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19 September 2010

Straight Technique to Awaken the Kundalini

934Dated photos
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Close profile photograph of a man with long, dark, wavy hair swept back past his ears, wearing a small reddish-maroon tilak on his forehead. He wears a bright green draped shawl edged with gold trim and multiple large ornate gold beaded necklaces with dark accents. A warm golden blur fills the left edge, and a plain light wall sits behind him. Appearance-based label: Swamiji (probable), shown in person as a speaker in a satsang setting, identified by long swept-back hair, green shawl, and gold ceremonial necklaces.Outdoor ashram gathering under a corrugated metal roof on sandy ground with coconut palms behind. Thirty or more devotees in white clothes sit cross-legged on mats in rows, facing a central red-painted platform holding a white offering dish and a small pot. A trident stands on a yellow pole at the centre. A figure in orange robes sits near the right side, and a standing person in white stands on the right. Smoke rises from a fire at the right edge. Tall red and gold structures and a painted board with a deity image are visible in the background. No individual is clearly identified as a person, so no candidate is marked.Outdoor photo of a seated gathering in front of an orange-painted building labelled Sri Anandeshwara Temple, with a shrine entrance and a trident on a pole. Many people sit on striped mats on sandy ground, most in white kurtas and dhotis or white shirts, some in orange or pastel clothes. A man in a peach shirt sits in front of a red-painted platform, facing the temple, with others sitting in rows around him. Palm trees and potted plants frame the scene, and a wall sign reads ananda deshwara mandir. Nobody is standing at the pulpit in clear view, so no single presenter is identifiable here.

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01

01-Pancha-Tapas

113 dated photos in previewSource gallery
Outdoor ashram gathering under a corrugated metal roof on sandy ground with coconut palms behind. Thirty or more devotees in white clothes sit cross-legged on mats in rows, facing a central red-painted platform holding a white offering dish and a small pot. A trident stands on a yellow pole at the centre. A figure in orange robes sits near the right side, and a standing person in white stands on the right. Smoke rises from a fire at the right edge. Tall red and gold structures and a painted board with a deity image are visible in the background. No individual is clearly identified as a person, so no candidate is marked.Outdoor photo of a seated gathering in front of an orange-painted building labelled Sri Anandeshwara Temple, with a shrine entrance and a trident on a pole. Many people sit on striped mats on sandy ground, most in white kurtas and dhotis or white shirts, some in orange or pastel clothes. A man in a peach shirt sits in front of a red-painted platform, facing the temple, with others sitting in rows around him. Palm trees and potted plants frame the scene, and a wall sign reads ananda deshwara mandir. Nobody is standing at the pulpit in clear view, so no single presenter is identifiable here.A photograph of an outdoor satsang on a sandy ground with a circular raised platform ringed with white ash and kolam-style chalk designs. A woman in an orange saffron robe sits cross-legged on a woven mat at the centre of the circle, facing a seated crowd. The audience, mostly women in white clothing, sits on mats and chairs under a thatched-roof shelter and palm trees, with a silver SUV parked behind them. A small brass vessel and a garland of orange flowers lie near the speaker. A banner with text hangs at the upper left. No figure in the frame is identifiable as a person.Outdoor satsang at an ashram courtyard with a woman in an orange sleeveless top and orange skirt seated cross-legged on a mat at the front, facing a large seated audience of about 40-60 people, mostly women in white and pastel clothing, some in saffron and blue, many sitting on mats. Floor is decorated with white rangoli kolam patterns and a circle of white powder around a small brass kalasha vessel and marigold garland. Behind are a red-and-white painted wall, palm trees, thatched huts and a silver SUV. Sign on the building reads Sri Anandeshwara Devasthana and a banner shows a saffron-robed figure with long hair; no clearly identifiable a person is present in the scene.A seated man in saffron-orange robes sits cross-legged on a low wooden seat over a white cloth on a ring of ash and marigold petals outdoors. He wears a dark rudraksha mala necklace, holds a microphone to his mouth with one hand raised in a mudra, and has long dark hair tied back. Behind him stands a tall orange pedestal draped with yellow and red marigold garlands, in front of a black stone deity murti. A brass kalasha-style pot and a marigold offering lie on the ground, and a row of stone sculptures and red signboards stands in the background.A man with long, swept-back dark hair in a braid wears an orange sleeveless garment with an orange wrap and a long rudraksha mala. He has a white forehead marking with a red dot and holds a black microphone in his right hand while speaking, eyes lowered. Behind him is a sandy outdoor area with a small agave-like plant and a red-orange stone pillar at right.
02

02-Pada-Puja

78 dated photos in previewSource gallery
A stage with a large printed backdrop of a temple gateway and a deity murti decorated with garlands. A seated figure in orange robes and a patterned shawl sits on a golden throne with red cushions, behind a microphone stand. Around the stage on mats, several devotees sit in white dhotis and white shawls, including a shaved-headed man in white, a woman in a blue sari and a woman in a yellow shawl, with an orange-clad woman in a sari standing at left. Brass offering plates and red-and-orange cloths lie on the mat in front. The scene reads as a satsang or discourse setting.A large hall with pale pink walls and a white draped ceiling hung with colourful woven tassels in orange, red, and blue. Many men in white ritual dhotis and shirts sit cross-legged on the polished floor, with brass plates, bells, oil lamps and small offering bowls set on orange mats before them. A cameraman with a tripod and camera films from the left, and a seated man in white works a laptop at the front right. Among the seated group, one man on the left wears orange robes and another sits in a saffron shawl, while most others are in white. Rows of additional attendees extend back toward the far end of the hall.A large hall with pale pink walls, white ceiling drapes and colourful striped hanging cylinders with orange tassels. Many devotees sit cross-legged on the white floor in rows, most wearing white dhotis and shirts, some in orange robes. Several seated devotees in front have small brass plates and oil lamps on orange-and-gold mats, with an open laptop and camera cables on the floor. A cameraman on a tripod films from the left. The gathering appears to be a seated programme with ritual items set out before the participants, but no single figure is clearly identifiable as a person.A seated man on an ornate gold throne with red cushions wears an orange sash and a leopard-print top, hands folded in his lap, eyes closed. A tray of fruit and flowers sits beside him on a gold stand. In front, several devotees kneel and sit in a row with palms pressed together in namaste: a woman in a white top with a yellow scarf, an older woman in a yellow sari, a woman in a teal outfit with a beaded necklace. Brass plates of offerings and flowers sit on the floor before them. A man in a white shirt and a woman with a braid sit at the lower edge of the frame. Behind, a window shows another person and a plain pale wall. a person is the seated man, identified by the orange sash, saffron clothing and the elaborate throne; the image is consistent with a pada puja.A seated man with long dark hair wears an orange saffron robe under a leopard-print shawl, sitting on an ornate gold throne with red cushions in a hall. Before him, devotees sit on the floor with hands folded in namaste; a woman in a yellow sari and another in a teal sari with a white shawl are among them, while others wear white and yellow. Brass plates of fruit and offerings sit near the front, and a tray of apples and sweets rests on a side table. A watermarked photo credit appears in the lower right corner. The scene looks like a pada puja and satsang with devotees gathered at the feet of the seated figure.Indoor satsang hall where a seated figure with long dark hair, a leopard-print top and an orange cloth draped over the shoulder sits on a gold-trimmed raised seat at the left, with a tray of fruit and sweets placed before him. Devotees sit on the floor facing him with hands folded in anjali: a woman in a yellow sari, a woman in a turquoise salwar kameez, an older woman with grey hair, a bald man in white with a garland, and a man in white dhoti near a silver plate. Behind them are more seated attendees and folded red and white mats along the back wall.
03

03-Morning-Energy-Darshan

4 dated photos in previewSource gallery
Photo of a ceremonial exchange in an indoor hall with a gold-carved throne and red cushions at right. A seated man with long swept-back dark hair wears a leopard-print top and an orange cloth, with a gold necklace visible, and extends his hands to receive a dark tray holding fruit. Facing him, a grey-haired man in a white shirt and white dhoti wears a wooden bead mala and gold bangle and holds out the tray. Behind them a shaved-head man in an orange garment and beaded mala stands, and a boy in a white shirt and glasses watches. A dark curtain hangs in the background.Close photo of a man with long, swept-back black hair, white vertical tilak on his forehead and a red dot at the centre, reading a handwritten sheet of paper with a smile. He wears an orange saffron shawl and a long strand of large gold ornamental beads with dark bands, plus a leopard-print jacket. Behind him is blurred gold fabric.Close side profile photograph of a smiling man with long, swept-back glossy black hair and white horizontal forehead markings. He wears an orange saffron shawl draped over the shoulder and a leopard-print garment underneath, with a long necklace of ornate gold beads with dark bands. Swamiji (probable): the long swept-back hair, saffron shawl and gold bead mala match the cues for the Paramashivam candidate, though identity is inferred from appearance only. Blurred warm lights sit in the background.A photograph of a crowd at an indoor event. A man with long swept-back dark hair, a red bindi and white tilak, wearing a saffron-orange robe, a leopard-print shawl and a gold necklace of large ornaments, smiles while placing his raised hand on the head of a devotee bowing in front of him. Devotees in white shirts press their palms together in anjali. On the right, a shaved-headed attendant in orange robes stands close by, and more people in orange and white fill the background beneath colourful hanging decorations.
04

04-Satsang

23 dated photos in previewSource gallery
A man seated on an ornate gold throne with a red cushioned seat and a microphone in front of him, smiling and looking to the side during a satsang talk. He wears an orange saffron robe, a leopard-print shawl over his shoulders, a rudraksha-style mala necklace of gold-and-amber beads, and a red-and-yellow tilak on his forehead. His long dark hair is swept back. Behind him are a red and white draped backdrop, a floral garland at left, and a decorated pillar. Swamiji (probable): the seated speaker's long swept-back hair, saffron robe, ornate gold necklace and throne cues are consistent with Swamiji, giving this a probable in-person appearance.A man seated on an ornate gold throne with a carved, scrolled backrest and a red cushion speaks during a satsang talk. He wears a saffron-orange robe, a leopard-print shawl over his shoulders, a red bindi on his forehead, and multiple beaded golden necklaces. A microphone on a stand is near him, and a red draped backdrop and carved stone or temple-style panels are behind him. Fruit sits on a wooden stand at the lower left. Swamiji (probable): long swept-back hair, saffron robe, ornate gold necklaces and a leopard-print shawl seated on a throne, presiding over the talk.A man with long, swept-back dark hair sits on an ornate gold throne with a red cushion, speaking into a microphone on a stand at right. He wears a leopard-print shawl over an orange-saffron garment and a long string of gold-toned beads with a red bindi on his forehead. His hands rest on his lap. Behind him are red and white drapes, floral garlands and a dark leafy backdrop. Cues: long swept-back hair, saffron clothing, ornate gold throne, gold beaded necklace. a person is seated as the speaker at a satsang-style talk.A man with long, swept-back dark hair sits on an ornate gold throne with a red cushion and carved gold backrest. He wears an orange saffron garment over a leopard-print shawl and a ceremonial bead necklace of gold-toned beads, with a red tilak on his forehead. A microphone on a stand is in front of him, and a red and white draped backdrop and a carved temple-style pillar appear behind him. A small fruit offering sits on the wooden table at lower left.A photograph of a single seated man on an ornate gold throne with a tall, curved, carved gilt backrest and red cushions. He wears an orange saffron robe, a leopard-print shawl over his shoulders, a long rudraksha-style bead mala with ornaments, and a red tilak on his forehead. His long dark hair falls past his shoulders, and he smiles with hands clasped in his lap. A microphone on a stand is in front of him, and a red-and-gold ceremonial setting with a dark carved stone backdrop surrounds him. Fruit sits on a gold-carved side table at left. Swamiji (probable): long swept-back hair, saffron robe, rudraksha mala and a shawl on a throne, consistent with the page's Swamiji reference.A man with long, swept-back dark hair sits on an ornate gold throne with a red cushion, speaking into a microphone on a stand at right. He wears a saffron-orange robe, a leopard-print shawl over his shoulders, and a long necklace of gold-tone beads, with a red bindi on his forehead. His hands rest on the armrest. Behind him are red drapes, a pale backdrop and a dark stone carving. Several fruit sit on the left edge of the throne. a person is seated as the speaker, identified by the saffron robe, swept hair, gold-beaded necklace and enthroned seat.
05

05-Living-Enlightenment-Process-LEP-Morning-Session

75 dated photos in previewSource gallery
A photograph of a man seated on a pale floor mat, leaning forward to write with a pen on a sheet of white paper. He wears white ritual-style clothing, a yellow shawl draped over his shoulders, and a rudraksha mala of reddish-brown beads. He has a shaved head and glasses. Another person in white sits to the right, and a person's hand and paper are visible at the upper left. The mat and paper sheets lie on the floor in front of them.A photograph of a seated man in a grey-and-white striped polo shirt and khaki trousers, writing on a sheet of paper resting on his knee. He wears a name badge on his chest and a bangle on his wrist. He sits on a red-and-white striped mat, with a blue-and-white cushion beside him. Around him, other people in white clothing sit or lie on similar mats; one man in white in the upper right lies prone, and a man in white at the top left writes in a notebook. An orange rolled mat and a black bag sit nearby, along with a water bottle, in what appears to be a hall during a session.A photograph of devotees seated on striped mats in a hall during a satsang session. In the foreground a man in white clothes and a blue lanyard with an ID card writes in a notebook, and a second man beside him also writes. To the right a seated man in white wears a rudraksha mala and a blue lanyard with an ID badge, looking toward the front. Behind them rows of white-clad participants sit on the floor, and a pair of orange headphones rests on a striped mat in the foreground next to a small yellow notepad.A photograph of a shaven-headed man in white ritual clothes sitting cross-legged on a striped blue, red and white mat, bent over and writing with a blue pen on a sheet of paper resting on his knee. Beside him lie a black mobile phone, a folded orange-and-purple striped cloth, and a plastic water bottle behind him. The man wears white kurta-style garments and a bangle-like wrist band. The paper appears to hold handwritten notes. a person is not visibly identifiable from appearance here, so the figure is described by role as a seated devotee writing notes.A large hall with a white marble floor filled with many seated participants in white clothing, many wearing yellow or orange shawls and rudraksha malas. Participants sit in small circles on orange and red mats, several holding blank white papers and pens while a woman in white sits among them, gesturing toward a young man in white and yellow. The scene reads as a group workshop or discussion session. No figure with long swept-back hair, crown or distinctive saffron a person garb is clearly visible, so no candidate is identified.A photograph of a large seated group of participants in white clothing on a tiled hall floor at a Living Enlightenment Process session. Many wear white kurtas and dhotis or white salwar-style outfits, with yellow and orange scarves and beaded or cord necklaces. Several hold notebooks, pens and papers, and some read booklets. Orange and maroon mats cover parts of the floor, and a video camera on a tripod stands at the right edge. Seated figures fill the foreground and background, with a few standing near the back wall.
06

06-E-Kalpataru-Session

206 dated photos in previewSource gallery
A photograph of a projection screen in a dim hall showing a Skype video call window titled Bhagwan Reddy. Inside the call, a small video feed shows several people in a room with a white wall: a woman in a light blue sari stands at the back, a man in white stands to the left, and in the foreground a bald man in dark clothing leans toward the camera with a woman in a dark outfit and a badge behind him. A small inset thumbnail shows a deity image with a glowing halo. Curtains and bookshelves frame the screen.A photograph of a projection screen in a room with dark curtains showing a Skype video call window titled Bhagwan Reddy. Inside the call, several people stand in a small room with a pale wall: a young woman in front wearing a white top and draped white shawl with a name badge, a woman behind her in a red top, another woman in a blue top, a man in a dark shirt at left, and a man in a light tan kurta at right. A small inset thumbnail in the bottom left corner shows a painted image of a figure in orange robes with a halo. The call timer reads 09:05.A photograph of a smiling man seated on an ornate gilded throne with a red cushioned back and golden carved armrests. He wears a sleeveless saffron-orange garment, a long multi-strand gold-beaded mala necklace, and a red bindi on his forehead. He holds a golden ceremonial vessel with a flame-like finial in his right hand, resting it on his lap. Long dark hair sweeps back past his shoulders. A green palm frond is in the foreground and a white curtain hangs behind him. Swamiji (probable) is seated in front of the throne, with the visible cues of swept-back long hair, saffron clothing, gold mala and ceremonial gold ornaments.A man sits on an ornate gold-and-red throne with carved gilt armrests and a red velvet backrest, speaking as if teaching. He wears a sleeveless saffron-orange robe, a long layered gold-bead necklace, and has long dark swept-back hair with a small red tilak on his forehead. He holds a gold ceremonial staff-like object in one hand, resting his other hand on his lap. A gold lion-form carving sits near the lower left corner, with white curtains and a patterned grey backdrop behind him. Appearance-based label: Swamiji (probable), based on the saffron robe, long swept-back hair, gold beads and throne, with the page noting a talk at this event.A projected screen shows a Skype video call window. Inside the video feed, a woman in a dark top with layered necklaces stands with palms pressed together in anjali mudra, smiling. Behind her, a man in a white shirt and a second person in pale clothing also hold their hands together. A small inset thumbnail in the corner shows a deity murti with a halo. The screen is viewed from a hall with a dark wall at left.Close profile photo of a smiling man with long, swept-back dark hair and a red kumkum mark on his forehead. He wears an orange saffron garment and a gold-toned ceremonial necklace with rudraksha-style beads, seated in front of a gold ornate chair against a red and grey backdrop. Cues are distinctive: long hair, saffron clothing, rudraksha-style beads and gold ceremonial ornaments, so this is a Swamiji (probable) in person during a satsang session.
07

08-E-Kalpataru-Night-Session

1 dated photos in previewSource gallery
Close profile photograph of a man with long, dark, wavy hair swept back past his ears, wearing a small reddish-maroon tilak on his forehead. He wears a bright green draped shawl edged with gold trim and multiple large ornate gold beaded necklaces with dark accents. A warm golden blur fills the left edge, and a plain light wall sits behind him. Appearance-based label: Swamiji (probable), shown in person as a speaker in a satsang setting, identified by long swept-back hair, green shawl, and gold ceremonial necklaces.
08

September 19 2010

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September 19 2010

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Contents

Title:

Straight Technique to Awaken the Kundalini

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Simple Will during a live public talk - Nithyananda Satsang. In this talk entitled Straight Technique To Awaken The Kundalini, The Supreme Pontiff of Hinduism revealed that simple will to awaken Kundalini is more than enough to make the kundalini awaken. He shared the definition of Kundalini which is your own potential energy which resides in you, which can be awakened just by you. His Divine Holiness concluded by sharing the powerful truth which is that the will fails only when there is a clash (of wills) further explaining that failing in the outer world will lose trust over the will even in the inner world. “The lap in which you sleep every day, the energy which wraps you around completely, encompassing, just like the hug of the master, tell your own kundalini shakti, ‘Be awakened’ that’s all.”

Video and Audio

VideoAudio

Transcript

(0:23)

The today’s subject is, ‘Straight Technique to Awaken Kundalini’. Simple will to awaken Kundalini is more than enough to awaken Kundalini. Understand. Simple will to awaken Kundalini is more than enough to awaken Kundalini. Kundalini is after all your own potential energy which resides in you, which can be awakened just by you. Simple will and instruction to yourself that ‘let the Kundalini be awakened’, can be the straight technique to awaken the Kundalini.

(2:36)

You may think, ‘How can this be?’- because you never had trust over your will. Many time your will failed in the outer world because of the clash of wills with the world. When too many wills clash, it may fail sometime. Because of the outer failure, you slowly lost trust over your very will. Understand. In the outer world or in the inner world, the will fails only when the clash of wills is there. Because you failed in the outer world will, you lost trust over your will even in the inner world.

(3:37)

I tell you, simple will can awaken your Kundalini-shakti intensely. You don’t need anything. It is your own energy, your own power. It’s like a, if your hands are tied for two years you forget you can lift and move your hands as you want. You can lift and move your hands as you want. I tell you, there was a research, some animals which are kept in cage for long time, even if the cage is opened they are not interested in going out, because of the habit. ‘Habit’, very powerful word. If you remove the ‘H’ a bit will be there; if you remove ‘A’ bit will be there; if you remove ‘B’ it will be there. Only if you remove the ‘I’ it’ll die. That word itself shows the strength of the engram.

(5:07)

Simple will is powerful enough to awaken your Kundalini. The Kundalini-shakti in your system, waiting to listen to you. It’s not that you need to do something big. You see, you need Kundalini because you don’t have energy. You need to have energy to awaken Kundalini means, it’s just unfair. So all you need to awaken your Kundalini is simple will.

(6:28)

Understand. In the outer world if your will fights with too many wills it’ll die. In the inner world, same thing. If your will has too many wills, it’ll create problem. Your will has to fight with too many wills; it’ll fight, it’ll disturb itself. So understand, even in the inner world, your will needs to be integrated. Don’t have too many wills. That is what I call simple will.

(8:04)

The lap in which you sleep every day, the energy which wraps you around completely; encompassing, just like the hug of the Master; tell your own Kundalini-shakti, ‘Be awakened’. That’s all. The Devi, Kundalini, is waiting inside, just for your request. Request; your simple will, will awaken the Kundalini-shakti.

(8:45)

We will work on awakening of the Kundalini-shakti through simple will. Let us experience Kundalini-shakti just by simple will. Let you all achieve and radiate the Eternal Bliss, Nithyananda. Thank you.

(9:22)

Photos Of The Day:

PANCHA-TAPAS

PADA-POOJA

NITHYA-SATSANG

SARVA-DARSHAN

LIVING-ENLIGHTENMENT-PROCESS

E-KALPATARU

01-Pancha-Tapas

02-Pada-Puja

03-Morning-Energy-Darshan

04-Satsang

05-Living-Enlightenment-Process-LEP-Morning-Session

06-E-Kalpataru-Session

07-Evening-Energy-Darshan

08-E-Kalpataru-Night-Session