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Monday

20 September 2010

Love the Ultimate Healing Energy Nithyananda Morning Message 2010SEP20

1,067Dated photos
1Source pages
4Media embeds
A stage event in a hall with white and maroon draped valance above and a large banner reading Nithyananda Lakshmi in Kannada script with the subtitle Udghatana Samarambha. A portrait on the banner shows a smiling man in an orange turban and orange robe. On the right, a figure in orange robes and a rudraksha mala sits on an orange throne-like chair with a small orange footstool, flanked by orange-robed attendants. A man in a white shirt and dhoti speaks at a wooden podium decorated with orange marigold garlands. Seated guests in white shirts, kurta and jacket, and casual clothes sit in rows of chairs, with a standing fan at the front of the stage.A close portrait photograph of a man with swept-back dark hair, a red bindi on his forehead, wearing a saffron-orange draped sleeveless garment and a long rudraksha mala of dark brown beads. He smiles gently with eyes lowered, one hand raised at the lower edge of the frame. Behind him is an ornate golden throne-like backdrop with rounded gold ornaments and a pink cushion edge. Swamiji (probable) appears here: the swept-back hair, saffron clothing and rudraksha mala are visible cues.A man with swept-back dark hair and a red tilak on his forehead sits before an ornate golden throne with embossed floral and bead patterns. He wears a saffron-orange sleeveless robe draped over the shoulders and a long multi-strand necklace of dark rudraksha beads. His hands rest folded in his lap in a meditative pose. The image is a photograph. Swamiji (probable): the swept-back hair, saffron robe, rudraksha malas and ornate throne match the presentation of Swamiji, with the page noting his presence at this event.

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1,067 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

01-Pada-Puja

139 dated photos in previewSource gallery
A man with swept-back dark hair and a red tilak on his forehead sits before an ornate golden throne with embossed floral and bead patterns. He wears a saffron-orange sleeveless robe draped over the shoulders and a long multi-strand necklace of dark rudraksha beads. His hands rest folded in his lap in a meditative pose. The image is a photograph. Swamiji (probable): the swept-back hair, saffron robe, rudraksha malas and ornate throne match the presentation of Swamiji, with the page noting his presence at this event.A close portrait photograph of a man with swept-back dark hair, a red bindi on his forehead, wearing a saffron-orange draped sleeveless garment and a long rudraksha mala of dark brown beads. He smiles gently with eyes lowered, one hand raised at the lower edge of the frame. Behind him is an ornate golden throne-like backdrop with rounded gold ornaments and a pink cushion edge. Swamiji (probable) appears here: the swept-back hair, saffron clothing and rudraksha mala are visible cues.Close-up photograph of a man with swept-back dark hair, a red bindi on his forehead, and a sleeveless orange saffron robe draped over one shoulder. He wears a long double strand of rudraksha beads reaching to his waist. He is smiling and looking to the side, with an ornate gold throne-like backdrop behind him.Swamiji (probable): a smiling man with swept-back dark hair and a red bindi on his forehead sits before an ornate gold throne with a red cushion. He wears a sleeveless saffron-orange garment wrapped across the chest and a long rudraksha mala of brown beads. His right hand is partly visible at the bottom edge. The photograph appears to be a close portrait taken during a satsang. Identity is based on the page and on appearance cues: saffron clothing, rudraksha mala, ornate gold throne and swept-back hair.A smiling man with swept-back dark hair and a red tilak on his forehead sits in front of an ornate golden throne with a pink cushion. He wears an orange sleeveless robe draped over the shoulder and a long necklace of dark rudraksha beads reaching to his waist. a person: the swept-back hair, orange robe and rudraksha mala fit the page's identification, though the sole visible person is a seated devotee-style portrait subject.A seated man in saffron-orange robes sits on an ornate gold throne with a red cushioned back. He wears a long rudraksha mala draped over his chest and a red tilak on his forehead, with his hands resting together in his lap. The gilded throne carving and red cushion frame him closely.
02

02-Morning-Message

85 dated photos in previewSource gallery
A man seated on an ornate gold-and-red throne with eyes closed, palms pressed together in anjali mudra before a microphone. He wears a plain orange sleeveless robe, a dark rudraksha mala around his neck, and a red tilak on his forehead. Behind him a gilded carved throne back is visible. Swamiji (probable): long swept-back hair, saffron clothing and rudraksha malas, seated on a throne during a satsang talk.A seated man in orange robes with eyes closed and palms pressed together in namaskar, sitting on an ornate gold throne with a red cushion. He wears a rudraksha mala draped across his chest and a red tilak on his forehead, and a small microphone is positioned beside his hands. Blurred red, gold and yellow decorations fill the background. The man matches the appearance cues for a person, seated in a dais position with distinctive saffron robes, rudraksha beads and a golden throne.A man seated on an ornate gold throne with a red cushion, eyes closed, palms pressed together in anjali mudra near a microphone on a stand. He wears an orange sleeveless garment with a dark rudraksha mala and a red tilak on his forehead. Behind him, blurred gold and red decorations and a gilded figure are visible. a person candidate in an appearance-based label: the orange clothing, rudraksha mala and ornate throne setting are visible cues, with his role as a speaker at a satsang.A man with long swept-back dark hair sits on an ornate gold and red throne in profile, wearing an orange sleeveless top, an orange shawl and a long rudraksha mala with a red tilak on his forehead. A microphone on a stand is at the right edge against a blurred orange backdrop.A man in profile sits on a red cushioned seat with an ornate gold-carved throne backrest behind him. He wears a sleeveless saffron-orange garment draped over the shoulder and a long strand of dark rudraksha beads across his chest. His long dark hair is swept back and tied, and he has a red tilak on his forehead. A black microphone on a flexible stand is at the right edge. The background is soft coral-pink drapery. Probable Swamiji is seated in a ceremonial chair, with his saffron clothing, rudraksha mala and long swept-back hair as visible cues.A man seated on an ornate gold throne with a red cushion, speaking into a small black clip-on microphone held in his right hand. He has long dark hair swept back, a red tilak mark on his forehead, and wears a sleeveless saffron-orange garment with a shawl draped over it and a long rudraksha mala of brown beads. Behind him hang orange and red drapes.
03

03-eKalpataru-Morning-session

126 dated photos in previewSource gallery
A seated man in an ornate gilded throne with a red cushioned back, flanked by gold lion-form armrests. He wears a sleeveless saffron-orange garment, multiple rudraksha mala beads, and a red tilak on his forehead, with long dark hair swept back. Behind him is a dark painted backdrop with a palm frond at left. In front of him a camera on a tripod records the session, with a black monitor and a blue-draped table with cables at right. The room has white curtains and plastic chairs. Swamiji (probable): the seated man has long swept-back hair, saffron-orange clothing and rudraksha malas, and is seated on the throne as the speaker.A photograph of a man seated on an ornate gilded throne with a red backdrop, wearing orange saffron robes, a long rudraksha mala and a gold trident pendant, with a red bindi on his forehead and long swept-back dark hair. Hands rest in his lap, and a tripod-mounted camera is in the right foreground. Probable Swamiji is seated as the speaker in a satsang setting, identified by the orange robes, rudraksha mala, gold trident and long hair; the visible cues are consistent with that identification.A man seated on an ornate gold throne against a red backdrop, wearing an orange saffron wrap and a long rudraksha mala with a gold trident pendant, with a red bindi on his forehead and long swept-back dark hair. His hands are clasped in his lap. A tripod-mounted camera and microphone stand are in the foreground at right. Swamiji (probable): the man is a seated spiritual teacher, identified by long hair, saffron clothing and rudraksha malas as the Swamiji, giving a satsang talk.A smiling man with long swept-back dark hair sits on an ornate gold throne against a red backdrop, gesturing with his right hand. He wears an orange saffron robe, a long mala of rudraksha beads and a gold trident pendant, with a red bindi and white tilak on his forehead. A camera on a tripod and a projector are in the foreground.A man seated on an ornate gold-and-silver throne with a red velvet back, wearing an orange sleeveless garment and a long rudraksha mala with bead necklace, a red bindi and white marks on his forehead. He smiles and raises his right hand in greeting, holding a gold ritual vessel. A tripod-mounted camera and a green palm frond sit in the foreground.A man seated on an ornate gold-and-red throne, wearing an orange sleeveless robe and a long rudraksha mala, raises one hand in blessing while holding a gold kalasha-shaped ritual vessel in his lap. He has long swept-back hair, a white tilak and a red bindi. Behind him is a gilded carved throne with red upholstery, and a tripod-mounted camera and projector are visible at left.
04

04-Pancha-Tapas

108 dated photos in previewSource gallery
Outdoor photo of a courtyard meditation at an ashram under palm trees. A central figure in orange robes sits cross-legged on a mat in front of a red stepped pedestal topped by a tall orange pillar garlanded with flowers, with a black stone deity murti seated on the pedestal. Around him, about a dozen seated devotees in white dhotis and yellow, orange and white garments sit in meditation on individual circular mats. Behind them stand dark stone sculptures of deities and figures on red-tagged bases, with palm and tropical foliage beyond. In the foreground a white stone platform holds a small stepped pyramid-shaped object with a kalasha-like finial. The central figure is an appearance-based candidate, with orange robes and a crowned-looking hairstyle, but the face and presentation are not distinct enough to confirm identity, so this is marked unsure.A photograph of an outdoor courtyard with a red-orange stepped shrine platform and a tall orange-and-gold pillar at its centre. A seated figure in orange robes with an orange shawl sits cross-legged in front of the shrine on a raised mat with a small brass lamp, and a dark stone deity murti in front of the shrine is garlanded with yellow-orange flowers. Around the courtyard, about a dozen people sit in meditation on mats in white and yellow-white clothes, some wearing orange shawls. Dark stone statues stand on the left among palm trees and greenery, and a white stone platform with a pyramid-shaped canopy lies in the foreground.Outdoor satsang on a paved courtyard with hexagonal tiles. Dozens of devotees sit on woven mats facing a white-robed teacher standing near the middle distance, holding a small book. Most women wear white or cream saris and salwar, some in orange, blue and yellow; a boy in a red shirt sits in front. A woman in a floral top holds a young child on her lap in the foreground. Behind, a silver SUV is parked, a banner and a red-and-white painted step frame the scene, and a small red-and-white stone platform sits at right.Outdoor photograph of a group of devotees seated cross-legged on mats across a hexagonal paved courtyard, most in white clothes with a few in saffron-orange robes. Several sit in a row facing a red-ringed pedestal with a flower garland and a small decorated deity murti on a wooden cart behind it. Two men in white sit on the left near shallow fire pits, and a man in a striped shirt stands at the right edge. Two men in white sit on the right edge in the foreground, one with his hands folded. Several dark circular fire pits and ash are visible on the dirt ground, with a wooden pillar on the left and an ashram building with red walls behind. Visible people number roughly twelve to fifteen.A photograph of an outdoor temple courtyard with sandy ground and palm trees. In the centre, a man in saffron-orange robes with a rudraksha mala sits cross-legged on a mat within a circle of grey stones, hands folded, eyes closed, with a brass oil lamp placed before him. Behind him stands an orange-painted stepped platform bearing a black Nandi bull statue garlanded with marigolds. Around the courtyard, several other people sit in meditation in white and saffron clothing, a figure in yellow sits at the left, and black stone sculptures and red-lettered signs stand in the background. The scene shows meditation near a shrine.Outdoors in a palm-shaded courtyard, a man in saffron robes and a rudraksha mala sits in meditation on a mat in front of a tall orange-red stepped shrine. A black stone Nandi bull on the shrine is garlanded with marigolds and yellow flowers. Around a circular ash-and-stone fire pit, several others sit in meditation: a woman in white and yellow at left, two men in white and saffron at right. A brass oil lamp rests on the mat before the central figure. Stone deity sculptures stand in the background at left.
05

05-SarvaDarshan

35 dated photos in previewSource gallery
A seated man in orange robes and a long rudraksha mala with ornate gold necklace sits on a red-cushioned golden throne, taking a folded paper from an older man standing before him. The standing man wears an orange kurta, a white shawl over his shoulders, glasses and a tilak on his forehead, and holds his palms together in a respectful gesture. Behind them another orange-robed person stands near a tray of flower garlands, and a red curtain and a dark wall with printed text form the background.A photograph of a seated figure in an orange sleeveless sannyasi garment with a rudraksha mala draped over the shoulders, receiving a folded paper from an older man standing before him with palms pressed together in greeting. The seated figure has long swept-back dark hair, a tilak on the forehead and a rudraksha mala with a ceremonial gold necklace. He sits on an ornate gold-and-red throne with a red cushion. The standing man wears an orange kurta with a white shawl and wire-rimmed glasses, with a tilak on his forehead. A woman in a red sari and a child in red stand at the left edge. Behind them is a tray of sweets or offerings, a pink wall, and a dark board with white lettering on it. A logo appears in the upper left corner.A photograph of a devotional darshan. A seated figure in saffron-orange robes with a long rudraksha mala and bare shoulder sits on a red cushioned throne with ornate gold carved back, holding a small white packet and a tray of offerings. A bald older man in an orange kurta with white shawl stands with palms pressed together and bows his head while another person's hand rests on his forehead in blessing. A woman in a patterned sari with a name badge stands at left, and another figure in orange stands behind. A black board with white writing hangs on the wall behind them.A seated figure in saffron-orange robes with long swept-back dark hair, a dark rudraksha mala and gold ornaments sits on an ornate gold and red throne, placing vibhuti or a blessing mark on the forehead of a bespectacled older man in an orange kurta with a white shawl, who presses his palms together in respect. A woman in a red-and-gold sari with a mala stands at left with hands folded, and a shaven-headed priest in white dhoti with a sacred thread stands behind. A tray of flowers and offerings sits on a table. The background wall has a dark sign with white lettering, and a small deity murti stands in an alcove at right.A close portrait of a shaved-headed, bespectacled older man in an orange kurta with a white shawl draped over his shoulders and a dark rudraksha mala at his chest. He sits with palms pressed together in namaste while another person's hand rests on his forehead, a white sacred mark visible there. He wears gold rings, and orange-robed figures are blurred in the background against a red curtain. The man has no distinctive long hair, crown, or ceremonial gold necklace, so no a person identity is claimed; the figure is described by role only as a devotee receiving blessing.A close photograph of an older bald man with short grey hair and rimless glasses, wearing an orange kurta and a white shawl over his shoulders. A white vibhuti or sacred ash mark is on his forehead as another person's hand rests on his head, in a blessing or initiation gesture. Behind him, an orange cloth backdrop and another orange-robed figure are visible. A second person with short dark hair is partly visible at the lower right, bending forward.
06

06-Nithyananda-lakshmi-Afternoon-session

7 dated photos in previewSource gallery
A stage event in a hall with red chairs and white ceiling fans. A figure in orange robes with a long orange shawl and a red-orange rudraksha mala stands before an orange throne-style chair on a raised white platform. Its long hair is swept back under an orange turban-like headwrap, and he is smiling. Two men in white dress stand to the right near a tall brass lamp with a flower garland and a small offering of flowers at its base. Another man in orange and a man in white stand at the edges. A banner behind the stage shows a portrait in an orange headwrap, the script 'a person Lakshmi' with a lotus emblem, and a stone deity carving. Several people in white are visible.A photograph of an indoor event stage with a backdrop reading Nithyananda Lakshmi in orange and gold lettering, with Kannada text below. A large circular portrait on the left shows a smiling man in an orange turban and red bindi. A standing figure in a saffron-orange robe, orange turban and dark beaded mala gestures toward an empty orange armchair on a raised step. Two men in white shirts are seated on red chairs at the right, and rows of empty red chairs fill the foreground. The floor is polished and reflective.A stage event with a large orange-and-cream banner behind it. The banner shows a circular portrait of a smiling man in an orange turban and orange robe, with Kannada text reading 'Nithyananda Lakshmi' and 'Udghatane Samarambha'. A standing woman in a long orange robe and orange head wrap, with a rudraksha mala around her neck, gestures with her right hand toward the seated audience. Behind her an orange armchair sits on the stage. To the right, two seated men in white shirts and white dhotis sit in red-cushioned chairs, and a man in orange robes sits behind them. A man in a light green shirt stands in the background. On the far right, a brass lamp stand with flower garlands and a carved deity figure on the banner are visible. Several rows of empty red chairs fill the left foreground.A stage event at a hall with a backdrop banner printed with Kannada text and a circular portrait of a smiling man in an orange turban and orange robe. A figure in an orange robe and orange turban stands on the glossy stage beside an orange armchair with an orange footstool. An elderly man in a white shirt and white dhoti bends forward to touch the hands of the robed figure. Two seated men in the background wear light shirts; red chairs line the stage edge.A photograph of an indoor stage event with a large brass multi-tier oil lamp (aarti lamp) being lit at centre, adorned with flowers. Standing around it are several men in white dhotis and white shirts, a man in a yellow shawl kneeling to tend the lamp, and a priest in white with a yellow shawl and a tilak. Beside them stands a figure in saffron-orange robes with a saffron head wrap and a rudraksha mala, the cues consistent with the a person presentation. Behind them a large banner shows a portrait of a smiling figure in an orange turban and robes, with Kannada script above, and a lotus motif. Red chairs sit at the left, and a standing fan and stage steps are visible at the right.A photograph of a lamp-lighting ceremony at an indoor event with a banner behind the stage reading partly in Kannada script. Center: a tall brass oil lamp (kuthu vilakku) with a swan-shaped top, draped in white jasmine-type flowers and orange marigold garlands, is lit by an elderly man in a white shirt and white dhoti-style trousers holding a small flame. Beside him, an older man in white with glasses and a shawl holds a brass tray. At right, a bald young man in white with a yellow shawl and rudraksha mala assists at the lamp. On the left, a figure in an orange-saffron robe and turban with a long rudraksha mala stands with hands folded, a candidate for a person by appearance and presentation. Other men in white shirts stand around, and a temple-style carved figure is partly visible at right.
07

September 20 2010

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September 20 2010

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Contents

Title:

Love the Ultimate Healing Energy Nithyananda Morning Message 2010SEP20

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Love during a live public talk - Nithyananda Satsang. In this talk entitled Love The Ultimate Healing Energy, The Supreme Pontiff of Hinduism revealed that Love is related to awareness you carry. He explained that two physical structures if they feel connected, their awareness feels connected, it's called infatuation. One or more mental structures if they feel connected, it’s attachment. When Awareness overlaps beyond the physical and mental structures it is called love. His Divine Holiness concluded by revealing the sacred truth that the overlapping of Awareness or flowing of Awareness into each other leads one to radiate Healing Energy.

Video and Audio:

VideoAudio

Transcript:

(0:18)

|| Sadāshiva samārambhām Shankarācāryā madhyamām | Asmat ācārya paryantām vande Guru Paramparām ||

(0:49)

Today’s subject is ‘Love The Ultimate Healing Energy’. Let Me define ‘Love’. Love is not any way related to two physical structures. Love is not anyway related to even your own physical structure. It is not even related to the mental qualities you carry. It is related to awareness you carry. Please understand.

(1:47)

The awareness you carry naturally spreads its smell in your mental structure and in your body. So, the awareness which your physical structure experiences, if that feels connected, in the uh, to the awareness of some physical structure, it is called infatuation. Please understand. The awareness your physical structure experiences, if that feels connected, to some other awareness of a physical structure or some other physical structure’s awareness.

(2:35)

There are so many things moving around in the world. Each one of your unit - awareness - the awareness experienced by your mental structure and the awareness experienced by your physical structure. If the two physical structure’s awareness - two or more - physical structure’s awarenesses feels connected; it is called infatuation. If two or more mental structures feels connected, it can be called as attachment - little better word. If one or more awarenessess - of course it’s funny, you can’t say, awareness cannot have one or more - directly just overlaps each other, you can’t even call that as overlap, just flows into each other; it’s called love. Understand?

(3:45)

They are there. They feel shy, so they came and did their job and went away. They try to come inside My bathroom; same guys. So one day I said, Eh don’t come here, then they come to My window, bedroom window and sit every day morning. Every day morning after I get up, they don’t know, they know the timing exactly; even Prana doesn’t keep the clock alarm; they come. They come, every morning they are there. I think they almost follow My routine.

(5:01)

Two physical structures, if they feel connected, if their awareness feels connected, it's called infatuation. One or more mental structures, if they feel connected it’s attachment. When awareness overlaps beyond the physical and mental structures it is called love. Now, scan all your relationships with this understanding. Suddenly you will see all the problems related to your love, relationship, friendliness, possessiveness, worry; everything will just disappear. Your marriage will become honeymoon. It’ll become beautiful ‘Living Relationship’. Understand?

(6:16)

One of our Brahmachari wrote a poem when I was put in prison. ‘This is the same thing we do forever. When They are alive, we throw them, we throw stones at Them, put Them in prison. When They are no more in the body, we make golden statues and put Them in the temple.’ Same thing we do with life. When the relationship is alive, living; we are in fear, ‘I don’t know when it’ll disappear, when she may disappear, when I may lose love’. We kill it, put it in a frame, call it as marriage and put it in reception, in the reception room. The smile which is shown in the family photograph never ever happens again when the same physical nearness. Even at that moment may be the photographer would have shouted ‘Smile Please’. With lot of uneasiness that smile was brought, because we do not understand love.

(7:38)

That greatness of sexuality is, it’ll disappear. Understand? The greatness of sexual energy is, it’ll disappear the moment the physical and mental structures feels connected and the awareness overlaps. All these magazines go on giving inspiration, tips; these middle age magazines; ‘how to keep your sex life alive’; ten tips, twenty tips, thirty tips. Nothing will work. Because two thing; either the distance becomes too much - means the awareness in the physical structure and the awareness in the physical structure is not feeling connected; the distance is more or awareness in the mental structure and awareness in the mental structure is not feeling connected; the distance is more. This is what happens to ninety percent of the marriage.

(8:47)

There are ten percent of the marriage, really the awareness and awareness overlaps each other. Such beautiful communion happens - even there the sex disappears. Eleven years of the life, the married life, only the sex should be there. Whether the overlapping of the awareness happens, then just you will see, you don’t need to confirm with each other, that you love each other, through the sexual act. Suddenly the necessity does not happen. Simply sitting together is something extraordinary.

(9:25)

That’s why the Vedic tradition, in the marriage ceremony there is a ashirvachanam; means the blessing word; ‘by the 11th year let you both, let both of you become mother and the son, father and daughter’. In both ways, if the distance becomes more or distance completely disappears, both ways the sex disappears. Just, either sex is like a liquid, fluid, either it freezes, cold like ice or it evaporates like a steam. If it evaporates as steam, your Consciousness is levitated and your whole system evolves into Enlightenment. If it becomes cold, frozen, ice, you are caught in the ice box. You are also frozen.

(10:40)

Understand this definition of love. Thousands of your problems not only related to relationship; I can say there are thousands of relationships which are perversions of, thousands of problems which are, perversions of relationship problems. When the relationship is not fulfilling, suddenly anything she does or he does irritates you. So this is what I call, ‘perversions’ of relationship problems.

(11:32)

If you know the real love, even intellectually, you will start radiating healing energy. Healing does not mean, just you will put your hand on somebody, who is someway sick and that person will come out of that leg pain, stomach pain or headache or cancer. Put your hand on your own head, heal all the headaches you have and you give to others. This is the healing stick I am giving to all of you; understanding about love.

(12:14)

Fill this understanding in all your relationships. Sit and scan - ‘What is my relationship with my Father? How is it? What is my relationship with my Mother? How is it? What is my relationship with my Spouse? How is it? What is my relationship with my Brother? How is it? What is my relationship with my friends? How is it? What is my relationship with the world? How is it?’ I have seen, people wasting years just with their relationship with the dog. It is not love, it is not love; foolish infatuation, very third grade perverted infatuation. I tell you having a pet deity, Ishta Devatha is thousand times better than having a pet dog. But these idiots without understanding, having pet dog has become a fashion, having pet deity is something like a old, outdated.

(13:24)

They are back. See I want all of you to know, you see, they are not really trying to build a nest because they have their nest here and for nest they use different material. This is just for the, just to drop like a archana they are bringing and dropping and going and they have their storage here. They don’t stay here, they stay here, but they have their storage there.

(14:20)

Don’t waste your time with pets. They are not My pets. Understand. They are My disciples. I know exactly My awareness and their awareness so, that is why the relationship is Eternal. Even if you keep a, keep two birds in a cage and tell them, teach them this hundred days, they will not do it perfectly every day. It’ll be only possessiveness and attachment or infatuation. Here you see, free relationship - awareness overlapping. So let your marriage become like this. Let all your relationships become like this, based on the overlapping of awareness or flowing of awareness into each other; not old, frozen. You can see when you sit next to each other at least five feet around you is frozen.

(15:40)

Understand this definition of love, you will radiate healing energy. This is the ultimate healing energy. I bless you all, to radiate love - the ultimate healing energy. Radiate Enlightenment, achieve and radiate the Eternal Bliss, Nithyananda. Thank you.

(16:15)

Title:

Nithyananda Lakshmi Inauguration

Narration:

Inauguration of Nithyananda Lakshmi in Bidadi, Bangalore on Sept. 20, 2010

Video and Audio:

Nithyananda Lakshmi Inauguration

VideoAudio

Photos Of The Day:

01-Pada-Puja

02-Morning-Message

03-eKalpataru-Morning-session

04-Pancha-Tapas

05-SarvaDarshan

06-Nithyananda-lakshmi-Afternoon-session

07-Nithyananda-Lakshmi-SarvaDarshan