Sunday

19 September 2021

SUNDARESHWARA PARAMASHIVA SAYUJYA SAMADHI DARSHAN || 19 SEPT 2021

119Dated photos

10Source pages

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A golden metal deity murti stands on a gold pedestal, decorated for alankaram. The figure wears a jewelled crown over black hair, a diamond-studded necklace, a large pendant, pearl beads and a red cloth. Garlands of red, yellow, orange and pink flower petals drape around it, with a gold-framed backdrop and blue and multicolour fairy lights behind.

Close photo of two gilded deity murti figures on a decorated altar. The taller figure on the left wears a jewelled crown, a white and red tilak, a large jewelled pendant and layered pearl and gold necklaces, with a red and gold garment, and stands on a gold pedestal. The smaller figure on the right wears a gold crown, a red tilak, pearl necklaces and a fuchsia satin dress edged with gold trim. Both are garlanded with red, orange and yellow flowers, and roses and fairy lights surround the altar.

Close-up photo of a gold-coloured deity murti. The murti wears layered garlands of white pearls and rhinestone chains, a large rhinestone pendant with a red stone, and a red silk cloth. Its right hand is raised in abhaya mudra. Red and orange roses and green leaves surround it, with a gold ornamental backdrop and string lights behind.

Photos of the day

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119 distinct dated photos. Source gallery sets may overlap.

Pictures from the day

14 dated photos in previewSource gallery

A small golden-faced deity murti wearing a bright magenta satin garment with gold brocade border, draped with a strand of white pearls. Its black hair falls over one shoulder, and a gold crown with a red tilak on the forehead adorns its head. Thick garlands of orange and red silk roses hang across its body, with pink flowers beside it. A glass vase of rose stems stands to the right, and gold ritual vessels and string lights glow in the background.

Photograph of three gilded metal deity murtis on a decorated altar, dressed for worship with garlands of orange marigolds, red and pink roses. The central murti wears a gold crown, pearl necklaces and a gold torso adornment; the left murti wears a blue and gold necklace and a pink dhoti, and the right murti wears a pink silk sari with gold border and pearl strands. Behind them hangs a red cloth banner printed with a seated deity and a golden nandi bull, flanked by blue and orange flags. Rose petals, colourful fairy lights and a gilded arched frame surround the murtis on a purple cloth.

Pictures from the day

1 dated photos in previewSource gallery

A split video-call screenshot of an online KAILASA Calgary daily update. On the left, a smiling woman with long blonde hair and a bookshelf with a brown curtain behind her appears in a home room, with a small caption reading TX BALANANDA NC. On the right, a woman in a dark outfit sits cross-legged on a wooden floor smiling and gesturing toward a statue in a room with beige walls; a seated figure in orange and red garments with red beaded necklaces and a red hat sits on a raised platform behind her, appearing to be a devotional statue rather than a physical person. The side caption reads Kailasa Calgary Hindu Temple.

Pictures from the day

23 dated photos in previewSource gallery

Photograph of a wooden table display set up with a wicker backdrop and small silver bells hanging from metal stands. Central brass figure of a standing deity murti with raised hands, green sash and red garland. Scattered orange and pink rose petals surround several small carved wooden or stone figures, a dark rudraksha-style mala hangs on the left, and a numbered tag reading 33 sits at right. Printed booklets and a framed card with a Sri Chakra diagram lean against the backdrop, and a printed book cover shows a snowy mountain and a seated figure. No people are visible.

A photograph of a devotional offering table draped in red cloth. In the foreground, bowls and plates hold cupcakes with white frosting, cubed potatoes, black beans, black sapote-like fruit, watermelon, shredded vegetables, greens and a yellow-patterned bowl. At left, a white basin holds a small figure of a turbaned man with a red turban and garland, flanked by golden Ganesha figurines and orange petals. Behind, a wooden tray of orange flower petals and small deity murti sits beside brass bells, a rudraksha mala and a golden deity figure on an altar with a woven wicker backdrop. No people are visible.

Close-up photo of orange and yellow rose petals scattered over a wooden surface and a small metal tray. Among the petals sit small statuettes: a silver-toned figure holding a trident-like implement and wearing a black cord with a rudraksha bead, a golden seated figure in the background, and a carved ochre figure within an arched frame on the right. No people are visible.

Close photograph of a home altar: a brass deity murti with a tall crown, Vaishnavite urdhva pundra tilak on the forehead, and a necklace of red and teal stones, decorated with a green leaf and orange flower petals. In front, a small brass hand bell hangs from a metal stand beside a dark wooden rudraksha-style mala. A small carved figure with a rudraksha bead sits on the lower left among more orange petals and a green spider-plant leaf. No people are visible.

Pictures from the day

4 dated photos in previewSource gallery

A close selfie-style photo of a smiling woman indoors, standing against a pale pink wall under a textured ceiling. She wears rimless-framed brown glasses, a dark round bindi and a white vertical forehead mark, and a cream saree with grey pinstripes and a small woven border. Hair is pulled back and she has small earrings.

Pictures from the day

42 dated photos in previewSource gallery

A brass oval tray on a maroon and gold brocade cushion holds an arrangement of silver ritual items, white pearl strings, a yellow marigold, a pink-and-yellow dahlia and red flower petals. Silver-toned vessels stand on a silver plate beside a faceted purple stone, and a jeweled ornamental border with green and red gems lies along the front. The setting is a plain draped background with no people visible.

Close-up photo of a dark black stone Shivalinga resting on a carved black stone yoni-pitha base, with a pale white ash or sandalwood paste ring around its foot and white horizontal lines marking its surface. Behind it stands an ornate gold shrine or altar with lattice panels, draped in brown and pink cloths, with red velvet curtains in the background. A small metal bowl sits at left. No people are visible in the frame.

A large golden statue of Nataraja, Shiva as the lord of dance, stands within a circular arch of ornate golden flame-like filigree in front of a deep red velvet curtain. The dancing murti has four arms, a flaming halo and a crown, with a small drum and a serpent visible. A bare-chested priest in a white dhoti with a black face mask stands at the right with palms pressed together in namaste, wearing a rudraksha mala and vibhuti marks on his chest and forehead. A tall vertical banner with bird and lotus motifs in red, green and blue hangs on the right. The scene suggests a Natarajar abhishekam setting.

A bronze-gold standing statue of a bare-chested figure with raised right hand in blessing and ornate lower-garment with decorative belt, placed before a deep red velvet drape beside a tall pillar with colourful painted panels of birds and lotus motifs. To the right, a man in a white dhoti with white sacred markings on his arms and chest, wearing a black face mask, stands with palms pressed together in namaskar, bowing toward the statue. The statue is an image, not a physical person, and the single physical person is the devotee in white.

Pictures from the day

2 dated photos in previewSource gallery

Pictures from the day

20 dated photos in previewSource gallery

A screenshot of a video call gallery with five participant tiles on a dark background. Top left, a woman with glasses and a red bindi sits before a framed picture of a saffron-robed figure with a turban. Top centre, a woman with a red bindi and raised hand icon sits in a room. Top right, a woman in dark clothes sits cross-legged on a rug in a living room with a sofa and curtains. Bottom left, a woman in a red sari presses her palms together before a small figurine on a table. Bottom right, a smiling woman in white clothes with a pendant stands before a framed picture. Name labels read C A Shakunthaladevi Dayalingam, Bhowattee's iPad, A17 - Lillian Mustaf, Dr Nirmala Sivaji and Premabhaktika. Two physical people are shown in the tiles at most per frame, and the gallery shows five participants.

A Zoom meeting gallery screenshot showing a grid of video tiles with participants in home settings. Most tiles show women speaking from rooms with sofas, shelves, framed pictures and a small altar. One top-right tile shows a woman in red and yellow clothing before an altar with a lit lamp and a small deity murti. Participant name labels appear on each tile, and the Zoom toolbar shows 15 participants, 9 chat messages and a Mute/Stop Video/Record control bar with the time 5:51 AM on 2021-09-19. Fourteen physical people are visible across the tiles, though several are only partly shown.

A Zoom video call screenshot in gallery view with twelve tiles of participants in home settings. Top row: a woman in a white top with a red bindi, a smiling woman in an orange top beside a framed portrait, a woman in a red top seated before a small shrine with a figurine, and a woman in front of a painted mountain landscape. Middle row: a smiling woman, a woman in an orange sari before framed pictures, a woman in glasses, and a woman seated in a living room. Bottom row: a woman in white robes before a framed picture, an empty silhouette placeholder, and a tile labelled with a name. The Zoom toolbar shows Mute, Stop Video, Participants 12, Chat, Share Screen, Raise Hand, Record and Leave, with a time of 6:16 AM and date 2021-09-19.

Pictures from the day

1 dated photos in previewSource gallery

A screenshot of a video call grid with four participant tiles. The top-left tile shows a bearded smiling man with glasses and headphones in front of a framed black-and-white image of a figure holding a trident, with colourful pom-pom decorations and a patterned cloth behind him. The top-right tile shows a man with a bald head and grey beard in a room with framed pictures on the wall, labelled "LT/A26 Nithya Jnanamaya Priyānanda". The bottom-left tile shows a smiling man with dark hair and a white background, labelled "LT Yoanny V...". The bottom-right tile shows a smiling young woman with blonde hair and braces against a white background, labelled "LT-Anny Torr...". Participants appear to be on an online session.

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 9/19/2021

10 photosView all

A home shrine photographed head-on. A large framed print on the left shows Shiva seated with Parvati, Ganesha on Shiva's lap and a young Murugan beside them, with a white bull, snowy peaks behind, and a lingam with a lotus at the base. To its right a framed image of a deity holding a sugarcane stalk and a trident-like staff, wearing a tall crown and red garments, stands in a golden arch. In front are small carved figures of seated figures in red robes and a brass lamp, a bowl of white jasmine flowers, a brass kalasha-style vessel, and a garland of pink and white flowers. A dark wooden murti in yellow-trimmed cloth stands at the right edge. No people are present.

A home shrine photographed head-on, dominated by a life-size cutout of a smiling man in an orange-red turban, orange robe, rudraksha-style beads and a gold necklace, holding a small trident, with a tilak on his forehead. Above him hangs a framed Tanjore-style painting of a seated figure in pink-orange robes on a gilded throne with green curtain. Around the shrine are framed photographs garlanded with marigolds and white flowers, a folk-embroidered blue cloth bag, a small metal deity murti, a bronze idol, a brass kalasha-like pot, a clear glass vessel, a brass oil lamp (aarti lamp) with flowers, and a dish of small clay lamps. A folded orange-red cloth lies at the left and a framed image of Shiva with trident hangs at the right. No physical people are present.

A photograph of a home altar display with a pair of brown padukas (sandal-shaped footprints) set on a dark cloth, decorated with white jasmine garlands, rudraksha malas with gold caps, yellow marigolds, purple and white flowers, green leaves and small brown seed pods. Behind them stands a red-and-gold deity figure with a gold necklace, a Sri Chakra card, a crystal, a glass with red offering and framed prints. A leopard-print cloth covers the table, and brass lamp stands and a bell are visible at right. No people are present.

KAILASA SEATTLE, USA on 9/19/2021

2 photosView all

KAILASA BELGIUM on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily pictures-Weekly Abhishekam seva

Event Details
Participants Count	0
Event Type	In-Person
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	2
Event Duration

Abhishekam&Alankaram || 19 September 2021

Pictures from the day

KAILASA CALGARY, CANADA on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily [email protected]

Event Details
Participants Count	2
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served	0
Volunteers Count	1
Event Duration	one hour

Daily PVK morning spiritual routine

Pictures from the day

KAILASA LATIN AMERICA on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	48
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	14
Event Duration	9

💛🛕COMO TE AYUDAN Y TRANSFORMAN LOS SATSANGS Y BHAVA SAMADHI'S Que Sucede durante el Satsang en ti; aun si no hablas el idioma Sanskrito, Hindi, Ingles, esta ciencia te ENRIQUECE te Apoya en tu Avance aun mas allá del idioma hablado.

TENER DARSHAN O INCLUSO UNA VISIÓN DE UN AVATAR LIMPIA LOS KARMAS DE LAS VIDAS, Y CREA UNA TRANSFORMACIÓN PROFUNDA Y DURADERA EN NOSOTROS.

LAS NEURONAS ESPEJO SON NEURONAS ESPECIALES QUE OBSERVAN E IMITAN LAS ACCIONES DE LA ACTIVIDAD NEURONAL DEL AVATAR EN NUESTRO INTERIOR SÓLO CON VER. DURANTE EL DARSHAN, NUESTRO SER COBRA VIDA Y CELEBRA CON LA ONDA ENERGÉTICA DE LA EXISTENCIA. NUESTROS PROPIOS MÚSCULOS APRENDEN A IMBUIR E IRRADIAR PARASHAKTI O PARASHIVA Y SUS VARIAS ENCARNACIONES*

SATSANG Y LOS DARSHANS ESTE ES UNO DE LOS PROCESOS ANTIGUOS MÁS PODEROSOS DEL HINDUISMO DONDE NUESTRAS NEURONAS CEREBRALES REFLEJAN Y PROCESAN EL AVATAR QUE ESTÁ ENCARNANDO LA CONCIENCIA DIVINA. ESTE REFLEJO SUCEDE MAS AYA DEL IDIOMA HABLADO.

EL SUPREMO PONTIFICE DEL HINDUISMO SU DIVINA SANTIDAD NITHYANANDA PARAMASHIVAM COMO AVATAR DE NIJA-AVATAR Y SUS MULTIPLES DIMENSIONES DE PARASHAKTHI Y PARASHIVA - TAL COMO SUS AUSPICIOS, PODERES Y LA POTENCIA DURANTE LA LECTURA AKÁSICA DE PARASHAKTI Y DURANTE LOS DARSHANS.

¿QUE SUCEDE CON LOS DEVOTAS? COMO RESULTADO DE ESTAR EN EL ESPACIO DE RECIBIR Y ESCUCHAR, ESAS CUALIDADES/ ATRIBUTOS MÁS ELEVADOS, LOS EXTRAORDINARIOS PODERES DIVINOS SE DESPIERTAN EN NOSOTROS POR LA GRACIA Y LAS BENDICIONES DEL SUPREMO PONTIFICE DEL HINDUISMO SU DIVINA SANTIDAD NITHYANANDA NITHYANANDA PARAMASHIVAM

¿QUÉ ES LA LECTURA AKÁSICA? LAS LECTURAS AKÁSHICAS SON LOS ARCHIVOS CÓSMICOS - REGISTROS CREADOS EN EL ESPACIO LA LECTURA DE ESOS ARCHIVOS CÓSMICOS SE CONOCE COMO "LECTURA AKÁSHICA".

REVELA DESDE LAS PREGUNTAS MÁS COMPLEJAS SOBRE LOS MISTERIOS DEL COSMOS HASTA LAS BÚSQUEDAS MÁS PERSONALES DE UNA PERSONA QUE BUSCA ORIENTACIÓN SOBRE SUS ACONTECIMIENTOS FUTUROS O PASADOS

COMO AVATAR DE PARAMASHIVA Y PARASHAKTI, EL SUPREMO PONTIFICE DEL HINDUISMO SU DIVINA SANTIDAD NITHYANANDA, HA AGRACIADO A LA HUMANIDAD CON LAS BENDICIONES Y LOS DARSHANS REVELANDO LAS RESPUESTAS A LAS PREGUNTAS A LOS ANHELOS DE LOS BUSCADORES COMO SOLUCIONES, AVANCES Y LIBERANDO A LA HUMANIDAD DEL DOLOR Y EL SUFRIMIENTO

CUALQUIER RESPUESTA DADA POR PARASHAKTI NO ES SÓLO UNA RESPUESTA, SINO UN AVANCE KÁRMICO PARA EL RECEPTOR Y LA PERSONA QUE ESCUCHA.

REFERENCIA BÍBLICA A LA LECTURA AKÁSICA: FUENTE: DHARANA 61, SUTRA 84, VIJNANA BHAIRAVA TANTRA ĀKĀŚAṀ VIMALAM PAŚYAN KṚTVĀ DṚṢṬIṀ NIRANTARĀṂ | STABDHĀTMĀ TAT-KṢANĀD-DEVI BHAIRAVAM VAPUR-ĀPNUYĀT || 84 || BHAGAVAN PARAMAŚIVA DICE: MIRANDO EL INMACULADO E INFINITO ESPACIO ETÉRICO, ĀKĀŚA MÁS ALLÁ DEL CIELO Y LAS NUBES, SE DEBE FIJAR LA MIRADA (DEL TERCER OJO) SIN PARPADEAR, CONTINUAMENTE, Y HACER QUE EL CUERPO Y EL ESPACIO INTERIOR ESTÉN FIRMES E INMÓVILES. EN ESE MISMO MOMENTO, OH DEVI, UNO ALCANZA LA NATURALEZA Y LOS PODERES DEL ESPACIO INFINITO, BHAIRAVA

BENEFICIOS DE LA LECTURA AKÁSICA O DE SER EL ESPACIO DONDE SE REALIZA LA LECTURA AKÁSICA POR LA ENCARNACIÓN VIVIENTE CUANDO PIENSAS EN TODO EL COSMOS CON SUS TRILLONES DE ESTRELLAS, SOLES, LUNA, TE LIBERAS DEL PROBLEMA QUE TIENES, AL QUE CONSTANTEMENTE LE DAS VUELTAS Y PIENSAS SÓLO EN TU CASA DE 2000 PIES CUADRADOS.

CUANDO ESCUCHAS ESTOS PATRONES DEL COSMOS, TE LIBERAS DE LOS PATRONES VINCULANTES QUE LLEVAS EN TU CUERPO. LOS PATRONES MACROCÓSMICOS TE LIBERAN DE LOS PATRONES MICROCÓSMICOS

LOS ARCHIVOS CÓSMICOS PUEDEN SER LEÍDOS, ALTERADOS, CORREGIDOS, RE-REGISTRADOS, RE-ENCUADRADOS NO SÓLO PARA TU FUTURO, SINO QUE TU PASADO TAMBIÉN PUEDE SER COMPLETAMENTE DIFERENTE. PORQUE EL KAALA (TIEMPO) ES UN EJE EN EL HINDUISMO.

CUANDO TE SIENTAS EN LAS SESIONES DE LECTURA AKÁSICA CON PARASHAKTI, TU CONCIENCIA SE ELEVA AUTOMÁTICAMENTE MÁS ALLÁ DEL TIEMPO Y EL ESPACIO, LO QUE PUEDE LLEVARTE A MILLONES DE COSAS AUSPICIOSAS INEXPLICABLES

ES UNA VENTANA A LA EXTENSIÓN INFINITA DE LA CONCIENCIA, QUE NOS PERMITE VISLUMBRAR LO INFORME DE UNA MANERA QUE PODEMOS ENTENDER.

NUESTRA PROPIA BIO-MEMORIA DESPIERTA AL ESPACIO DE PARASHAKTI; LA CONCIENCIA ÚLTIMA DURANTE EL DARSHAN

TENER DARSHAN O INCLUSO UNA VISIÓN DE UN AVATAR LIMPIA LOS KARMAS DE LAS VIDAS, Y CREA UNA TRANSFORMACIÓN PROFUNDA Y DURADERA EN NOSOTROS.

ESTA CIENCIA NO CONOCE LA DISTANCIA - UN FENÓMENO QUE LA CIENCIA MODERNA ACABA DE DESCUBRIR Y QUE DENOMINA TUNELIZACIÓN CUÁNTICA ¿QUÉ ES LA LECTURA AKÁSICA DE PARASHAKTI? DESPUÉS DE HABER COMPLETADO CON ÉXITO EL PACHAI PATTINI VRATHAM, DEVI MAHAMARI ,PARASHAKTI MISMA SE MANIFIESTA DIRECTAMENTE PARA BENDECIR AL MUNDO.

¿POR QUÉ DEBERÍAS FORMAR PARTE Y ENRIQUECER A OTROS PARA QUE SE UNAN? TÚ Y TUS SERES QUERIDOS TIENEN LA OPORTUNIDAD DE HACER CUALQUIER PREGUNTA (PERSONAL, PROFESIONAL, SOCIAL, GLOBAL) A DEVI PARASHAKTI, LA PROPIA PARASHAKTI, QUE SE MANIFESTARÁ A TRAVÉS DEL SUPREMO PONTIFICE DEL HINDUISMO EN ESE MOMENTO, LEERÁ LA SOLUCIÓN DESDE LOS ARCHIVOS CÓSMICOS. PUEDES PUBLICAR TU PREGUNTA DURANTE EL PROGRAMA EN DIRECTO.

ESTAR PRESENTE EN PRESENCIA DEL AVATAR DURANTE ESOS MOMENTOS ES DE GRAN IMPORTANCIA YA QUE UNO REFLEJA LAS NEURONAS DE LAS VERDADES DEL PRINCIPIO CÓSMICO EN VIVO: HTTPS://WWW.YOUTUBE.COM/LIFEBLISSFOUNDATION WWW.NITHYANANDA.TV

Pictures from the day

Videos from the day

KAILASA OHIO, USA on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	4 for Yoga and 5 for Puja
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	0
Event Duration	100 Min

BrahmaMuhurta Yoga and Puja

Pictures from the day

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	2
Event Type	In-Person
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	1
Event Duration

We offered the daily Guru Puja and Shiva Puja to the sacred Padukas of our beloved Guru, Supreme Pontiff of Hinduism Jagatguru Mahasannidhanam HDH Bhagavan Nithyananda Paramashivam. Such a beautiful blessing.

Pictures from the day

KAILASA SEATTLE, USA on 9/19/2021

Original wiki page

Contents

Daily Update - PDB + Daily pictures-Puratasi Chathurthasi Natarajar Abhisekam

Event Details
Participants Count	9
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	10
Event Duration

"We start the day with performing the Suprabatham seva. It is the sacred process of waking up the deities. Morning Naivedhyam was offered to Moolavar.

Evening PPP was offered to SPH JGM HDH Bhagawan Nithyananda Paramashivam. Evening naivedyam was offered to moolavar & HDH Nithyananda Paramashivam. We concluded the day with Palliarai Seva - The sacred process of putting the deities to sleep.

Kailasa Seattle also celebrated Purattasi Chaturdhasi Natarajar Abhishekam by offering Abhishekam & Alankaram to Sri Ananda Nataraja, Sivagama Sundari Devi, SPH Nithyananda Paramashivam, Moolavar Sri Nithyanandeshwara Paramashiva. Sri Ananda Natarajar Puja was also offered.

We continuously enrich the local community by conducting Vaakyartha Sadas and by creating posts across various social media platforms with the sacred truths revealed by HDH, darshan pictures of the deities and by going live during Bhava Samadhi Darshans & satsangs."