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Nithyanandapedia
A framed painting on an easel shows a seated boy with bare chest and a rudraksha mala around his neck, wearing a tan dhoti and a white tilak on his forehead. He holds a small blade to his own shin, with a red line and a drop of blood on the leg. Small white marks dot his arms and shoulders. A grey landscape and green plant appear behind the frame. The figure is a painted depiction, not a visible physical candidate for the teacher's appearance.

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September 12 20112011-09-12September 13 20112011-09-13A framed painting of a forest hermitage scene with palm trees, hills and a distant temple. On the right, an elderly sage with long white hair and beard, a tall top-knot, rudraksha beads and white forehead markings sits on a patterned yellow mat in red-orange robes, one hand raised in teaching. On the left, a young disciple with short dark hair, rudraksha mala and orange cloth around the waist holds a bundle of sticks beside a small fire. A third seated figure in meditation pose sits in the background. The painting is displayed on an easel in a red-walled setting with potted plants. The printed copyright and source line appears on the lower right of the painting.2011-09-12 +1 copiesA framed painting of a young boy meditating in lotus posture on a grassy riverbank, eyes closed and hands in mudra. He is bare-chested with white tripundra marks on his forehead, chest and arms, wearing an orange-red dhoti with a white cloth over one shoulder and a long brown rudraksha mala. A soft golden halo surrounds him. Behind him are palm trees, rocky orange cliffs, a waterfall, a calm river and blue mountains under a cloudy sky. The depicted figure is a painted illustration, not a physical person in the scene.2011-09-13A framed painting on an easel shows a bare-chested young boy with short dark hair and a white tilak on his forehead, kneeling barefoot on sand in tan trousers. He shapes a dark clay Ganesha figure with a trunk and a small black Shivalinga stands to the right, with a yellow bag of clay beside him. The painting is photographed outdoors with green foliage on the left and a red wall behind. The boy is a painted figure, not a physical person present in the scene.2011-09-12 +1 copiesSeptember 13 20112011-09-13 +2 copiesSeptember 13 20112011-09-13A framed painting on an easel shows a standing ascetic in orange-saffron robes and an orange turban, with a white tilak and red bindi, rudraksha beads at the neck and white ash markings on the arms. He stoops beside a small clay pot set on a glowing fire among dark rocks, stirring or tending it with a stick, while a bare tree rises at the right. The painted figure is a depiction, not a physically present person, and the frame stands outdoors on a tiled floor. Identity is not established by appearance, so the figure is described by role only.2011-09-12 +2 copiesMay 18 20192019-05-18A painted illustration of a bare-chested young boy kneeling on sand, shaping a dark grey clay Ganesha murti with both hands. He has a short haircut, a white tilak on his forehead, white markings on his arms and a dark rudraksha-style cord at his neck. Beside the murti sit a grey shivalinga on a yoni pedestal and a yellow packet of clay powder. The background is a plain beige wash.2011-09-13A photograph of a young boy in an orange garment with a gold border sitting outdoors beside a rustic wooden pillar and hanging iron hook. He wears a red rudraksha mala around his neck, a red bindi on his forehead, and holds a small rectangular mirror-like plate, looking into it. An older person's face and arm, with a rudraksha bracelet, is partly visible at the left edge. Behind them are a red wall, green foliage, a small table with a grey metal container and cloth, and a wooden chair.2016-08-13March 22 20132013-03-22