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Friday

10 September 2010

Practising Right Listening

209Dated photos
1Source pages
6Media embeds
A man with long swept-back dark hair sits in a cream and black carved chair, speaking with his right hand open in front of his chest. He wears a teal draped garment over one shoulder and a long rudraksha mala with a gold bead pendant. A white tripunda marking and a red bindi are on his forehead. A microphone stands at right against a dark blue backdrop, and a red banner with gold lettering is behind him. The figure matches the Swamiji (probable) cues of long swept-back hair, rudraksha mala and ceremonial gold pendant, shown in a discourse setting.A photograph of a satsang on a stage before a large backdrop showing a temple facade with a deity murti pair in pink and white garments garlanded with flowers. A figure in saffron-orange robes with a rudraksha mala sits in meditation on a gold-carved throne, hands folded, eyes closed. Seated on the floor before him are devotees: women in white saris with yellow borders and yellow shawls, a woman in a maroon sari, and a bald man in white dhoti with gold border. Brass plates and flower offerings lie on the carpet, and decorative banners in red, green and yellow hang at the top corners.A man with long dark hair and a red bindi sits on an ornate golden throne with red cushions, speaking into a microphone on a flexible stand. He wears a sleeveless orange robe draped over his shoulders and a dark rudraksha mala necklace, with hands resting in his lap. The gilded arched backrest is richly carved. Probable Swamiji seated in discourse; the orange robe, rudraksha mala and long hair are the qualifying cues.

Photos of the day

View all 209 photos

209 distinct dated photos. Source gallery sets may overlap.

01

Panchatapas

9 dated photos in previewSource gallery
A man in an orange sleeveless robe and saffron wrap sits cross-legged in meditation with eyes closed on a woven mat before an orange-painted stepped platform. He wears a long rudraksha mala and a red tilak on his forehead, with hands folded in his lap. A brass kalasha-style vessel with a handle sits at the left edge of the mat, and a small maroon cloth lies on the right. Behind him a large black stone deity statue is adorned with red and white garlands, flanked by a black shivalinga and a carved cobra-hooded figure. Palm trees and foliage fill the background, and red signboards with white lettering stand near the platform.
02

Paadapooja

29 dated photos in previewSource gallery
A photograph of a satsang on a stage before a large backdrop showing a temple facade with a deity murti pair in pink and white garments garlanded with flowers. A figure in saffron-orange robes with a rudraksha mala sits in meditation on a gold-carved throne, hands folded, eyes closed. Seated on the floor before him are devotees: women in white saris with yellow borders and yellow shawls, a woman in a maroon sari, and a bald man in white dhoti with gold border. Brass plates and flower offerings lie on the carpet, and decorative banners in red, green and yellow hang at the top corners.
03

Morning-Message

10 dated photos in previewSource gallery
A man in orange saffron robes with a rudraksha mala and a red bindi sits smiling on an ornate gold throne with a red cushioned seat. A microphone on a stand is near him, and a wooden lectern with gold bangles sits to the right. Behind him is a dark carved shrine niche with a red kumkum mark. Appearance-based label: a person, seated in an ornate gold throne in saffron with a long rudraksha mala.
04

Nsp-Session-With-Swamiji

4 dated photos in previewSource gallery
A wide view of a large hall filled with seated devotees on orange and blue mats, facing a stage at the far end. Most attendees wear white and light shirts and sit cross-legged on the floor, with a section of chairs along the right side. On the stage a seated figure in orange robes sits before a dark blue curtain with a decorative valance, flanked by two projection screens, one showing a colourful circular mandala. A white tented canopy hangs from the steel roof, and a white box sits in the central aisle. Standing staff in white are visible near the side walls.
05

Lep-Noon-Session-With-Swamiji

7 dated photos in previewSource gallery
A man seated on an ornate gold throne with a red cushioned back, speaking into a microphone on a stand. He wears an orange saffron wrap over a sleeveless orange garment, a long rudraksha mala around his neck, and a small red mark on his forehead; his long dark hair is swept back. His hands rest folded in his lap. A blue curtain forms the background. Appearance-based label: a person, seated on the throne as a discourse speaker.A man with long dark hair and a red bindi sits on an ornate golden throne with red cushions, speaking into a microphone on a flexible stand. He wears a sleeveless orange robe draped over his shoulders and a dark rudraksha mala necklace, with hands resting in his lap. The gilded arched backrest is richly carved. Probable Swamiji seated in discourse; the orange robe, rudraksha mala and long hair are the qualifying cues.
06

Online-Kalpataru-Darshan

21 dated photos in previewSource gallery
A man in saffron-orange robes and an orange turban sits on an ornate red and gold throne, raising one hand in a gesture while speaking. He wears a rudraksha mala and a long orange shawl. Beside him is a golden lion-shaped figure at the base of the throne. In front of him on a teal draped table are a monitor and a laptop stacked on books, showing a video call with an image on screen. A pale green armchair with a red cushion, potted palms and white curtains fill the room, with a lighting stand behind.
07

Yogasutras-And-Lep-Session

72 dated photos in previewSource gallery
A man stands barefoot on a stage in front of a tall cream-upholstered throne-style chair with dark carved wooden trim and a maroon cushion, with orange-trimmed round bolsters. He wears a dark teal sleeveless robe with gold-coloured edging over matching teal trousers, a rudraksha-style necklace, and a white vertical mark on his forehead. His long dark hair is swept back, and he presses his palms together in front of his chest in a greeting, smiling with eyes closed. Behind him hangs a red banner with gold lettering reading Sutras, above blue draped curtains. A microphone stand, a vase of white and purple flowers on a white stand, and a white cooling unit sit on the right, with an orange-draped box beside it.A photograph of a man seated cross-legged on an ornate cream upholstered throne with carved black wooden arms and orange-trimmed round bolsters. He wears a teal-blue draped garment with cream edging, a brown rudraksha mala with a gold pendant, and a white forehead marking with a red dot. His hands rest folded in his lap as he looks upward and speaks into a microphone on a stand. Behind him hangs a red banner with gold lettering and a dark blue curtain. a person: the appearance cues are the long swept-back hair, rudraksha mala and ornate gold pendant, with a seated teaching posture, so the in-person candidate is listed with appearance-based uncertainty.
08

PANCHA-TAPAS

3 dated photos in previewSource gallery
A photograph of a long-haired man with eyes closed in meditation, wearing an orange sleeveless garment and a long dark rudraksha mala with a red tilak on his forehead. Behind him, a second man in an orange kurta also sits with eyes closed. Garden foliage, a small red shrine structure and a stone deity murti are visible in the background. The man in front, appearing to be a person, is seated in meditation with a rudraksha mala draped over orange clothing. The scene is an outdoor meditation setting.
09

SARVA-DARSHAN

3 dated photos in previewSource gallery
A photograph of a group of men walking along a dirt path lined with low brick buildings and green shrubs. At the front, a man in a light blue shirt and dark trousers walks beside others in white kurta-style clothing and a man in a dark jacket. Several men wear white, and one wears a dark maroon shirt. Behind them stands a bare-leaved tree and a few more people in the distance. The scene looks like an ashram walking procession.A photograph taken under a tented roof at an outdoor gathering. A man with long dark hair, wearing a saffron-orange sannyasi robe and a rudraksha mala, smiles while placing his hand on the head of a man in white shirt and trousers with hands pressed together in greeting. Behind them, a bald man in white with an orange shawl and another saffron-robed sadhu stand among a crowd of devotees in white and orange. The saffron-robed sadhu on the right holds a sheaf of papers and a brass vessel. Several people are visible in the background.
10

GURU-POOJA-BY-BRAHMACHARIS

1 dated photos in previewSource gallery
A photograph of a group of seated men in white ritual clothing, several with shaved heads, sitting on a mat and pressing their palms together in namaskar or prayer. Some wear white shawls and necklaces, and in front of them are brass plates and offerings on a low platform. A white canopy and light background frame the scene. No figure is clearly identifiable as a person from appearance alone.
11

e-KALPATARU

6 dated photos in previewSource gallery
A two-panel collage of photographs from an indoor room. In the left panel, a man in a white dhoti and yellow-trimmed shawl bends forward, touching the feet of a seated elder in white clothing before a tabletop with flowers and a small shrine-like setup. In the right panel, a woman in a yellow sari and a man in white clothes sit near a low table covered with pink flower petals, with a framed image on the wall behind them. Both panels show people in devotional greeting or honouring poses. a person's presence is not clearly established from appearance.
12

HDH-MEETS-WITH-RAM-SENA-CHIEF

5 dated photos in previewSource gallery
Photograph of a ceremonial lamp lighting on a stage. A young man in saffron-orange robes stands at left, a man in white kurta in the centre holds or tends a brass oil lamp, and a man in orange-saffron robes with a shawl stands at right with hands joined in greeting. A purple-toned backdrop and a white floral arrangement are visible behind them.A smiling man with long, swept-back black hair wears a sleeveless saffron-orange robe and a long necklace of dark rudraksha beads, with a small red bindi on his forehead. He stands in profile before a microphone on a stand against a dark blue backdrop, appearing to speak at a satsang or discourse.A three-panel collage of photographs from a ceremony on a stage. In each panel, saffron-robed monastics stand with hands joined or offering items, while a figure in white stands at centre. Tall brass lamps and a decorated backdrop are visible. The collage shows people receiving or presenting objects, with the central white-clad figure at the focus of each panel.
13

FREE-MEDICAL-CAMP-HEALTH-SERVIES-BY-NITHYANANDA-DHYANAPEETAM

3 dated photos in previewSource gallery
A free medical camp outdoors in front of a house with a wooden door decorated with a garland of red and yellow flowers. A man in a striped white shirt and glasses crouches beside a table covered with a checked cloth and holds a stethoscope to a woman's chest; she wears an orange-yellow sari with a red blouse and covers her mouth with her hand. Behind them a man in a red shirt, a boy in a dark shirt and a small girl in a yellow top stand near the table. A tall vertical banner on the left shows photos of medical care and lists services such as homeopathy, siddha, general medicine, diabetes camps and eye camps. Printed banner text reads 'is Serving God'.
14

LIFE-BLISS-TECHNOLOGY

4 dated photos in previewSource gallery
15

NITHYANANDA-GALLERIA

1 dated photos in previewSource gallery
16

KANNADA-ANANDA-SPURANA-PROGRAM-BY-ACHARYA

1 dated photos in previewSource gallery
17

TAMIL-ANANDA-SPURANA-PROGRAM

1 dated photos in previewSource gallery
18

GANAPATI-HOMA

5 dated photos in previewSource gallery
A photograph of a temple interior during a ritual. In the centre a standing figure in white ritual clothing, head shaved, performs a puja before a deity murti, with a brass lamp and kalasha nearby. A green-lit alcove and ornately decorated pillars frame the scene. A seated devotee in white sits at the lower left, and other figures stand in the background near the shrine. Visible props include a plate of offerings and a small oil lamp. a person is not clearly identifiable by appearance here, so no probable label is applied.
19

PADA-POOJA

4 dated photos in previewSource gallery
20

NITHYA-SATSANG

2 dated photos in previewSource gallery
21

KALPATARU-DARSHAN

6 dated photos in previewSource gallery
A photograph of a seated figure in an orange-saffron robe with a bare upper body, sitting cross-legged in front of a yellow-and-green flower-decorated backdrop at what looks like an indoor hall. Green leafy plants and floral arrangements frame the scene. A person in a red-brown robe sits to the right near a small table. The figure in saffron appears to be seated on a raised platform.
22

NITHYANANDA-SPURANA-PROGRAM

3 dated photos in previewSource gallery
23

LIVING-ENLIGHTENMENT-PROCESS

6 dated photos in previewSource gallery
Night photo of a crowd wading through dark water, many in white clothes, some with arms raised. In the foreground a red motorboat carries three men: one in a green-blue sleeveless garment with dark hair smiling and sitting upright, another in white robes with an orange sash steering at the bow, and a third in a yellow and white outfit seated at the left. Others in white stand waist-deep around the boat, and a man in white at the right edge reaches toward it. Lights reflect on the water.A large crowd of men stands on red-painted tiered steps at an outdoor evening event. Most wear white dhotis and white shirts, and several are wearing white shawls or badges, while a few wear blue shirts and a pale lavender lungi. In the foreground, a man in a white dhoti and white shirt stands with his hands clasped at his chest and another man with arms raised looks upward. Many in the crowd raise their hands in the air. Several men on the right wear white shirts with pale badges, one with a small portrait printed on his shirt front. The crowd fills the frame, with a dark night sky behind them.
24

YOGA-SUTRAS-BY-HDH

3 dated photos in previewSource gallery
A photograph of a seated audience in a large hall, most attendees wearing white clothing and some in dark or light shirts. Rows of people face forward, watching an event at the front of the room. Several heads and shoulders are visible, with some attendees appearing older and others younger.A smiling man with long dark swept-back hair, a white horizontal tilak with a red dot on his forehead, wearing a teal shawl with a cream border and multiple rudraksha mala necklaces, speaking at a microphone in front of an ornate dark carved chair and a red backdrop with gold lettering. Appearance-based label: a person, giving a talk in person.

September 10 2010

Original wiki page
Contents

Title:

Practising Right Listening

Description:

As a sequel to the art of right listening, Paramahamsa Nithyananda describes practicing right listening.

Video and Audio:

Practising Right Listening by Nithyananda

VideoAudio

Transcript:

sadāshiva samārambhām shankarācāryā madhyamām | asmat ācārya paryantām vande guru paramparām || (0:43)

I welcome you all with My love and respects. Today’s subject is practicing right listening. Understand, we really never, never, never, listen at all in our life. See when your spouse speaks or when your boss talks to you or when your friend is talking to you, see exactly what are you doing. You are not listening; you are preparing your answer for them. Even before they start talking, you start preparing your answer. That is why your answer never matches with their question. Because you have not heard the question and prepared the answer; you are ready with your answer. At the most if you are little intelligent, you do little stitching and tailoring for that question.

(2:29)

Understand, courage to respond spontaneously to all the situations and patience to listen, is what I call practicing right listening. For practicing right listening, you had courage, you need courage. You need to have patience; first thing you need to have courage that you can respond spontaneously and you need to have patience, deep patience, passive attitude for right listening. We are habituated constantly to be aggressive, be prepared with all answers.

(3:51)

Almost all human mind is made out of stuff called preparing answers and solution for the problems and questions which does not exist. See, mind, human mind is made of a stuff, material, which is called preparing solution and answers for the problems and questions which does not exist. If you just remove that part from the human mind, you will become enlightened now. Nothing else is required. Remove the part of your mind which goes on creating answers and solutions for the problem which does not exist, you will not have mind. You will have pure intelligence.

(4:56)

When I say practicing right listening, I mean find out solution only for the problems you have; find out answers only for the questions presented in front of you. Don’t go on be brooding over, don’t go on be answer-solution breeding company. We think we should be a all solution alpha omega company. It is not possible. The fools, who try to create all solution alpha omega company, just miss the direct simple problem presented to them. Because they are too busy becoming alpha omega, they miss alphabets.

(6:04)

Art of right listening, science of right listening is, don’t be prepared, just listen, just listen. If your spouse, especially your wife, is asking you about some problem, if she is talking to you about some problem, don’t think she is expecting solution, she just wants your support, your attention. If you think she needs solution and you start giving solution, she will create the problem much bigger. She will stop only when you accept your failure you can’t give solution. All she needs is just little support. Tell her Oh! Nothing, nobody can solve this problem like you. You are the only one who can solve the problem. Nobody can do anything. You are the only one, nobody else. Just share few words giving attention, problem will disappear.

(7:21)

You need to know when people talk what they mean. Because people don’t talk what they mean, they don’t mean what they talk. As long as you think they mean what they talk or they talk what they mean, you are in mess. You have not learnt the art of listening. Understand, usually when two minds talk, when there is two end, neither the other person means what they talk nor you listen what they talk - two confusions; so chaos. In the ordinary meetings, like two minds, two confusion, complete chaos. So at least let your side the confusion be absent. Let the confusion disappear. Then you will see from your side all the response will be solution. Whatever chaos getting created from the other side, just see it and solve it.

(8:47)

Understand, communication can happen only if one, at least one side is ready to listen. If both sides are just preparing, preparing, preparing, arguments and answers, sometime it is really hell. The other will not understand at all from where you are coming and the same way you will not understand at all from where the other is coming; then communication gap. That’s a worst thing, that’s a worst thing can happen. I tell you all problems can be solved if the communication gap is bridged; whether in your office or in your life or in your home, anywhere, if the communication is retained, problem can be solved; if the communication is broken, problem can only become much worser and worser, deeper and deeper. It can never be solved at all.

(10:14)

So please be very clear, if you are talking to a person with mind, you just drop your mind, listen with a deep passiveness, without preparing answer before the person ends. Even in the modern day, marketing is no more aggressive; it’s more listening. All successful marketing philosophies and ideas are based on listening, not on shouting or aggressive. So understand, whether you want to market yourself or your different qualities or your different products; see marketing yourself is family relationship; marketing your qualities is business relationship, like CEO, you market yourself to your boss; marketing product is the factory, the consumer and supplier relationship.

(11:33)

In any relationship, if you are handling a mind, be passive, listen. The problem may not be exactly what they talk. Especially when your boss tells you about some problem, he does not need your attention or solution, he just need ego satisfaction. Tell him, you are the greatest, you can solve, nothing like it. He needs ego boost, boosting. Just boost his ego, add to his ego, problem will be immediately solved; even if it is not solved your salary will be hiked, you will have bonus.

(12:22)

Understand, when your wife brings problem, she doesn’t need ego boosting, she needs attention; just sympathize her, cry with her, “Nothing can be done, maybe if something can be done, only by you. Only a person like you can put up with this kind of problems” Problem will be solved. Because the problem is not coming from fear or greed, it is coming from Anahata - attention need. When your boss brings a problem to you, it is not coming from fear or greed or anahata - attention need; it is coming from Ajna - ego satisfaction, head. First have patience to listen. You will know from which centre the problem is coming. Then you can address it; you can solve it. Even if you don’t solve, keep quiet; knowing from where the problem is coming, it will be dissolved. So know first, from where the problem is raising from where the solution can go.

(13:39)

Yesterday I gave you the method, technique, to listen to the no mind intelligence, listen to the master. Today I am giving you the process, to listen to the ordinary minds. When you learn to listen to ordinary minds, communication will happen. When you learn to listen to the no mind intelligence, communion will happen. Communication will fulfill all your outer world needs; Communion will fulfill all your inner world needs.

(14:15)

So art of listening, art of right listening and practicing right listening, this two is equalent to Kamadhenu and Kalpavruksha. Kamadhenu is the thing which gives all the outer world needs. Kalpavruksha is thing which gives all the inner world things. So understand, art of right listening and practicing right listening, this two can lead you to the outer world and inner world fulfillments.

Let you all experience and radiate enlightenment. Let you all experience and radiate the Nithyananda. Let you all achieve and radiate the eternal bliss, Nithyananda. Thank you.

(15:19)

Title

Secrets of Pain and Pleasure (PYS63): Nithyananda on Patanjali Yoga Sutra

Description

Secrets of Pain and Pleasure (PYS63): From the discourses on Patanjali Yoga Sutras, Paramahamsa Nithyananda describes what is pain and what is pleasure.

Video and Audio

VideoAudio

Title

2012 Nithyananda habla sobre el 2012 en español

Description

2012 Nithyananda habla sobre el 2012 en español

Video and Audio

VideoAudio

Photos

Panchatapas

Paadapooja

Morning-Message

Nsp-Session-With-Swamiji

Lep-Noon-Session-With-Swamiji

Online-Kalpataru-Darshan

Yogasutras-And-Lep-Session

Photos Of The Day:

PANCHA-TAPAS

SARVA-DARSHAN

GURU-POOJA-BY-BRAHMACHARIS

e-KALPATARU

HDH-MEETS-WITH-RAM-SENA-CHIEF

FREE-MEDICAL-CAMP-HEALTH-SERVIES-BY-NITHYANANDA-DHYANAPEETAM

LIFE-BLISS-TECHNOLOGY

NITHYANANDA-GALLERIA

KANNADA-ANANDA-SPURANA-PROGRAM-BY-ACHARYA

TAMIL-ANANDA-SPURANA-PROGRAM

GANAPATI-HOMA

Photos Of The Day:

PADA-POOJA

NITHYA-SATSANG

KALPATARU-DARSHAN

NITHYANANDA-SPURANA-PROGRAM

LIVING-ENLIGHTENMENT-PROCESS

YOGA-SUTRAS-BY-HDH

Photos Of The Day: