Skip to content
Tuesday

2 March 2021

SCIENCE OF KARMA: UPAYAS (METHODS) || 2 MARCH 2021 ||

149Dated photos
10Source pages
2Media embeds
A homa fire pit lined with yellow-brown stone blocks holds a large heap of ripe bananas, with orange fruit beneath them, while flames and smoke rise from burning wood at the right. A person in red and gold-bordered garments reaches in from the upper left, placing a bunch of bananas onto the offering. Another red-clad figure stands at the left edge, and a red cloth backdrop and a gold ritual stand are visible behind the fire.A homa fire ritual at night in a brick-lined fire pit. Flames rise around a large burning log while a pale grain or offering is poured from a cupped hand into the fire, sending a spray of sparks and ash upward. Behind the pit hang deep red drapes and two tall brass trident-shaped standards. Only the forearms and hands of the offering person are visible at the left edge; no face is shown.A homa fire ritual at night. A person in red-orange ceremonial garments reaches forward with a metal ladle, pouring grains or offerings onto a burning log in a stone-edged fire pit. Flames rise around the wood, with small sparks and smoke. Behind, another figure in red robes stands beside a golden ritual stand and red drapery.

Photos of the day

View all 149 photos

149 distinct dated photos. Source gallery sets may overlap.

01

Pictures from the day

35 dated photos in previewSource gallery
Close-up photograph of a large steel plate heaped with cooked, granular yellowish-beige food. A partly visible steel vessel and a green leaf appear at the top edge. No people are visible; the plate is the sole subject, filling the frame.Close-up photograph of a large dish of golden-brown, grainy sweet preparation. The surface is crusted and caramelised in patches with glossy, sticky areas and visible granules. No people are visible in the frame.
02

Pictures from the day

16 dated photos in previewSource gallery
A domestic puja scene in a kitchen-side corner beside a tree. A man with a bare chest, white sacred marks on his forehead, a rudraksha mala and a white dhoti with a blue-and-green checked lower cloth pours liquid from a copper vessel. A woman in a white sari with a gold blouse and red bangles holds an offering vessel. Behind them a seated woman wears a red head covering, gold necklaces and red clothing. A large printed portrait labelled with a name stands on the right, showing a smiling figure in a red turban with gold necklaces and garlands, the portrait not a physical person. Brass items on a gold tray include a Ganesha figure with marigolds and a small lamp, with a red cushion and a textile on the table.Close photo of brass Ganesha murti seated under an arched frame, adorned with red kumkum dots and marigold garlands, beside a smaller metal deity figure with marigolds on a brass tray. Behind, dressed deity murtis in red and gold garments, gold jewellery and garlands sit on a red cushioned altar, with a lit oil lamp and a person in red clothing at the edge.Close photo of a brass Ganesha murti receiving a continuous stream of golden liquid poured from above during abhishekam, seated within an arched prabhavali-style frame on a brass base. Beside it stands a smaller brass figure of a multi-armed deity holding a weapon. Marigold garlands in orange and yellow surround the base on a golden tray. Behind, a decorated deity murti wears red-and-gold silk, a crown, and layered gold and beaded necklaces. Partially visible in the background are a person in a red garment and another in red and gold, with a tulsi-like yellow garland and a small temple picture.A brass tray in the foreground holds orange marigold petals and garlands spread over a turmeric-yellow liquid, with a small brass Ganesha murti covered in marigolds at left. Behind it, a deity murti is dressed in red and green garlands, gold jewellery and a crown, set on a red cushion. A person in red clothing and gold necklaces sits at the left edge, and a brass vessel stands near the right. The setting suggests a puja arrangement with floral offerings, though no swami is visible.
03

Pictures from the day

1 dated photos in previewSource gallery
A stylized, colour-graded portrait of a bare-chested man with long swept-back dark hair and a broad smile, holding a tall brass ritual vessel with a wrapped cord in his raised left hand. He wears a brown rudraksha mala draped across his chest, a fitted gold-toned armband, and a thin gold chain. Behind him is a dark rocky mountain silhouette against a hazy sky. A small copyright line appears at the lower right corner.
04

Pictures from the day

6 dated photos in previewSource gallery
A decorated ceremonial canopy altar set up indoors against a yellow wall. A pink silk canopy with gold border and a jewelled necklace hangs above, framed by white jasmine garlands and yellow marigold pom-poms. Green leaf-shaped banners show small printed deity images. Beneath is a framed photograph of a smiling man with long dark hair, orange robe and folded hands in namaste, labelled as a portrait. In front sits a book titled Living Enlightenment, with a jewelled ornament and scattered yellow petals on a pink cloth over a wooden chair frame. No physical people are present.Overhead photo of two silver thali plates on a deep red velvet cloth. The upper plate holds small steel bowls of papadum, a brown sweet paste, sliced apple, cucumber rounds, a pale creamy liquid, and a bowl of cooked potato in a dark sauce. The lower plate holds bowls of yellow lemon rice, curd rice topped with mustard seeds and dried red chillies, a light green-yellow vegetable rice, and a reddish-brown spiced rice. Parts of other silver vessels appear at the right edge. No people are visible.A three-panel screenshot of an online Zoom-style yoga session titled "02-Mar-2021-Nithyayoga 82nd day -TX sangha" in yellow text across the top. Left panel: a man in dark sunglasses and dark clothing, labelled "Sudharsan Chakravarthi" in the corner. Centre panel: a cut-out photograph of a seated figure in an orange turban and saffron robes, with a gold necklace and bracelets, one hand raised in blessing, sitting on a tiger-skin-draped seat. Right panel: a woman with glasses in a blue top and grey cardigan in a room with framed pictures and a colourful wall hanging. The centre figure is a printed image on a screen, not a physical person in the room.A standing metal statue on a lotus-shaped base, finished in silver tone with a red and gold turban and a red tilak on the forehead. It wears a gold necklace with a pendant, a layered garland, and a maroon dhoti with gold border. The raised right hand is in abhaya mudra and the left hand holds a bouquet of colourful flowers. Behind it are gold-toned altar pieces and pink and red draped fabric, with orange cloth at the bottom edge. The statue is a deity murti, not a living person.
05

Pictures from the day

7 dated photos in previewSource gallery
A gilded metal statue of a standing deity murti on a square base, shown in profile. It wears layered gold necklaces, a dark cap-like crown with gold ornaments, and a pink cloth at the waist. Strands of dark rudraksha-style beads with gold caps hang from its arms and waist. It holds a trident-like staff in one hand. Behind it a small wooden stand and blue table surface hold nail polish bottles and a green container. A partial human hand and forearm appear at the left edge.
06

Pictures from the day

2 dated photos in previewSource gallery
07

Pictures from the day

2 dated photos in previewSource gallery
Photo of a screen showing a YouTube video player. On the video, a smiling man with long dark hair and a red bindi sits in front of a red patterned armchair, wearing an orange-saffron shawl and multiple red-brown rudraksha malas, with one hand raised in a gesture. A small lapel microphone is clipped to his clothing. The surrounding YouTube interface shows a sidebar of thumbnails and a song title bar. Appearance-based label: a person, based on long hair, saffron clothing and rudraksha malas, shown on a screen.
08

Pictures from the day

14 dated photos in previewSource gallery
A home shrine photographed from above on a glass-topped table, crowded with devotional objects. Behind it, framed images show a blue-skinned Shiva seated with matted hair and rudraksha beads, and a red-clad goddess with garlands and gold jewellery. Red and purple artificial lotuses, a lit oil lamp in a white flower ring, brass vessels, a rudraksha mala and small gold figurines are arranged around white jasmine flowers. A gold-framed shrine with a small figure stands at the centre, and a set of small brass deity figures sits on a floral cloth. No people are visible.A home shrine table arranged for daily puja. In the centre hangs a framed image of Lord Shiva seated in meditation with trident, crescent moon and a rudraksha mala, garlanded with red and orange marigold strands. Flanking it are a framed portrait of a smiling man in saffron robes with a beaded mala, and a blue-background deity image of a goddess with a crown. Offerings include a lit oil lamp in a flower-ringed dish, brass figurines, bowls of food, lotus flowers, white frangipani petals and a small kalasha-like pot. No people are present in the scene.
09

Pictures from the day

3 dated photos in previewSource gallery
10

FB-Photos-of-the-Day

6 dated photos in previewSource gallery
A seated man in a black turban with a crescent emblem and a red bindi on a white forehead marking sits cross-legged on a gold throne (peetha) against draped orange and purple fabric. He wears bare-chested with layered rudraksha malas, an ornate gold pendant necklace, a leopard-print waist cloth and rust-orange dhoti, and raises one hand in a teaching gesture while smiling. Flanking him are golden deity murti statues, a gold kalasha-style lamp stand and gold ceremonial staffs with crescent finials, with a microphone on a stand before him. Probable Swamiji by appearance cues: black turban, rudraksha malas, ceremonial gold necklace and ornate throne setting.A smiling man with a large dark swept-back turban-style hairstyle topped with a small crescent ornament sits before an ornate gold throne with carved scrollwork. He is bare-chested, wearing layered rudraksha malas, a heavy ceremonial gold necklace with a pendant, a gold armlet, and a red-brown tilak with white ash on his forehead. A microphone on a stand is in front of him. Gold ceremonial parasols or fans flank the throne, with garlands of white and orange flowers on the right and a gold deity figure partly visible at the left edge, against a red and gold patterned cloth backdrop.A seated man on an ornate gold throne with red and gold draping behind him, raising both palms outward in a blessing gesture. He wears a tall black turban with a crescent ornament, white forehead markings, multiple rudraksha malas and a large ceremonial gold pendant, and a leopard-print waistcloth with an orange-saffron dhoti. A microphone stands at his side. Golden deity statues flank the throne, including a figure holding a veena to the right and a standing goddess figure to the left, with garlands of white, yellow and red flowers. A brass plate sits to the left. Appearance-based candidate: a person, seated and giving satsang-style blessing.
11

FB-Photos-of-Vishesha-Chandi-Homa

55 dated photos in previewSource gallery
A photo of a temple shrine interior with gold-plated ornate fixtures and a gold lattice screen behind. A single person seen from behind, with hair tied in a high topknot, wears an orange saffron cloth draped over the bare shoulders and white ash horizontal markings on the upper arm and back, and holds a brass oil lamp with a bright flame toward the shrine. Two large red and yellow embroidered canopies flank the central gold altar, which holds a deity murti draped in red and gold cloth. Small gold elephant figures sit at the base of the left altar, and brass lamps and offering vessels stand before the altar. Smoke drifts through the warm golden light.A seated figure is photographed from behind, wrapped in a red cloth and draped with long garlands of white jasmine and red rose flowers. A large yellow flower crown sits atop the head. Smoke rises in the background near a flame at left, a golden framed deity murti stands behind, and bananas are visible at right. The figure's face is not visible, so the identity is uncertain and there is no clear visual cue for a person.A large dark stone or metal deity murti stands against a red draped backdrop, adorned with an elaborate gold crown with fan-like spiked plates, gold jewelled chest ornaments, gold armlets and bangles on multiple arms, and a gold-bordered draped garment. In the foreground a bright fire blazes. No physical people are visible; the figure is a sculpted deity image.A photograph of a temple ritual in which a man with long dark hair and a short beard, marked with white forehead paste, raises two large bunches of ripe yellow bananas overhead with both hands. Red draped curtains and gold-framed arches form the backdrop, and a dark murti-like figure stands behind him in a gilded niche, with smoke drifting on the right. The bananas appear to be offered as part of puja. The man's identity is not established by appearance here, so no name is assigned.A golden shrine with a large fire in the foreground. Behind the flames, a deity murti in red and dark garments with a white garland and a green leaf crown sits on a gold pedestal. Flanking the shrine are red and gold ceremonial canopies with dove emblems and floral embroidery. Small golden deity figures and lamps appear at the lower corners. No people are visible.
12

ADIKAILASA on 3/2/2021

1 photosView all
13

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 3/2/2021

1 photosView all

ADIKAILASA on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures-Kalabhairava Homa

Event Details
Participants Count0
Event TypeBoth
Was Food Served in Event?No
Count of Meals Served
Volunteers Count0
Event Duration

Kalabhairava Homa

Pictures from the day

KAILASA DHUMBARAI, NEPAL on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count8
Event TypeIn-Person
Was Food Served in Event?Yes
Count of Meals Served7
Volunteers Count3
Event Duration

Tuesday Maha Ganapati and Devi Abishekam Alankaram Pooja

Pictures from the day

KAILASA FAMILIA PORTUGUESA, PORTUGAL on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count3
Event TypeOnline
Was Food Served in Event?No
Count of Meals Served
Volunteers Count1
Event Duration1.30h satsang, todo o programa durou 5h10m

Kailasa família Portuguesa-Portugal, dá as boas vindas a Sua Divina Santidade, Bhagavan Sri Nithyananda Paramashivam e a todas as famílias da lingua portuguesa. Hoje assistimos ao satsang emitido por Paramashiva diretamente de Kailasa, dando continuação ao entendimento das seguintes 4 palavras: ANAVOPAYA, SHAKTOPAYA, SHAMBHAVOPAYA, ANUPAYA E TORNÁ-LAS COMO A SUA EXPERIÊNCIA.

Pictures from the day

Videos from the day

KAILASA HOUSTON, USA on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count2
Event TypeIn-Person
Was Food Served in Event?Yes
Count of Meals Served
Volunteers Count0
Event Duration
  1. 1. Suprabatham Seva
  1. 2. Morning Puja  - Guru Puja & Shiva Puja both are performed & Offered Neivadhyam to Moolavar and all other dieties.
  1. 3. Jeevan Mukthi Day - Offered Dhoopa Deepam Neivadhyam & Arti to Jeevan Mukthi Living God Altar.
  1. 4. Enriching Activities - Digi Mahanths continue their sharing in social medias.
  1. 5. Morning Nithya Yoga - Texas South East participated and directed by Ma.Jyothi Konda
  1. 6. Evening Puja. - Guru Puja and Shiva Puja both are performed & offered Neivadhyam to Moolavar and all other deities.
  1. 7. Palliyari Seva

Morning Pujacharya - Ma.ShivaJnana

Evening Pujacharya - Ma.Kartheyayini

Neivadhya - Ma.Kartheyayini

In Gratitude Ma.ShivaJnana

Pictures from the day

KAILASA KULIM, MALAYSIA on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count0
Event TypeIn-Person
Was Food Served in Event?No
Count of Meals Served
Volunteers Count0
Event Duration

Alankar

Pictures from the day

KAILASA LATIN AMERICA on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures-Jeevan Mukthi Day - Living Enlightenment

Event Details
Participants Count1
Event TypeIn-Person
Was Food Served in Event?No
Count of Meals Served
Volunteers Count1
Event Duration

El dia 3 de Marzo estamos de Gala y con Gran Gratitude por ese regalo tan maravilloso de nuestro Amado Avatar Su Divina Santidad Nithyananda Paramashiva quien nos regalo el libro Vivir la Illuminacion. Por favor recive tu copia personal. El 3 de marzo es un día muy auspicioso: Jeevan Mukthi Jayanthi, la celebración del aniversario de la Diosa de la Iluminación Viviente; más que un libro, fue energizado para responder a cualquier pregunta y dar a cualquier lector una experiencia genuina de iluminación viviente. https://gov.shrikailasa.org/livingenlightenment/

Pictures from the day

KAILASA RIO GRANDE DO SUL, BRAZIL on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count02
Event TypeOnline
Was Food Served in Event?No
Count of Meals Served
Volunteers Count1
Event Durationmeditation 21 min, minuts 4 peace 1:30h,satsang and pm 1:30h

satsang, manifestação poderes, meditação com música, minuts4peace(unclutching)

Pictures from the day

KAILASA SAN FERNANDO, TRINIDAD & TOBAGO on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures-Daily Paduka Puja & Jeevan Mukthi Celebrations

Event Details
Participants Count1
Event TypeIn-Person
Was Food Served in Event?No
Count of Meals Served
Volunteers Count1
Event Duration

We offered the daily Puja to the sacred Padukas of our beloved Guru, Supreme Pontiff of Hinduism Jagatguru Mahasannidhanam HDH Bhagavan Nithyananda Paramashivam. Such a beautiful blessings.

Pictures from the day

KAILASA SEATTLE, USA on 3/2/2021

Original wiki page
Contents

Daily Update - PDB + Daily pictures

Event Details
Participants Count8
Event TypeOnline
Was Food Served in Event?No
Count of Meals Served
Volunteers Count5
Event Duration

"We start the day with performing the Suprabatham seva. It is the sacred process of waking up the deities. Morning Naivedhyam was offered to Moolavar.

Evening PPP was offered to SPH JGM HDH Bhagawan Nithyananda Paramashivam. Morning naivedhyam was offered to Moolavar. Evening naivedyam was offered to moolavar & HDH Nithyananda Paramashivam. We concluded the day with Palliarai Seva - The sacred process of putting the deities to sleep.

Abhishekam and Alankram was offered to the Bhoga Murthy of SPH Nithyananda Paramashivam on the auspicious occassion of Chitra Nakshatram. Dhoopam, Dheepam, Naivedhyam and Aarartrikam was also offered.

We continuously enrich the local community by conducting Vaakyartha Sadas and by creating posts across various social media platforms with the sacred truths revealed by HDH, darshan pictures of the deities and by going live during Bhava Samadhi Darshans & satsangs."

Presidential Daily Briefing

KAILASA-SEATTLE--USA-2021-03-02-1Dn5jPDIwuBNooDhmezAAPAsXnlknkjBg.pdf

Pictures from the day

March 02 2021

Original wiki page
Contents

Title

SCIENCE OF KARMA: UPAYAS (METHODS) || 2 MARCH 2021 ||

Narration

Video

VideoAudio

Transcript

2 MARCH 2021, TUESDAY (IST) 10:09 AM - SPH APPEARANCE SHAKTI PADA AND SHAKTINI PADA WITH THE LIVE DARSHAN OF THE SUPREME PONTIFF OF HINDUISM (SPH), JAGATGURU MAHASANNIDHANAM (JGM), HIS DIVINE HOLINESS (HDH) BHAGAVAN NITHYANANDA PARAMASHIVAM.

  • 10:11 AM TO 10:24 AM IST - NITHYANANDA SATSANG

THE SPH BLESSED HUMANITY WITH THIS FOLLOWING MESSAGE ON HIS PERSONAL FACEBOOK PROFILE, SEVERAL HOURS BEFORE DELIVERING THIS SATSANG, AS A PREPARATION FOR THEM TO RECEIVE THE TRUTHS IN THIS AND FURTHER SATSANGS: https://www.facebook.com/ParamahamsaNithyananda/posts/4952980554789755

  • PARAMASHIVA’S MESSAGE DIRECTLY FROM KAILASA:
  • THE DEFINITIONS OF ANAVOPAYA, SHAKTOPAYA, SHAMBHAVOPAYA, ANUPAYA AND MAKING THEM AS YOUR EXPERIENCE IS THE MESSAGE FROM PARAMASHIVA DIRECTLY FROM KAILASA.
  • NOW I AM GOING TO GIVE THE SHASTRA PRAMANA AND DEFINITIONS AND EXPAND ON THESE GREAT REVELATIONS OF PARAMASHIVA. I AM PROJECTING IT ON THE SCREEN AND IT IS ALSO ALREADY UPLOADED ON SOCIAL MEDIA.
  • ANAVOPAYA: DEFINITION FROM MALINI VIJAYA TANTRA : VERSE 21

उच्चारकरणध्यानवर्णस्थानप्रकल्पनैः। यो भवेत्स समावेशः सम्यगाणव उच्यते॥२१॥ UCCĀRAKARAṆADHYĀNAVARṆASTHĀNAPRAKALPANAIḤ| YO BHAVETSA SAMĀVEŚAḤ SAMYAGĀṆAVA UCYATE||21|| TRANSLATION: THE COMPLETE ABSORPTION INTO ONE'S ESSENTIAL NATURE (SAMĀVEŚAḤ) THAT (YAḤ) OCCURS BY MEANS OF UCCĀRA, KARAṆA, DHYĀNA, VARṆA AND STHĀNAKALPANĀ (UCCĀRA-KARAṆA-DHYĀNA-VARṆA-STHĀNAPRAKALPANAIḤ), IS KNOWN AS (UCYATE) ĀṆAVA (ĀṆAVAḤ)||21||

  • AS DEFINED BY THE MALINI VIJAYA TANTRA, ANAVOPAYA MEANS,

THE INDIVIDUAL CONTROLS HIS HEART AND PULSE BY REDUCING IT SIGNIFICANTLY. THE FINAL STAGE IS RENOUNCING CONSUMPTION OF FOOD AND WATER. AS A RESULT, HE/SHE CONNECTS THE STATE OF THE SUPREME IN THE FORM OF PARAMASHIVA WHICH RESULTS IN PURIFICATION OF THE BODY AND GENERATION OF OJAS.”

  • YESTERDAY I READ OUT ONLY FEW LINES. TODAY I AM GIVING YOU THE ELABORATE ORIGINAL SUTRA, TRANSLATION AND CLEAR DEFINITION. I WILL GIVE YOU DETAILED UNDERSTANDINGS IN FURTHER SATSANGS.
  • NEXT IS SĀKTOPĀYA - THE PURIFICATION OF THE MIND.

DEFINITION AS PER MALINI VIJAYA TANTRA : VERSE 22 उच्चाररहितं वस्तु चेतसैव विचिन्तयन्। यं समावेशमाप्नोति शाक्तः सोऽत्राभिधीयते॥२२॥ UCCĀRARAHITAṀ VASTU CETASAIVA VICINTAYAN| YAṀ SAMĀVEŚAMĀPNOTI ŚĀKTAḤ SO'TRĀBHIDHĪYATE||22|| TRANSLATION: THE ONE WHO PONDERS (VICINTAYAN) BY (HIS) MIND (CETASĀ EVA) OVER THE REALITY (VASTU) WHICH IS NOT WITHIN THE RANGE (RAHITAM) OF UTTERANCE (UCCĀRA) OBTAINS (ĀPNOTI) AN ABSORPTION (IN THE SUPREME SELF) (YAM SAMĀVEŚAM). HERE (ATRA), THAT (ABSORPTION) (SAḤ) IS TO BE CONSIDERED (ABHIDHĪYATE) AS ŚĀKTA (ŚĀKTAḤ)||22||

  • AS DEFINED BY THE MALINI VIJAYA TANTRA, SHAKTOPAYA MEANS “THAT METHOD (UPAYA) WHICH FUNCTIONS BY THE MEANS OF ENERGIES (SHAKTI).” SHAKTOPAYA IS CALLED JNANOPAYA, BECAUSE IT MEANS - WHICH ORIGINATES FROM JNANA SHAKTI, THE ENERGY OF KNOWLEDGE.
  • IN SHAKTOPAYA, THE YOGI HAS TO ONLY SEE AND CONCENTRATE ON THAT SUPREME BEING THAT IS FOUND IN TWO ACTIONS WITHOUT ACTIONS. IN THE VIJNANA BHAIRAVA TANTRA THIS IS CALLED UNCLUTCHING.
  • IF THE YOGI’S AWARENESS BECOMES LOOSE, HE WILL BE FORCED OUT OF SHAKTOPAYA INTO THE LOWEST UPAYA, ANAVOPAYA.
  • NEXT IS SĀMBHAVOPĀYA, THE METHOD OF CONSCIOUSNESS

DEFINITION AS PER MALINI VIJAYA TANTRA: VERSE 23 अकिञ्चिच्चिन्तकस्यैव गुरुणा प्रतिबोधतः। जायते यः समावेशः शाम्भवोऽसावुदाहृतः॥२३॥ AKIÑCICCINTAKASYAIVA GURUṆĀ PRATIBODHATAḤ| JĀYATE YAḤ SAMĀVEŚAḤ ŚĀMBHAVO'SĀVUDĀHṚTAḤ||23|| TRANSLATION: IT IS SAID THAT THE ŚĀMBHAVA ABSORPTION (SAMĀVEŚAḤ ŚĀMBHAVAḤ) IS THIS (ASAU) WHICH TAKES PLACE ONLY IN ONE WHO THINKS OF NOTHING THROUGH AN AWAKENING BESTOWED BY THE GURU (GURUṆĀ)||23||

  • AS DEFINED BY THE MALINI VIJAYA TANTRA, SAMBHAVOPAYA MEANS “THE ONE WHO PRESERVES THOUGHTLESSNESS.”
  • BY PRESERVATION OF THOUGHTLESSNESS MEANING: NOT HAVING THOUGHTS AND MAINTAINING THE CONTINUITY OF THAT THOUGHTLESSNESS, AND BY THE GRACE OF THE MASTER, ONE ENTERS INTO THAT TRANSCENDENTAL CONSCIOUSNESS WHERE HE FINDS THAT THIS WHOLE UNIVERSE HAS COME OUT FROM SENTENCES, AND SENTENCES FROM WORDS, AND WORDS FROM LETTERS, AND LETTERS FROM THAT REAL “I” WHICH IS PARAMASHIVA. HERE, ONE FINDS THAT THIS WHOLE UNIVERSE IS REFLECTED IN HIS OWN CONSCIOUSNESS AND THAT IT IS REFLECTED FROM WITHIN RATHER THAN FROM WITHOUT.
  • SHAMBHAVOPAYA IS CALLED ICCHOPAYA BECAUSE IT ORIGINATES FROM ICCHA SHAKTI (THE ENERGY OF WILL). IN SHAMBHAVOPAYA, THERE ARE NO MEANS TO TRAVEL UPON. IT IS MEANT, ‘THERE IS NOWHERE TO GO, YOU MUST RESIDE ONLY IN THE MEANT’.
  • IF HIS AWARENESS IS FAULTY AND IS NOT BREAKLESS, THEN HE FALLS AND ENTERS INTO THE LOWEST UPAYA, ANAVOPAYA.
  • FOURTH IS ANUPĀYA THE ‘METHODLESS’ METHOD.

DEFINITION AS PER MALINI VIJAYA TANTRA : VERSE 24 सार्धमेतच्छतं प्रोक्तं भेदानामनुपूर्वशः। सङ्क्षेपाद्विस्तरादस्य परिसङ्ख्या न विद्यते॥२४॥ SĀRDHAMETACCHATAṀ PROKTAṀ BHEDĀNĀMANUPŪRVAŚAḤ| SAṄKṢEPĀDVISTARĀDASYA PARISAṄKHYĀ NA VIDYATE||24|| TRANSLATION: CONCISELY DESCRIBED (SAṄKṢEPĀT), THIS --THE THREE TYPES OF ABSORPTION-- (ETAD) IS SAID TO (PROKTAM) (REACH THE NUMBER OF) ONE HUNDRED AND FIFTY (SĀRDHAM... ŚATAM) PORTIONS (BHEDĀNĀM) SUCCESSIVELY (ANUPŪRVAŚAḤ), (BUT) DESCRIBED IN DETAIL (VISTARĀT), THERE IS NO (NA VIDYATE) ENUMERATION (PARISAṄKHYĀ) IN ITS CASE (ASYA) --I.E. THE PORTIONS OF THE THREE KINDS OF ABSORPTION ARE INNUMERABLE--||24|| -- ANUPAYA IS ‘INITIATION OF THE GURU’.

  • I THINK IT WILL TAKE ONE OR TWO DAYS FOR ALL OF YOU TO READ THIS AND UNDERSTAND.
  • THEN I WILL REVEAL THE DEEPER MEANINGS AND EXPERIENCE TO ALL OF YOU.
  • TODAY AS YOU ALL KNOW, WE WILL BE OBSERVING THE HINDU HOLOCAUST DAY; HOLOCUAST DONE ON HINDUS FOR THE LAST FEW HUNDRED YEARS.
  • THAT’S IT. I BLESS YOU ALL.

Photos

FB-Photos-of-the-Day

FB-Photos-of-Vishesha-Chandi-Homa

Link to Facebook Page

https://www.facebook.com/ParamahamsaNithyananda/posts/4953617864726024
https://www.facebook.com/ParamahamsaNithyananda/videos/290816585718366
https://www.facebook.com/ParamahamsaNithyananda/posts/4961872577233886