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Sunday

23 February 2025

LIVE: SPH Darshan as Jvarabhagna Murthy | Manifest Divine Healing Powers | #Mahashivaratri Special

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02

KAILASA Adikailasa AK On 23/2/2025

8 photosView all
A golden statue of a seated figure in a shrine is shown, raising its right hand in a blessing gesture and wearing a green turban with small ornaments, a green shawl over a green and pink garment, layered red, yellow and white flower garlands, and a beaded necklace with a pendant. The statue sits on a lotus-shaped golden pedestal before a magenta curtain framed by an ornate gold arch. Golden trident stands flank the scene, and a small placard on the right shows a temple image and a portrait, labelled KAILASA SALEM BHARATH. A timestamp reads Feb. 23, 2025 6:16:05 p.m. Salem, Tamil Nadu. No people are visible.A golden statue of a seated figure on a lotus-shaped pedestal in front of a magenta draped backdrop within a gilded arch. The figure wears a green turban with a silver emblem, a green and gold garland of yellow flowers and red blossoms, a beaded necklace, and a green shawl over pink-and-silver garments. The right hand is raised in blessing. Golden trident-topped stands flank the statue. To the right, a placard reads KAILASA SALEM BHARATH, with small images of a deity and a figure in orange. The timestamp Feb. 23, 2025 6:16:08 p.m. Salem Tamil Nadu appears in the lower right. A statue depicts a figure and is not a physical person.A golden statue seated on a lotus pedestal within a gilded arched niche, lit indoors. The figure wears a green turban with a silver ornament, a green shawl over a green garment, a multi-strand garland of yellow and red flowers, and a beaded necklace with a large pendant. The right hand is raised in abhaya-style blessing gesture. Behind is a magenta silk drape. Golden trishula stands flank the shrine on both sides, and a small printed sign with a portrait is placed to the right. The image is a photograph of a deity murti rather than a living person.A photograph of a ritual arrangement on a green silk cloth with pink and gold border. Three gilded figurines in pink silk garments with silver jewelry and red hibiscus flowers in their headwear stand around a gold shiva lingam-style form wrapped in multicolored garlands of orange, yellow, green and pink. In front, a small silver figure of a dancing deity sits on a silver plate, and a gold kalasha-style lamp with a lit oil lamp burns at the lower left, with a gold tray at the bottom. The setting suggests a puja arrangement at a shrine. No people are visible, and no a person depiction is shown; the figures are statues.A photograph of a ritual shrine arrangement with no visible people. Two life-size golden-hued statues of figures dressed in pink silk saris with red flower hair ornaments and beaded garlands stand on either side of a central lingam-like form with a golden hooded cobra canopy, draped in a multicoloured flower garland with red hibiscus. Two lit brass oil lamps with arched golden tops flank the altar on a green silk cloth, along with a silver tray and a large brass plate holding flowers and offerings. The setting is a temple interior with a plain cream wall behind. A timestamp overlay reads Feb. 23, 2025 11:40:02 a.m., Salem, Tamil Nadu.A photograph of a temple puja arrangement with no people present. Brass plates hold offerings for worship: a bell, flowers including red hibiscus and plumeria, turmeric and vermilion in small bowls, rudraksha beads, a conch shell, lingam-like stones, a red cloth with beads, and small oil lamps with flames. Two pink-robed deity murti stand behind the offerings, one with hibiscus in its hair, with a garlanded metal vessel between them, and a decorated green cloth and bull-patterned maroon drape occupy the background. A timestamp in the corner reads Feb. 23, 2025 11:40:16 a.m. Salem Tamil Nadu Index number 292.
03

KAILASA BOLIVIA On 23/2/2025

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A photograph of an evening food service in a dim indoor kitchen. A young man in a plain white t-shirt stands at left, holding a white bowl with a patterned rim filled with cooked brown beans, while pouring from a spoon. At right, an elderly person with white hair and an orange long-sleeved top, with a gold bangle, lifts a silver lid over a large dark pot of beans on a scratched grey table. A blue bowl sits beside the pot. Two people are visible.A screenshot of a translation app interface showing Spanish text at the top in black on a white background: "los socios fueron a jugar y creo no van a comer la comida". Below a divider, the blue English translation reads "The partners went to play and I think they are not going to eat the food". A small blue audio/vibration icon and a vertical blue slider bar appear on the right side. No people, deities, or ritual scenes are visible.Blurry night photo of an outdoor food service at a tiled counter. A woman in a light blue short-sleeved top and dark jeans, with long dark hair, stands at left reaching toward food. Behind her, a woman in a pink top and dark pants with a light headscarf stands at the counter. At right, an elderly person in an orange garment is partly visible, reaching across the counter. On the counter sit a blue and white basin of cooked vegetables and noodles with serving tongs, a clear container of shredded red cabbage, a stainless steel pot with lid, and a white paper plate with a spoon. No deity, throne or ritual setting is visible.Photo taken at dusk or night of a food-serving scene on an outdoor table covered with a green cloth. An elderly man with white hair, wearing an orange long-sleeved top, leans over the table and ladles food from a stainless steel pot into a small bowl. Nearby, a large pot of reddish-brown stew sits on the table with a lid set aside. Three young women stand behind the table: one in a white top and floral skirt, one in a blue short-sleeved top and blue trousers with arms crossed, and a partly visible person in pink. Lights glow in the background, and the setting appears to be an open-air or semi-open space.Blurry night photo of an annadaan food service. A woman in a coral-pink open cardigan over a white t-shirt with a colourful graphic and partly visible lettering stands in the background holding a paper plate of cooked food. In the foreground a steel pot and metal serving bowls hold curried food on a speckled table. No a person candidate is visible, so the person is described by role only.A blurry nighttime photo of an Annadaan food service. A smiling woman in a coral-pink cardigan over a white top stands at left, reaching forward to receive a folded paper plate or leaf bowl of food. A bare-armed person in a pale yellow long-sleeved top at right extends a hand to serve her from a large stainless steel pot of brown food, with a smaller steel bowl beside it on a table. Dim background with plastic chairs and a small lit structure.
04

KAILASA MADURAI On 23/2/2025

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A photograph of a single person performing a prone yoga posture on a dark grey mat on a marble floor inside an indoor hall. The person lies face down with arms stretched forward and legs extended, wearing an orange-saffron dhoti-style garment with a thin green and gold border, bare-backed with short dark hair. Behind them stand a gold-railed staircase with glass panels, a white marble stairway, a small patterned doormat, and a dim wood-panelled corridor with carved pillars. The person is a yoga practitioner; their identity is not established by visible cues alone.A young male devotee kneels on a dark grey yoga mat on a pale marble floor inside a building with a staircase and gold-railed balcony behind him. He wears an orange dhoti with a gold-and-maroon border, is bare-chested, and has a thick rudraksha mala around his neck. His arms are crossed over his chest with white sacred ash marks on his forearms. Behind him stand dark wooden carved pillars and a red-brown mat at the foot of the stairs. Visible cues are a rudraksha mala and orange dhoti, but his face and features are not distinctive enough to confirm identity, so the a person field is unsure.A photograph of a single bare-chested young man in a squatting yoga posture on a dark grey mat on a pale marble floor. He wears orange dhoti-style cloth with gold borders and a long rudraksha mala hanging on his chest, with dark swept-back hair. Behind him are a gold-railed staircase, a dark mural on the wall, and a red office chair at left, indoors at what appears to be a Madurai hall. The setting suggests a PVK Yoga practice session. The person's identity cannot be determined from appearance; he is described only by role as a yoga practitioner.A shirtless young man with long dark hair sits on a dark grey yoga mat on a pale marble floor, performing a backbend-style seated stretch while looking upward. He wears a bright orange dhoti or wrap with a darker border and a rudraksha-style mala or beaded cord around his neck, with white markings on his bare upper arm. Behind him are gold-railed glass balustrades, a marble staircase on the right, and recessed ceiling lights in a large, empty hall with a doorway and a dim corridor. The setting suggests an indoor yoga practice session. He is the only physical person visible. The image is a photograph and shows no readable text. Identity is not established from appearance alone.
05

KAILASA SEERAGAPADI On 23/2/2025

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Interior photo of a temple shrine with a golden seated figure under an arched canopy, behind a large decorated statue wrapped in blue and gold cloth, draped with red and yellow garlands, rudraksha strands, and purple flowers. A sign on an easel reads KAILASA SEERAGAPADI BHARATH, with a small portrait of a man in orange robes at its top corner. Two brass oil lamps stand on either side, a brass plate with flowers sits in the foreground, and dark deity murtis in blue and red garments flank the niches. No physical people are visible.A photograph of a decorated shrine with a large Shiva lingam draped in a blue cloth and wrapped with gold bands, hung with dark rudraksha malas and a pink flower. Two painted statues flank the lingam: a figure on the left with a gold crown and garlands, and a figure on the right with a gold crown and red garland. Red and yellow garlands and purple orchids decorate the scene, and a green-draped deity murti in gold ornaments sits in front. A purple silk cloth with gold border hangs at the right. No physical people are visible.A photo inside a temple shrine showing a dark blue stone lingam with a gold band, draped in blue cloth and layered dark rudraksha malas, with a purple flower placed on it. Two small metal deity figures flank it, each adorned with red and yellow garlands and crowns. In front is a large green fruit or vegetable offering decorated with gold ornaments and red garlands, with purple flowers scattered around. A brass plate with a small figure and flowers sits in the foreground, and a purple and gold silk cloth hangs at right. Timestamp overlay reads 23 Feb 2025 11:18:04, Tamil Nadu, kailasa seeragapadi. No people are visible.A photograph of a large seated deity murti decorated for worship, with a blue-painted face and a blue cloth turban wrapped around its head. It wears layered rudraksha malas, a gold chest ornament and a red-and-yellow garland falling from its shoulders. Two smaller metal figures stand at its sides, each adorned with flower garlands and purple flowers, and a green fruit offering rests in front. Brass oil lamps stand on either side, and gold-coloured figures and a dark-red cloth appear in the background. A timestamp reads 23 Feb 2025 11:18:01, with Tamil Nadu and kailasa seeragapadi printed in the corner.A photograph inside a temple shrine showing a central deity murti. A green leaf offering sits in front, with purple flowers scattered around. Brass oil lamps stand at each side and a brass plate with a small figure rests in the foreground. A cloth in purple and gold hangs over a stand at right. No people are visible.A photograph of three figures on a polished brown floor inside a temple shrine. On the left stands a gold-painted statue of a bare-chested male figure with a red and white tilak on the forehead, wearing a short dhoti and holding one hand raised. In the centre is a tiered pale sri yantra meru structure on a base. On the right stands a gold-painted female figure in a white draped garment with a leopard-print hem, holding a lamp and wearing a red necklace and a gold pendant. Behind them, deity murtis in blue and red silk garments with garlands are visible. A timestamp reads 23 Feb 2025 10:44:55, Tamil Nadu, kailasa seeragapadi.
06

KAILASA SETHUR On 23/2/2025

3 photosView all
A four-panel collage of photographs showing a bare-backed woman in an orange shawl and leopard-print cloth performing puja before a seated figure depicted in a printed image or statue. The seated figure wears a red turban, red-orange robe, rudraksha mala and white flower garland, with a raised blessing hand. Panels show the woman lighting a brass oil lamp, placing offerings on a tray of grains and flowers, and sprinkling petals or turmeric. Dated Sunday, 23 February 2025.A four-panel collage of photographs showing a woman devotee performing a puja before a large printed cutout portrait of a seated figure in a red-orange turban, rudraksha mala and yellow-white floral garland, hands raised in a blessing gesture. In the scene a standing woman with hair in a bun, bare-backed with white markings on her shoulders, wearing a leopard-print wrap and orange cloth, offers brass pooja plates holding coins, a brass lamp and a kalasha-style vessel on a white-draped table. The photographs carry a 'Sunday, 23 February' date stamp. The portrait is a depiction on a printed cutout, not a physical person.A four-panel collage of photographs showing a young person in orange saffron cloth seated cross-legged on a patterned rug, performing a puja offering. The figure wears rudraksha mala beads, white horizontal tilak lines on the forehead, arms and shoulders, and has hair in a bun. Before them are brass plates and bowls with flower arrangements, small brass oil lamps, and a red-and-gold accent on a wooden stand. The background is a red patterned wall and a bare concrete floor. Panels show hand gestures over the offerings and placing items on the mat.
07

KAILASA TANJAVUR On 23/2/2025

2 photosView all
A standing black stone murti of a deity holding a golden trident in its left hand, with its right hand raised in abhaya mudra. The figure wears a tall green and white jeweled crown, layered pearl and ruby necklaces, and a green silk dhoti with gold brocade sashes at the waist and arms. The murti stands on a dark plinth in front of a gold-painted wall draped with a maroon and gold bordered cloth. A date and location timestamp is printed in the lower right corner.A photograph of a black stone deity murti standing on a dark pedestal against a golden-yellow wall with a maroon and gold bordered cloth canopy above. The figure wears a tall green and silver-jeweled crown with a pink lining, layered silver and jewelled necklaces, a gold waist sash and a green silk dhoti with gold border, and holds a silver trident in its left hand. A camera timestamp in the lower right reads Feb 23, 2025 4:31:23 PM, Karanthai, Thanjavur, Tamil Nadu. No people are visible.
08

KAILASA THONDAIYARPET On 21/2/2025

1 photosView all
Indoor shrine photo in a yellow-walled room with a gilded arch. Three deity murtis stand on a gold-draped altar, each garlanded with white and red flowers and wearing tall decorated crowns. A brass oil lamp and small offering vessels sit at the base. To the right, a sign reads KAILASA TONDIARPET BHARAT, beside a standing cutout portrait of a bearded man in an orange turban, a rudraksha mala and ornate gold-toned necklaces; the cutout is not a physical person. A bald-headed person in the lower right corner is partly visible. A banner with geometric and floral motifs hangs on the right. A timestamp reads 23 Feb 2025 05:28:26, Chennai, Kailasa Tondiorpet.
09

KAILASA THONDAIYARPET On 22/2/2025

10 photosView all
Photograph of a shrine corner with no people present. Two painted deity murtis with garlands stand on a gold-draped platform, left and centre, with a small Ganesha figure at the base. A sign reads KAILASA TONDIARPET BHARAT. Beside it stands a standing male figure with a trident, and at right a large cut-out printed portrait of a seated bearded figure in a pink turban and layered beaded necklaces with a rudraksha mala, labelled as a portrait, not a physical person. On the red floor in front are brass plates with oil lamps, flowers, a conch shell and a green leaf offering, with a kalasha-style vessel on a pedestal. Ritual puja items are arranged on the red cloth, and the timestamp reads 23 Feb 2025 22:26:04 Chennai Kailasa Tondiorpet.A photograph of a shrine room with a gold-framed arch holding three deity murtis draped in white and red garlands. The central figure wears a tall crown and a rudraksha-style necklace, flanked by two figures in crowns and gold ornaments. A brass oil lamp stands at left, and a gold tray with oil lamps, flowers and a small kumkum dish sits on a red cloth in the foreground. A standing cutout poster of a bearded man in orange and pink clothes, with a turban, layered beaded necklaces and a mala, sits seated on a red cloth at right beside a sign reading KAILASA TONDIARPET BHARAT. A tall cloth banner with blue and red patterns hangs at the far right. No physical people are visible.A shirtless priest in a white dhoti with gold border stands in a yellow-walled shrine room, holding a lit oil lamp (aarti) in his right hand while performing puja. Two women devotees stand to the left, one in a pink saree with gold border, the other in a green saree with gold jewellery, both with palms pressed together in namaskar. Behind them is a golden arch framing deity murtis decorated with white and red flower garlands, with a kalasha-like altar and brass puja plates, lamps and flowers on the red-covered floor in front. On the right, a sign reads KAILASA TONDIARPET BHARAT and a framed printed portrait shows a bearded figure with a turban, rudraksha malas and ornate necklaces. A timestamp reads 23 Feb 2025 17:46:54 Chennai Kailasa Tondiorpet.A priest seen from behind, with a shaved grey head and white sacred markings on his bare upper body, sits on a red cloth before a golden shrine in a temple room. The shrine holds three deity murti adorned with garlands of white flowers and blue beads; the central figure is painted in pink and red and holds raised hands. Brass oil lamps, a kalasha-style vessel, a plate of offerings and flower petals sit before the shrine. To the right, a cutout photograph of a bearded man in a saffron-and-pink turban, rudraksha malas and ornate gold necklaces sits on a red cloth, with a flower garland at its base; this is a printed image, not a physical person. A sign reads KAILASA TONDIARPET BHARAT, and a colourful textile hangs at right. A timestamp reads 23 Feb 2025 17:45:59 Chennai.A photograph inside a small shrine room with yellow walls and marble floor. Three deity murtis stand on a gold-draped altar garlanded with red and white flowers; the central figure wears a tall crown and the side figures wear crowns too. Brass oil lamps and a brass plate with a lit flame sit on a red cloth in front. A bare-chested priest with grey hair and white sacred ash markings on his body, wearing a white cloth and a necklace, holds a lit lamp or flame aloft. A large framed picture of a robed figure with a garland stands on the right beside a flag with elephant and flower motifs and a plaque reading KAILASA TONDIARPET. Timestamp in the corner reads 23 Feb 2025 17:45:55 Chennai Kailasa Tondiorpet.Indoor photo of a group of devotees standing in a small shrine room with yellow walls and white marble floor, facing a decorated altar. The altar holds deity murtis garlanded with white and red flower garlands, with a sign reading "KAILASA TONDIARPET BHARAT" beside it. A devotee in a white dhoti with a gold border and bare chest stands at right with hands folded in namaskar, next to a man in a pale pink shirt and white dhoti. On the left, a man in a teal shirt and white dhoti stands beside several women in saris and salwar, some with palms joined. In front of the altar lie brass oil lamps, a plate, a tray of offerings and a kalasha-like puja setup on a red cloth. A standing figure resembling a bearded sage in a saffron turban and beaded necklaces appears as a painted or printed image near the altar. Visible text includes a timestamp showing 23 Feb 2025 and Chennai, Kailasa Tondiorpet.
10

KAILASA UTTARAHALLI BANGALORE On 22/2/2025

10 photosView all
A large cutout standee of a smiling man in an orange-red turban, orange-red and gold-bordered dhoti and shawl, and layered garlands of yellow marigolds and red and white flowers over the chest, with rudraksha beads and a gold pendant. He stands on a red-paved courtyard under a tree and a corrugated roof. A woman in a white and gold sari stands in the background at right beside a blue water jug. The cutout is a printed image of a person, not a physical person, and the scene holds no other standing physical people beyond the background figure. Swamiji (probable): the cutout shows a long-haired figure with a turban, orange-red ceremonial robes, rudraksha malas and a gold necklace, so the depicted presence is an appearance-based candidate.A golden statue of a seated figure in a purple silk garment with gold zari border, wearing a gold turban with a red band and a white and red jewelled brooch, a red bindi on the forehead, and a jewelled necklace. The statue sits on a maroon cushioned seat set within an ornate embossed silver arched backrest, with the right hand raised in abhaya mudra. It is draped in a garland of yellow and white chrysanthemums with green leaves, with red roses and white flowers scattered on the red brocade cloth below. This is a statue depiction, not a living person, and no physical people are visible.A brass puja setup on a white table against a red wall and red floor. Two brass lamps with lit oil wicks flank the arrangement, along with a third lit lamp on the right. At the centre back sits a small figure in pink and red robes with a red-and-gold cloth beneath it, on a red cushion. Brass bowls hold red, yellow and orange powders, and a brass plate holds white jasmine flowers. A brass kalasha-style vessel and a small brass tumbler stand on the left, and a white bird figurine sits on the right near a brass stand. No people are visible.A photograph of a black stone Ganesha murti seated in a shrine niche framed by ornate gold-toned metalwork, with a maroon draped backdrop. The deity has an elephant head with orange and white tilak markings, a gold ornate crown with a leaf, and is adorned with white and yellow chrysanthemum garlands, red roses, a pearl and red-stone necklace, and a pink-and-orange silk cloth draped over its shoulders. A small brass vessel sits at the lower left on a red-painted platform. No people are visible.A black stone deity murti seated against a maroon velvet backdrop within an ornate gilded frame. The figure wears a gold crown, a yellow-orange tilak and a nose ornament, with gold necklaces and earrings. It is dressed in a pink and beige silk sari and draped with a long garland of yellow chrysanthemums, accented with red and orange roses. Green leaves are arranged on its head, and its multiple hands hold weapons, including a dagger-like blade. Fresh white flowers lie at its base on a dark stone plinth. No people are visible.A black stone murti of a standing deity is shown in a temple shrine framed by an ornate silver arch. The figure wears a tall crown with a white flower on top, a red-and-white forehead band, a red tilak, and large white-and-red earrings. Yellow flower garlands hang across the body, with red roses at the feet and hands. A pink and green silk garment drapes the figure, and a small animal figure stands at its side. The shrine has a maroon backdrop and a red-floored platform. No people are visible.

February 23 2025

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Title

LIVE: SPH Darshan as Jvarabhagna Murthy | Manifest Divine Healing Powers | #Mahashivaratri Special

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Transcript:

23 FEBRUARY 2025 - BHAGAVAN JVARABHAGNA MURTHY BHAVA SAMADHI DARSHAN WITH THE SUPREME PONTIFF OF HINDUISM (SPH) BHAGAVAN SRI NITHYANANDA PARAMASHIVAM. OM. OM. PARAMASHIVASYA JVARAABHAGNA MUTRAYO KAALASAMHAARA MUTRAYO PARAMAVATAARE AHAM YUSHMAAN SARVAAN PARAMADVAITEN ASHIRVADAAMI. OM.

AS THE ULTIMATE MANIFESTATION OF PARAMASHIVA, JVARAABHAGNA MURTI AND KAALASAMHAARA MURTI, I BLESS YOU ALL WITH PARAMADVAITA. PARAMASHIVA'S DIRECT MESSAGE FROM MAHA KAILASA.

LISTEN. PARAMASATYAS ABOUT MAHASHIVARATRI. WHAT EXACTLY YOU SHOULD BE DOING, TO GET THE PARAMADVAITA BLESSED BY PARAMASHIVA WITH PARAMADVAITA EXPERIENCE? THREE THINGS - PARAMASHIVA BHAKTI, PARAMASHIVA JNANA, PARAMASHIVA VIJNANA.

LISTEN. LISTEN TO THIS VERY INTENSELY - PARAMASHIVA BHAKTI, PARAMASHIVA JNANA, PARAMASHIVA VIJNANA. DECIDE YOU ARE PARAMASHIVA. COGNIZE YOUR VERY EXISTENCE IS PARAMASHIVA. THIS IS PARAMASHIVA JNANA. PARAMASHIVA BHAKTI MEANS FROM THAT SPACE YOU ARE PARAMASHIVA, WHATEVER IS MANIFESTING AS YOU, OFFER IT BACK TO PARAMASHIVA. THIS IS WHAT IS THE EXACT MEANING OF THE WORD SOHAMASMI - EVEN WHEN YOU PRAY YOU ARE PARAMASHIVA. PARAMASHIVA IS WORSHIPPING PARAMASHIVA.

REPEATEDLY HINDU TRADITION, IN EVERY SAMPRADAYA HINDU TRADITION SAYS, YOU SHOULD JUST BECOME THE GOD YOU ARE WORSHIPPING, INCLUDING YOUR DRESS. LISTEN. WHETHER SHAIVA SAMPRADAYA, VAISHNAVA SAMPRADAYA, SHAKTA SAMPRADAYA OR GAUMARA SAMPRADAYA IN ALL SAMPRADAYA PUJA VIDHI, IF YOU TAKE THAT PUJA MANUAL, PUJA VIDHI, REPEATEDLY ALL SAMPRADAYAS TELL - YOU BECOME THE GOD YOU ARE WORSHIPPING, BECOME THAT GOD AND WORSHIP THAT GOD. LISTEN. WITH A POWERFUL COGNITION YOU ARE PARAMASHIVA OFFER YOURSELF TO PARAMASHIVA AND NATURALLY HE WILL MANIFEST. PARAMASHIVA WILL MANIFEST AND RADIATE THROUGH YOU, THAT IS PARAMASHIVA VIJNANA.

I WILL REPEAT. FIRST COGNIZE YOU ARE PARAMASHIVA. COGNIZE YOU ARE PARAMASHIVA - THE ULTIMATE, ORIGIN, ALL PUT TOGETHER, WHATEVER YOU CAN VISUALIZE AND BEYOND. THIS PURE PARAMASHIVA, IS YOU. WHAT YOU KNOW AS YOU IS HE. WHEN YOU SIT IN THAT SPACE, WHATEVER IS MANIFESTING AS YOU, WHATEVER IS KNOWN TO YOU, AS YOU, OFFER IT TO HIM. THAT IS WHAT WE CALL SHIVA MANASA PUJA, PARAMASHIVA MANASA PUJA.

LISTEN. MANASA PUJA DOES NOT MEAN YOU, DO MENTAL WORSHIP. NO. MANASA PUJA MEANS - THE LIQUID FORM OF YOUR CONSCIOUSNESS, THE FLOWING FORM OF YOUR CONSCIOUSNESS, YOU OFFER IT BACK TO THE CORE OF YOUR CONSCIOUSNESS. LISTEN. KAILASA, A SOLID HUGE SHIVA LINGA - PARAMASHIVA; AND THAT SUPER CONSCIOUSNESS FLOWS FROM KAILASA, GATHERS AS MANASAROVER, THAT MANASAROVER YOU TAKE IT AGAIN BACK AND POUR IT ON PARAMASHIVA LINGA. LISTEN. MANASA PUJA IS NOT MENTAL WORSHIP. MANASA PUJA IS THAT LIQUID FLOWING CONSCIOUSNESS WHICH FLOWS OUT FROM YOUR CORE PARAMASHIVATVA YOU ARE OFFERING THAT BACK TO HIM. COGNIZE THIS. JUST COGNIZE THIS. JUST DO THIS ONE FOR THIS MAHASHIVRATI. FOR THIS MAHASHIVRATI JUST DO THIS ONE. COGNIZE YOU ARE PARAMASHIVA. LAST ONE WEEK I AM TRAINING YOU FOR THAT ONLY. YOU ARE THAT TEJAS - PURE LIGHT OF PARAMASHIVA. YOUR NAME IS SHIVA. YOUR FORM IS THAT PARAMJYOTI OF PARAMASHIVA. NOW YOUR BODY IS PARAMASHIVA'S BODY. YOUR MIND IS PARAMASHIVA'S MIND. YOUR WILL IS PARAMASHIVA'S WILL. YOUR EMOTIONS ARE PARAMASHIVA'S EMOTIONS. EVERYTHING YOU KNOW AS YOU, IS PARAMASHIVA, BECAUSE YOU ARE PARAMASHIVA. SIT WITH THIS, AND, WITH THIS MOOD, WITH THIS SPACE, ANYTHING THAT CAN MOVE IN YOU, FLOW IN YOU - YOUR BREATHING, YOUR BODY, YOUR MIND, YOUR CONSCIOUSNESS - EVERYTHING IS PARAMASHIVA, SO OFFER IT BACK TO PARAMASHIVA. THAT IS WHAT IS MANASA PUJA. VISUALIZE, KAILASA IS THE KAILASH MANASAROVAR IN TIBET. THAT KAILASA IS PARAMASHIVA, PARAMASHIVA LINGA. THE ICE AND THE WATER FLOWS FROM THAT KAILASA IS THAT PARAMASHIVA'S OWN CONSCIOUSNESS FLOWING AND GATHERING AS MANASAROVAR. THAT MANASAROVAR, MANAS SAROVAR, YOU ARE OFFERING BACK TO PARAMASHIVA IS MANASA PUJA. SO, WHATEVER IS OOZING OUT OF PARAMASHIVA IN YOU AS YOU, YOU OFFER THAT BACK TO PARAMASHIVA. PARAMASHIVA IS WORSHIPPING PARAMASHIVA WITH PARAMASHIVA USING PARAMASHIVA.

LISTEN. REPEATEDLY I AM TELLING YOU, FROM THIS PARAMASHIVA JNANA TO PARAMASHIVA BHAKTI. BECAUSE YOU CAN LOVE ONLY YOU. YOU CANNOT LOVE ANYTHING WHICH IS NOT YOU. THAT IS WHY, THE UPANISHAD SAYS EVEN YOUR LOVE TOWARDS YOUR WIFE IS, YOUR 'YOU' IN HER. THAT 'YOU' COMPONENT IN HER IS WHAT YOU LOVE IN HER, SHE LOVES HER COMPONENT IN YOU. THAT IS WHY WHEN YOU SEE YOUR COMPONENT IN HER REDUCES YOUR LOVE FOR HER REDUCES. ANYTHING YOU LOVE IS YOUR COMPONENT MANIFESTING THERE, YOU LOVE IT. FOOD, SOMETHING WHICH MAKES YOU FEEL TASTY ABOUT YOU IS DONE BY THAT FOOD, THAT IS WHY YOU LOVE THAT FOOD. ANY SENSORY PLEASURES, SENSUAL PLEASURES, OR PERSONS, PLACES, PEOPLE, EVERYTHING YOU LOVE ONLY YOUR DIFFERENT DIMENSIONS MANIFESTING FROM THAT PERSON, FROM THAT OBJECT, FROM THAT PLACE, FROM THAT THING. BECAUSE YOU ARE PROGRAMMED TO LOVE ONLY YOU. YOU ARE HARDWIRED TO LOVE ONLY YOU. KNOW YOU ARE PARAMASHIVA. YOUR TASTE WILL GET MATURED, AND YOU WILL START TASTING PARAMASHIVA, ENJOYING PARAMASHIVA, LOVING PARAMASHIVA, REALIZING YOU ARE PARAMASHIVA. YOUR FORM IS PARAMASHIVA'S FORM. YOUR MIND IS PARAMASHIVA'S MIND. YOUR WILL IS PARAMASHIVA'S WILL. YOUR CORE IS PARAMASHIVA'S CORE. YOUR SOUL IS PARAMASHIVA'S SOUL. YOU ARE PARAMASHIVA. SIT WITH THIS PARAMADVAITA AND WORSHIP PARAMASHIVA. ANYTHING FLOWS FROM HIM IS SURRENDERED TO HIM. ANYTHING FLOWS FROM HIM IS SURRENDERED TO HIM. SIT WITH THIS COGNITION AND LISTEN TO THIS WHOLE SATSANG. AND I WILL ALSO GUIDE YOU HOW TO DO IT.

OM HRIT PADMAM AASANAṀ DADYAAT SAHASRAARA ACHYUTA AMṚITAIḤ. HRIDAYA PADME AASANAM DADYAAT SAHASRAARA PADMASYA AMRITAIḤ ABHISHIKTAM. MAI HRIDAY KAMAL ME, AASAN DETAA HŪ̃, JO SAHASRAAR KAMAL KE AMṚIT SE ABHISHIKT HAI.

UNDERSTAND. WHAT YOU FEEL AS YOU. WHAT YOU FEEL AS YOU, OFFER THAT AS A SEAT FOR PARAMASHIVA. 'HRIT PADMA' MEANS, WHAT YOU FEEL AS YOUR CORE, OFFER THAT AS A SEAT FOR PARAMASHIVA. WHEN HE SITS ON THAT, THE WHOLE NECTAR STARTS OVERFLOWING, THAT SAHASRARA AMṚITA STARTS OVERFLOWING ALL AROUND HIM AND EVERYWHERE. SEE. IN KAILASA, THE WHOLE KAILASA HILL IS A SHIVA LINGA - PARAMASHIVA'S FORM. FROM HIM THE WHOLE ICE FLOWING IS THAT SAHASRAARA AMṚITA. IT ACTUALLY FLOWS LIKE A ABHISHEKHAM AND GATHERS AS MANASAROVAR, GETS COLLECTED AS MANASAROVAR. YOU TAKE THAT SAHASRAARA AMṚITA AND OFFER AS PAADYAṀ. OM HRIT PADMAM AASANAṀ DADYAAT SAHASRAARA ACHYUTA AMṚITAIḤ PAADYAṀ CHARAṆAYOR-DADYAAT MANASTU ARGHYAṀ NIVEDAYET.

LISTEN. CHARAṆAYOR PAADYAṀ DADYAAT MANA EVA ARGHYAṀ NIVEDAYET. MAI CHARAṆ KO PAADYA - PAIR DHONEY KAA JAL DETAA HŪ̃, AUR MAN KO ARGHYA SAMAAN JAL KE ROOP ME ARPIT KARTAA HŪ̃.

UNDERSTAND? DHYAAN SE SUNIYE. MAI CHARAṆ KO PAADYA - PAIR DHONEY KAA JAL DETAA HŪ̃, AUR MAN KO ARGHYA SAMAAN JAL KE ROOP ME ARPIT KARTAA HŪ̃. I OFFER THAT SAHASRAARA AMṚITA - THAT NECTAR OVERFLOWING ON PARAMASHIVA WHEN HE SITS ON MY CORE ON MY HRIT-PADMA, WHEN HE SITS WHATEVER OVERFLOWS FROM THE SAHASRAARA, HIS SAHASRAARA, I OFFER THAT AS PAADYA. ACTUALLY, WHATEVER OVERFLOWS FROM HIS SAHASRAARA IS OVERFLOWING FROM YOUR SAHASRAARA, AS THE MOMENT HE SITS IN YOUR CORE, HIS SAHASRAARA AND YOUR SAHASRAARA BECOMES ONE.

LISTEN. DO NOT ALLOW SELF-DOUBT, SELF-HATRED, SELF-DENIAL BECAUSE EVERY TIME YOU DO THIS MANASA PUJA THE SELF-DOUBT, SELF-HATRED, SELF-DENIAL WILL LOSE ITS POWER OVER YOU. IT WILL BE GETTING LOST, LIKE EVERY TIME YOU DO YOGA YOU FEEL CONFIDENT ABOUT YOURSELF, YOUR HEALTH, YOUR BODY. SAME WAY EVERY TIME YOU DO MANASA PUJA YOU WILL FEEL CONFIDENT ABOUT YOUR CONSCIOUSNESS. HEY LISTEN. HOW DAILY YOGA BUILDS YOUR MUSCLES AND MAKES YOU FEEL CONFIDENT ABOUT YOUR BODY. SAME WAY MANASA PUJA WILL BUILD CONSCIOUS MUSCLES YOU ARE PARAMASHIVA AND MAKE YOU FEEL SO CONFIDENT ABOUT YOUR CONSCIOUSNESS, YOUR CONSCIOUS CAPABILITIES. A PERSON WHO IS CONFIDENT ABOUT HIS YOGIC CAPABILITIES IS A YOGI. A PERSON WHO IS CONSCIOUS ABOUT HIS JNANA CAPABILITIES IS VIJNANI. IF YOU ARE FEELING CONFIDENT ABOUT YOUR PARAMASHIVA JNANA YOU BECOME PARAMASHIVA VIJNANI - RADIATING PARAMASHIVA VIJNANA. SO, LISTEN YOUR HEALTH LEVEL, YOUR WEALTH LEVEL, YOUR RELATIONSHIP LEVEL, ANYTHING YOU KNOW ABOUT YOU, YOUR GOOD, YOUR BAD, YOUR PATTERNS, YOUR RIGHT, YOUR WRONG, YOUR COMPLETIONS, YOUR INCOMPLETIONS, YOUR PUNYA, YOUR PAAPA, NOTHING MATTERS IN THIS SPACE. EVERYTHING IS PARAMASHIVA. LIKE HOW EVERYDAY YOGA BUILDS THE MUSCLE MAKES YOU FEEL CONFIDENT ABOUT YOUR BODY. EVERYDAY THIS MANASA PUJA WILL BUILD CONSCIOUS MUSCLES AND MAKE YOU FEEL CONFIDENT YOU ARE PARAMASHIVA. ABOUT YOUR CONSCIOUS EXISTENCE YOU WILL FEEL CONFIDENT.

SO, LISTEN CAREFULLY. THE SAHASRAARA AMṚITA WHICH OVERFLOWS WHEN PARAMASHIVA SITS IN YOUR HRIT-PADMA, IN YOUR HEART LOTUS, IN YOUR CORE, WHEN YOU INVOKE HIM, AND YOU DECIDE WHAT IS VIBRATING IN YOU AS AHAM AHAM AHAM, THAT AHAMSPURANA IS PARAMASHIVA. THAT SECOND FROM PARAMASHIVA SAHASRAARA THE AMṚITA WHICH OVERFLOWS FROM PARAMASHIVA SAHASRAARA, THAT GANGA OVERFLOWS IN YOUR SAHASRAARA AND POURS, THAT NECTAR IS PAADYAM - THE WATER TO WASH HIS FEET. AND THE MIND, ALL YOU KNOW ABOUT YOUR MIND IS YOUR PAST, YOUR PRESENT, YOUR FUTURE. LISTEN. ANY AMOUNT OF REGRET CANNOT CHANGE YOUR PAST. ANY AMOUNT OF WORRYING CANNOT CHANGE YOUR FUTURE. SO, WHAT YOU KNOW ABOUT YOUR MIND IS NOTHING BUT ALL YOUR REGRETS ABOUT PAST, ALL YOUR WORRYING ABOUT THE FUTURE, COLLECT THE WHOLE THING AND SAY FROM NOW IT IS PARAMASHIVA'S BECAUSE HE IS MANIFESTING THROUGH EVERYTHING, IT IS HIS. MANASTU-ARGHYAṀ NIVEDAYET. MANA, MANA IS ARGHYAHA. MANASTU-ARGHYAṀ NIVEDAYET.

LISTEN. I AM REPEATING. MANASTU-ARGHYAṀ NIVEDAYET. AUR MAN KO ARGHYA SAMAAN JAL KE ROOP ME ARPIT KARATAA HŪ̃. MANA EVAM ARGYAṀ NIVEDAYET - WHAT I KNOW AS MY MIND - PAST, PRESENT, FUTURE, AND EVERYTHING, I OFFER IT AS ARGHYA. THEN COMES THE NEXT STEP.

TENA AMṚITENA AACHAMANEEYAṀ SNAANEEYAṀ TENA CHA SMṚITAṀ. TENA AMṚITENA AACHAMANEEYAṀ SNAANEEYAṀ TENA CHA SMṚITAṀ. LISTEN, TENA AMṚITENA AACHAMANEEYAṀ DADYAAT TENAIVA SNAANEEYAM SMṚITAM. DHYAAN SE SUNIYE. USI AMṚIT SE AACHAMANIYA - PEENE KA JAL, AUR SNAANEEYA - SNAAN KA JAL, DIYA JAATAA HAI. WITH THAT SAME NECTAR, I OFFER WATER FOR SIPPING AND BATHING - SNAANA. OM. OM. OM.

LISTEN. THE SAME NECTAR WHICH OVERFLOWS FROM HIS SAHASRAARA, VISUALIZE - JUST LIKE KAILASH MANASAROVAR, THE NECTAR OVERFLOWS FROM KAILASA ONLY GETS COLLECTED IN MANASAROVAR. SO, THE NECTAR OVERFLOWS FROM PARAMASHIVA GETS COLLECTED IN YOU, OFFER THAT ITSELF TO PARAMASHIVA AS PAADYAM, SNAANEEYAM, AACHAMANEEYAM. TENA AMṚITENA AACHAMANEEYAṀ SNAANEEYAṀ TENA CHA SMṚITAṀ. TENA AMṚITENA AACHAMANEEYAṀ SNAANEEYAṀ TENA CHA SMṚITAṀ. USEE AMṚIT SEY AACHAMANEEYA - PEENE KA JAL AUR SNAANEEYA - SNAAN KA JAL, DIYAA JAATAA HAI. SNAANEEYA - SNAAN KA JAL, DIYAA JAATAA HAI.

NEXT. AAKAAŚHA TATTVAṀ VASTRAṀ SYAAT GANDHAḤ SYAAT GANDHA TATTVAKAṀ. AAKAAŚHA TATTVAṀ VASTRAṀ SYAAT GANDHAḤ SYAAT GANDHA TATTVAKAṀ. AAKAAŚHA TATTVAṀ VASTRAṀ BHAVET GANDHA TATTVAKAṀ GANDHAḤ BHAVET. AAKAAŚHATATTVA VASTRA BANJAAYE, AUR GANDHATATTVA SUGANDHA BANJAEYE.

LISTEN, THE ELEMENT OF SPACE, THE AAKASHATATTVA, OFFER IT AS THE CLOTHING. THE ESSENCE OF THE FRAGRANCE, THE GANDHATATTVA, OFFER IT AS A PERFUME. I'LL TELL YOU, WHAT IS AAKAASHATATTVA? THE MOMENT YOU CLOSE YOUR EYES, YOUR INNER SPACE, YOUR CHITAAKAASHA, THAT IS THE AAKASHATATTVA YOU KNOW, SO OFFER THAT TO PARAMASHIVA. AND GANDHATATTVA, THE TATTVA OF THE GANDHA, MEANS THE SMELL, THE PRINCIPLE OF SMELL, OFFER IT AS PERFUME FOR PARAMASHIVA. SO, WHATEVER IS THERE AS AAKASHA, WHATEVER YOU EXPERIENCE AS AAKASHA, OFFER IT AS PERFUME FOR PARAMASHIVA.

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