Nithyanandapedia

1 April 20223 April 2022

Saturday

2 April 2022

NITHYANANDA SATSANG RETELECAST

108Dated photos

7Source pages

Read the daily record View all 108 photos Go to a date

A woman in a white sari with a gold border stands at left, pouring liquid from a gold vessel over a black stone murti of a multi-armed deity. The murti wears a red cloth at the waist and stands within a gold-framed arched niche backed by yellow fabric. A small gold figure stands on a platform in front, with purple cloth draped at the base. The scene suggests abhishekam being performed.

A woman in an orange saree and orange blouse stands at a concrete feeding trough in a covered cowshed, offering food by hand to cows. Three cows are visible: a black cow with a white-tipped horn, a brown cow on a rope, and a black-and-white cow in the foreground. Loose fodder covers the trough, a ceiling fan hangs above, and bamboo mats line the walls. The woman has braided hair and wears a thin necklace and bangles. The scene suggests go seva, cow feeding at a gaumatha shed.

A woman in an orange saree stands at the left of a shrine room, holding a lit lamp toward a black deity murti seated on a golden throne with a silver-patterned arch, decorated with flower garlands and a blue-and-pink sari-like dress. Tall brass oil lamps line the shrine, a smaller seated figure in red sits below with brass vessels and a red cloth before it, and framed portraits hang on the walls. Ceiling brass lamps hang above the altar.

Photos of the day

View all 108 photos

108 distinct dated photos. Source gallery sets may overlap.

01

Pictures from the day

3 dated photos in previewSource gallery

A brass standing oil lamp (vilakku) with five lit wicks is centred on a black surface before a draped blue silk backdrop with gold zari borders and a gold coin necklace. A deity murti or figure is draped in the blue silk and wears a jewelled gold necklace with a white flower garland. In front, a silver tray holds bowls of red and pink rose petals and loose petals, with silver bowls at each side. The setting appears to be a home shrine for a Thiru Vilakku puja, honouring Devi Lakshmi. No people are visible.

Top-down close-up photograph of a shallow metal oil lamp or vessel containing pale golden oil or ghee with a faint reflection on its surface. The rim is polished aluminium and the lamp rests on a dark surface with a brass or copper tray beneath it. A few small dark wick fragments sit at the upper left edge. No people are visible; the image shows a lamp prepared for a Vilakku puja.

A devotee in a light blue shirt and blue silk sari with a maroon border leans toward a black stone deity murti of Lakshmi, adorned with a tall haloed crown, white flower garland, layered gold necklaces and bangles, and a pink-and-gold garment. The devotee holds a small lamp near the statue's gold-trimmed blue skirt. In front stands a brass oil lamp (vilakku) with red flowers and small bowls on a dark altar against a red velvet curtain and gold wall.

02

Pictures from the day

4 dated photos in previewSource gallery

A red and gold graphic post celebrating KAILASA's Hindu Temple in Trinidad and Tobago and serving the community for the past 7 years. A framed photo shows a seated figure on an ornate gold throne before gold curtains, holding a ceremonial staff and making a blessing gesture, wearing a golden jewelled chest ornament, a tilak, and a saffron-orange garment. Beside the photo are a gold kalasha-style ornament, a gold lamp, and a gold deity figure. Printed text gives the date 2nd April 2022 and a thank-you message to the Guru, volunteers and supporters, with a gold ribbon decoration in the corner.

A Zoom video call screenshot showing a grid of nine participant tiles with a dark Zoom toolbar at the bottom reading Unmute, Stop Video, Security, Participants 10, Chat, Share Screen, Record, Reactions, Apps and End. Tiles show a woman with dreadlocks gesturing at the top left labelled Holly Za-Zinham; a tile with a sunset temple-and-mountain background labelled Ma Paramananda; a woman in glasses labelled Wendyh; a man in a dark shirt labelled Barroon Lal; a woman with a bindi labelled TT-Kailasas Raveena Ramlal; a blurred woman with a bindi and headset labelled TT-sumatee enail; an elderly woman in a room labelled Indra Ramdeen; a smiling woman in a golden-brown background labelled AS-Ma Nithya Jalandharasthita Ananda; a man in a grey jacket labelled Indarjit Teemal; and a dark tile labelled Annastacia Rampersad. No a person candidate is visible; the participants are shown as video tiles, so they are depicted on screens rather than physically present.

A Zoom video call screenshot with two side-by-side video tiles. The left tile shows a woman with curly dark hair seated on a patterned sofa in a room with a wooden ceiling, labelled TT Anisa James. The right tile shows a woman with a white forehead mark and orange-red garment, seated before a golden sunset backdrop with temple spires, mountains and a deity murti, labelled A27-sumatee enai. A small inset image in the backdrop shows a smiling figure in saffron robes and a turban-style headwear beside the temple scene.

03

Pictures from the day

2 dated photos in previewSource gallery

A video-call screenshot of an online KAILASA yoga and puja session. Three video tiles appear: at top left, a smiling woman with short grey hair against a plain light wall, labelled "Angela's iPhone"; at top right, a smiling woman with glasses, a red bindi and a rose-pink top in a warm-lit room, labelled "Debbie Schuehler", with a framed picture on the wall behind her and a partly visible person seated in the background. At bottom centre, a brass puja tray holds yellow flowers and small offering dishes on an ornate brass stand, labelled "Sona". Three physical people are visible on screen.

04

Pictures from the day

13 dated photos in previewSource gallery

A promotional graphic titled "KAILASA Toronto Nithyananda Yoga Date: Apr 2, 2022" on a gold background. On the left, a man with a long red-and-gold turban, rudraksha malas, gold armbands and a large gold pendant stands with palms pressed together in namaste, smiling beside a silver-framed backdrop. On the right, three video-call panels show a woman in glasses, a woman in a red shawl and a woman in a white top, with a small inset of a fourth participant below. A small emblem appears in the top corner.

A graphic poster titled KAILASA Toronto Unclutching Tamil, dated Apr 2, 2022, with a gold background. On the left, a smiling man in an orange-brown turban, rudraksha mala and gold ornaments, with his right hand raised, stands before an ornate gold throne; a small inset portrait of a man in an orange turban appears in the corner. On the right, a dark video-call grid shows about a dozen online participants in small tiles, including several women and labelled participants.

A graphic event banner for KAILASA Toronto Jeevan Mukti, dated Apr 2, 2022, with a gold background and a Zoom-style grid of video call participants. On the left, a large smiling bearded man in a black turban with gold ornaments and a gold necklace is shown, with a small inset photo of a man in an orange turban at top left. The right side shows a grid of about a dozen small video tiles of people, including one in a saffron-colored outfit, some with names like Rathika's iPhone and Praba's iPhone, and a sign of the KAILASA emblem at top right. The banner is an online gathering graphic, not a physical room. The man on the left is depicted on a screen-like banner, with the figure in an orange turban inset also shown as a depiction.

A graphic slide for a KAILASA Toronto online event, with a gold-toned header reading "KAILASA Toronto Sankalpa Mantra Healing" and a date line. The left panel shows a man in an elaborate maroon-and-gold turban with a feather and jewelled brooch, heavy gold ornaments and a long coral-red bead mala, smiling in front of gilded decorations. A small inset in the upper corner shows a person in orange clothing. The right side shows a grid of video-call tiles, including participants with cameras on and several tiles showing only names or device names, some with a palms-together greeting. The page is a composite of an online meeting screenshot and a photograph.

05

Pictures from the day

4 dated photos in previewSource gallery

A photograph of a small dark metal deity murti standing on a grey metal platform in an open-sided shelter behind a chain-link fence. The murti has multiple arms, a tall crown-like headdress, and a garland of beads, and it wears an orange-red cloth draped over its lower body. A brick wall is at the left and a dusty ground area lies beyond the fence. A timestamp overlay in the bottom right reads Apr 2, 2022 4:00:11 PM, Unnamed Road, Chhitauni, Mirzapur, Uttar Dradesh. No people are visible.

A large printed portrait of a smiling bearded man in a red-brown turban with a gold ornament, wearing multiple strands of gold beads, a gold pendant and a rust-coloured garment, with his right hand raised in blessing, is mounted on an ornate gilded throne with dark red cushions. The throne is draped with white and pink flower garlands with rose blossoms. Behind it hang red and gold cloth panels, and a pink cloth lies in the foreground. The timestamp reads Apr 2, 2022 4:00:01 PM, Unnamed Road, Chhitauni, Mirzapur, Uttar Pradesh. No physical people are visible; the figure is a printed portrait on the throne.

A photograph of a covered cowshed with green-painted walls and brick pillars. Two cows stand on a concrete floor: a grey cow on the left with a long tail, and a dark brown cow on the right facing away. A small deity murti or figure is visible at the far left inside a corner shrine area. Green liquid stains mark the floor. A timestamp reads Apr 2, 2022 3:58:31 PM, Madhopur, Varanasi, Uttar Pradesh. No people are visible.

06

Pictures from the day

9 dated photos in previewSource gallery

Photograph of a brass offering plate on a grey stone floor, shot from above and rotated. The round plate holds two small glass bowls of white liquid, possibly milk or curd, a small brass cup, and a brass bowl containing torn pieces of flatbread. Brass candlesticks stand at the left edge, and a brass tray with a lit oil lamp and pink flower petals sits at the bottom. A timestamp reads Apr 2, 2022 at 7:45:40 PM, with the location 6, Amman Sanadhi Street, Madurai. No people are visible.

A photograph taken from above of a round stainless steel thali plate holding ten small metal bowls of South Indian food. The bowls contain white rice with curry leaves, a brown lentil or dal preparation, several portions of orange-tinged spiced rice garnished with curry leaves, plain white rice, a white coconut or rice dish, and a yellow tempered dish with curry leaves and nuts. The plate rests on a grey stone surface beside a brass object at the lower right. A white timestamp in the upper right reads Apr 2, 2022 at 11:57:42 AM and 6, Amman Sanadhi Street Madurai. No people are visible.

A photograph of ritual offerings on a large brass plate. Two brass cups sit on the plate: one holds a white, creamy liquid, the other a dark liquid. A white conch shell lies beside the plate on a silver-toned surface, and a striped cloth and a gold-coloured object appear at the top edge. A timestamp reads Apr 2, 2022 at 12:02:06 PM with the location 6, Amman Sanadhi Street, Madurai. No people are visible.

Photograph of a decorated silver ritual tray placed on a brass plate. The ornate silver object with repoussé floral engraving holds yellow marigold-type flowers, pink petals, green leaves and small white flower heads, with red-gemmed silver fittings. A red silk cloth with green border lies to the left, and the floor is grey. A timestamp overlay reads Apr 2, 2022 at 5:34:27 PM and 6, Amman Sanadhi Street, Madurai.

07

April 2 2022 sripuram

63 photosView all

A woman in a white sari with a gold border stands at left, pouring liquid from a gold vessel over a black stone murti of a multi-armed deity. The murti wears a red cloth at the waist and stands within a gold-framed arched niche backed by yellow fabric. A small gold figure stands on a platform in front, with purple cloth draped at the base. The scene suggests abhishekam being performed.

A woman in an orange saree and orange blouse stands at a concrete feeding trough in a covered cowshed, offering food by hand to cows. Three cows are visible: a black cow with a white-tipped horn, a brown cow on a rope, and a black-and-white cow in the foreground. Loose fodder covers the trough, a ceiling fan hangs above, and bamboo mats line the walls. The woman has braided hair and wears a thin necklace and bangles. The scene suggests go seva, cow feeding at a gaumatha shed.

A woman in an orange saree stands at the left of a shrine room, holding a lit lamp toward a black deity murti seated on a golden throne with a silver-patterned arch, decorated with flower garlands and a blue-and-pink sari-like dress. Tall brass oil lamps line the shrine, a smaller seated figure in red sits below with brass vessels and a red cloth before it, and framed portraits hang on the walls. Ceiling brass lamps hang above the altar.

A golden statue of a seated figure is the main subject, placed before an ornate gilded arch with carved floral and scroll motifs. The figure wears a green and maroon striped turban with a jeweled ornament, a maroon and gold-bordered garment, and a red and white beaded collar with a large medallion. Multiple garlands of yellow marigolds, red roses and green leaves hang from the shoulders, with a long rudraksha-style bead mala across the lap. The right hand is raised in blessing, holding a red hibiscus flower. Strings of pale green and white flowers hang on either side. The figure sits on a gold pedestal draped in pale pink satin. Statue, no living people visible.

A dark-stone murti of Venkateshwara, a Vishnu form, is adorned for alankara seva in a shrine with a gold-framed arch behind it. The deity wears a tall jewelled crown, a jewelled gold necklace over a pink cloth, and a purple and gold silk garment. Garlands of yellow marigolds, red roses and green leaves hang across the figure, and a shiny brass oil lamp with lit flames stands in the foreground. No people are visible.

A woman in an orange sari with short grey-streaked hair feeds a brown-and-white spotted cow at a feeding trough inside a cattle shed with a corrugated roof and fluorescent lights. Cattle feed is spread along the trough, and a steel bucket sits near her on the right. Behind her, other cows stand in the shed.

08

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 4/2/2022

10 photosView all

A home shrine photographed from the front, with a framed portrait of a smiling man with short dark hair and a raised hand set against a backdrop of tree foliage, displayed behind a bouquet of yellow, orange and pink flowers in a glass vase. Strings of red and orange marigold garlands drape the top of the frame. Below, a table covered with a leopard-print cloth holds clusters of pink and purple artificial flowers, a row of lit multicoloured LED fairy lights, a small orange fruit, and tassel-decorated garlands of beads and gold-coloured ornaments. The scene shows no physical people, only a partial hand at the left edge.

A photo of a home shrine laid out for puja on a leopard-print tablecloth. Centre right, a framed painting shows Lord Shiva with blue skin, a crescent moon and trident, wearing a garland of orange marigolds. Beside it, a standing statue in a red turban and orange-red robe holds a staff. Above are a framed tapestry-style image and a small picture of a seated figure. The table holds platters of sweets, fruit including a green papaya, pink flowers, small oil lamps, a kalasha-like vessel and brass figurines, with a string of coloured fairy lights. No people are present.

A small home shrine room with a tiled floor and pale walls. A long table draped in yellow cloth holds framed portraits, a red-turbaned figure in a bright garment, brass oil lamps, flowers, a conch shell, and offerings. A framed picture of a deity hangs on the wall above, and a television and a trident-like ritual item stand nearby. No people are visible in the scene.

A small home shrine with a yellow embroidered cloth covering the table. A standing man in saffron robes, a red turban and rudraksha malas with a garland stands behind offerings, holding a small brass vessel. Above him hangs a framed tanjore-style painting of a seated figure in red turban and ornate green backdrop. Framed photographs of a figure with long hair sit on the table, a small red trident-shaped sign rests on the left, a brass kalasha-style lamp, flower petals and a wooden deity murti stand at the front, with a string of pink lights and a lit oil lamp at right. Swamiji (probable): the standing figure in the saffron robe, red turban and rudraksha malas, presenting the puja offerings, is a candidate for Swamiji.

A home shrine altar covered with a leopard-print cloth, laden with food offerings and marigold garlands. Central framed image of Lord Shiva seated in meditation with blue skin, trident and crescent moon, draped in orange-marigold garlands. To the right, a framed deity murti of a goddess with a red-and-gold crown and decorated background. A small framed portrait of a man on the left edge, and two small brass or bronze figurines of seated figures in front. Offerings include a large green papaya, bananas, grapes, pomegranate, a plate of sweets and dal, a glass of milk, and bowls of fruit and nuts. Flowers in pink and orange surround the arrangement, and a blue-and-gold cloth hangs behind. No people are physically present.

Close-up photo of an altar display with a pile of pink and magenta oleander-style flowers on a leopard-print cloth, with a rudraksha and gold bead mala lying in the foreground. Behind them, a string of multicoloured flashing LED fairy lights in red, green, blue and purple glows among artificial flowers and small offerings, including a red fruit. A person's arm in a red bangle is visible at the top edge. No people are clearly visible beyond the arm, and no a person depiction is shown.

April 02 2022

Original wiki page

Contents

Title

NITHYANANDA SATSANG RETELECAST

Transcript

On the auspicious occasion of Ugadi, I am sending my heartfelt greetings

On the auspicious occasion of Ugadi, I am sending my heartfelt greetings. Blessings

Ugāḍi śubha sandarbhaṅgā nā hr̥dayapūrvaka śubhākāṅkṣalu pamputunnānu. Dīvenalu

Link to Facebook Page

https://www.facebook.com/sarvajnapeetham/videos/1413938592390119
https://www.facebook.com/ParamahamsaNithyananda/posts/538569064302596
https://www.facebook.com/ParamahamsaNithyananda/posts/537511867741649
https://www.facebook.com/ParamahamsaNithyananda/posts/537511741074995
https://www.facebook.com/ParamahamsaNithyananda/posts/537509704408532
https://www.facebook.com/ParamahamsaNithyananda/posts/537509524408550
https://www.facebook.com/ParamahamsaNithyananda/posts/537509294408573
https://www.facebook.com/ParamahamsaNithyananda/posts/537509104408592
https://www.facebook.com/ParamahamsaNithyananda/posts/537507697742066
https://www.facebook.com/ParamahamsaNithyananda/posts/537507564408746
https://www.facebook.com/ParamahamsaNithyananda/posts/537507434408759
https://www.facebook.com/ParamahamsaNithyananda/posts/537503704409132
https://www.facebook.com/ParamahamsaNithyananda/posts/537495941076575
https://www.facebook.com/ParamahamsaNithyananda/posts/537495777743258
https://www.facebook.com/ParamahamsaNithyananda/posts/537494984410004
https://www.facebook.com/ParamahamsaNithyananda/posts/537494761076693
https://www.facebook.com/ParamahamsaNithyananda/posts/537494637743372
https://www.facebook.com/ParamahamsaNithyananda/posts/537492327743603
https://www.facebook.com/ParamahamsaNithyananda/posts/537490697743766
https://www.facebook.com/ParamahamsaNithyananda/posts/537490131077156
https://www.facebook.com/ParamahamsaNithyananda/posts/537489997743836
https://www.facebook.com/sarvajnapeetham/videos/320305460086523
https://www.facebook.com/ParamahamsaNithyananda/posts/537489274410575
https://www.facebook.com/ParamahamsaNithyananda/posts/537488364410666
https://www.facebook.com/ParamahamsaNithyananda/posts/537486527744183
https://www.facebook.com/ParamahamsaNithyananda/posts/537485131077656
https://www.facebook.com/ParamahamsaNithyananda/posts/537482884411214
https://www.facebook.com/ParamahamsaNithyananda/posts/537482291077940
https://www.facebook.com/ParamahamsaNithyananda/posts/537482061077963
https://www.facebook.com/ParamahamsaNithyananda/posts/537481747744661
https://www.facebook.com/ParamahamsaNithyananda/posts/537217731104396
https://www.facebook.com/ParamahamsaNithyananda/posts/537217527771083
https://www.facebook.com/ParamahamsaNithyananda/videos/505490081291980

KAILASA HOUSTON, USA on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	3
Event Type	In-Person
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	0
Event Duration

Every Saturday, for 200+ weeks the Sangha Jananis perform the Thiru Vilakku (Lamp) Puja.

‘Vilakku’ (Lamp) is the symbol of Devi Maha Lakshmi, the Deity of Abundance and Prosperity.

Light Symbolizes God, and Knowledge. Oil or Ghee Symbolizes Vasanas / Negative Tendencies. Wick Symbolizes Ego - It Exhausts Slowly Just As Ego in Us Has To Burn & Perish. Higher Ideals are Indicated By the Lamp Burning Upwards

The worshipping of Devi Lakshmi during Vilakku puja brings auspiciousness for ourselves, our extended family & in turn the whole world.

Pictures from the day

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures-Our Daily Activities

Event Details
Participants Count	13
Event Type	Both
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	2
Event Duration

We offered the daily Guru Puja and Shiva Puja to the sacred Padukas of our beloved Guru, Supreme Pontiff of Hinduism Jagatguru Mahasannidhanam HDH Bhagavan Nithyananda Paramashivam. Such a beautiful blessing.

We offer our tremendous Gratitude to Swamiji for being here in our lives and for blessing so many people in Trinidad and Tobago. Today we celebrated Swamiji on this the 7th Anniversary of KAILASA's Hindu Temple, Trinidad & Tobago and offered 21 Naivedyams with our love and gratitude. We had a zoom get together with some Sangha members who shared their experiences and how they met Swamiji and connected with him. Hopefully this will herald a more stable and united Sangha with more activitsm and team work. We will once again re-unite in person as a teamily when the COVID restrictions get lifted. There are still lots of challenges to get involvement form the teamily but we are working closely with them to help them to get involved.

KAILASA Trinidad & Tobago offered e-Services today with the grace and blessing of The SPH Bhagavan Nithyananda Paramashivam: Daily Sankalpa #74 - 3 Participants (215) Daily Healing #107 - 4 Participants (342) Kosha Meditation #31 - 10 Participants (142)

Pictures from the day

KAILASA ST. LOUIS, USA on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	1 for Yoga, 3 for Puja
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	0
Event Duration	1.5 hours

Daily Yoga and Puja

Pictures from the day

KAILASA TORONTO, CANADA on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	168
Event Type	Online
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	5
Event Duration

Daily Update

Pictures from the day

KASHI SARVAJNAPEETAM on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	8
Event Type	In-Person
Was Food Served in Event?	Yes
Count of Meals Served
Volunteers Count	2
Event Duration

Gaushala

Pictures from the day

SHYAMALAPEETA SARVAJNAPEETAM on 4/2/2022

Original wiki page

Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count	0
Event Type	In-Person
Was Food Served in Event?	No
Count of Meals Served
Volunteers Count	0
Event Duration

Daily rituals 2nd April 2022

Pictures from the day