03-LEP-Morning-Session

23 dated photos in previewSource gallery
A seated man on an ornate gilded throne with red cushioned armrests and a red seat, in front of a dark blue draped backdrop. He wears an orange saffron robe, a leopard-print shawl over his shoulders, and a long rudraksha mala around his neck, with a red bindi on his forehead and long swept-back dark hair. A microphone on a boom arm is near his face, and his hands rest on the armrest and his lap. Swamiji (probable) appears as the person on the throne, identified from his distinctive long hair, saffron robe, rudraksha mala and ceremonial throne setting, and seated before a public discourse audience.A large hall filled with seated devotees in white clothing on striped mats, many with palms pressed together in namaskar or meditative posture. Several wear rudraksha malas; a woman in the centre front wears white with a mala and sits cross-legged with hands folded. Others wear orange, pink, green and yellow shirts. Backpacks and bags sit among the mats. At the back, a golden throne-like seat and a decorated altar with deity murtis are visible.A man in a white short-sleeved striped polo shirt sits with eyes closed and mouth open, apparently chanting, in a seated gathering. He wears a dark beaded rudraksha-style mala and a name badge on a lanyard with a small photo. Behind him, women in white and cream clothing sit with hands folded, and a person in orange clothing is partly visible at the lower left. The setting is an indoor hall with warm light and white-clad attendees.A large indoor hall with pale pink walls where many devotees sit cross-legged on striped mats in namaste or prayer postures with eyes closed. Most wear white clothes; one front-row man in a pink shirt and white dhoti sits with hands folded, and a man in a grey patterned jacket with a rudraksha mala sits centre front. Others wear green, orange and blue shirts. Behind them on a raised area stand golden ornate deity murtis and a golden throne-like seat with a decorative backdrop, and orange draped cloth hangs from the upper walls. Water bottles and bags lie on the mats.A seated satsang audience in a hall with cushioned mats. In the centre, a young man in a plain white t-shirt and dark trousers sits cross-legged with eyes closed, hands pressed palm to palm at chest level, an open book on the mat beside him. To his left, a man in white kurta clothing and white dhoti with hands joined in namaskar, a man in a white shirt and cap also visible. To the right, a man in a yellow top with hands joined and a man in a white shirt gesture similarly. Behind them, more seated devotees in white garments line the room, several with hands in anjali mudra. Scene suggests a meditation or satsang session.A seated man in orange saffron robes and a leopard-print shawl with fringed ends sits on an ornate gold throne with red cushions. He wears a long rudraksha mala and a red tilak on his forehead, with hands resting together in his lap. A microphone on a stand is beside him. Behind him is a dark blue curtain.
04

04-Pancha-Tapas

107 dated photos in previewSource gallery
A photograph of a seated man in a white short-sleeved shirt with a black pocket and brown trousers, sitting cross-legged on a woven mat outdoors on a paved stone floor. He has a small red tilak on his forehead, closed eyes, and a moustache, with a gold ring and red and gold bangles on his wrist. Behind him, a partly visible person in white stands beside green plants and a white planter wall with a red panel. The man appears to be meditating or sitting in quiet practice.Two grey pigeons with dark wing bars and iridescent green-purple necks stand on a pale concrete ledge in the foreground. The bird on the right leans forward with its head lowered toward the surface, its red feet visible. The left pigeon is blurred and partly out of frame. The background is soft green foliage. No people or ritual activity is visible.A photograph of an outdoor ritual space among dark stone sculptures of deities and serpent figures, with a large black Nandi bull statue garlanded with white flowers at right. In the foreground, a figure in orange robes and a rudraksha mala sits cross-legged on a mat over a small cushioned seat, palms pressed together in prayer, with a brass kalasha-style pot beside him on the mat and a raised orange pedestal nearby. Behind him, several people in white and yellow-trimmed garments sit on mats in meditative posture, some with hands folded, among scattered charcoal-coloured ash near fire-pit remains. Red signboards with white lettering stand in the background. The scene suggests a meditation or puja session.Several women sit cross-legged on a mat in meditation with eyes closed in front of a striped red and white stepped platform. The foreground woman on the left wears white garments and has her hair in a ponytail. The central woman wears a white shawl over white clothes, a red bindi, and holds her hands together in her lap. The older woman on the right wears a cream sari with purple borders, a red bindi, and a long rudraksha mala, with hands resting on her knees. Identity cards hang from the women's necks. Other seated people in white stand behind them. No a person candidate is visible.A man with long dark hair sits cross-legged outdoors with eyes closed in meditation, hands resting in his lap. He wears an orange saffron shawl draped over one shoulder and a long rudraksha mala of dark brown beads around his neck, with a red bindi on his forehead. Behind him, a second seated man in white clothes is partly visible. The setting is a dirt ground with a thatched fence, a white building and a green tin roof, with leafy trees in the background.
05

05-Life-bliss-Magazine

81 dated photos in previewSource gallery
Close profile photograph of a man wearing an orange and gold-striped turban with blue dots, a small red tilak on his forehead, and long dark hair falling behind. He wears a heavy gold necklace of ornate beads with a dark red inlay over a yellow garment with a decorative border. A small clip-on lapel microphone is visible at his collar. The background is blurred, showing a red brick wall and greenery. The man has long swept-back hair, a turban and ornate gold beads, consistent with the page's reference to a satsang talk, so this may be a person, speaking at a live public talk.Close outdoor photo of a man in a bright orange and multicoloured turban with a red bindi on his forehead. He wears a yellow silk shawl draped over one shoulder, edged with a dark gold-patterned border, and multiple heavy gold bead necklaces hang across his chest. His long dark hair falls over his back. Behind him is a red brick wall with metal railings.A man stands outdoors in profile against a blurred red brick wall and pale sky. He wears a bright orange turban with gold threads and blue dots, a small red tilak on his forehead, and long dark hair falling behind his shoulders. He is draped in a yellow garment with a gold-patterned border, and a long necklace of large gold beads hangs across his chest.Outdoor scene on a concrete terrace beside green foliage and a blue water tank. A man in orange robes with a bare upper body and a long orange garment stands at left, his back to the camera, his hand raised near the frame edge. In the centre a bald man in white clothes with an orange shawl bends forward, operating a black professional video camera on a tripod. At right, a woman in yellow clothing with a multicoloured yellow, orange and green turban sits on a folded red and orange cloth, facing away toward the vegetation. A camera tripod and bag rest on the left of the terrace.A photograph of a tiered red brick amphitheatre-style staircase with a red metal railing on the left. A man in a yellow robe with an orange turban and a long beaded white flower garland stands on the upper step, looking to the side with his hands at his sides. A man in a white kurta and white dhoti with a yellow shawl operates a DSLR camera on a black tripod on a lower step, pointing it up toward the standing figure. A second person's head and a video camera are partially visible at the bottom left. A chain-link fence and greenery sit behind the structure.
06

06-Sarva-Darshan

25 dated photos in previewSource gallery
A seated man in saffron-orange robes and a leopard-print shawl leans forward on a gilded golden throne, reaching to take the hand of a small girl in a maroon velvet top and white dress. Beside her, a man in white kurta with a rudraksha mala greets her, and a woman in a teal and blue sari watches. Behind them a woman in a white sari with a red-and-white border stands near a wooden table with a silver tray holding red apples and sweets. A floral backdrop and orange floor mat complete the scene. Two bare-shouldered devotees and a sari-clad woman at the back right are partly visible.A seated figure on an ornate gold-and-red throne with a dark cushion wears a leopard-print shawl over orange clothing and has long swept-back dark hair; he appears to be speaking. Before him a young boy in a yellow-and-white striped shirt and white dhoti bows forward with folded hands, while a smiling bald man in white dhoti and shawl with rudraksha mala leans in beside them. A kneeling man in orange robes with a rudraksha mala sits at lower left. Behind, a woman in a white sari with a mala stands near a gold-trimmed table holding apples, a tray and a book. A blue curtain and forest backdrop complete the setting. Swamiji (probable) is the seated figure on the throne, identified by the long swept-back hair, orange clothing, and leopard shawl combined with the throne setting.Close photo of a smiling man with swept-back dark hair, a white vibhuti mark on his forehead and a red bindi-style mark between his brows, wearing an orange robe and a leopard-print shawl. Multiple dark rudraksha beads hang in a mala across his chest. He looks down at a handwritten yellow lined sheet held in his right hand, while a small white box edge is visible at the bottom. A gold-toned object appears at the upper right.A photograph of a seated man in saffron-orange sleeveless robes with long swept-back dark hair, leaning forward on a golden ornate throne-like seat and smiling as he reaches out to hold the hands of a small girl in a maroon velvet top and white skirt. A man in a white kurta with a rudraksha mala stands beside the girl, smiling and bending toward her. Behind them, women in a green-and-blue sari, a white sari with a gold border and a red-bordered sari stand watching. On a golden side table sit a silver tray with apples and sweets. A leopard-print shawl lies over the throne's red cushion. The scene appears to be a devotee gathering in an ashram hall.A man with curly hair and a white kurta wears a brown rudraksha mala and a gold bracelet, his palms pressed together in greeting as he leans toward a smiling person. That person wears a leopard-print shawl over orange clothing, with a white forehead mark, and sits near a gold ornate throne-like chair. Behind them is a wooden table holding a red apple, a silver tray and flowers, with a green tree backdrop and a dark blue curtain. Two more people in white stand at the edges.A seated man in an orange robe and leopard-print shawl, with long swept-back hair and rudraksha malas, rests his right hand on the head of a young boy in a yellow and white striped shirt. The boy bows before a gold-trimmed wooden stand holding a tray of red apples and flowers. Beside them, a smiling priest in white dhoti with a shaved head and rudraksha mala stands with hands joined near the boy. A woman in a white saree with gold border and a mala stands behind the stand. A red and gold throne and a painted forest backdrop frame the scene, with a partly visible seated devotee in orange at the bottom edge.
07

07-VIP-darshan

6 dated photos in previewSource gallery
Indoor darshan scene in a plain room with grey walls and a small window. A seated figure in orange robes and a rudraksha mala sits on an ornate red throne with gold trim, with bare feet resting on a red footstool. A man in a white shirt and grey trousers kneels before the throne with palms joined while another man's hand rests on his head. A standing man in a white shirt with a rudraksha-style necklace watches from behind. On the right a bald young man in white dhoti with red borders and a yellow cloth holds a wooden tray with rudraksha beads and small offerings. Behind the throne hangs a framed painting of a saffron-robed figure, and brass oil lamps and a Ganesha murti stand nearby. a person: the seated figure in orange robes wears a long rudraksha mala and a ceremonial throne setting, but no decisive appearance cues beyond that, so identity is uncertain.A photograph of an indoor room with grey walls and a window. A seated figure in a saffron-orange robe and a long rudraksha mala sits on a red cushioned throne with a gold-scrolled frame, smiling as he clasps hands with a man in a white short-sleeved shirt and grey trousers who bends forward to greet him. A second man in a white shirt with an ID lanyard stands behind them. Beside the throne are a brass oil lamp and a small tray with colourful items. In the upper right, a framed portrait shows a figure in orange with a red turban and rudraksha mala, hands raised in greeting. A red-cushioned chair stands at lower left.A seated man in saffron-orange robes with a rudraksha mala and red-orange head cloth sits on a red upholstered throne-style chair with gold trim, smiling. A man in a white shirt and grey trousers kneels and bends to wash or attend his feet. Behind them, a standing man in orange and another in white stand near a whiteboard with a wall-mounted framed portrait of a saffron-robed figure. To the left is a statue of a seated figure in orange with a rudraksha mala, beside brass oil lamps and a silver vessel on a red-tiled dais. Another man in a white shirt stands at right, and white-clad attendants with gold necklaces stand in the background.A photograph of a seated man in a saffron-orange robe with a rudraksha mala draped over his chest, sitting on an ornate red upholstered throne with gold carved trim. A kneeling man in a white shirt and grey trousers bows forward with his palm on the seated man's forehead while holding his hands, wearing a red thread on his wrist. Behind them a standing man in a white shirt and a red-beaded necklace looks on. A gold and red decorated deity murti of Ganesha stands in the background on a gold cloth-covered table. The seated man is wearing a rudraksha mala, bare-armed saffron garment with a swept-back hairstyle, and his face is partly turned downward.A photograph of a VIP darshan moment in a plain room with pale walls and a bare concrete floor. A seated figure in a flowing saffron-orange robe with a rudraksha mala and bare feet sits on a red-cushioned gilt throne, with a small footstool before them. A kneeling man in a white shirt and grey trousers bows with his head lowered while the seated figure places a hand on his forehead in blessing. Beside the throne is a wooden tray holding rudraksha malas and small items. A standing man in white clothing stands at left, and another person in white with a red-bordered cloth is at the right edge. In the background, a framed portrait of a saffron-robed figure with a rudraksha mala hangs on the wall above a small deity murti with a trident-like finial.A photograph of a VIP darshan moment indoors. A man in a white shirt and grey trousers kneels on a red-cushioned chair, bowing with his palms pressed together and his head lowered toward the hands of a seated man in a sleeveless saffron-orange robe with a long rudraksha mala. The seated man has long swept-back dark hair and a small vermilion mark on his forehead, and sits on an ornate red and gold throne-like chair. Behind them a standing man in a white shirt wears a dark cord necklace, and a golden-and-red Ganesha murti with a kalasha-style decoration stands on a table. The seated figure is probable Swamiji, identified by long swept-back hair, saffron robes, a rudraksha mala and a throne-style seat, and is shown receiving darshan.
08

08-Yoga-sutras-Evening-session

14 dated photos in previewSource gallery
A seated man in a beige turban, red dhoti-style wrap with gold border and red ceremonial shawl, wearing a heavy gold bead necklace, sits cross-legged on an ornate gold throne with carved scrollwork and red cushions. A microphone on a stand is near him, and a gold-lettered banner is visible at the top. Swamiji (probable): the appearance cues are a turban, red and gold ceremonial clothing and gold bead necklace, consistent with the page's claim he is a speaker at this satsang talk. A red dot marks his forehead.A seated man in a saffron-gold turban and draped red-orange robes sits on an ornate gold-carved throne with a magenta cushion, smiling with eyes closed in apparent discourse. He wears a long gold bead mala and has a red tilak on his forehead. A microphone on a stand is angled toward him. A small silver Shiva lingam sits on the left edge of the throne platform, and a dark blue curtain hangs behind him beneath a grey banner with gold lettering. The scene is a satsang discourse on stage.A smiling man in a beige turban with a red bindi sits on an ornate gold throne with a carved, beaded backrest and a red cushion. He wears a red and gold robe and layered gold-beaded necklaces, holding a sheet of paper and a dark folder at a microphone stand. Behind him, a green banner shows large gold letters reading 'sutras' on a stage.A photograph of four young women seated on a tiled floor in a cluttered library room, sorting books from cardboard boxes. The woman at upper left wears a white sari with an orange shawl and a long braid, and holds an open book. The woman at centre wears white with a yellow shawl and handles a stack of books. The woman at lower left wears white with an orange shawl, and the woman at right wears a yellow shawl. Behind them are glass-fronted cabinets, a shelf of books, a fan and open cardboard cartons filled with volumes, including an orange-spined book and a portrait cover. No deity or ritual is visible, and no identifiable a person appearance is present.A smiling man with closed eyes sits on an ornate gold throne with a red cushion, wearing a tan turban with a red tilak mark on his forehead, a red and gold-bordered robe, and multiple long gold-beaded necklaces. He holds a white sheet of paper in his hands and speaks into a microphone on a stand. Behind him, large gold glittery lettering on a green banner reads part of a word ending in 'sutra', with a yellow figure in a pose above it.A man sits cross-legged on an ornate golden throne with a tall carved back and a red cushioned seat, in front of a teal stage banner with large gold lettering. He wears a peach-coloured turban, a red dot on his forehead, and a red and gold-bordered red shawl draped over one shoulder, with a long gold bead mala around his neck. A microphone on a stand is near his face. He is smiling and speaking during a talk. Swamiji (probable): the crown-like turban, saffron-red ceremonial clothing, and gold mala cues match the page's described speaker.
09

September 16 2010

432 photosView all

Open the full photo collection to see this set.

September 16 2010

Original wiki page
Contents

Title:

Ananda Gandha Chakra Source of Super Conscious Healing

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Ananda Gandha during a live public talk - Nithyananda Satsang. In this talk entitled Ananda Gandha Chakra Source of Super Conscious Healing, The Supreme Pontiff of Hinduism revealed that the science of Anandha Gandha is only delivered to humanity when Incarnations land on planet earth and that it has been revealed to the world for the first time. He explained that the Anandha Gandha is a source of Super Conscious Healing and is the eighth Energy Centre where all these seven merge and become one. His Divine Holiness shared that it is not a separate chakra but rather a space; source of super Conscious Energy where the matter comes in direct contact with Consciousness, where the Consciousness is directly touching the matter.

Video and Audio:

VideoAudio

Transcript:

(0:18)

Sadāshiva samārambām shankarācharya madhyamām Asmadācharya paryanthām vande guru paramparām.

(0:47)

Today’s subject is Ananda Gandha Chakra, source of super conscious healing. The truth about the Ananda Gandha, first you should know few things about the Ananda Gandha, the facts; then you will understand the power of the science. In Bhagavad Gita Krishna says ‘raja vidya raja guhyam pavitram idam uttamam.’ It is the highest knowledge that is why it is kept as a highest secret; ‘raja vidya raja guhyam pavitram idam uttamam.’

(1:39)

In Vedic tradition all big philosophy, the technical terms like mahavakyas; the Aham Brahmasmi or Pragyanam Brahma or the great mantras like a Namah Shivaya, Namo Narayana; all the great technical terms are used at least hundred times in different, different literatures, even though it is supposed to be the highest secret. But you should understand this important thing, you see even the beeja mantras the seed mantras like Rajeshwari seed mantras: the shodasi, pancha dashi, even those kind of highest secret mantras were used in many places in the form of writing. But you will be shocked and surprised, this great science: raja vidya, Ananda Gandha, this word is used throughout Sanskrit literature only in one place in Shankara in Vishwanatha ashtakam.

(2:50)

I can say no Sanskrit word can claim, forget about spiritual truth, no Sanskrit word in the whole Sanskrit language is used only in one place only in one, by one Master in the whole spiritual literature. This word Ananda Gandha is used only by Shankara, only in one place; Vishwanatha ashtakam. That is why it is called ‘raja vidya raja guhyam’; King of the knowledge, the most guarded secret. This science was the highest guarded secret. That is why even by mistake nobody is using this word. See this everybody knows this word is a popular word. It is one of the popular word means I can say the most kept secret popular word. Even the Mahavakyas, Sanyasa mantras are penned down in many places, spoken about in many places, but this one word almost everybody protected it like a religion. Nobody, only Shankara when he was singing about Vishwanatha, the ecstasy is too much, so he just spelled it out. What he received from Vishwanatha, so he spelled it out.

(4:47)

Throughout the Sanskrit literature if you analyze, of course world’s largest spiritual literature bank, the Sanskrit literature, you can’t say there is second word which is used only once in the whole literature. This is the only word. Google the word ‘Anandha Gandha’, the only reference you will get is our Dhyanapeetam message. Nowhere you will get any reference. Nobody has used, nobody, you see if they know, they did not reveal it to public, if they are able to reveal it to public, market, they didn’t know. The science maintained, not even in the hands of Enlightened Beings, in the hands of only Incarnations; it comes from eternal silence.

(5:55)

Anandha Gandha; the science delivered to planet earth only when Incarnations land in planet earth. I can say this is the ID card of Incarnations; social security number; driving license maybe I can say flying license. That is why the truth, the secret knowledge about Anandha Gandha, first time becomes available to the mass, because it is only now the necessity to reach the mass and possibility to reach the mass for Enlightened Beings have happened.

(6:59)

One, the necessity to reach the mass has happened only now because there is no one geography dedicated to the enlightenment science. Till My last predecessor, there was always one geography dedicated to these great truths. They don’t need to reach the mass. If they create one group and create that, transmit that science it’s done and they take care. But unfortunately after the India’s independence, worst calamity happened to the planet earth is, the geography dedicated to enlightenment is destroyed. It lost its uniqueness. In the name of pseudo secularism, understand real secularism is taking the essence of all religions and using it, experiencing it. But this pseudo secularism, discarding all great truths of all the religions and living your own materialistic culture. Anyhow so the planet earth is now swindled. So now the necessity to reach the mass has happened. Second thing, the possibility to reach the mass has also happened.

(8:34)

I want all of you to know do not ever think only few hundred of you are listening to My message every day. Twelve thousand people are waiting continuously every day just to hear what Swamiji is uttering today. Understand, this is a lowest number I am telling you. If you look in the other angle I can say millions; to speak from the factor of safety, million. See to speak from the safety factor I am talking twelve thousand but if you have to say from the other side it is millions waiting around the world. When I say twelve thousand I can say twelve thousand PC's. Many time each PC or connection is watched by many people. Anyhow, apart from that there are people who don’t come regularly every day but who visit our youtube in different ways. The number I spoke is only through our youtube channel. There are so many channels nowadays have started using our videos independently. I am talking about seven thousand hours. The seven thousand hour videos are being used by people independently in their channels.

(10:11) The other day I was googling one huge religious channel run by Christian missionaries’, Christian channel having a high viewership and posted our video in a very positive way, My experience with Krishna; ‘The happening’ that video and amazing views number of views and great comments, comments below the video. I was shocked, then I understood there are many Christian missionaries who are seeking the spiritual truth of Christian theology; many fathers and nuns, intense seekers. Not only this missionary video channel, hundreds of video channels are using our videos independently.

(11:20)

So understand, the need to reach mass and ability to reach mass has happened first time in an Incarnation’s life. After these two happened maybe I am the first guy happening. So... that is why I have to set all new trends. All pathfinders are path breakers. That is the reason the science of Anandha Gandha is revealed to the world first time. That’s a source of super conscious healing.

(12:13)

Understand you have seven major energy centers. About these seven major energy centres almost all religions talk. The eighth energy centre where all this seven merge become one with is what is Anandha Gandha. That is why I say it is not even a separate chakra it is a space - source of super conscious energy where the matter comes in direct contact with consciousness, where the consciousness is directly touching the matter... It is the experience where the consciousness has samyoga into matter; where matter has samyoga with consciousness. When you relax into that space, consciousness fills matter. So naturally the superconscious healing happens. It is the highest happening which can happen to matter, not just physical healing or mental healing; radiating pure consciousness.

(13:43)

Understand, My advent has happened to give a breakthrough for human consciousness. To bring new consciousness, new age man, new man who does not age; new consciousness. Two people in the world suffer forever. One: the people who suffer seeing the joy and bliss of the Master, because he is going to be always blissful, you are never going to be out of suffering. The second, people who can’t tolerate the joy of the disciples who stay with the Master, because they are also going to be joyful forever. These two people, people who can’t tolerate the joy of the Master, the declarations, claims, words, prophecies of the Master and the people who can’t tolerate the joy and ecstasy of the disciples who stay with Master; these two can never have joy. They have to suffer, suffer, suffer, suffer, suffer and disappear into suffering, no other way. So if you are in these two group save yourself if you can.

(15:56)

The source of Ananda Gandha, which is source of spiritual superconscious healing, is the ultimate science towards enlightenment; not just physical healing or mental healing. Physical healing also happens because your very DNA structure gets realtered when you relax into superconscious state. Other day I was reading book the Biology of Belief; great scientist. He has done a great service to spiritual tradition. His research has really proved even the very DNA structure can be changed, if your consciousness infiltrates the matter. Ananda Gandha chakra is the door where consciousness can infiltrate matter, where it can fill you... Where it can give you the extraordinary conscious experience means breakthrough in human consciousness.

(17:32)

I tell you even the definition of Enlightenment I am updating and upgrading. Understand I am not only updating the definition of Enlightenment, I am upgrading the experience of Enlightenment to human bodies. The possibility, the highest possibility which can be experienced in human body, even that highest possibility is being raised; that is why I am saying I am upgrading the highest conscious happening on the human body. I am breaking the very consciousness on which they are standing. I am giving a breakthrough to the whole human consciousness.

(18:40)

I am inviting all the people who feel the sacredness of My work, My contribution to the human society, to drop small, small differences, to drop all these petty ideas one or two if you carry and gather together to spread this science to the world and protect it without being extincted - destroyed by these unconscious groups, establishments. I am giving open invitation. Whoever feels helped by what I am doing, sympathetic towards what I am doing, feeling friendly for what I am doing, feels this ought to be done to save planet earth, I invite all of you to drop this petty, foolish, small ideas, self centered sufferings. If you are self centered constantly you will create suffering for you. Drop all those foolish things; let's stand together to preserve, protect and spread this great science of Ananda Gandha; the great process of giving breakthrough, great breakthrough, transformation to human consciousness.

(20:49)

The very science itself cannot be described in one session. I will try to give you the glimpse. The higher you move in your chakras the more subtle you become. The subtlest possible chakra is Ananda Gandha chakra where you are no more ordinary human and just disappeared into the extraordinary superconsciousness. The technique or the process is two. One; if it has to be done just by your effort - unclutching, if it can be done with My effort also - process, if it has to be done only by Me - initiation.

(21:54)

Two method: one - technique, unclutching, second - process, these are the two methods and the third is beyond, 100% when Master takes the responsibility, it is initiation. When you take more responsibility it is meditation, technique, unclutching. That is one technique. If I take more responsibility then it is called process, so many process which we are doing like Living Enlightenment process. If I take 100% responsibility it is called Initiation.

(22:41)

Because it is such a powerful science, when people are empowered with it they become really, really powerful. The science was stored as raja vidya and raja guhya, highest knowledge and the highest secret. For the unqualified people when it is given it can create lot of nuisance. The tradition says if this truth is told to the unqualified person, the person who is telling his head will burst. I thought it’s too much of frightening idea. It is just, it is told just to keep the mouth of the Master shut and to share only with the right people, but I tell you really if you give it to the people who are not qualified your head does not burst but at least they try to break your head. I tell you from My experience. But anyhow still we have our own safety mechanism. Still cosmos saves, still He is on job, life guard on duty.

(24:30)

Unclutching continuously, bringing more and more awareness to all the movements happening in your system, can be used as a technique to reach Ananda Gandha, and the more needs to be experienced through the proper processes. And already I have revealed those proper processes to the whole world through so many programs. I only invite the whole world to come and experience those programs and experience Ananda Gandha Chakra and ultimately experience the superconscious healing.

(25:17)

Let you all experience and radiate Enlightenment; experience and radiate the Eternal Bliss, Nithyananda. Thank you.

(25:25)

Title:

Live it to Leave it (PYS69): Nithyananda on Patanjali Yoga Sutras (16 Sep 2010)

Video and Audio:

Live it to Leave it (PYS69): Nithyananda on Patanjali Yoga Sutras

VideoAudio

Title:

In Slovak: Nithyananda on 2012

Video and Audio:

VideoAudio

Panchatapas

Yogasutras

Photos Of The Day:

nithyanandam-living-enlightenment

Photos Of The Day:

Pancha-Tapas

PADA-POOJA

NITHYA-SATSANG

LIVING-ENLIGHTENMENT-PROCESS

YOGA-SUTRAS

01-Pada-Puja

02-Morning-Message

03-LEP-Morning-Session

04-Pancha-Tapas

05-Life-bliss-Magazine

06-Sarva-Darshan

07-VIP-darshan

08-Yoga-sutras-Evening-session

09-Scenery