Skip to content
Wednesday

8 September 2010

Less Thoughts More Action - Hurry up to Slow Down - Nithyananda Morning Messages

711Dated photos
1Source pages
4Media embeds
A decorated deity murti of a Hindu god stands on a grey elephant-shaped vehicle in front of an orange-walled building with a sign reading Sri An. The figure wears a crown, gold ornaments and a red-and-gold garment, and is draped in layered garlands of red, orange, yellow and white flowers. A large yellow umbrella with a lotus-motif canopy shades it, and black stone guardian statues flank the steps, each garlanded with orange and white. To the right a poster shows a smiling man in an orange turban and saffron robes labelled Paramahamsa Nithyananda, with text reading Every Saturday and Sunday. The steps are painted red and white.A photograph of a hall with a line of standing men in white shirts and light trousers, hands pressed together in anjali namaskar, facing a figure in an orange robe who walks toward a stage. The figure in orange, with a tall orange-saffron robe, approaches through a doorway. On the right, a stage has a deep red curtain, an orange sofa-style seat with a cushion, a small orange footstool, a microphone stand, and a white side table holding small offerings. Colourful decorative hanging pillars with patterned panels and ceiling fans are visible.Men sit in rows of red-cushioned black chairs in a hall with cream walls, ceiling fans, and tall decorative pillars wrapped in colourful patterned cloth. In the foreground a man in a white shirt and grey trousers gestures with one raised hand, while others in white shirts, one in a light blue shirt, and a man in a striped shirt listen attentively. At the right, a barefoot man in a white dhoti and white shirt stands near a wooden door. The floor has brown inlaid borders.

Photos of the day

View all 711 photos

711 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

01-Evening session

47 dated photos in previewSource gallery
Close-up portrait photo of a shaven-headed man with a small red tilak mark on his forehead, smiling slightly. He wears a white collared garment with a bright yellow shawl draped over his shoulders, and a dark bead necklace is partly visible at the lower edge. The background is plain and pale.A photograph of a hall with a line of standing men in white shirts and light trousers, hands pressed together in anjali namaskar, facing a figure in an orange robe who walks toward a stage. The figure in orange, with a tall orange-saffron robe, approaches through a doorway. On the right, a stage has a deep red curtain, an orange sofa-style seat with a cushion, a small orange footstool, a microphone stand, and a white side table holding small offerings. Colourful decorative hanging pillars with patterned panels and ceiling fans are visible.Men sit in rows of red-cushioned black chairs in a hall with cream walls, ceiling fans, and tall decorative pillars wrapped in colourful patterned cloth. In the foreground a man in a white shirt and grey trousers gestures with one raised hand, while others in white shirts, one in a light blue shirt, and a man in a striped shirt listen attentively. At the right, a barefoot man in a white dhoti and white shirt stands near a wooden door. The floor has brown inlaid borders.A photograph of a stage event with a seated figure on an ornate orange throne with carved dark-wood-and-silver scrollwork arms, in front of deep red velvet drapes. The central figure wears a saffron-orange robe, a long rudraksha mala necklace, and has long swept-back hair; he holds a small red ball in one hand and a white rolled paper in the other. To his left, a man in a pale grey-green jacket and striped trousers holds a white rolled scroll and a tray, and an assistant in orange robes with gold bangles stands behind. On the right, a man in a white shirt and grey trousers stands near a microphone stand, gesturing toward the throne. Two orange cushions with gold trim flank the throne.A seated man in an orange sleeveless robe with long swept-back dark hair and dark rudraksha malas across his chest sits on an ornate orange-upholstered throne with carved black wooden arms and orange bolster cushions. He reaches forward to accept a rolled white paper from a standing man in a white short-sleeved shirt and grey trousers, who wears a gold wristwatch and bends toward him. A dark red velvet curtain forms the backdrop, with a black microphone stand to the right.A seated figure in an orange sleeveless robe with a long rudraksha mala and ceremonial beads sits on an ornate orange-upholstered throne with carved dark wooden armrests, smiling broadly and holding a red apple. Two men in white shirts stand before him: one with his back to the camera holding a rolled white paper and an apple, the other on the right holding a rolled paper and wearing a wristwatch, also smiling. Behind them hangs a deep red velvet curtain. The seated figure has long swept-back hair and matches the Swamiji (probable) appearance cues of saffron robes, rudraksha malas and a throne, presented as an offering of fruit and documents.
02

02-Nightsession

79 dated photos in previewSource gallery
A photograph of a shaved-headed man seated on a black chair against a dark blue draped curtain. He is bare-chested, wearing a white dhoti and a white cloth draped over his left shoulder, with a red-brown rudraksha mala hanging on his chest and a gold bangle on his wrist. His head rests on his right hand, his elbow on his knee, as he looks downward in a thoughtful pose.A photograph of a stage with a dark navy blue curtain backdrop and a glossy grey floor. A bald man seated on a black chair with a red cushion, bare-chested with a white dhoti and white shawl draped over his shoulder, a rudraksha mala around his neck, and a gold bracelet on his wrist, raises one hand to his face. Facing him, a standing woman with long dark hair wears a white kurta-style top and white trousers with a red shawl draped over her shoulder and holds a microphone in one hand. A white cloth lies on the floor near the chair and another crumpled white cloth lies nearby. The seated man has a visible candidate appearance as a person with a rudraksha mala and white clothing, but the cues are not distinctive enough to confirm identity, so this is marked unsure.A stage performance in front of a dark blue draped curtain on a grey stage floor. A bald man in white dhoti and shawl sits on a red-cushioned black chair, hands pressed together in namaste, looking up with a smile. A young woman in a white kurta and white trousers, with a red shawl draped over her shoulders and long dark hair, stands facing him holding a handheld microphone. A crumpled white cloth lies on the floor beside them. Both are barefoot. The man appears to be in a seated devotee or disciple role; his identity is not established by the scene.A photograph of a stage with dark red velvet curtains on the right and a navy curtain on the left. A shaved-headed man in white dhoti and white upper cloth stands at center holding a black handheld microphone, head tilted upward. Beside him, a second shaved-headed man wearing a white dhoti with red border, bare-chested, walks away toward a doorway. A white garment hangs on the curtain rail behind them, and a projection screen is visible at upper right.A photograph of a stage event against a dark blue draped curtain. A person kneeling on the left wears an ornate gold crown with red and green jewels, long dark hair, and a golden-orange shawl over an orange garment, holding a handheld microphone and gesturing toward a seated man. The seated man on the right is bald, bare-chested, wears a white dhoti-style cloth draped over his lap and shoulder, a rudraksha mala, and a bangle, sitting on a black chair with a red seat and speaking into the exchange. The scene appears to be a discourse or satsang style exchange.A stage scene with a navy blue curtain behind two people in conversation. On the left, a man kneels in an ornate gold crown studded with red and green stones, with long dark hair, a red flower garland, gold bangles and a saffron-orange cloth draped over his bare upper body, holding a microphone toward the other man. On the right, a bald man sits bare-chested on a black chair with a red seat, wearing a white dhoti and shawl and a brown rudraksha mala, with gold bracelet on his wrist, his hands folded in his lap as he listens and responds. The setting is a plain stage with a light backdrop.
03

03-Templephoto

67 dated photos in previewSource gallery
Outdoor temple ritual in front of an orange-washed building with a sign reading Sri Ananda... and a wall poster of a smiling man in an orange turban captioned Paramahamsa Nithyananda. Under a large yellow canopy, a decorated deity murti sits on a grey stone vahana with garlands of red, orange and yellow flowers and gold ornaments, set on a red cloth. Two priests in white dhoti sit on the orange floor beside a black stone abhishekam platform with offering bowls, brass plates, a kalasha and coconut. A boy in red shirt and a seated devotee in white watch nearby. Dark stone dvarapala figures stand on either side of the steps.A square brick fire pit set into a white-washed platform dominates the frame, with glowing embers and ash visible at its bottom. White decorative markings are painted around the rim. Behind it, a red cloth draped over a raised seat or altar is visible, and a seated person in light clothing is partly visible at the upper right. On the left, a silver plate holds a small deity murti and a silver vessel and ladle sit nearby. No other people are clearly visible.A square fire pit, a homa kunda, lined with dark sooty brick walls and white painted rim decorated with white dots and lines, glowing with embers and burnt wood at its base. Around it on the orange floor stand silver bowls and a small silver vessel, with a red cloth draped above. Partial figures in white ritual clothing and bare feet appear at the left and right edges.A photograph of a temple courtyard with a square stone-rimmed yagna pit filled with dark ash or embers at the lower right. Behind it, a grey bull (Nandi) murti sits on a red-draped platform with an orange-and-gold cloth over its back, garlanded with marigold and white flower strings, and a silver vessel with a leafy plant stands beside it. On the left, a bald priest in white dhoti and shawl with red borders and a gold necklace sits cross-legged on the floor, with a second person in white partly visible behind him. Silver plates, bowls and a small silver kalasha sit on the floor near the fire pit, and a microphone stand is positioned at left. Red and white striped steps lead up in the background.A photograph of five people seated cross-legged on an orange cloth outdoors in front of a temple-like area with red-and-white striped steps and a dark stone platform. In the foreground a girl in a yellow top and pink skirt sits with hands folded, a vermilion mark on her forehead and a name badge on her chest. Beside her a young boy in a white kurta sits with eyes closed, next to another boy in white and a woman in a teal top and glasses. At the far right a man in a salmon-pink shirt sits with hands on his knees. At the left edge a girl in a maroon top sits on a blue mat beside a silver tray with flowers and a brass vessel, and a dark stone deity figure with a garland is partly visible at the top left. Red banners and green shrubs fill the background.A decorated deity murti of a Hindu god stands on a grey elephant-shaped vehicle in front of an orange-walled building with a sign reading Sri An. The figure wears a crown, gold ornaments and a red-and-gold garment, and is draped in layered garlands of red, orange, yellow and white flowers. A large yellow umbrella with a lotus-motif canopy shades it, and black stone guardian statues flank the steps, each garlanded with orange and white. To the right a poster shows a smiling man in an orange turban and saffron robes labelled Paramahamsa Nithyananda, with text reading Every Saturday and Sunday. The steps are painted red and white.
04

04-DesigningforWeb

14 dated photos in previewSource gallery
A smiling man in flowing saffron-orange robes sits cross-legged on a pale green upholstered throne with dark carved wooden armrests. He wears a dark rudraksha mala around his neck and has a red tilak on his forehead, with long swept-back hair. A gooseneck microphone is positioned near his face, and a rolled orange cushion rests at the right edge. The setting appears to be a seated discourse or satsang. A faint dove-shaped logo sits in the upper left corner.A large group of men in white ritual dhotis and shawls with red-striped borders sits cross-legged on mats during a pada puja. In the foreground a shaven-headed young man with rudraksha beads sits upright with his hands folded. Beside him an older bald man with a fair complexion wears a white dhoti and red-bordered shawl and sits close to him. Behind them rows of devotees sit in white, some with brass vessels and small lamps placed before them, and a man in the background wears an orange-yellow garland cord. The setting appears to be an indoor hall with metal railings above.A photo of a Sarva Darsan style gathering at an ashram-like hall. A man in a saffron-orange robe with long swept-back dark hair and a light smile extends his right hand, palm open, toward a row of devotees pressing forward. Behind a metal railing, several men in white and light blue shirts stand with palms pressed together in namaste. On the right, a shaved-headed monk in saffron robes with rudraksha beads holds a folded orange cloth and a gold ceremonial staff. A dark-haired bystander in a white shirt stands at the left edge, and more devotees are visible in the background beneath a corrugated roof. a person is the man in the orange robe with the swept-back hair and open-hand blessing gesture. Other visible people are devotees and monks.A group of men walks along a dirt path past green shrubs and a brick building. In the foreground, a man in saffron-orange robes carries a black bag and wears a rudraksha mala, looking down while smiling. Beside him, a man in saffron robes with long swept-back hair and a beaded mala walks with a light stride. Behind them, a row of men in white dhotis and shawls with red borders, many with shaved heads and beaded necklaces, walk and laugh together, some wearing sandals. Several men in white shirts and trousers walk among them.A three-panel photo collage of a temple ritual outdoors. Two priests in white dhotis with red borders and bare upper bodies stand at a black stone fire pit with white marble edging. In the main panels, one priest holds a brass vessel and another a lit flame on a small lamp near a large deity murti draped in garlands of red and yellow flowers beneath an ornate orange canopy. A sign on the brick wall behind reads in Hindi. Red cloth covers the ground, with brass plates and offerings nearby. The collage is a graphic with no visible presentations of a candidate for a person.
05

06-Morningmessage

71 dated photos in previewSource gallery
A man seated on an ornate gold throne with carved red cushions speaks into a handheld microphone with a cable. He wears a saffron-orange robe draped over his shoulder, a dark rudraksha mala around his neck, and a red tilak on his forehead; his long dark hair is swept back, and his feet rest on a small red footstool. Behind him stand tall brass lamps, a red curtain, flower garlands and a gilded deity murti, with greenery beyond a red-railed fence. The scene resembles a discourse setting.A man sits on an ornate gold throne with red cushions, smiling while reading a small pink paper. He wears an orange saffron wrap over his shoulder and body, a dark rudraksha mala around his neck, and a red tilak on his forehead. A microphone on a stand is near him, and gold lamp stands and garlands decorate the background. He is barefoot, resting his feet on a red cushioned footstool.A man with long dark hair swept back sits on an ornate gold throne with red velvet cushions, smiling and holding a folded white paper. He wears an orange saffron wrap over a sleeveless orange garment, a dark rudraksha mala around his neck, and a small red mark on his forehead. A microphone on a stand is beside him, and gold candlesticks and a red gate appear in the background. Swamiji (probable): the long swept-back hair, saffron clothing, rudraksha mala and ornate throne are cues for the speaking teacher. Several rudraksha malas and bright garlands appear at the top left.A smiling man with long dark hair swept back sits on an ornate gold throne with a red cushioned seat and a gold filigree backrest. He wears flowing saffron-orange robes draped over one shoulder, a red dot on his forehead, and a long rudraksha mala of dark beads around his neck. His hands rest clasped in his lap, and a black microphone on a stand is positioned beside him. Swamiji (probable): the long swept-back hair, saffron robes, rudraksha mala and ornate throne are the qualifying cues.A man seated on an ornate gold and red throne, wearing an orange saffron shawl draped over one shoulder and a long rudraksha mala of dark beads across his chest. He has long dark hair swept back, a red bindi and a white forehead mark, and is smiling upward while his hands rest together in his lap. A black microphone on a stand is beside him. The gold carved throne backrest fills the background. Swamiji (probable): the long swept-back hair, saffron shawl and rudraksha mala match the presentation the page describes, seated in the honoured position of a discourse.A smiling man with long dark hair swept back sits on a red cushioned throne with ornate gold repoussé backing. He wears an orange saffron wrap draped over one shoulder and a long rudraksha mala of dark beads around his neck, with a red kumkum mark on his forehead. His hands rest folded in his lap, and a black microphone on a boom stand sits beside him. Swamiji (probable) is shown in this seated teaching posture, with the distinctive saffron clothing, rudraksha mala and long hair as the qualifying cues.
06

07-PadaPuja

209 dated photos in previewSource gallery
Close view of bare feet resting on a golden ornate platform during a padapuja ritual. The person wears orange saffron robes that drape over the legs. Silver trays hold red apples, white flowers and green leaves, and a silver vessel with a white handle sits nearby. Gold carved ornamental panels frame the scene.Close-up photograph of bare feet resting on a golden ornate platform during a padapuja ritual. The person wears orange saffron robes covering the legs. Around the feet are silver offering bowls holding red apples, white flowers and green leaves, a silver vessel with a white handle, and a small brass oil lamp. The golden carved throne and gilded tray frame the scene.A seated figure in saffron-orange robes sits on a red cushioned seat, hands folded together in a meditative mudra at the lap. A long rudraksha mala of dark brown beads hangs from the neck over the orange cloth. The visible person is shown only from the chest down, with a wooden panel and gold drapery in the background.A man sits on an ornate golden throne with a red velvet cushion, his long dark hair swept back. He wears an orange saffron shawl draped over one shoulder and a dark rudraksha mala around his neck, with a red kumkum mark on his forehead. He looks to the side with a calm expression. Behind him are a red wall and a carved stone pillar. Strong appearance cues of a long swept-back hairstyle, saffron clothing, rudraksha mala and a throne suggest a person seated in a position of honour, though the image alone does not firmly establish his identity.A close photograph of a man with long, swept-back dark hair seated in front of an ornate gold throne with embossed floral carving and rounded gold knobs. He wears orange-saffron robes draped over the shoulders and a long rudraksha mala of dark beads hanging on his chest, with a red tilak mark on his forehead. He looks off to the side. Behind the throne, red railings and greenery are blurred.Photograph of a man seated in profile against an ornate gilded throne with round gold bead trim and a red cushion. He has long dark hair swept back, a red bindi on his forehead, and wears a flowing saffron-orange shawl over his shoulders with a long rudraksha mala hanging down his chest. Behind him is a blurred background of green foliage and a red railing.
07

08-PanchaTapas

12 dated photos in previewSource gallery
Outdoor photo of a row of seated men performing a ritual on a dirt ground beside a temple complex with coconut palms. In the foreground, several men sit cross-legged on low square platforms set into ash-marked circles; some wear saffron-orange robes and others white dhoti-style clothes with orange-and-white shawls. Behind them stands a black Shiva lingam with a red-orange pedestal, draped partly with white cloth and garlanded. To the right, a large copper kalasha-topped structure and an orange canopy sit on a flatbed vehicle. A billboard with a colourful picture and a map display sit in the background, along with a parked silver pickup truck.A photograph of devotees seated in rows on mats outside the Sri Anandeshwara Temple, a terracotta-orange building with a dark doorway and a sign reading SRI ANANDESHWARA TEMPLE. About twenty men sit on red-and-white striped steps and on woven mats on a tiled platform, many in white shirts and dhotis or trousers, some in light blue or beige shirts, one wearing a cap. A deity murti stands under a small orange canopy near the steps, garlanded with flowers. A banner reading Life Bliss Program hangs on the wall, with a portrait of a saffron-robed figure. Palm trees, marigold plants and a corrugated roof frame the scene under an overcast sky.An outdoor open-air courtyard under a corrugated roof supported by yellow posts, with palm trees behind. About twenty-five men sit cross-legged on woven mats and paved stone in white shirts, white dhotis and casual clothes, facing a small group near a red shrine platform. Two saffron-robed monks sit on the right near a tall copper-coloured pillar and a red ratha-like vehicle with an orange canopy. A red-draped structure with an orange parasol stands at left beside a white van and an SUV. Marigolds grow along the paved edge. Background banners and a deity figure are visible.An outdoor ritual gathering under a palm-fringed sky beside a red and white stepped platform. In the foreground, a row of seated devotees in white dhotis and shirts face the scene, some with their backs to the camera. Behind them, several robed priests sit cross-legged on mats before small fire pits, with one figure in orange robes and another in orange-saffron attire among them. A tall red-and-gold ceremonial pillar and a reddish shrine with a deity murti stand in the background, along with a red canopied chariot-like cart. A painted banner of divine figures hangs at left. The scene suggests a homa or yagna performed in the open air.An outdoor ashram courtyard under a corrugated metal roof with tall palm trees behind it. A seated figure in orange robes sits on a raised platform at centre, flanked by others in orange and white, with a row of seated participants in white clothes on mats across the sand. In the foreground, several women in white and light blue saris sit facing the platform on a raised orange-draped stage. Orange-painted stone pillars, a small orange-curtained cart, and dark stone deity sculptures stand nearby. Several people in white and yellow sit on prayer mats.Close-up photo of a man with eyes closed in meditation, long dark hair swept back, a red kumkum mark on the forehead with white vibhuti lines above it, and wearing an orange saffron shawl over the shoulders with a rudraksha mala of large beads around the neck. The orange background suggests a stage or ashram setting.
08

September 08 2010

212 photosView all
A smiling man with long dark swept-back hair and a red tilak on his forehead sits on an ornate gilded throne with a red cushioned backrest and carved floral filigree. He wears an orange saffron shawl over his shoulder and a dark rudraksha mala draped across his chest. A microphone stands at the right edge of the frame. Swamiji (probable): the long swept-back hair, saffron clothing, rudraksha mala and gilded throne match cues for the page's named teacher, though the identification is appearance-based.

September 08 2010

Original wiki page
Contents

Title

Narration

Title

Less Thoughts More Action - Hurry up to Slow Down - Nithyananda Morning Messages

Description

In this short discourse, Paramahamsa Nithyananda describes on being completely aware of everything. Infusing awareness leads to less thoughts and more action which ultimately leads to higher productivity and clarity.

Link to Video

Less Thoughts More Action - Hurry up to Slow Down

VideoAudio

Transcript

sadāshiva samārambhām shankarācāryā madhyamām | asmat ācārya paryantām vande guru paramparām ||

(0:40)

I welcome you all with My love and respects. Today’s morning sutra: Less thoughts more action, hurry up to slow down. Less thoughts less action is tamas - inertness. More thoughts more action is rajas - restlessness. Less thoughts more action is satva - living enlightenment.

(1:41)

Please understand I am equating satva into jeevan mukti, the restful awareness as living enlightenment, because restful awareness is a direct way to living enlightenment. Let Me define restful awareness. When you walk, just feel through your body, who is perceiving the earth, who is seeing the scenes. Just see with awareness, feel with awareness the cold, feel with awareness how you respond to this morning, feel with awareness how you are responding to your own, old, boring or worrying thoughts. Such beautiful morning, but suddenly some thought about something, some days before happened, may happen after that, one thought, enough to take away the whole beauty of this morning. Perceive with awareness. The awareness which perceives is only you; nothing else.

(3:27)

The moment you bring awareness, two things will happen. One, the slowing down, second... this is an important thing, please understand, one, slowing down, second, immediate shift in your consciousness, immediate shift in your consciousness. What I call as cognitive shift, the space where cognition happens in you, the gear gets shifted from matter to consciousness. Actually unclutching is necessary for this shift only. For any gear change, you need disclutching of gear plate and engine; gear box and engine. Same way, for the shift, cognitive shift from the matter to energy, consciousness, you need that unclutching. I tell you, infusing awareness into you, will automatically make unclutching happen and the shift in the cognition, how you perceive, will happen immediately.

(5:58)

Just live for few days, you will realize, with less thought more actions are happening in you; physically, mentally, in all possible ways. Be aware while you walk, perceive through your eyes, perceive through all other senses. Remember just perceiving is different; knowing that you are perceiving is different. Just taking bath is different; knowing you are taking bath is different. Just walking is different; being aware that you are walking is different. Just talking is different; being aware you are talking is different. Infuse awareness into everything; walking, talking, sitting, living, breathing.

(7:23)

Shiva says in Shiva sutras, one sneezing with awareness is enough for enlightenment, because during sneezing your whole nervous system gets activated. One sneezing with clear awareness - awareness that you are sneezing, the face muscles are shrinking and all the things are happening and explosion. You are enlightened!!! All you need is one sneezing with awareness that’s all!!! When you infuse awareness this is no more one more day. This is no more one more morning. This is THE morning. This is THE day. I don’t know in how many dimensions you will be awakened. Exactly what I mean by the word inner awakening is, infusing awareness into you. That’s all.

(9:34)

In Malaysia, in one satsang, one devotee put a question, “Swamiji, give the essence of Your message in Malaysian language, at least one word.” I thought, “Oh God! Just two days before I landed in Malaysia and this guy is asking essence of My message and that also in Malaysian language.” But fortunately that day only something happened; very strange incident. When we were driving in the car, the side board, all the sign boards are there no, so the person who was driving Me, I asked him, what is the meaning of that word which is again and again recurring. He said Swamiji, slow down. So I picked up that word and I said this is My message, ‘korankan laju.’ That’s a Malaysian word. Malaysian word for slow down.

So I tell you, in any language, essence of My message is this one word - Slow down. Hurry up to slow down, otherwise you will be wasting your time without slowing down. If you want to reach the place late, hurry up. If you want to reach the place early, slow down. The essence of life is slowing down.

(11:40)

Even now, I can very clearly feel, there is nobody in this body, except just a kind of a line of a simple, kind of a ,when you put a mirror, when the sun reflects on the mirror, how it is seen in the air, kind of reflection, see if you put a mirror, the sun reflects in the mirror and it falls on a wall. Between the wall and the mirror in the air, some different color will be seen; that reflection flowing. How thin and indescribable the flow of that reflection, exactly same way I am feeling something is moving, around the area of this body, which is perceiving everything, that is Me. I am describing exactly, visually, as I am feeling.

(12:50)

When you start perceiving, through all the instruments with which you can perceive, including mind, you will exactly feel the same thing; empty. Oh God! Then all My worries, fears, insecurities, greed, no base… no base. That is the truth! That is the truth! Infuse awareness again and again and again, you'll see, less thoughts, more action happens immediately. The moment less thoughts have started happening, body and mind will be in different space. Zen living is what I call less thoughts, more actions. Zen living will immediately create yogic body and vedic mind. If you have scratched your hair without consciousness, stop! Do it again consciously, see how it feels.

(14:29)

Try now, consciously move, feel the chillness, see the green, feel the rain drops on the system with which you are perceiving. Smell the smell of the land which rises due to rain. Taste the, how the tongue feels when you see the green and smell the land and feel the rain. Perceive, how your mind is reacting to this whole scene, is it interested in perceiving or is it interested in worrying about something about the past or the future, without being bothered about this perception; that’s the sixth sense, it’s called balance. Five senses and whatever can't be classified as that five, is balanced, sixth sense. Like a legal terms, all the rules after they put, they say, whatever is untold, indescribable, unsaid. Same way, five senses, major perceptions and sixth whatever can't be described, balance. Just see all this six, how you perceive through all this six, how all this six are perceived.

(16:39)

Less thoughts, more action, less words, more awareness. So hurry up to slow down. Let you all live and radiate enlightenment. Live and radiate the eternal bliss, Nithyananda.

Thank you.

(17:10)

Title

Moins de pensées, plus d'actions

Description

Moins de pensees, plus d'actions

Depechez vous de ralentir

Video and Audio

Moins de pensées, plus d'actions

VideoAudio

Photos

Panchatapas

Paadapooja

Morning-Satsang

Sarvadarshan

Swamiji-Went-Around-Temple

Evening-Darshan-And-Session

Ganapati-Homa

Photos Of The Day:

01-Evening session

02-Nightsession

03-Templephoto

04-DesigningforWeb

05-Pranava

03---Morning-message_CMP_WM

06-Morningmessage

07-PadaPuja

08-PanchaTapas

09-SarvaDarshan

10-SwamijiWalkAroundtemple

11-VIP

12-Temple