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Thursday

14 October 2010

202Dated photos
1Source pages
2Media embeds
A photograph of a shrine inside a granite temple pavilion with carved stone pillars. At the centre stand two deity murtis, a male form with a red crown and a female form with a tall gold crown, both in gold and yellow garments with green and pink drapes, decorated with garlands of marigolds and purple flowers. A gold shivalinga-style object sits on a gold pedestal in front of them. Tall brass lamps with oil lamps and brass plates with offerings, including flowers and kumkum, line the platform. The statues are deity murtis, not living people, and no physical people are visible.A stage event with an orange banner behind it. On the left, a large portrait printed on the banner shows a smiling man in an orange turban with a purple forehead mark, labelled in part as a Paramahamsa Nithyananda caption. On the right, a painted or printed image of a goddess with a crown, red and gold jewellery and marigold garlands. Centre stage, a decorated murti of a deity sits on a gold throne draped with yellow and red marigold garlands and a small umbrella. Beside it, a seated figure in a yellow robe, yellow turban and gold necklace sits on a gold-and-red throne with a matching umbrella and garlands; the robe is yellow with a gold necklace, consistent with a person appearance cue. Rows of seated devotees in white kurtas and yellow shawls face the stage, some in orange, with men's heads visible from behind.A man seated on a red cushioned throne in front of a gilded arch decorated with yellow and purple marigold garlands and green leaves. He wears a saffron-yellow turban with a red tilak on the forehead, a yellow draped garment over one shoulder, and a long multi-strand gold bead necklace. His hands rest folded in his lap. The flower-garlanded throne is in a setting with a red wall behind it. Swamiji (probable) cues: a saffron turban and ornate gold necklace with a throne presentation.

Photos of the day

View all 202 photos

202 distinct dated photos. Source gallery sets may overlap.

01

Panchatapas

28 dated photos in previewSource gallery
02

Paadapooja

28 dated photos in previewSource gallery
A photograph of a man with long, swept-back dark hair seated with eyes closed in front of an ornate gold throne with radiating fan-shaped carvings. He wears an orange sleeveless garment, a long rudraksha mala of brown beads across his chest, and a red bindi with white markings on his forehead. Behind him stand orange and red fabrics, and a wooden table with mala strands sits at lower left. The man appears to be a probable Swamiji by appearance cues: long hair, saffron clothing, rudraksha malas and an ornate throne. He is shown in meditative stillness.
03

Morning-Satsang

8 dated photos in previewSource gallery
04

Sarvadarshan

1 dated photos in previewSource gallery
05

Dasara-Culturals

80 dated photos in previewSource gallery
06

Ashramites-Meeting

12 dated photos in previewSource gallery
07

Swamiji-With-His-Sacredarts-Team-In-Making-Vahanas

10 dated photos in previewSource gallery
A photograph inside a plain white-walled room with red-orange curtains behind. A man in a saffron-orange robe and a dark rudraksha mala has long dark hair and his right hand resting on an ornate gilded canopy above a gold-painted stand with an elephant figure. Beside him, two men in white dhotis with maroon borders stand; the one on the left wears a gold chain necklace and has white markings on his arms and forehead, and the other partially visible man in white stands behind. A framed devotional picture of a deity hangs on the upper wall, and gilded ritual vessels are on a table at right.
08

Nithyanandeshwara-Paramashiva-Golden-Temple

9 dated photos in previewSource gallery
A photograph of a temple shrine with a deity murti pair seated on a golden throne beneath an ornate gold arch. The seated figure on the left wears an orange turban and holds a trident, while the figure on the right wears a tall crown and gold-coloured garments. A large brass lingam-shaped vessel sits in front of them on the platform, draped with yellow and purple marigold garlands. Tall brass oil lamps flank both sides of the shrine, and small brass bowls and offerings lie on the floor below. A red curtain and grey carved stone pillars frame the scene. The image appears to show a deity murti shrine rather than a living person.A photograph of a shrine inside a granite temple pavilion with carved stone pillars. At the centre stand two deity murtis, a male form with a red crown and a female form with a tall gold crown, both in gold and yellow garments with green and pink drapes, decorated with garlands of marigolds and purple flowers. A gold shivalinga-style object sits on a gold pedestal in front of them. Tall brass lamps with oil lamps and brass plates with offerings, including flowers and kumkum, line the platform. The statues are deity murtis, not living people, and no physical people are visible.A white marble statue of a seated figure in a green silk garment with a red-and-gold border and a red mala around the neck, hands raised in a blessing gesture with a red tilak on the forehead and a green-and-gold head wrap. The statue sits on a white base before a golden throne and a golden tiered structure, draped with yellow marigold garlands and purple and red flowers. Nearby are a brass bell, a brass pot with a long spout, scattered red and orange petals, and a small figure in green on the right. Gold ornate carved panels frame the background.
09

Banyan-Tree

4 dated photos in previewSource gallery
A dark stone statue of a four-armed figure in saffron and maroon striped robes, wearing an orange turban with a pink flower, a rudraksha mala hanging to the waist, and a tilak on the forehead. It stands on a dark rounded pedestal carved with small figures, framed by an ornate silver arch against green foliage. The statue holds a trident-like staff and a drum in its upper hands, and its lower hands are in mudra poses.
10

Navaratri-Homa

4 dated photos in previewSource gallery
11

thumbs

6 dated photos in previewSource gallery
A man with long dark hair sits cross-legged with eyes closed in meditation on a woven mat and a cushion, wearing an orange saffron robe and a long necklace of dark rudraksha beads. A red bindi marks his forehead. Beside him on the mat is a small brass kalasha-style pot. Behind him stand orange temple pillars with yellow and purple garlands hanging from the top, and green plants grow in the sandy ground. The setting suggests an outdoor satsang or meditation session. a person cues: long swept hair, saffron robe, rudraksha mala, matching the event page.A seated man in yellow ceremonial robes sits on a red cushioned throne framed by a gold ornate arch decorated with yellow, purple and red flower garlands and green leaves. He wears a yellow turban with a red tilak on his forehead, a yellow shawl, and a long necklace of gold beads. He smiles and raises one hand in a blessing gesture while the other rests open on his lap. Behind him is an orange backdrop with partial script. Swamiji (probable): the figure has a yellow turban, saffron ceremonial robes, gold bead necklace and a throne setting, and is presented as a teacher giving a blessing from the throne.A seated man in a saffron-yellow turban and matching yellow robe sits on an ornate gold throne framed by a floral arch of yellow marigolds, purple and red flowers, and green leaves. He holds his palms pressed together in namaste, eyes lowered, and wears a long strand of gold-and-bead ceremonial necklace over rudraksha-style beads. A red and gold backdrop with partial lettering surrounds him. The throne is upholstered in red velvet.A large festival shrine dominated by a multi-armed goddess murti, Durga, riding or standing over a lion and battling a demon. The goddess has red skin, long dark hair, and holds weapons in many hands, with a red and gold sari. Flanking her are smaller white-and-gold lace-decorated figures in pink, red and green garments. Brass oil lamps (lamps) stand in the foreground beside a kalasha-like flower offering and marigold garlands. Ornate white paper-lace arches, red and gold canopies, and a decorated altar cloth frame the scene. No people are visible.
12

nithyananda-ashram

12 dated photos in previewSource gallery
A man with long dark hair sits cross-legged on an ornate golden throne with red cushions, eyes closed in meditation. He wears saffron-orange robes and a dark rudraksha mala of beads across his chest, with hands folded in his lap. Before him on a low table are fruits, a brass bowl and a flower offering. Carved gold framing surrounds the throne.Close photograph of a ceremonial foot-washing ritual. A person in white clothing with a rudraksha mala and a wristwatch pours water from a pink flower-decorated vessel over the bare feet of a seated figure in saffron-orange robes. The bare feet rest in a golden bowl containing flower petals and offerings. The setting suggests a padapuja honouring a guru, though the seated figure's face is not visible. Pink and white flowers and gold metal are prominent.A seated man in saffron-orange robes sits on an ornate gold-and-red throne with a carved golden back and a red cushioned footstool, reading from a small white card held in both hands. He wears a long rudraksha mala with a red-orange sacred thread and has long dark hair. A microphone stand stands to the right. Beside him is a draped orange-covered table holding small items. Behind the throne, a golden deity murti and flower garlands are visible, with a stone shrine structure and greenery in the background. The appearance is consistent with Swamiji (probable), seated in a throne as the speaker at a satsang, with the rudraksha mala and long hair as cues.A seated man in yellow ceremonial dress sits on a gold-carved throne decorated with a garland of yellow marigolds, purple and red flowers, and green leaves. He wears a yellow turban, a yellow shawl draped over one shoulder, and a long gold-beaded necklace, with his palms pressed together in namaskar and eyes lowered. A red bindi is visible on his forehead. Behind the throne is a bright red backdrop with partial gold lettering. Swamiji (probable): the long swept-back hair, yellow ornate robes, and ceremonial gold necklaces are cues for the presiding teacher seated in honour on the throne. One person is visible.

October 14 2010

Original wiki page
Contents

Title

Healing Wisdom of Vedas

Narration

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Vedic Literature during the everyday live public talk - Nithyananda Satsang. In this talk entitled Healing Wisdom of Vedas, The Supreme Pontiff of Hinduism shared a few things about the extraordinary researches and discoveries done by the disciples of Maharishi Mahesh Yogi on Vedic literature and how the Vedic literature corresponds to special aspects of physiology. He also gave His insight on Nada Brahma which is the sound that is the source of everything, by sharing experiences He had with His Guru, Raghupathi Yogi. His Divine Holiness instructed that first you need to do is to play with silence, then automatically the whole science of playing with sound will be revealed to you.

Video and Audio

VideoAudio

Transcript

(0:17)

|| Sadāshiva samārambhām Shankarācāryā madhyamām | Asmat ācārya paryantām Vande Guru Paramparām ||

(0:38)

I welcome you all with My love and respects. Today’s subject, ‘Healing Wisdom of Vedas’. I wanted to share few things about, the extraordinary researches and discoveries done by the disciples of Maharishi Mahesh Yogi on Vedic literature and how the Vedic literature corresponds to special aspects of human physiology. Beautifully they proved, forty branches of Vedic literature, in structure and function, matches the human physiology; like various organs, organ systems and nervous systems. And not only that, they have gone deep into...I will first express some of their discoveries, then I will give you the deeper insights.

(2:02)

By a Professor Tony Nader - very beautifully in his research he says that, human body is a replica of Vedas and the vyakarana in Vedic literature is hypothalamus of the brain and nyaya is thalamus of brain. And another one very important research is, they have done research on the cancer cells to determine the influence of Sama Veda and rock music on it. All the cancer cells influenced by Sama Veda started decreasing in growth and the rock music increased the growth of cancer cells. It’s very surprising research - they have proved it. And they have done some more studies on how, the fever is healed by Vishnu Sahasranama; Diuresis, the urination problems - Mutra Mochana; Diabetes - Rudrashtaka, for anti-aging - Gayatri Mantra was used.

(3:24)

Now I’ll try to give My insight on the ‘Nāda Brahma’. It’s a sound which is source of everything. So when the sound vibrations are altered, the whole Consciousness is altered. The reflection of Consciousness in your body, mind and brain is altered. When the reflection of your consciousness on the body, mind and brain is altered, the physiology of the body, mind and brain gets altered.

(4:12)

Please understand. When I say physiology of a mind, I mean mind does have a physiology. It has a clear structure. I have seen Raghupati Yogi, My yoga Master playing with sounds. He will take a stone and create a sound, like as if that stone is hit by a hammer, that stone will become two pieces, it will become pieces. The same way, iron rope, he’ll take iron rope and create a sound through the tongue, as if it is hit by a powerful tool, weapon, cutter; it‘ll just break into pieces. And he’ll create a sound like throwing a stone, the bird from the tree will fall. And just he’ll close one nostril, through the other nostril he will blow the air in such a way, he can even alter the smell of the air. He’ll just inhale, blow the air in a very proportionate way, from the stomach he will generate certain smell and release it through the air.

(6:02)

I have seen, he used to make Siddha medicines also, for which he needs snake venom - snake poison. So he will just do some kind of a Pranayam, create a sound and release a particular smell through the nose; the snakes will automatically come near him, as if they are in the sexual orgasm. When the snakes get into the intercourse, two snakes - they will roll on the ground and they will move just by rolling. Only if you have seen, if you are from Indian village and seen you will understand what I am talking. They will not move like a normal way, they will be rolling on the ground and moving. They will completely be rolling and moving. I have seen the snakes getting into that kind of an orgasmic mood just by this smell. Just by the smell he releases, they will get into that mood and come towards him as if they are in that ecstasy and all he will do is he will have a small cup, the stone cup and he will take that snake and put the mouth and take the venom and release them. Just through sound, he will insert certain sound inside the body and create a smell from the body and release it through the nostrils.

(8:14)

Playing with sound...The power of sound, I tell you...Maybe if you learn to play with silence, then you will know the science of playing with sound. Learning to play with silence, will reveal the science of playing with sounds in your body and mind. Because there is no other separate technology, you cannot learn step by step one by one, how to play with different sounds. First you need to play with silence, then automatically the whole science of playing with sound will be revealed to you. Playing with silence is the technique to achieve the state of playing with the sound. Playing with silence means, getting into the deep silence through unclutching.

(10:12)

So play with silence by unclutching. You will experience, technology of playing with the sound. Let you all achieve and radiate enlightenment. Achieve and radiate the Eternal Bliss. Nithyananda. Thank you.

(10:40)

Photos

Panchatapas

Paadapooja

Morning-Satsang

Sarvadarshan

Dasara-Culturals

Ashramites-Meeting

Swamiji-With-His-Sacredarts-Team-In-Making-Vahanas

Nithyanandeshwara-Paramashiva-Golden-Temple

Banyan-Tree

Navaratri-Homa

Photos Of The Day:

thumbs

nithyananda-ashram