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Saturday

18 September 2010

The Kundalini Sakthi Your Secret to Success

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A man seated on a cream upholstered chair with carved black wooden armrests speaks into a microphone during a satsang talk. He wears a multicoloured red, yellow, green and purple bandhani-patterned turban and an orange-red unstitched robe with embroidered border, draped over one shoulder. A thick ornate gold bead necklace with black accents hangs across his chest, and he has a red bindi on his forehead. His right hand is raised in a gesture while his left hand holds the beads of the necklace in his lap. Swamiji (probable) cues: long swept-back hair, ornate gold necklace, saffron-orange robe and colourful turban, with the speaker seated as the discourse presenter.A man seated on an ornate cream upholstered throne with carved black wooden armrests plays a red drum set in front of him with two wooden sticks. He wears a red-and-multicolour patterned turban, an orange-saffron shawl draped over his shoulder and body with teal-edged border, and a long necklace of gold beads, with a red bindi on his forehead. A microphone stand is at his side, and a banner behind him reads Yoga Sutras in gold glitter letters on a green background with a yoga pose figure. Swamiji (probable): long dark hair, turban, saffron shawl and ornate gold necklace, seated on a throne during a talk.A photograph of a golden temple shrine showing a large gilded murti of Shiva and Parvati seated side by side under an ornate gold arch with red drapery. The male figure wears a red turban and gold jewellery and holds a trident, while the female figure wears a red and pink sari with a crown and layered necklaces. In front stands a golden lingam-like form draped with red and yellow marigold garlands, with a small seated figure in red robes and a white head covering at its base. Brass oil lamps on tall stands flank the shrine, and a brass plate of flowers and offering vessels sits on the stone platform. No physical people are visible.

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1,056 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

01-Temple

24 dated photos in previewSource gallery
A photograph of a golden temple shrine showing a large gilded murti of Shiva and Parvati seated side by side under an ornate gold arch with red drapery. The male figure wears a red turban and gold jewellery and holds a trident, while the female figure wears a red and pink sari with a crown and layered necklaces. In front stands a golden lingam-like form draped with red and yellow marigold garlands, with a small seated figure in red robes and a white head covering at its base. Brass oil lamps on tall stands flank the shrine, and a brass plate of flowers and offering vessels sits on the stone platform. No physical people are visible.A photograph of a golden Shiva lingam set in a gilded yoni-peetha base, draped with garlands of yellow marigolds, purple flowers and red roses. Behind it stand large gold-painted deity murtis: a male figure with a trident and a female figure in a red and pink sari with heavy jewellery. In front, a small white marble statue of a seated figure in red robes and a red head covering, one hand raised, sits on the base. Brass oil lamps, a brass pot, a small brass vessel and a covered silver tray stand on the stone platform. No living people are visible.A photograph of a temple shrine with a large deity murti dressed in pink and red garments with gold jewellery, standing behind a golden throne-like pedestal (peetha) draped with garlands of yellow marigolds, red roses and purple flowers. A small white statue of a seated figure in a red robe and red cap sits at the front of the pedestal, with brass oil lamps (deepas) flanking the scene, a brass kalasha and offering vessels, and bowls of flower petals and kumkum on the floor. The statue is a depiction, not a living person, so no physical people are present.A photograph of a golden shrine scene with a large deity murti draped in pink and red fabric, garlanded with yellow marigold and red rose garlands with purple accents. A golden throne-like base holds a golden kalasha-style crown or lingam-shaped element. In front, a white statue of a seated figure wearing a maroon head wrap and maroon robe with a silver-edged sash sits in a ritual setting, surrounded by golden oil lamps, brass pots, a small brass bowl, flower offerings and red kumkum or offerings on a cloth. The statue is a sculpted figure, not a living person, and no physical people are visible.A golden shrine houses a pair of large deity murtis, a male figure with a trident and a female figure in red and gold, both adorned with gold jewellery, against a gold arched frame. Garlands of yellow and magenta flowers drape the figures and a silver-and-gold shivalinga-like lingam stands in front on a gold peetha. Tall brass oil lamps flank the shrine. In the foreground a small figure in a red garment and red cap, seated or bowed in front of the offering, is visible at the base of the platform. Several brass lamps and a copper vessel sit on the floor. The scene has no clearly visible devotees beyond this small bowed figure, and the figure's identity is not determinable from appearance.A photograph of a shrine with a large golden-toned deity murti pair, a male figure in a red turban and crown with a trident and an ornate gold necklace, seated beside a female figure in a red and pink sari with a crown and layered gold necklaces, both garlanded with yellow, red and purple flower garlands. In front, a tall golden kalasha or lingam-like ritual object stands on a gilded peetha, with a row of golden oil lamps on stands flanking the arch. A small figure in red and white ritual clothes kneels or sits at the base, appearing to be a statue or a printed portrait rather than a visible living person.
02

02-Pancha-Tapas

80 dated photos in previewSource gallery
Close-up photo of a man with long dark hair swept back, eyes closed in meditation, wearing a red kumkum dot on his forehead and an orange saffron shawl draped over his shoulders. Two long strands of dark rudraksha beads hang across his chest. Behind him, a yellow and magenta marigold garland hangs against an orange wall, with a dark stone deity murti partly visible at left. Probable Swamiji (probable): long swept-back hair, saffron shawl and rudraksha malas, appearing in meditation before the garlanded shrine. This is a single physical person.Close-up photograph of a man with long, swept-back dark hair and eyes closed in meditation, wearing an orange saffron wrap over a sleeveless orange top and a long double-strand rudraksha mala. A red bindi and white tilak mark his forehead. Behind him, blurred yellow and pink flower garlands hang near a dark deity murti against an orange wall. Appearance-based candidate: Swamiji (probable), shown in person with eyes closed, long swept-back hair, saffron clothing and rudraksha mala.A man sits cross-legged in meditation on an orange cushion placed on a low wooden platform over a woven mat. He wears orange sannyasi robes draped over one shoulder and a long rudraksha mala with large beads, and has a red bindi and long dark hair swept back. His eyes are closed and his hands rest folded in his lap. Behind him stands a dark stone statue of a seated deity draped in yellow and red marigold garlands, in front of an orange stepped structure with palm foliage around.A man with long swept-back dark hair sits cross-legged with eyes closed in meditation, wearing a sleeveless saffron-orange robe draped over one shoulder and a long strand of brown rudraksha beads. A red kumkum dot marks his forehead and his hands rest folded in his lap. A brass vessel sits in the lower left foreground, and two figures in white clothes sit blurred in the background among palm trees. Probable Swamiji: long swept-back hair, saffron robe and rudraksha mala worn in meditation.A man with long dark hair sits cross-legged on an orange cushion, eyes closed in meditation, with hands resting in his lap. He wears a sleeveless saffron-orange robe, a dark rudraksha mala with multiple strands, and a red bindi on his forehead. Behind him, two men in white dhotis sit in the blurred background among palm trees, and a brass kalasha or lamp stands in the lower left foreground. The image appears to be an outdoor meditation or satsang setting. Swamiji (probable): the seated man in saffron robes and rudraksha mala is the central figure in an appearance-based match, with the distinctive long swept-back hair and saffron clothing.Close-up photograph of a man with long, swept-back dark hair and eyes closed, seated in meditation against a softly blurred green background. He wears an orange sleeveless top and an orange draped shawl, with a long rudraksha mala of dark brown beads around his neck and a red bindi on his forehead.
03

03-Pada-puja

118 dated photos in previewSource gallery
A photograph of a ceremonial puja on a stage set with a gilded throne and a backdrop of deity murtis. A long-haired man in saffron-orange robes stands at center, wearing a thick garland of yellow and red flowers and a rudraksha-style necklace. Beside him, a shaved-headed priest in orange clothing with a white tilak and a green-and-gold waist cloth performs ritual gestures. Another orange-robed attendant stands behind them. A man in a white shirt holds a tray on the left, and seated devotees in white clothes sit in the foreground. A gold-framed ornate throne with red cushions and a gilded offering tray with flowers sit at right. Painted pillars and a colourful banner frame the scene.A photograph of a stage ceremony in front of a backdrop showing a painted temple gopuram and a deity murti. A standing man with long dark hair wears an orange-saffron cloth and a long garland of yellow and white flowers, with a probable Swamiji candidate presented in an ornate gold-and-red throne behind him; he is distinguished by his long swept-back hair and saffron garments. Beside him a shaved-headed priest in orange dhoti and orange shawl with a sacred thread stands near a second orange-clad attendant. A man in white shirt and dhoti and a uniformed man hold a tray or package at left. On the right, women sit on the floor, one in a white sari with yellow border. Ornate gold trays with flowers and sweets sit before the throne on a patterned red carpet, and a microphone stands at the lower left. Dark blue curtains frame the stage.A padapuja ceremony in an indoor hall with a large temple backdrop showing a deity murti and stone pillars, with colourful painted banners hanging at the sides. A bare-chested priest in saffron dhoti and orange shawl stands at left, raising one arm and pouring from a vessel over the head of a seated figure in an orange robe wearing a long, multicoloured flower garland. The seated figure sits on a gold-framed throne with red cushions. Gold trays holding flowers and offerings sit on the carpet in front. A man in a white shirt and dhoti holds packets, a man in khaki uniform stands nearby, and women in white and yellow sit on the right side of the hall, with microphones and a camera operator in the foreground.A photograph of a ceremonial moment in a decorated hall. In the centre, a shaved-headed priest with a white tripundra and a red-orange dhoti and shawl stands barebodied on the upper torso, wearing a rudraksha-style necklace, and reaches toward a seated figure draped in an orange-red silk shawl with gold border. The seated figure sits on an ornate gold throne with a red cushion. Beside them, a second robed attendant in saffron stands, and a man in a white dhoti with a lanyard presses his palms together. On the left, a uniformed man holds a tray. Gold ritual trays with pink flowers and lamps rest on a gold stand in the foreground. Behind, a large backdrop shows a painted deity murti with garlands and temple-style pillars. A banner reading is partially visibleA standing man in an orange-saffron robe with a shawl draped over his shoulders is receiving a garland-like wrap from a shaved priest with long hair, white sandalwood markings on his chest and arms, an orange cloth and a rudraksha-style necklace. Beside a gold-carved throne with a red cushion stand a man in orange with a long garland of yellow and white flowers, and a few men in white and orange garments. A silver tray holds flowers and offerings on the foreground table, and a backdrop shows a deity mural of a temple scene. The man on the throne wears a rudraksha-style necklace and his saffron-orange clothing dominates the centre. Several other people observe in white dhotis and orange saffron robes.A ceremonial puja scene in a decorated hall. A bare-chested priest with white sacred markings on his forehead and arms, wearing an orange dhoti and a rudraksha mala, holds a silver tray of offerings toward a young man in an orange robe with a long green, yellow and pink garland. The garlanded man stands beside a golden throne with red cushions, with two golden offering plates of flowers and food on a low golden table in front. Behind them stand a man in an orange cloth, a man in a white shirt, and other attendants in white and khaki. A large temple-gopuram backdrop with a deity murti and colourful hanging banners frames the scene. Several seated devotees and a microphone appear in the foreground.
04

04-Morning-Message

75 dated photos in previewSource gallery
A photograph of a man seated on an ornate gold throne with red cushions, eyes closed and palms pressed together in namaste. He wears an orange-saffron robe with a matching orange shawl, a long garland of yellow marigolds alternating with red flowers and green leaves draped over his shoulders, and white vibhuti with a red kumkum dot on his forehead. A microphone stands beside him, and a gold-and-red backdrop with carved temple pillars is behind him. Swamiji (probable): long swept-back hair, saffron clothing, a flower garland and vibhuti mark, seated in the position of honour on the throne.A seated man with shoulder-length dark hair, a white vertical tilak and red bindi, wearing an orange saffron shawl over orange robes, sits with palms pressed together in namaskar and eyes closed. A green leaf garland and long yellow and red flower garland hang over his shoulders and lap. He sits on an ornate gilded throne with a red velvet cushion and armrest, with a microphone stand in front and a golden backdrop of temple pillars behind him.A man seated on an ornate gilded throne with a red cushion, eyes closed, palms pressed together at chest in namaste, with a microphone on a stand nearby. He wears an orange-saffron silk shawl with gold zari border and orange garments, a green leaf garland layered with yellow and red marigold-type flower garlands, and a white tripundra with a red bindi on his forehead. Red and white draped fabric forms the background.A seated man with long dark hair and a white vertical tilak with a red dot on his forehead sits on an ornate gold-and-red throne. He wears an orange-red silk shawl with gold borders and a thick garland of green leaves, yellow marigolds and red flowers around his neck. He presses his palms together in namaste with eyes closed, and a microphone stand is visible at his side. Behind him are red and gold drapes and a pillar. Swamiji (probable): long swept-back hair, orange silk shawl and ceremonial garlands, seated on a throne in the role of the honoured speaker.A man sits on an ornate gilded throne with a pink cushion, eyes closed and palms pressed together in anjali mudra at his chest. He wears an orange-saffron silk shawl over a bare upper body, a garland of green leaves and red and yellow flowers around his neck, and a white vertical tilak with a red bindi on his forehead. A microphone on a stand is at his right, and a red and pink backdrop is behind him. Swamiji (probable): long swept-back hair, orange-saffron silk wrap and ornate gold-throne setting in a satsang discourse context.A seated man in an ornate gold throne with carved gold armrests sits with palms pressed together in anjali mudra before a microphone stand. He wears saffron-orange robes, a long garland of red roses, yellow marigolds and green leaves, and has a tilak on his forehead with dark, long hair. Behind him, a large backdrop shows painted deities and temple lamps, and a small framed deity murti stands on a red pedestal. The gold throne has red cushions. A printed copyright notice overlays the lower right of the image.
05

05-Sarva-Darshan

65 dated photos in previewSource gallery
A photograph of a crowd of devotees pressed against a metal railing in a covered outdoor temple area. A man with long swept-back dark hair, wearing a saffron orange sleeveless robe and a long dark rudraksha mala, smiles broadly and raises one hand in blessing toward the devotees, who hold their palms pressed together in namaskar. Beside him a shaved-headed sannyasi in orange robes and a rudraksha mala holds a brass tray with a saffron cloth and a golden kalasha-style vessel. Behind them is a small ornate golden shrine with red and orange drapes, and more devotees, including women in red and maroon saris, stand nearby.A photograph of a Hindu ritual setting under a tented canopy with a temple shrine behind. A man with long swept-back dark hair wears an orange saffron robe, rudraksha malas and a bead necklace, and extends his right hand toward devotees pressing palms together at a metal railing on the left. Beside him a shaved-headed attendant in saffron holds a brass tray with a golden ritual vessel draped in orange cloth. On the right a shaved-headed priest in white dhoti and shawl with white forehead markings stands with hands folded, and a woman in a green sari with a red shawl and glasses also stands with palms joined. Several male devotees in white and checked shirts crowd the railing. Behind them a red and gold shrine with decorative arch.Outdoor temple-area photo under a corrugated shade canopy. A man with long swept-back dark hair, a red bindi and a rudraksha mala, wearing an orange saffron robe, raises his right palm in blessing toward a crowd of devotees with hands pressed together in namaste. A shaved-headed monk in orange stands in the right foreground, and a bald man in a white dhoti and shawl is at the far right. Behind the crowd are ornate golden temple pillars and a pink-trimmed shrine structure.A photograph of an outdoor darshan at a temple-like setting under a tarpaulin canopy. A man with long swept-back dark hair, wearing an orange saffron garment, a rudraksha mala and a red tilak on his forehead, stands at the centre and places his hand on the head of a kneeling man in a white striped shirt who bows with hands joined. Another man in a white shirt stands at left, a man in an orange robe with a rudraksha mala stands at right, and a crowd stands behind a metal railing. Gold bangles are visible on the kneeling man's wrist and a brass plate of offerings sits at lower right. Swamiji (probable): the central figure shows long swept-back hair, saffron clothing and rudraksha malas, and is giving blessing as a teacher.A photograph of a long-haired figure in an orange saffron robe with rudraksha malas placing his hand on the head of a young man in a light checked shirt during a blessing. Beside them, a bald attendant in orange holds a brass plate of offerings, and another monk in white with tilak stands at the right. On the left, a young man in a white t-shirt with a red wrist thread stands at the railing with hands folded. Behind them is a canopy, a wall of colourful painted panels and a golden deity murti in an alcove. A printed poster of photographs hangs on the left wall.A photograph of a darshan line under a corrugated metal roof with ceiling fans and steel railings. A man with long swept-back dark hair, wearing an orange saffron robe and a long rudraksha mala with a vibhuti mark on his forehead, places his right hand on the head of a young man in a white t-shirt and glasses who bows his head. Behind them, a man in an orange robe holds a brass tray of offerings, and a white-clad priest stands at right beside a devotee crowd. Tall orange cloth hangs in the background and a red carpet runs below.
06

06-E-kalpataru-Morning-Session

92 dated photos in previewSource gallery
A photograph of a projector screen showing a video-call window titled Malaysia E.Kalpataru with a timer reading 06:44. The live feed shows a crowded hall of seated devotees in white, a few standing figures, and a tiered platform draped in orange and red cloth with a white flower motif and marigold petals. A small inset shows an orange-robed figure with a crown-like head covering seated before a lamp. Beside it are Notepad windows listing agenda items such as Prasadham, Cake Cutting for Little Anantha Launching, and Kalpataru, and a note about VIP names and a special branch officer.A photograph of a projection screen showing a video call window. The video shows a group of people in white clothes gathered around a raised platform decorated with an orange-and-gold cloth and a floral arrangement with a white deity murti at its centre. A man in white kneels at the platform's side, and a woman in white sits beside him, with a crowd of onlookers behind them. In the lower left corner of the call window is a small inset of a figure in orange robes with a large ornate gold crown and a rudraksha mala, seated against a glowing backdrop; the appearance cues of this inset are consistent with Swamiji (probable), shown as a depiction on screen.A photograph of a projection screen showing a Skype video call window titled "Malaysia E.Kalpataru" with a timer reading 06:54. The call feed shows a crowd of people in white clothes outdoors, with a seated man in white at left, a standing man in white and dark trousers in the centre, and a woman in white at right seated before a red-draped table holding a decorated ritual vessel and a tray of flowers. A small inset picture at lower left shows a deity or saint figure in orange and gold. Skype chat text is partly visible on the left window edge, and a copyright notice appears vertically on the right side of the screen.A seated man with long swept-back dark hair wears a saffron-orange robe and sits on an ornate gilded throne carved with a lion-like figure, in a bright hall with a thatched ceiling. A cameraman in white with a yellow shawl films him with a camera on a tripod. A projection screen on the left shows a video of a crowd and a lectern-style laptop sits nearby. A framed painting of a seated woman in a red-orange tone hangs on the wall behind, and a blue tablecloth covers a long table. Swamiji (probable): the seated man wears a saffron robe, long swept-back hair and sits on a gilded throne, a presentation cue consistent with a speaker at a satsang.A seated man in an orange saffron robe with long swept-back hair sits on an ornate carved wooden throne with gold lion-head carvings, beside a blue draped table. He is the probable Swamiji, identified by long hair and saffron clothing, and is in the room where a live talk is being filmed. Behind the table, a cameraman in white and yellow clothing films with a video camera on a tripod. A projector screen at left shows a video call with participants. A framed portrait of a woman in orange robes hangs on the wall, and a thatched roof overhead.A photograph of a meditation hall with a thatched ceiling and white curtains. On the right, a man with long dark hair wears an orange robe and sits on a carved wooden throne with gold lion-head armrests, hands folded, facing left. A second man in white clothing with a yellow shawl stands near a camera on a tripod, a small figure of the head on a blue-draped table. A projector screen on the left shows a web page with a group photograph of people outdoors. A framed portrait of a woman in orange hangs on the back wall beside a potted plant. Probable Swamiji seated on the throne in orange robes with long hair, with a gold lion-headed armrest and a tall wooden backrest.
07

07-Yoga sutras-Evening session

44 dated photos in previewSource gallery
A man in orange robes and a multicoloured turban sits on a beige upholstered throne with black carved armrests on a stage. He wears a long gold-bead garland and holds a microphone on a stand in his right hand, speaking during a talk. Behind him hangs a green banner reading Yoga Sutras in gold glitter letters, above navy blue curtains. A small table to the left holds a vase of red and white flowers and a brass vessel. The stage floor has a patterned red and orange rug.A man seated cross-legged on a large beige upholstered throne with black carved wooden arms, in front of a dark blue draped backdrop and a green banner reading Yoga Sutras. He wears a red-and-multicolour striped turban, saffron-orange robes, and a yellow-and-white flower garland, with hands pressed together in namaste. A flower arrangement of red and white roses in a metal vase sits on a white pedestal to his left, and a microphone stand is at right. Probable Swamiji cues: a turban and saffron robes on a throne during a seated talk. One person is visible.A man seated cross-legged on a tan upholstered throne with ornate black carved armrests on a stage, palms pressed together in namaste with eyes closed. He wears a red and multicoloured turban, an orange-saffron robe, and a long strand of gold-toned beads around his neck. A microphone stand stands at his right, and a vase of red and white roses sits on a white pedestal at left. Behind him hangs a navy curtain beneath a green banner with golden lettering reading Yoga Sutras, with a yellow yoga figure in the middle. The Swamiji (probable) cues are the swept-back long hair under the turban and the saffron robe with ornate gold necklace, and he is seated in the chair of honour at a Yoga Sutras talk.A man seated cross-legged on an ornate tan upholstered throne with dark carved wooden armrests, hands pressed together in namaste. He wears a red and orange turban, an orange-saffron robe draped over the shoulders and lap, and a long gold-beaded necklace. A microphone stand is at right. Behind him hangs a banner reading Yoga Sutras with a yellow yoga figure, above dark blue drapes. A vase of red and white flowers sits on a white pedestal at left. The Swamiji (probable) cues are the swept-back hair, turban, saffron clothing and ceremonial gold necklace, in this yoga sutras talk setting.A man seated cross-legged on a cream upholstered throne with a dark carved wooden back, palms pressed together in namaste at his chest with eyes closed. He wears a red and blue bandhani-style turban with a red tilak on his forehead, an orange-red shawl draped over his shoulders and body with green embroidered borders, and a long multi-strand gold bead necklace. A microphone stand is angled toward his face. Behind him a grey-green banner shows large gold glitter letters reading Sutra. Swamiji (probable): the appearance shows a turban, orange-red robes, and ornate gold necklace, consistent with the page's identification of a discourse speaker.A seated man with eyes closed and palms pressed together in namaste, speaking at a microphone on a cream upholstered throne with a black carved frame. He wears a multicoloured striped and red patterned turban with a red bindi, an orange-red draped garment with patterned trim, and a long gold bead necklace. Behind him a glittery gold banner reads "Sut" with a yellow yoga figure on the left. Swamiji (probable): the seated figure has long swept-back hair, a turban, saffron-orange clothing and ceremonial gold beads, cues consistent with the page's reference to Swamiji at this event.
08

September 18 2010

558 photosView all
A large hall of seated participants performing a pada puja-style ritual on a polished marble floor. Many men wear white dhotis and white shawls with vertical red-and-white markings on their foreheads and rudraksha malas around their necks, sitting cross-legged before small brass plates, lamps and offering trays on orange and yellow mats. Several have their palms pressed together in prayer. Women in white and pastel clothes and a young child in a teal shirt sit among the crowd. At the lower left, a figure in saffron-orange robes sits facing the assembly, with a bald head visible, and a kalasha-style brass lamp appears nearby. Orange banners hang from the ceiling and a golden deity murti stands in the background.A large hall filled with seated devotees during a pada puja-style ritual. In the foreground, rows of men in white dhotis and white shawls sit on orange mats, many with white vibhuti stripes on their foreheads and rudraksha malas around their necks. Brass plates, small brass lamps and cups sit before them on the mats, and some participants have their hands folded in prayer. Behind them, a larger crowd of seated attendees in white and mixed colours fills the space, with saffron-orange banners with patterned borders hanging from the ceiling. At the far left, a man in orange robes sits facing the group. No clearly visible a person candidate is identifiable from appearance.

September 18 2010

Original wiki page
Contents

Title:

The Kundalini Sakthi Your Secret to Success

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principle Kundalini Shakti during the everyday live public talk - Nithyananda Satsang. In this talk entitled The Kundalini Shakti Your Secret to Success, the Supreme Pontiff of Hinduism revealed that in Arunachala each Temple is an Energy Circuit created by an Enlightened Master and His Samadhi, further sharing that the whole Bharat is an Energy Mandala. His Divine Holiness revealed the secret keys to enter Chidambaram, Thiruvarur and Varanasi and revealed that unless Kaalabhairava allows, one cannot die in Varanasi. He also divulged the secret key of the Arunachaleshwara Kshetra], created by Arunagiri Yogeeshwara, a great Siddha and Mahapurusha, Incarnation of Lord Shiva Himself revealing that He can clearly connect each of Einstein’s article to some Shloka or Sukta of the Upanishads. His Divine Holiness explained that awakening of the non-mechanical parts of the brain is Awakening the Kundalini Shakthi. During the second public talk entitled Your Mind Creates Your World (PYS71): Nithyananda on Patanjali Yoga Sutras His Divine Holiness expounded on the Nature of the Mind and how this very mind creates the outer world we live in.

Video:

The Kundalini Sakthi Your Secret to Success

Transcript:

(0:22)

Sadāshiva samārambām shankarācharya madhyamām Asmadācharya paryanthām vande guru paramparām.

(1:24)

I welcome you all with My love and respects. Today I am so happy with this Arunachala’s prasadam. Our Arunachaleshwara temple chief priest has come here today with the prasadam. Actually I am more happy than when they, when the Colombo university decided to give a doctorate to Me. Two days before I received that news. Today I am more happy than the doctorate news.

(2:16)

Today My message is supposed to be the Kundalini shakti, your secret key to success. But I will say few words on Arunachala first. See each kshetra, the temple, energy centre, has some password; that’s a right thing; some password to access the energy installed in that kshetra. See each kshetra, each temple is a energy circuit, energy mandala, created by some Enlightened Being. For example the Palani is the energy circuit created by great siddha called Bogar. Bogar and his guru Dandapani Swamigal both of them lived there. That’s a kshetra created by Bogar, the energy circuit; and Tanjore temple - the energy circuit created by a siddhar called Karurar, Tirupathi - Enlightened Master called Konganavar.

(3:29)

So each temple is energy circuit created by an Enlightened Master. And always near the garbha mandir of that temple that Master’s Samadhi will be there because that is the energy circuit. Even if you go to Tanjore just behind the temple the Karurar Samadhi will be there. In Palani just near the Subrahmanya sannidhi the Bohar’s tomb; the Samadhi will be there. You see tomb is not the right word. Tomb is a place where the dead bodies are kept after mummified but the Samadhi is the place where the body which is no more required to do what they want is kept. Understand there is two different, big difference. Tomb is a place where the body is no more useful is kept. Samadhi is a place where the body no more required is kept. No more useful is different and no more required is different. No more useful means dead, but no more required means whatever they want to do they have done and they can go on doing what they want to do without that body. That’s what we call Samadhi.

(4:49)

All the great kshetras is great Incarnation’s, Avatara purusha’s, siddha’s, energy field; the sacred energy mandala, energy circle, energy circuit created by them. I can go on giving you thousands of examples. Thousands of energy mandalas exist in the Bharat. That is why the whole Bharat is an energy mandala practically. I was doing the other day research. Even with so much of corruption you should know India is the lowest crime rate in the whole world, lowest crime rate; recorded and unrecorded crime and lowest number of people die in any natural calamity only in India; lowest number of people in natural calamities like a heavy rain, heavy flood, heavy tsunami, earthquake; lowest nature made calamities; because the energy centers, the energy mandalas; they protect.

(6:11)

So each energy mandala has a password. To access the energy of Chidambaram you need to physically go and have darshan, then that is the password you will have the access to the energy. To access the energy of the Thiruvarur, in Thiruvarur that Tamil Nadu there is a place, kshetra, Thiruvarur. If you take birth, your body physical body has to happen there, then you will have the access. That’s a password to have the access to that energy mandala. That’s a key, secret key to access the Thiruvarur’s energy. And Varanasi, if you leave the body there, that is the secret key to access the energy of Varanasi and get enlightened, get liberated.

(7:05)

So each energy field, energy mandala has a secret key to access that power. But I tell you, the most easy password, most easy password, easy key, for example you can’t take birth in Thiruvarur once more, already your birth is over. You can’t, you can’t even plan to die in Varanasi. I have seen hundreds of sadhus who go and stay there spend twenty years to die in Varanasi. They will have some cough, cold, knee pain and they will be taken to a hospital which is just outside Varanasi and they will die there. I have seen…. unless Kaalabhairava allows you can’t die in Varanasi. Hundreds of people... old people or the sadhus they go and live in Varanasi for twenty years waiting for death, just simple cough or cold, fever, they will go to some hospital which is just outside the boundary of Varanasi, die there. So you can’t wait for the death in Varanasi, too difficult password.

(8:27)

And same way Chidambaram, handicap people may not be able to go; so password which may be difficult for at least 10% of the population. Some way if you are handicapped; visually or physically or even mentally; if I have to add the mentally handicap people it will not be just 10% it will be more than that.

(8:56)

I tell you, of course there is one password, universal password, the Arunachala’s password, to access the energy, the energy mandala of Arunachaleshwara. Arunachaleshwara kshetra was the energy mandala created by Arunagiri Yogeeshwara, a great siddha, great Mahapurusha, Incarnation of Shiva Himself. Even in Arunachala temple also just behind the temple his jeeva samadhi is there still and... Most easiest password designed to access the energy mandala is Arunachala’s password; nothing….. just remember; smaranarth Arunachalam. The moment you remember you have access to the energy mandala; the energy circle; the energy of Arunachala kshetra. The moment you remember he is there. You don’t need to take birth, you don’t need to live there, you don’t need to die there, you don’t need you don’t even need to go and visit there. Just remember.

(10:23)

Understand even naasthikaas, even the atheists can do this. Even for wrong reason you remember you are liberated. Even for the wrong reason, whether right reason or wrong reason, smaranarth Arunachalam; just remember you are liberated. The very remembrance connects you with that highest possible energy, the Arunachaleshwara; the living energy mandala, energy circle, spiritual incubator.

(11:10)

Just like every energy field has a password, the password to access the energy of your own energy field, this body. See Gita says kshetra, your body is also a kshetra. It is an energy field. You just do not know the key or the password. The password to access the energy of your own energy field, energy mandala, your own body, is kundalini shakti. Yes I brought it... Just like so many techniques, methods, process to access the different energy fields in the world, kundalini is the key, password to access the energy field of your own body; the kshetra. Bhagavad Gita, there is a beautiful chapter called kshetra kshetragna vipaaga yoga. Science of that kshetra, field and knower of the field, kshetragna, the kundalini is the key.

(12:38)

What is kundalini exactly? In all of you, the huge unimaginable potential energy which stays in the form of the non mechanical parts of the brain. Just because you have human body don’t expect all parts of your brain is functioning. The brain which is related to lungs is functioning, the brain which is related to heart is functioning, the brain which is related to liver is functioning. Whatever organs are alive and active in your body, the parts of the brain which controls those organs and parts of the body is alive and active. But that does not mean all parts of your brain are active.

(13:41)

The facts and scientific researches say, even for Einstein only one three percent of the brain was active, just one three; the modern day scientific rishi who can just put the whole thing together. Each Einstein’s article when I write, when I read I can very clearly connect it to some shloka or sukta of the Upanishads. Just day before yesterday I was reading an article in the you tube where he says, the whole thing is, whatever is, is already definite and already ended, already orchestrated by the force, which our concept or logic cannot grasp; so clear, very clear. Even his brain is only one three percent active; thirteen percent. So just because we have human brain that does not mean our whole brain is alive and active.

(15:12)

Awakening non mechanical parts of the brain is what we call awakening the kundalini shakti. There is a intense potential seed energy residing at the root of your spine which is awakened through the proper process. I can call it the potential bio energy. Through the proper process when it is awakened your whole body, whole brain, whole mind, becomes alive and you have access to the energy field, the energy mandala of your own body, energy circle of your own body.

(16:03)

There is a great lady saint who knows the science of sacred feminine in Tamil Nadu. Her name was Avvayar; very great saint. She gives the whole science of kundalini in her stotra towards Ganesha. She sings beautiful verses on Ganesha. In that, very beautifully she describes the science of kundalini... Just through the process of air how to awaken the fire of kundalini shakti in your body and experience the ultimate success in the outer world and in the inner world. If your non mechanical parts of the brain is awakened the first side effect of it will be the huge outer world success, not as a main effect, side effect. The main effect will be Enlightenment itself. The science which she describes is what we are practicing in the name of Shambhavi.

(17:24)

Last two days the vyana science which we are practicing is a process directly from her, Avvayar. So we will get into the shambhavi, the process of vyana, awakening the kundalini shakti and let you all experience and radiate Enlightenment. So I thank the Arunachaleshwara devasthanam temple priest and offer My humble respects for bringing the prasadam of Arunachaleshwara and we all thank him for being here on behalf of Nithyananda Dhyanapeetam and Me. Let you all achieve and radiate Enlightenment. Let you all experience and radiate the Eternal Bliss Nithyananda. Thank you.

(18:33)

Title:

Your Mind Creates Your World (PYS71): Nithyananda on Patanjali Yoga Sutras (18 Sep 2010)

Description:

In this discourse on Patanjali Yoga Sutras, Paramahamsa Nithyananda speaks on the nature of our mind and how this very mind creates the outer world we live in.

Video and Audio:

Your Mind Creates Your World (PYS71): Nithyananda on Patanjali Yoga Sutras

VideoAudio

Photos Of The Day:

Nithyanandam-Living-Enlightment-process

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01-Temple

IMG_5531_CMP_WM IMG_5532_CMP_WM IMG_5533_CMP_WM IMG_5534_CMP_WM IMG_5535_CMP_WM IMG_5536_CMP_WM IMG_5537_CMP_WM IMG_5538_CMP_WM IMG_5539_CMP_WM IMG_5540_CMP_WM IMG_5541_CMP_WM IMG_5543_CMP_WM IMG_5544_CMP_WM IMG_5545_CMP_WM IMG_5548_CMP_WM IMG_5549_CMP_WM IMG_5550_CMP_WM IMG_5551_CMP_WM IMG_5552_CMP_WM IMG_5553_CMP_WM IMG_5578_CMP_WM IMG_5579_CMP_WM IMG_5580_CMP_WM IMG_5581_CMP_WM

02-Pancha-Tapas

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03-Pada-puja

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04-Morning-Message

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05-Sarva-Darshan

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06-E-kalpataru-Morning-Session

DSC_9031_CMP_WM DSC_9032_CMP_WM DSC_9033_CMP_WM DSC_9035_CMP_WM DSC_9036_CMP_WM DSC_9037_CMP_WM DSC_9038_CMP_WM DSC_9039_CMP_WM DSC_9040_CMP_WM DSC_9041_CMP_WM DSC_9042_CMP_WM DSC_9043_CMP_WM DSC_9045_CMP_WM DSC_9049_CMP_WM DSC_9050_CMP_WM DSC_9051_CMP_WM DSC_9052_CMP_WM DSC_9053_CMP_WM DSC_9055_CMP_WM DSC_9057_CMP_WM DSC_9058_CMP_WM DSC_9059_CMP_WM DSC_9062_CMP_WM DSC_9066_CMP_WM DSC_9067_CMP_WM DSC_9070_CMP_WM DSC_9072_CMP_WM DSC_9073_CMP_WM DSC_9077_CMP_WM DSC_9080_CMP_WM DSC_9081_CMP_WM DSC_9082_CMP_WM DSC_9083_CMP_WM DSC_9085_CMP_WM DSC_9086_CMP_WM DSC_9087_CMP_WM DSC_9090_CMP_WM DSC_9091_CMP_WM DSC_9093_CMP_WM DSC_9094_CMP_WM DSC_9096_CMP_WM DSC_9097_CMP_WM DSC_9099_CMP_WM DSC_9101_CMP_WM DSC_9102_CMP_WM DSC_9103_CMP_WM DSC_9106_CMP_WM DSC_9107_CMP_WM DSC_9108_CMP_WM DSC_9109_CMP_WM DSC_9110_CMP_WM DSC_9111_CMP_WM DSC_9112_CMP_WM DSC_9113_CMP_WM DSC_9114_CMP_WM DSC_9115_CMP_WM DSC_9116_CMP_WM DSC_9117_CMP_WM DSC_9118_CMP_WM DSC_9119_CMP_WM DSC_9120_CMP_WM DSC_9121_CMP_WM DSC_9124_CMP_WM DSC_9125_CMP_WM DSC_9126_CMP_WM DSC_9127_CMP_WM DSC_9129_CMP_WM DSC_9130_CMP_WM DSC_9132_CMP_WM DSC_9133_CMP_WM DSC_9134_CMP_WM DSC_9136_CMP_WM DSC_9140_CMP_WM DSC_9142_CMP_WM DSC_9144_CMP_WM DSC_9145_CMP_WM DSC_9147_CMP_WM DSC_9148_CMP_WM DSC_9149_CMP_WM DSC_9150_CMP_WM DSC_9151_CMP_WM DSC_9155_CMP_WM DSC_9156_CMP_WM DSC_9160_CMP_WM DSC_9161_CMP_WM DSC_9162_CMP_WM DSC_9163_CMP_WM DSC_9165_CMP_WM DSC_9166_CMP_WM DSC_9168_CMP_WM DSC_9170_CMP_WM DSC_9171_CMP_WM

07-Yoga sutras-Evening session

DSC_9185_CMP_WM DSC_9186_CMP_WM DSC_9187_CMP_WM DSC_9188_CMP_WM DSC_9189_CMP_WM DSC_9190_CMP_WM DSC_9191_CMP_WM DSC_9192_CMP_WM DSC_9193_CMP_WM DSC_9194_CMP_WM DSC_9195_CMP_WM DSC_9196_CMP_WM DSC_9197_CMP_WM DSC_9199_CMP_WM DSC_9200_CMP_WM DSC_9201_CMP_WM DSC_9202_CMP_WM DSC_9203_CMP_WM DSC_9204_CMP_WM DSC_9205_CMP_WM DSC_9206_CMP_WM DSC_9208_CMP_WM DSC_9210_CMP_WM DSC_9211_CMP_WM DSC_9213_CMP_WM DSC_9214_CMP_WM DSC_9215_CMP_WM DSC_9217_CMP_WM DSC_9219_CMP_WM DSC_9220_CMP_WM DSC_9222_CMP_WM DSC_9224_CMP_WM DSC_9226_CMP_WM DSC_9228_CMP_WM DSC_9229_CMP_WM DSC_9230_CMP_WM DSC_9231_CMP_WM DSC_9232_CMP_WM DSC_9233_CMP_WM DSC_9234_CMP_WM DSC_9235_CMP_WM DSC_9236_CMP_WM DSC_9237_CMP_WM DSC_9238_CMP_WM DSC_9239_CMP_WM DSC_9240_CMP_WM DSC_9241_CMP_WM DSC_9242_CMP_WM DSC_9243_CMP_WM DSC_9245_CMP_WM DSC_9246_CMP_WM DSC_9248_CMP_WM DSC_9249_CMP_WM DSC_9251_CMP_WM DSC_9254_CMP_WM DSC_9255_CMP_WM DSC_9256_CMP_WM DSC_9257_CMP_WM DSC_9259_CMP_WM DSC_9260_CMP_WM DSC_9261_CMP_WM DSC_9262_CMP_WM DSC_9263_CMP_WM DSC_9264_CMP_WM DSC_9265_CMP_WM DSC_9266_CMP_WM DSC_9267_CMP_WM DSC_9268_CMP_WM DSC_9269_CMP_WM DSC_9270_CMP_WM DSC_9271_CMP_WM DSC_9272_CMP_WM DSC_9273_CMP_WM DSC_9274_CMP_WM DSC_9275_CMP_WM DSC_9276_CMP_WM DSC_9277_CMP_WM DSC_9278_CMP_WM DSC_9279_CMP_WM DSC_9280_CMP_WM DSC_9281_CMP_WM IMG_6011_CMP_WM IMG_6013_CMP_WM IMG_6014_CMP_WM IMG_6015_CMP_WM IMG_6016_CMP_WM IMG_6017_CMP_WM IMG_6018_CMP_WM IMG_6019_CMP_WM IMG_6020_CMP_WM IMG_6021_CMP_WM IMG_6022_CMP_WM IMG_6024_CMP_WM IMG_6025_CMP_WM IMG_6026_CMP_WM IMG_6029_CMP_WM IMG_6030_CMP_WM IMG_6031_CMP_WM IMG_6032_CMP_WM IMG_6035_CMP_WM IMG_6036_CMP_WM IMG_6037_CMP_WM IMG_6039_CMP_WM IMG_6040_CMP_WM IMG_6041_CMP_WM IMG_6042_CMP_WM IMG_6043_CMP_WM IMG_6044_CMP_WM IMG_6046_CMP_WM IMG_6047_CMP_WM IMG_6048_CMP_WM IMG_6049_CMP_WM IMG_6050_CMP_WM IMG_6051_CMP_WM IMG_6052_CMP_WM IMG_6055_CMP_WM IMG_6056_CMP_WM IMG_6057_CMP_WM IMG_6058_CMP_WM IMG_6059_CMP_WM IMG_6060_CMP_WM IMG_6061_CMP_WM IMG_6062_CMP_WM IMG_6063_CMP_WM IMG_6065_CMP_WM IMG_6066_CMP_WM IMG_6067_CMP_WM IMG_6068_CMP_WM IMG_6070_CMP_WM IMG_6071_CMP_WM IMG_6072_CMP_WM IMG_6073_CMP_WM IMG_6074_CMP_WM IMG_6075_CMP_WM IMG_6078_CMP_WM IMG_6080_CMP_WM IMG_6081_CMP_WM IMG_6083_CMP_WM IMG_6084_CMP_WM IMG_6085_CMP_WM IMG_6086_CMP_WM IMG_6087_CMP_WM IMG_6088_CMP_WM IMG_6092_CMP_WM IMG_6093_CMP_WM IMG_6094_CMP_WM IMG_6096_CMP_WM IMG_6098_CMP_WM IMG_6099_CMP_WM IMG_6100_CMP_WM IMG_6101_CMP_WM IMG_6103_CMP_WM IMG_6104_CMP_WM IMG_6113_CMP_WM IMG_6114_CMP_WM IMG_6115_CMP_WM IMG_6116_CMP_WM IMG_6117_CMP_WM IMG_6118_CMP_WM IMG_6119_CMP_WM IMG_6120_CMP_WM IMG_6121_CMP_WM IMG_6122_CMP_WM IMG_6123_CMP_WM IMG_6124_CMP_WM IMG_6125_CMP_WM IMG_6126_CMP_WM IMG_6127_CMP_WM IMG_6128_CMP_WM IMG_6129_CMP_WM IMG_6130_CMP_WM IMG_6131_CMP_WM IMG_6132_CMP_WM IMG_6133_CMP_WM IMG_6134_CMP_WM IMG_6135_CMP_WM IMG_6136_CMP_WM IMG_6137_CMP_WM IMG_6138_CMP_WM IMG_6139_CMP_WM IMG_6140_CMP_WM IMG_6141_CMP_WM IMG_6142_CMP_WM IMG_6144_CMP_WM IMG_6145_CMP_WM IMG_6146_CMP_WM IMG_6147_CMP_WM IMG_6148_CMP_WM IMG_6149_CMP_WM IMG_6150_CMP_WM IMG_6151_CMP_WM IMG_6153_CMP_WM IMG_6154_CMP_WM IMG_6155_CMP_WM IMG_6156_CMP_WM IMG_6157_CMP_WM IMG_6158_CMP_WM IMG_6159_CMP_WM IMG_6160_CMP_WM IMG_6161_CMP_WM IMG_6163_CMP_WM IMG_6165_CMP_WM IMG_6166_CMP_WM IMG_6167_CMP_WM IMG_6168_CMP_WM IMG_6169_CMP_WM IMG_6170_CMP_WM IMG_6171_CMP_WM IMG_6172_CMP_WM IMG_6173_CMP_WM IMG_6174_CMP_WM IMG_6175_CMP_WM IMG_6176_CMP_WM IMG_6177_CMP_WM IMG_6180_CMP_WM IMG_6181_CMP_WM IMG_6183_CMP_WM IMG_6184_CMP_WM IMG_6186_CMP_WM IMG_6187_CMP_WM IMG_6188_CMP_WM IMG_6189_CMP_WM IMG_6190_CMP_WM IMG_6192_CMP_WM IMG_6193_CMP_WM IMG_6194_CMP_WM IMG_6195_CMP_WM IMG_6196_CMP_WM IMG_6199_CMP_WM IMG_6201_CMP_WM IMG_6202_CMP_WM IMG_6204_CMP_WM IMG_6206_CMP_WM IMG_6208_CMP_WM IMG_6209_CMP_WM IMG_6210_CMP_WM IMG_6211_CMP_WM IMG_6213_CMP_WM IMG_6217_CMP_WM IMG_6219_CMP_WM IMG_6220_CMP_WM IMG_6221_CMP_WM IMG_6222_CMP_WM IMG_6223_CMP_WM IMG_6224_CMP_WM IMG_6225_CMP_WM IMG_6226_CMP_WM IMG_6229_CMP_WM IMG_6231_CMP_WM IMG_6232_CMP_WM IMG_6234_CMP_WM IMG_6235_CMP_WM IMG_6237_CMP_WM IMG_6240_CMP_WM IMG_6243_CMP_WM IMG_6244_CMP_WM IMG_6245_CMP_WM IMG_6246_CMP_WM IMG_6247_CMP_WM IMG_6249_CMP_WM IMG_6250_CMP_WM IMG_6252_CMP_WM IMG_6253_CMP_WM IMG_6255_CMP_WM IMG_6256_CMP_WM IMG_6257_CMP_WM IMG_6258_CMP_WM IMG_6259_CMP_WM IMG_6260_CMP_WM IMG_6261_CMP_WM IMG_6262_CMP_WM IMG_6263_CMP_WM IMG_6264_CMP_WM IMG_6265_CMP_WM IMG_6266_CMP_WM IMG_6267_CMP_WM IMG_6268_CMP_WM IMG_6269_CMP_WM IMG_6270_CMP_WM IMG_6271_CMP_WM IMG_6272_CMP_WM IMG_6273_CMP_WM IMG_6275_CMP_WM IMG_6276_CMP_WM IMG_6278_CMP_WM IMG_6279_CMP_WM IMG_6280_CMP_WM IMG_6281_CMP_WM IMG_6282_CMP_WM IMG_6283_CMP_WM IMG_6284_CMP_WM IMG_6285_CMP_WM IMG_6286_CMP_WM IMG_6288_CMP_WM IMG_6289_CMP_WM IMG_6290_CMP_WM IMG_6294_CMP_WM IMG_6295_CMP_WM IMG_6296_CMP_WM IMG_6300_CMP_WM IMG_6301_CMP_WM IMG_6302_CMP_WM IMG_6303_CMP_WM IMG_6304_CMP_WM IMG_6305_CMP_WM IMG_6306_CMP_WM IMG_6307_CMP_WM IMG_6308_CMP_WM IMG_6309_CMP_WM IMG_6311_CMP_WM IMG_6312_CMP_WM IMG_6313_CMP_WM IMG_6314_CMP_WM IMG_6315_CMP_WM

08-LEP - Evening session

DSC_9179_CMP_WM DSC_9180_CMP_WM DSC_9181_CMP_WM IMG_5995_CMP_WM IMG_5997_CMP_WM IMG_5998_CMP_WM IMG_6000_CMP_WM IMG_6008_CMP_WM IMG_6009_CMP_WM

09-E-Kalpataru- Night Session

IMG_6317_CMP_WM IMG_6321_CMP_WM IMG_6322_CMP_WM IMG_6323_CMP_WM IMG_6326_CMP_WM IMG_6327_CMP_WM IMG_6328 - Copy_CMP_WM IMG_6329_CMP_WM IMG_6332_CMP_WM IMG_6333 - Copy_CMP_WM IMG_6333_CMP_WM IMG_6334_CMP_WM IMG_6335_CMP_WM IMG_6336_CMP_WM IMG_6337 - Copy_CMP_WM IMG_6338_CMP_WM IMG_6339 - Copy_CMP_WM IMG_6340_CMP_WM IMG_6342 - Copy_CMP_WM IMG_6344_CMP_WM IMG_6345_CMP_WM IMG_6346_CMP_WM IMG_6347_CMP_WM IMG_6348_CMP_WM IMG_6349_CMP_WM IMG_6350 - Copy_CMP_WM IMG_6350_CMP_WM IMG_6351_CMP_WM IMG_6352_CMP_WM IMG_6353_CMP_WM IMG_6354_CMP_WM IMG_6355_CMP_WM IMG_6357_CMP_WM IMG_6358_CMP_WM IMG_6362_CMP_WM IMG_6363_CMP_WM IMG_6365_CMP_WM IMG_6366_CMP_WM IMG_6370_CMP_WM IMG_6371_CMP_WM IMG_6372_CMP_WM IMG_6375_CMP_WM IMG_6377_CMP_WM IMG_6380_CMP_WM IMG_6381_CMP_WM IMG_6383_CMP_WM IMG_6384_CMP_WM IMG_6385_CMP_WM IMG_6386_CMP_WM IMG_6390_CMP_WM IMG_6392_CMP_WM IMG_6393_CMP_WM IMG_6395_CMP_WM IMG_6396_CMP_WM IMG_6397_CMP_WM IMG_6398_CMP_WM IMG_6399_CMP_WM IMG_6400_CMP_WM Done IMG_6401_CMP_WM Done IMG_6402_CMP_WM Done IMG_6404_CMP_WM IMG_6405_CMP_WM IMG_6406_CMP_WM IMG_6407_CMP_WM IMG_6408_CMP_WM IMG_6409_CMP_WM IMG_6410_CMP_WM IMG_6411_CMP_WM IMG_6414_CMP_WM IMG_6415_CMP_WM IMG_6417_CMP_WM IMG_6418_CMP_WM IMG_6419_CMP_WM IMG_6420_CMP_WM IMG_6421_CMP_WM IMG_6422_CMP_WM IMG_6424_CMP_WM IMG_6428_CMP_WM IMG_6429_CMP_WM IMG_6430_CMP_WM IMG_6431_CMP_WM IMG_6432_CMP_WM IMG_6433_CMP_WM IMG_6434_CMP_WM IMG_6436_CMP_WM IMG_6437_CMP_WM(1) IMG_6439_CMP_WM IMG_6440_CMP_WM IMG_6445_CMP_WM IMG_6446_CMP_WM IMG_6447_CMP_WM IMG_6448_CMP_WM IMG_6449_CMP_WM IMG_6450_CMP_WM IMG_6454_CMP_WM IMG_6456_CMP_WM IMG_6457_CMP_WM IMG_6460_CMP_WM IMG_6461_CMP_WM IMG_6462_CMP_WM IMG_6468_CMP_WM IMG_6469_CMP_WM IMG_6470_CMP_WM IMG_6471_CMP_WM IMG_6472_CMP_WM IMG_6473_CMP_WM IMG_6474_CMP_WM IMG_6479_CMP_WM IMG_6480_CMP_WM IMG_6481_CMP_WM IMG_6483_CMP_WM IMG_6484_CMP_WM IMG_6485_CMP_WM IMG_6486_CMP_WM IMG_6490_CMP_WM IMG_6492_CMP_WM IMG_6493_CMP_WM IMG_6494_CMP_WM IMG_6495_CMP_WM IMG_6496_CMP_WM IMG_6498_CMP_WM IMG_6499_CMP_WM IMG_6501_CMP_WM IMG_6503_CMP_WM IMG_6504_CMP_WM IMG_6505_CMP_WM IMG_6506_CMP_WM IMG_6509_CMP_WM IMG_6510_CMP_WM IMG_6511_CMP_WM IMG_6512_CMP_WM IMG_6513_CMP_WM IMG_6514_CMP_WM IMG_6515_CMP_WM IMG_6516_CMP_WM IMG_6517_CMP_WM IMG_6518_CMP_WM IMG_6519_CMP_WM IMG_6521_CMP_WM IMG_6523_CMP_WM IMG_6527_CMP_WM IMG_6528_CMP_WM IMG_6530_CMP_WM IMG_6531_CMP_WM IMG_6532_CMP_WM IMG_6533_CMP_WM IMG_6534_CMP_WM IMG_6535_CMP_WM IMG_6536_CMP_WM IMG_6539_CMP_WM IMG_6541_CMP_WM IMG_6542_CMP_WM IMG_6543_CMP_WM IMG_6544_CMP_WM IMG_6545_CMP_WM IMG_6548_CMP_WM IMG_6549_CMP_WM IMG_6550_CMP_WM IMG_6551_CMP_WM(1) IMG_6551_CMP_WM IMG_6552_CMP_WM IMG_6553_CMP_WM IMG_6556_CMP_WM IMG_6557_CMP_WM IMG_6558_CMP_WM IMG_6559_CMP_WM IMG_6561_CMP_WM IMG_6562_CMP_WM IMG_6563_CMP_WM IMG_6564_CMP_WM IMG_6565_CMP_WM IMG_6566_CMP_WM IMG_6567_CMP_WM IMG_6568_CMP_WM IMG_6571_CMP_WM IMG_6574_CMP_WM IMG_6576_CMP_WM IMG_6578_CMP_WM IMG_6579_CMP_WM IMG_6581_CMP_WM IMG_6582_CMP_WM IMG_6583_CMP_WM IMG_6584_CMP_WM IMG_6586_CMP_WM IMG_6587_CMP_WM IMG_6588_CMP_WM IMG_6593_CMP_WM IMG_6598_CMP_WM IMG_6600_CMP_WM IMG_6602_CMP_WM IMG_6605_CMP_WM IMG_6606_CMP_WM IMG_6607_CMP_WM IMG_6608_CMP_WM IMG_6609_CMP_WM IMG_6610_CMP_WM IMG_6611_CMP_WM IMG_6614_CMP_WM IMG_6616_CMP_WM IMG_6617_CMP_WM IMG_6618_CMP_WM IMG_6619_CMP_WM IMG_6620_CMP_WM IMG_6621_CMP_WM IMG_6622_CMP_WM IMG_6623_CMP_WM IMG_6624_CMP_WM IMG_6625_CMP_WM IMG_6626_CMP_WM IMG_6630_CMP_WM IMG_6634_CMP_WM IMG_6635_CMP_WM IMG_6636_CMP_WM IMG_6640_CMP_WM IMG_6641_CMP_WM IMG_6645_CMP_WM IMG_6646_CMP_WM IMG_6653_CMP_WM IMG_6657_CMP_WM IMG_6658_CMP_WM IMG_6659_CMP_WM IMG_6660_CMP_WM IMG_6664_CMP_WM IMG_6667_CMP_WM IMG_6668_CMP_WM IMG_6669_CMP_WM IMG_6670_CMP_WM IMG_6673_CMP_WM IMG_6674_CMP_WM IMG_6675_CMP_WM IMG_6683_CMP_WM IMG_6684_CMP_WM IMG_6686_CMP_WM IMG_6689_CMP_WM IMG_6690_CMP_WM IMG_6691_CMP_WM IMG_6692_CMP_WM IMG_6693_CMP_WM IMG_6694_CMP_WM IMG_6695_CMP_WM IMG_6696_CMP_WM IMG_6697_CMP_WM IMG_6698_CMP_WM IMG_6701_CMP_WM IMG_6702_CMP_WM IMG_6703_CMP_WM IMG_6704_CMP_WM IMG_6707_CMP_WM IMG_6708_CMP_WM IMG_6709_CMP_WM IMG_6710_CMP_WM IMG_6711_CMP_WM IMG_6712_CMP_WM IMG_6713_CMP_WM IMG_6714_CMP_WM IMG_6715_CMP_WM IMG_6716_CMP_WM IMG_6717_CMP_WM IMG_6722_CMP_WM IMG_6723_CMP_WM IMG_6724_CMP_WM IMG_6725_CMP_WM IMG_6726_CMP_WM IMG_6727_CMP_WM IMG_6728_CMP_WM IMG_6729_CMP_WM IMG_6730_CMP_WM IMG_6744_CMP_WM

10-Miscellaneous-Flowers

IMG_5546_CMP_WM IMG_5547_CMP_WM