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Friday

17 December 2010

Ashtanga Yoga: Inner Awakening - Patanjali Yoga Sutras 85: Nithyananda Morning Satsang 17 Dec 2010

342Dated photos
1Source pages
2Media embeds
Several boys sit cross-legged on an orange cloth spread over a tiled floor, playing a card game. Face-down rows of cards printed with a saffron-robed figure with long hair lie in front of them. The boy in the center smiles and holds a small phone; the boy at right holds a fan of colourful cards and wears a dark rudraksha-style mala. A boy in a green shirt and a boy in a blue jacket hold cards, and a boy at far right in a lime-green shirt with a mala sits with hands folded. A child's arm and orange-and-red cards appear in the foreground.A photograph of four children seated on an orange cloth on a tiled floor in an indoor hall. From left, a girl in a white embroidered top and red pants smiles; a girl in a pink-and-white striped top and pink pants sits beside her; a boy in a navy and red t-shirt and khaki shorts smiles while holding up pink and purple cards; and a girl in an orange top with teal pants raises a purple card and wears a rudraksha-style bead necklace. Behind them is a blue banner and a black curtained stage area with a plastic chair.Four boys sit cross-legged on an orange cloth on a tiled floor, playing a card game with small cards printed with a portrait of a bearded, long-haired figure in saffron-yellow robes. Cards are laid out face-up on the cloth in the foreground. The boy on the left in a dark green polo shirt and denim shorts holds cards, the boy in the centre wears a grey-and-white top and brown trousers with his hand to his chin, the boy in a navy blazer and jeans has a vertical tilak on his forehead, glasses and a rudraksha mala, and the boy on the right in a lime-green shirt holds cards near his face. A red garment is visible at the lower left edge. A white wall, plastic chairs and a backpack appear behind them.

Photos of the day

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342 distinct dated photos. Source gallery sets may overlap.

01

Inner-Awakening-Session

12 dated photos in previewSource gallery
A large group of devotees in a bright hall practices a standing-and-kneeling meditation with arms raised overhead and eyes covered by white blindfolds. Most wear white or cream kurtas and tunics, with a woman in a green and orange sari and a woman in a long white shawl among them. Some wear red and brown beaded malas, and a few have identification lanyards. They kneel on red and white striped mats and blue striped mats. Orange and multicoloured fabric decorations hang from the ceiling, and glass display cases stand along the back wall. No a person candidate is visible in the image.A photograph of a group of devotees in a bright hall seated on striped red, white and blue mats, many with white cloths tied over their eyes and arms raised high in an ecstatic gesture. Most wear white kurtas or white shawls; one woman in the foreground wears a cream embroidered jacket, another in the right foreground wears a green and orange sari, and several have rudraksha malas around their necks. Orange and yellow cloth banners hang from the ceiling and a gilded framed shrine stands in the background. The setting appears to be a satsang session with participants in a meditative posture.A photograph of a yoga or meditation session in a plain pink-walled hall with red and white striped mats on the floor. Many participants wear white clothing and white headbands, some kneeling and others with both arms raised overhead, palms open. One woman in a yellow-brown kurta stands near the centre, and a woman on the right wears a green top. Some participants sit with eyes covered by white bands, and a few wear headphones. Bags and bottles lie on the mats at the bottom edge. No identifiable a person is visible among the participants.
02

Inner-Awakening-Energy-Darshan

146 dated photos in previewSource gallery
A photograph of a satsang setting. A man in a white short-sleeved collared shirt with small triangle prints and white trousers stands at left, bending forward to receive an object from a bare-chested person seated at right on a red cushioned seat. That seated person has long dark hair, a gold necklace and a white cloth draped over the shoulders and waist, and extends his right arm to offer the item. Behind them, several seated men wear white dhotis and white shirts, and a yellow cloth is visible at lower left. A brass lamp stands on the right beside a gold-coloured ornamental piece and a folded orange cloth lies on the seat. The wall behind is light beige and the room is dim.A photograph from a satsang hall. A seated man with long swept-back dark hair, a white shawl draped over his shoulder and bare upper body, and a gold ceremonial necklace sits on a red-cushioned throne with his hands raised together in a gesture toward a woman in a blue patterned sari and gold necklace, who stands with both palms raised before him. Behind them, several people in white clothes sit on a white floor, including a woman in a yellow shawl on the left. A brass lamp stand with a lit flame and a brass plate with incense sticks sit in the foreground, and an orange cloth lies on the throne's footrest. The scene has the look of a devotee receiving blessing or a teaching during satsang. Swamiji (probable): the seated man has long swept-back hair, a white shawl and a gold necklace on a throne.Two men face each other closely at what looks like a satsang setting. On the left, a man with short cropped hair wears a white kurta and a red-and-dark beaded mala, his palms raised toward the other man in a gesture of blessing or greeting. On the right, a man with long, wavy black hair and a bare-chested white shawl with gold-trimmed edges smiles toward him, with gold ornaments at his neck and shoulder. Behind them, a seated man in white and another in the background are partly visible.Photograph of two men in a bright indoor hall facing each other at close range. On the left, a shaved-headed man in a white kurta wears a red-and-brown beaded mala and raises both palms outward in a greeting gesture. On the right, a long-haired man with a swept-back mane wears a white shawl over a bare shoulder and a gold-coloured garland, and smiles broadly. Behind them a seated man in white sits quietly, another man stands in white further back, and a brass lamp stand with a lit oil lamp is visible at the right edge. A dark stage backdrop frames the left side.
03

vaikunta ekadashi Celebration at adikailaasa

114 dated photos in previewSource gallery
A priest in white dhoti and shawl with a red-and-gold turban stands with his back to the camera on a whitewashed stepped platform, holding a lit oil lamp flame before a red curtain. A second man in white clothes stands at right beside the curtain. Dark statues in orange-trimmed white garments flank the steps, and a sign above reads Sri Nityananda Eshwara Temple. The setting is an orange-walled temple courtyard with a yellow-and-red hanging banner at left.Night outdoor gathering of devotees in a temple courtyard, most standing in rows facing one direction with hands folded in namaste. Many women wear orange, yellow, white and cream saris or kurtas, some with orange shawls and forehead markings. A young man in white on the right holds a video camera up to film. Behind them stand grey stone deity statues and a small shrine with a black stone murti garlanded with marigold and yellow flower garlands. A tall white-clad figure with folded arms stands near the back. Pillars and string lights are visible in the background.
04

Bidadi-Temple-Utsava-Murthy

16 dated photos in previewSource gallery
A smiling woman in a peach-orange saree with a dark red border and a red bindi stands beside a doorway, holding a tall gold ceremonial staff topped with a figure of a bird or rooster. A wooden counter with a small offering of yellow flowers sits to her right. Behind her, a covered hall with orange and red drapes shows several people in saffron and white. On the far right, a bald man in a saffron robe wears a rudraksha mala and stands near the wall. Visible people number about four or five; the a person flag is unsure as no appearance cues clearly identify him.
05

1-En-Genius-LE-Activity

3 dated photos in previewSource gallery
Several boys sit cross-legged on an orange cloth spread over a tiled floor, playing a card game. Face-down rows of cards printed with a saffron-robed figure with long hair lie in front of them. The boy in the center smiles and holds a small phone; the boy at right holds a fan of colourful cards and wears a dark rudraksha-style mala. A boy in a green shirt and a boy in a blue jacket hold cards, and a boy at far right in a lime-green shirt with a mala sits with hands folded. A child's arm and orange-and-red cards appear in the foreground.Four boys sit cross-legged on an orange cloth on a tiled floor, playing a card game with small cards printed with a portrait of a bearded, long-haired figure in saffron-yellow robes. Cards are laid out face-up on the cloth in the foreground. The boy on the left in a dark green polo shirt and denim shorts holds cards, the boy in the centre wears a grey-and-white top and brown trousers with his hand to his chin, the boy in a navy blazer and jeans has a vertical tilak on his forehead, glasses and a rudraksha mala, and the boy on the right in a lime-green shirt holds cards near his face. A red garment is visible at the lower left edge. A white wall, plastic chairs and a backpack appear behind them.A photograph of four children seated on an orange cloth on a tiled floor in an indoor hall. From left, a girl in a white embroidered top and red pants smiles; a girl in a pink-and-white striped top and pink pants sits beside her; a boy in a navy and red t-shirt and khaki shorts smiles while holding up pink and purple cards; and a girl in an orange top with teal pants raises a purple card and wears a rudraksha-style bead necklace. Behind them is a blue banner and a black curtained stage area with a plastic chair.
06

2-En-Genius-Meditation

32 dated photos in previewSource gallery
A young boy in a yellow and white long-sleeved collared top with dark navy trousers kneels on a yellow mat in a meditation pose, eyes closed, hands resting on his knees with mudra-like fingers. Behind him, many other people sit on mats and striped cushions across a large hall with white pillars and a tiled floor, some with eyes closed in meditation. An orange cloth lies on the floor in the foreground. A standing attendant in white clothes is partly visible at the left edge. a person is not visibly present in this scene.A young girl with a dark ponytail sits cross-legged in meditation with her eyes closed and hands resting in her lap on a striped mat. She wears a pale pink polka-dot top, white loose trousers, a dark red rudraksha-style bead mala and a pendant with a small framed picture. Behind her, many other children sit on striped mats and orange cloths in a plain hall, some with eyes closed and some looking toward the camera, a blue banner and a few small lamps visible on the walls. Scene shows a yoga or meditation session during a satsang.A photograph of a group meditation session in a plain hall with orange tiled floor and striped mats. In the foreground a boy sits cross-legged on a blue mat with eyes closed and hands resting in his lap, wearing a brown patterned short-sleeved shirt with a red rudraksha mala and a small pendant, plus a red bindi on his forehead. Behind him, several other children and adults sit on mats in meditation, some in pink, green and yellow clothing, and a wall calendar or sign hangs in the background.A young boy in a blue and white checked short-sleeved shirt and grey trousers sits cross-legged on a blue and white striped mat with eyes closed and hands folded in his lap, meditating. Behind him, several seated people in meditation sit on orange cloths and mats across a tiled floor, and a man in a brown patterned shirt sits with hands in a mudra near the left edge. Others sit on striped mats in the background, with a dim white-walled hall and a lamp at the left.A young boy sits cross-legged on a striped red and white mat with eyes closed and hands clasped in his lap, appearing to meditate. He wears an orange sleeveless top with cartoon graphics and sits on a yellow-green cloth printed with cartoon characters. Behind him, rows of seated people in a hall rest on striped mats, with orange cloths folded at left.A young boy sits cross-legged on a red-and-white striped mat in a meditation hall, eyes closed, hands resting in a mudra in his lap. He wears a grey zip-neck top with white sleeve stripes and olive-brown trousers. Behind him, several people sit on mats in the dim room, with orange cloth on the floor to the right and a hanging orange lamp at the upper left. The setting suggests a satsang meditation session.
07

3-En-Genius-Yoga

11 dated photos in previewSource gallery
Indoor photo of a children's session on a tiled floor covered with orange and blue mats and striped cushions. In the foreground a girl in a red t-shirt printed with 'I'm a Master' and pink floral pants leans forward with her tongue out, and beside her another girl in a red top with a dark pendant necklace and gold bangles leans down laughing. Behind them other children and adults sit on mats in the dim hall, and a woman in a white outfit stands at the back. Scattered white cloth pieces lie on the floor. The page refers to a morning satsang, but no a person is visible in this frame.Children sit on striped mats on a tiled hall floor during a yoga session. In the foreground, a young girl in a red and gold dress with gold necklace and bangles sticks out her tongue and smiles, beside a girl in a pink striped polo, dark jeans and a dark beaded mala holding her hands together. Behind them, several more children sit on mats, one in an orange top and another in a striped shirt. An adult woman in an orange sari sits at the back left near white pillars and colourful plastic storage bins, with water bottles on the floor.A group of children and one adult woman sit and lie on striped mattresses on a tiled floor in a dim hall. A woman in a white sari with a white shawl sits centre, her mouth open mid-exclamation. In front, a boy in a red t-shirt and cream shorts kneels with his tongue out, and a girl in an orange top sits at left. Other children lie on mattresses in the background. No one is shown in saffron or ceremonial dress, and no a person candidate is visible.A photograph of a hall with a dark backdrop where many children and teenagers sit cross-legged on striped mats and blue mats on a wooden floor, facing forward toward a satsang talk. A girl in front wears a peach kurta with bangles and hands clasped; a teen in a teal green salwar kameez with orange armband sits left of centre; a boy in a maroon top and grey pants sits to the right. A blue banner on the left reads states of consciousness with Jagrat, Turiya and Sushupti panels. A small framed picture hangs on the black wall. No a person candidate is visible in the frame.A group of children and a few adults sit on striped and plain mats on a tiled hall floor during a yoga session. A young woman in a green salwar kameez with an orange dupatta sits cross-legged on a purple mat in the centre, hands raised near her head. An adult woman in white clothes sits on the left, and several boys wear rudraksha-style beaded necklaces. A blue banner on the back wall reads 4 States of Consciousness, with labels for Jagrat, Swapna, Sushupti and Turiya. A black drape hangs on the right wall with a dark framed picture. Some children lie on mats in the background and a few kneel or meditate, with white plastic chairs and scattered paper on the floor.Indoor yoga class in a dark hall with children and young people seated on striped mats doing forward-bend stretches with legs extended and hands reaching toward their feet. Several participants in colourful clothing: a boy in a maroon shirt in the foreground right, a girl in a peach top and beige patterned skirt, a boy in yellow and a child in green with orange bands. A framed dark poster of a red-eyed face hangs on the back wall with a small framed picture beside it.
08

4-En-Genius-Vedic-Arts

8 dated photos in previewSource gallery
A young girl with dark hair in pigtails, wearing a pink-and-white striped t-shirt, stands in a dim room with dark tiled floor. She raises one arm high, holding a thread from above, and cups her other hand beneath a hanging string of white and brown beads with small gold spacers. She smiles softly at the camera. The background is dark with indistinct furniture and a faint red object at left.A close, sideways portrait photo of a smiling young boy with short dark hair, wearing a blue and red plaid collared shirt. He holds his cupped hands together at chest level, displaying a strand of rudraksha and bead malas with gold-capped beads. A small purple logo appears at the lower left, and a faint dark interior with hanging lights forms the background. He is the only person visible.Three children sit close together on a tiled floor in front of a blue banner reading "How the Mind..." with labels such as Memory and DSP. The girl on the left, in a red top with blue floral embroidery, holds up a long strand of beads. The boy in the middle, in a purple graphic t-shirt, smiles at the camera. The boy on the right, in a navy and grey zip top, holds up a beaded necklace and a bracelet of brown beads. A partially visible banner about the seven chakras hangs behind them.A young girl sits cross-legged on a terracotta-tiled floor, threading brown and white beads onto a string to make a mala-style necklace. She wears a sheer white embroidered top with a pink hair tie in her braid, and a bangle on her wrist. A white paper cup sits in the foreground and loose beads lie on the tile. Only a partial hand is visible at the right edge. No a person is visible in this photo.Two young girls sit close together on an orange tiled floor, smiling at the camera. The girl on the left wears a black-and-white striped long-sleeved top with a red cord necklace and a small pendant, holding a red-and-brown beaded mala. The girl on the right wears a white short-sleeved T-shirt and a blue floral skirt, holding a strand of brown and white beads in her open palm. Other seated children and an adult in a yellow-and-white jacket are blurred in the background.Two young girls stand indoors in a hall with terracotta tile floors and white walls, holding up beaded necklaces toward the camera. The girl on the left wears a white t-shirt with a small blue logo and a pale wording, holding a white and brown beaded mala with gold-coloured spacer beads, and wears gold bangles. The girl on the right wears a pink and white striped polo shirt and holds a dark brown rudraksha-style mala with a round pendant showing a small printed portrait. Other people sit and stand softly in the background, and a few hanging orange banners are visible along the walls. No a person candidate is clearly visible in person, and the portrait on the pendant is too small to judge.

December 17 2010

Original wiki page
Contents

Title:

Ashtanga Yoga: Inner Awakening - Patanjali Yoga Sutras 85: Nithyananda Morning Satsang 17 Dec 2010

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Patanjali Yoga Sutras during the live public talk - Nithyananda Satsang. In this talk entitled Ashtanga Yoga: Inner Awakening (Patanjali Yoga Sutras 85), The Supreme Pontiff of Hinduism shared that in this Sutra, Patanjali is giving one of the powerful techniques to be out of ignorance and to establish oneself in Yama and Niyama raising oneself to the highest coherence. He shared from His own life experience how Raghupathy Yogi, one of His beloved Gurus, taught Him this Sutra in Arunachaleshwara Temple in a place called Krittikai Mantapam, by making Him levitate. Sharing the basic understanding of this Sutra, He said the moment negativity enters in you, put the brakes on and stop it; have the inner awakening, immediately creating the right understanding so that you can be out of that negativity. His Divine Holiness explained that this will raise the coherence of one’s system to its highest possible peak.

Today during Day 17 of the Inner Awakening Program, delegates experienced powerful Sessions with His Divine Holiness.

Video and Audio:

Ashtanga Yoga: Inner Awakening - Patanjali Yoga Sutras 85

VideoAudio

Transcription:

Sadashiva samarambam shankaraacharya madhyamaam Asmadaacharya paryanthaam vande guru paramparaam.

0:39 I welcome you all with my love and respects. Today’s subject for morning satsang is ‘Straight way out of ignorance’; straight way to be out of ignorance. In this sutra Patanjali gives one of the powerful method, a technique to be out of ignorance to establish yourself in yama and niyama; to raise yourself to the highest coherence. You will be surprised today’s sutra is the longest sutra in the whole Patanjali yoga sutras. Patanjali never utters more than five or six words in one sutra, maximum five or six. Some time just two word, one sutra. Even there is one sutra only one word. Here he gives a full long two line. I can say almost 21 words. Then understand the importance Patanjali is trying to give for this technique.

2:46 I will read the sutra and try to express the truth expressed in this sutra embedded in this sutra. This is the 85th sutra of Patanjali in chapter II, 34th verse; vitarkaha himsaha adayaaha kruta kaarita anumodita lobha krodha moha purvaka mrudu madhya adhimaatraa dukkha agnana ananta phala iti pratipakshabhaavanam. Yesterday Patanjali gave us a technique how to create the contrary thoughts and establish yourself in the right yama and niyama; in the highest coherence. Now he is expanding on that same giving an example because he doesn’t want people to misunderstand. Understand this sutra can be very easily misunderstood. So he is giving us an example so that we don’t misunderstand; we don’t miss it. Because just missing this one sutra you may miss the whole spiritual practice. You need to have confidence over your understanding.

4:57 Vivekananda translates this sutra as: the obstructions to yoga are killing falsehood and so forth; whether committed, caused or approved either to avarice or anger or ignorance whether slight, meddling, or great, they result in infinite ignorance and misery. This is the method of thinking the contrary. He is giving us the technique. Swami Prabhavananda translates as: the obstacles to yoga such as acts of violence and untruth may be directly created or indirectly caused or approved. They may be motivated by greed, anger or self interest. They may be small or moderate or great but they never cease to result in pain and ignorance. One should overcome distracting thoughts by remembering this. Swami Sachidananda translates as when negative thoughts or acts such as violence are caused to be done or even approved of whether in sighted by greed, anger or infatuation, whether indulged in with mild, medium or extreme intensity, they are based on ignorance and bring certain pain. Reflecting thus is also pratipaksha bhavanam.

6:36 Each translation if you see they are actually completely from different angle. This is the greatness of vedic tradition. We give freedom to interpret as per the understanding of an acharya. One funny thing if you see Swami Vivekananda translates this sutra in certain way Swami Prabhavananda who is disciple’s disciple of Vivekananda who belongs to Vivekananda sampradaya, he translates this completely different way; and has courage and guts to publish it and people respect it. That is the amount of freedom we have understand; you can refute, alter, amend your guru’s guru’s words. Vivekananda translates this as one way. Swami Prabhavananda belongs to the Ramakrishna order, maybe after, I don’t know maybe 50 years of Vivekananda, he comes up with a new translation; sometime little slightly altered or even contrary. The greatness is his translation is also accepted in the same order. The same order publication publishes both books. That is the greatness of our tradition; freedom of thinking, freedom of understanding and freedom to raise the understanding to the next level.

8:31 I will try to express as I experienced this sutra. Vitarka himsaadaya krutaa kaaritaana modita lobha krodha moha purvaka mrudu madhyaadhimaatra dukkha gnanaanta phala iti pratipakshabhavanam. I will tell you exactly how Raghupathy yogi, now I can remember the whole slide as it is; how Raghupathy yogi taught me this sutra in Arunachaleshwara temple place called krittikai mantapam. That was the stone mantapa where he used to teach me the yoga and yoga sutra. He was sitting on a wooden plank. I was sitting on some four five pillows because he was trying to make me levitate. That’s the way he will do. He will put some four five pillows and bed and I have to sit on that and I will have to continuously do the pranayam. Once I intensely do the pranayam and stabilize, do the kumbhaka he will remove the pillows one by one; then I have to be in the air. That is the way he will teach the levitation.

10:15 If I am getting down when he removes the pillow then he will stop and ask me do more pranayama and kumbhaka and then after he removes all the pillows if I am stable in the air then he will get his pet dog to sit under me. That fellow will be sitting under me so I will have to be holding on to that air. I cannot release. I will have to completely lock the kumbhaka and because if I release I will fall on the ground and I will fall on that fellow and that fellow will bite me. So I will have to be just holding on or even if I land I have to land in a very slow way; very slowly in a very subtle way I have to release the air not even through the nose. I have to release the air through the kurma nadi. Means such sensitive prana, through the middle fingers I have to release the air, only then you can land very smoothly. If you release the air through the nostril itself you will just fall because nostril is a too big hole. So that has to be locked the releasing has to happen through the kurma nadi; means subtle prana. Actually when it is released it is not called prana, it is called apaana. The air which leaves your system other than the nostril holes is called apaana; through any part if it leaves your system it is apaana.

11:49 So slowly I have to release and then land on the…... I have to balance and land on the dog so that he doesn’t bite me. So I was sitting on four five pillows and he had one old book in which the Sanskrit sutra will be there and Tamil translation will be there. He read out the sutra. I was sitting and asked what does it mean and let me exactly tell you in Tamil then I will translate because it is a adu onnum illada exactly I’ll repeat the word enna varu modada sayyanoo appadiya thodraka badala ida maata veccha ida maathina nama kulla enna nada konu paatha enna maatha ennatha vidaikarada pratip[aksha bhavanou. I'll translate… when a thought comes in you without allowing the feeling that it should be executed, if you alter and put an alternative thought, establish that in you, is called pratipaksha bhavana. In a very simple way he finished it.

13:40 I will explain step by step. This is a one technique one process which you can practice whole day. This process only can change your muscle memory. Understand if you unclutch, practice unclutching, your mind will be transformed. If you practice yoga your body will be transformed. So each technique transforms some part of you. This is the only technique which can transform your muscle memory. Muscle memory means the part which makes the decision spontaneously to do any act and completes it before even you become aware of it. Your muscle memory is responsible for making decision and without even micro millisecond, completing the act spontaneously before even you are aware of it.

14:59 Please understand as I was telling the other day, you do not act the way you act because you are habituated……….. No!! You are trained……. No!! You have engraved memories….... No!! There is no specific reason why you act the way you act. There is only one thing we know the moment the decision comes such a spontaneous energy is released in you without even micro millisecond the decision is executed. It becomes action; reality. See the funny thing; it’s very funny and very difficult to understand. Grasping is such a difficult thing. So unless you understand the source of this it’s very, it’s practically impossible for you to alter. Muscle memory is responsible for making the decision and executing it within micro millisecond before even you become aware. Such dangerous thing you see. So the muscle memory need to be attended. This is the only technique which can attend the muscle memory.

16:57 I need to expand on this technique more and more in a detailed way. Today I will give you the simple meaning. Then I will explain to you how to apply this sutra in every situation. Patanjali says, for example, violence is anti yoga against yoga; when you have the thought of violence, how to bring the pratipaksha bhavana; get yourself back to non violence and not to allow the violence to get rooted in you. Remembering oh……. violence will bring suffering and it will bring ignorance. I should not allow it. So he is teaching us reasoning. He is teaching us the applied science. A master of Patanjalis level coming down and teaching us the applied way, it means almost that this one process is so powerful it can transform your being.

18:33 If you transform your intellect, even emotion, not muscle memory you are in suffering. I tell you; because muscle memory is responsible for your actions. I have seen. I have had many disciples whose intellect and emotion was transformed but unfortunately they never transformed their muscle memory. That’s why they missed me. Muscle memory transformation means ever thought comes out only with the clear censored system. Every idea by the time it becomes alive, the awareness and consciousness has casted their energy, their shining, their knowledge on that thought. Even a few thoughts allowed without awareness can cause so much misery and suffering, can cause so much…… I have seen people suffering because they allowed just simple one or two thoughts without this filtering system.

20:28 So today grasp this basic meaning. Whenever the negative thoughts which are against the yoga - the purpose of your life happens in you, analyze, understand, take that thought to its logical conclusion, and create the opposite understanding; means the right understanding for the purpose of your life and raise the coherence of your system to its highest possible peak. That is the right way of living yama and niyama; having confidence over your understanding and executing that understanding very strongly. The word confidence means courage to live and execute the truths you intellectually grasp.

22:01 I have a story for you. One boy goes to his father and asks Dad what’s the difference between confident and confidential. Dad says hmmmm.... You are my son…. of that I am confident. Your friend Timmy is also my son; that is confidential. Sometime you need to time the stories properly, time the jokes properly.

23:20 So understanding about confidence, the courage to live the truth and execute it in your body language. Patanjali puts a very beautiful example in the right place; because we all suffer with this one suffering unable to get back to the highest ideal in practical life. So no short cut; this is the only way. Again and again and again creating the pratipaksha bhavana means creating contrary thoughts to negativity and bringing yourself back to your center. It’s such a difficult job. People feel lazy that is why sometime I need to push them to do that job. Sometime I use love or sometime I use the fake or so called hatred to push them to get back to their center; because inability to create pratipaksha bhavana, means inability to create the contrary thoughts to negativity and destroy negativity will allow negativity to grow in you. Once the negativity grasps you…. over, your life is hell... you are done…. you are done. 25:26

Even if it is fake, restful awareness and peace and joy which you get through the fake ideas, please understand those experience will become solid and the fake ideas will lose its power over you. But even if it is so called logically strong idea, if you are restless, suffering, tortured inside, those, torture, restlessness and suffering will stay inside and these strong logical thoughts will become more and more powerful over you. So understand the goal and the scale should be the restful awareness.

26:16 So Patanjali puts the right truth in the right sutra in right place. Just now he taught us on yama and niyama; highest coherence of life and told us how to be established in that and giving us now technique the applied technique; when you have violence what to do. He is giving us an example. First time in Patanjali sutra I am seeing an example. He doesn’t wait to give example. He just gives the sutra and goes; he knows, because his disciples were such high intelligent people, if he is giving example means something very important. Timing is very important. And making disciples understand very important. Please understand it’s a very important process for all spiritual seekers in the life; creating contrary thoughts to negative thoughts. Because whenever negativity arises in you, don’t give up….. don’t flow with it……. don’t go with it. Again and again and again stand up still your muscle memories feel confidence.

28:07 I can say that this is the one process which has raised my whole awareness in the young age. I used to have a note book. Whatever spiritual things I read or hear, all the essence I will write down and whenever I have any confusion or necessity to understand, I will read that; I will read that. I will carry that book always with me. That is like my extension of heart and brain; extended heart and brain. I used to call that as ‘My Book’. Now I am trying to remember the contents of ‘My Book’ to publish; because there are so many things I have note down in that book which I heard from Arunagiri Yogeeshwara directly. Almost it’s like a I will remind me; all my pratipaksha bhavanas are written in that. So practically any negative thought which can come to a human being I have solution in that book. And I will always refer to it. It’s almost like my guide. I will continuously cherish, cherish, cherish, cherish, cherish. And get those ideas back to the inner space and establish myself again into yoga. Understand even if you miss once the timing of creating the right thought against the wrong thought, you are caught. Timing is very important.

30:14 I have a story for you about timing; little dirty it’s ok. Sometime for the sake of understanding it can be accepted. A man was in the restaurant and he suddenly realized he has a gas problem in the stomach. He needed to release the gas. The music was really loud. So he thought nobody will notice. He timed his gas with the beat of music. After couple of songs he started to feel better and relieved. He finished his coffee and noticed that suddenly everybody is staring at him. Then suddenly he remembered and realized that he was listening to his iPod. Time it properly with understanding. Don’t time it based on your iPod. No….. timing is really important.

31:50 Rama Maharishi says very beautifully aimbula kalvara agathinil pugumbudu agathinilayo arunachala. Oh lord when my five senses entered my house to rob me and to rape me where were you? Were you not in my inner space? So when the negativity enters to rob you and rape you, immediately bring the security, the right understanding, right attitude against the negativity. Timing is very important; timing, immediately responding to your negativity. Catch the thief in right moment. Catch the negativity the moment he enters your house. Don’t wait you can talk to him in the police station…... No. That won’t work. It’s like putting the camera everywhere. What is the use? Thief has disappeared what will you do? I tell them put better locks than the bigger cameras. Bigger cameras are useful if you have the people who are sensitive and afraid; and if not better to have locks. Thief is not going to be bothered camera is there; comes and robs and goes away.

33:50 So understand the moment negativity enters you, put the break stop it. Have the inner awakening and immediately create the right understanding so that you can be out of that negativity. I will expand on this sutra everyday till it is completely understood for different situations. Because this is the one sutra I practiced more number of times in my life, more than unclutching; because unclutching just in two times, two moment I realized it; over. Once I tried, second time I experienced; that’s all. There was no third trial. But this only made my whole bio memory pure and radiating.

35:19 I bless you all to achieve, experience, live, express and radiate the eternal bliss, Nithyananda. Thank you. 35:31

Photos Of The Day:

Inner-Awakening-Session

Inner-Awakening-Energy-Darshan

vaikunta ekadashi Celebration at adikailaasa

Bidadi-Temple-Utsava-Murthy

1-En-Genius-LE-Activity

2-En-Genius-Meditation

3-En-Genius-Yoga

4-En-Genius-Vedic-Arts