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Saturday

21 September 2013

Supreme Pontiff of Hinduism HDH Bhagavan Nithyananda Paramashivam

369Dated photos
1Source pages
2Media embeds
A photograph of a golden-carved stage set with a lion-headed carved pillar and a bronze lion sculpture in the foreground. A man in an orange-brown turban, orange-brown dhoti-style robe with a yellow border, and a long beaded rudraksha-style necklace sits cross-legged on a red cushioned golden throne at left, smiling and gesturing toward a second man seated at right. The seated man wears a white and grey plaid shirt and grey trousers and sits on a red-cushioned bench beside the bronze lion. Behind them stand ornate golden temple-style columns and a teal circular medallion.A photograph of a satsang on a decorated stage with golden carved pillars, a gilded lion statue and a multicoloured rangoli on the floor. A seated man in an orange-saffron robe and matching orange turban sits on a red-cushioned gilded throne with a yellow shawl draped over his shoulders, appearing to be Swamiji (probable) given the saffron robe, turban and ceremonial setting, while speaking. To the left, four women sit on golden benches: one in a pink shawl and white outfit with her hand to her head, one in green and black, and one in a black head covering and floral skirt. On the right, two people sit on a gold bench in dark clothing, one wearing a black headscarf and a backpack.Close-up photograph of a hand holding a small metal oil lamp (deepam) with a lit flame, the fingers wrapped around its base. The hand has tattoo markings on the back and wears a metal bangle and a wristwatch. Blurred hands and orange-clad forms are visible behind. Another hand near the bottom holds a gold-toned object and a metal bangle. The people are only partially visible and mostly out of focus, so they are counted as several.

Photos of the day

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369 distinct dated photos. Source gallery sets may overlap.

01

Photos From The Day:

10 dated photos in previewSource gallery
02

PadukaPuja_Crowds_Individuals

68 dated photos in previewSource gallery
A blurred, out-of-focus photograph on a dark background showing a cluster of warm orange and pale white bokeh circles arranged in a vertical column. No people, faces or ritual objects are clearly identifiable.Photograph of a temple sanctum shrine with a golden ornate throne bearing a framed portrait of a smiling figure in saffron and orange robes and a turban, draped with a tiger-skin cloth. Two painted dvarapala-style guardian figures with multiple arms, gold jewellery and orange dhoti stand on either side. In the foreground, a priest in orange robes holds a lit oil lamp aarti toward the shrine, while three seated devotees in orange and maroon robes sit with palms pressed together in namaskar; the figure at right wears a white dhoti with gold border and tilak markings.Photograph of an empty ornate gold-leaf throne (peetha) in a temple-style alcove with a tiger-skin cloth draped over the seat and a row of hanging oil lamps and bells on chains. A framed portrait labelled "PARAMAHAMSA NITHYANANDA" sits on the throne back, showing a smiling man with an orange turban, red bindi and saffron robe. No physical people are visible. Carved pillars with painted deity figures flank the doorway, and red and gold borders frame the shrine.
03

SwastiMantra_Amaayantu_Chanting

12 dated photos in previewSource gallery
Two young saffron-robed boys sit on mats holding pink and red hibiscus flowers aloft, smiling, with rudraksha malas around their necks and white vibhuti lines on their foreheads. Behind them, several monks and devotees in saffron and maroon robes, some with white forehead markings and rudraksha beads, raise hands in greeting while others sit in a hall. Brass bowls, a folded cloth and paper cups sit on the floor in front. The scene suggests a satsang or puja gathering; no identifiable a person candidate is clearly present.Seated group of saffron-robed sannyasi and young disciples in a hall, many with white vertical tilak bands and red bindis. Foreground: two boys in orange robes and rudraksha malas each hold up pink and red hibiscus flowers and raise open palms, appearing to chant. Behind them a bearded man in orange with a rudraksha mala and a shaved-head man in orange with ornate earrings and bangles also raise hands. Background shows more seated devotees in white and orange and a few standing people. A small brass vessel and white paper cups sit on the floor, with red and green cloths nearby.Seated group of young saffron-robed boys and adult sadhus in a hall, performing a chanting or puja gesture with open palms raised. The two foreground boys, wearing orange cloth, rudraksha malas and white vertical forehead marks with red bindi, each hold a pink and red hibiscus flower. Behind them an adult in ochre robes and a long rudraksha mala sits with hands raised, and other devotees in orange and white clothing sit on a mat. Plastic cups and folded red and brown cloths lie on the floor in front, with a brass vessel nearby. Seated devotees fill the background, some in white dhotis.
04

Gurukul_Instruments

2 dated photos in previewSource gallery
05

Swamiji_Satsang

27 dated photos in previewSource gallery
A man in saffron-orange robes with a gold-bordered dhoti stands on a carpeted stage beside a clear acrylic lectern, waving with one hand and wearing a beaded rudraksha-style mala necklace. Behind him is an ornate golden throne with red velvet cushions and lion-shaped armrests, flanked by two painted deity statues holding ceremonial objects. Brass oil lamps stand along the platform, and burgundy velvet drapes frame a blue and pink temple-style backdrop. The throne-like seat is empty. The man is a presenter on stage; the a person label is not used here because the cues are only a saffron-coloured robe and a mala, with no hair or crown, so identity is unsure.A photograph of a smiling person standing behind a clear acrylic lectern on a stage. The person wears a rust-red garment with a gold-bordered yellow edge draped over the shoulder, and a dense rudraksha-style mala of brown beads hangs down the chest. A small red bindi and white sacred ash mark the forehead, and small gold hoop earrings and a wireless headset microphone are visible. A pale bandage wraps the right hand resting on the lectern. Behind the stage are a blue wall with ornate gold and pink decorative motifs and a brass oil lamp on the right. a person (in_person) giving satsang, with rudraksha mala, saffron-red robe and gold-edged shawl as the qualifying cues.A man in a rust-red and gold-bordered dhoti-style wrap and a matching shawl stands at a clear acrylic lectern, smiling and speaking into a head-mounted microphone. He wears a thick rust-brown beaded mala around his neck, gold hoop earrings, a white vibhuti line and a red kumkum dot on his forehead, and his right hand rests on the lectern while a pink bandage covers his wrist. Behind him are a blue wall, a gold-and-blue decorative arch, a pink and green kalasha-style pillar and a brass oil lamp on the right. a person: the presenter wears saffron-toned ceremonial clothing, a rudraksha-style mala and gold earrings, consistent with the page's discourse context.A smiling person in a red-brown and gold-bordered wrap stands behind a clear acrylic lectern, with a headset microphone at the cheek. A rust-coloured knotted rudraksha-style mala hangs over the shoulders with a thin gold chain beneath, and gold hoop earrings are worn. A white tilak marks the forehead and a red bindi sits between the brows, with hair swept back. The left hand rests on the lectern edge. Behind, a blue wall is decorated with a gold ornamental arch and a pink-and-green pillar, and a brass lamp stands at the right edge. A single person is physically present.A smiling person stands behind a clear acrylic lectern, resting a bandaged right forearm on its top. The figure wears a rust-red garment with a gold-bordered cloth draped over the shoulders and a long rudraksha mala around the neck, plus gold hoop earrings, a white tilak on the forehead and a small red bindi. A small headset microphone is attached near the mouth. Behind, a blue wall with ornate gold carved panel and a pink hanging decoration; at right, a brass oil lamp. Wearing ornate dress and long rudraksha, the figure shows a person cues in a satsang setting.
06

SarvaDarshan

6 dated photos in previewSource gallery
Indoor hall with red curtains and ceiling fans. A smiling person in an orange-and-gold sannyasi-style wrap, a rudraksha mala and gold ornaments extends a hand toward the forehead of a bowing devotee in a white shirt and black track pants. Other devotees kneel and stand with hands folded in namaste, one in a blue striped shirt, and several saffron-clad sadhus with white tilak stand behind. Devotees in white dhotis stand in the background near a projector screen and a microphone stand.A photo inside a hall with red curtains and a golden throne at the back. A person in a saffron-orange and gold-bordered dhoti with long hair and ornate gold-trimmed jewelry stretches out one hand to bless a line of men with folded palms, all standing and looking down. A man in white dhoti and a mala holds a silver tray at right. Several other people in white stand along the room.A photograph in a large hall with red curtains and ceiling lights shows a man with long swept-back dark hair, bare-chested, wearing a rust-brown dhoti-style wrap with a gold border and an orange shawl with a beaded mala, reaching out to bless the head of a devotee. Probable Swamiji's appearance matches the presentation cues of long swept-back hair, ornate gold necklace and saffron-orange shawl, and he is the one giving blessing. Around him, a row of devotees with folded hands and white clothes, some with white vibhuti lines on their foreheads, stand behind stanchions, and a man in orange robes with a rudraksha mala stands at left. Several people in white kurtas and saris are visible in the background. Roughly a dozen physical people are visible.A photograph inside a hall with red curtains and ceiling lights. A person in a bare-shouldered rust-orange wrap with a gold border and a long orange-and-saffron-beaded garland raises a hand in blessing over the head of a bowed man in a white shirt. Around them, devotees in white shirts and white dhotis press palms together in anjali, and a few wear rudraksha malas. Orange-robed attendants stand at the left edge, and a woman in a white sari holds a green-and-silver tray on the right. The person giving the blessing has long hair swept back, a red bindi, and gold earrings, which fits the a person appearance; the figure is shown as a blessing giver.
07

NithyaDharmam_Day3

118 dated photos in previewSource gallery
A man seated in a red and black tiger-striped chair on a stage, wearing a saffron-orange turban, orange-brown robe draped over a gold-bordered garment, and a long thick golden rudraksha-style mala necklace with gold earrings and a red bindi on his forehead. Behind him stands a large gilded carved sculpture with a teal-lit panel to the left. Appearance-based candidate: a person, seated in a saffron-robed, turbaned ceremonial presentation with distinctive ornate necklace and earrings; one person physically present.A seated man in saffron-brown and yellow robes, wearing a rust-orange turban, a long brown-gold beaded mala around his neck and a sash, sits on an ornate gold-and-red throne (peetha) with carved lion and floral motifs. He gestures toward a second man, seated at right, wearing a white-and-grey checked shirt and grey trousers, on a red-cushioned seat. Between them stands a gilded lion statue. Behind them, carved golden pillars and a teal circular floral medallion form a temple-like stage set. The seated man resembles the probable Swamiji by his turban, saffron robes and ornate mala.A photograph of a golden-carved stage set with a lion-headed carved pillar and a bronze lion sculpture in the foreground. A man in an orange-brown turban, orange-brown dhoti-style robe with a yellow border, and a long beaded rudraksha-style necklace sits cross-legged on a red cushioned golden throne at left, smiling and gesturing toward a second man seated at right. The seated man wears a white and grey plaid shirt and grey trousers and sits on a red-cushioned bench beside the bronze lion. Behind them stand ornate golden temple-style columns and a teal circular medallion.
08

Temple_Picture

22 dated photos in previewSource gallery
09

Paduka-Puja

75 dated photos in previewSource gallery
A blurred, out-of-focus photograph on a dark background showing a cluster of warm orange and pale white bokeh circles arranged in a vertical column. No people, faces or ritual objects are clearly identifiable.Photograph of a temple sanctum shrine with a golden ornate throne bearing a framed portrait of a smiling figure in saffron and orange robes and a turban, draped with a tiger-skin cloth. Two painted dvarapala-style guardian figures with multiple arms, gold jewellery and orange dhoti stand on either side. In the foreground, a priest in orange robes holds a lit oil lamp aarti toward the shrine, while three seated devotees in orange and maroon robes sit with palms pressed together in namaskar; the figure at right wears a white dhoti with gold border and tilak markings.Photograph of an empty ornate gold-leaf throne (peetha) in a temple-style alcove with a tiger-skin cloth draped over the seat and a row of hanging oil lamps and bells on chains. A framed portrait labelled "PARAMAHAMSA NITHYANANDA" sits on the throne back, showing a smiling man with an orange turban, red bindi and saffron robe. No physical people are visible. Carved pillars with painted deity figures flank the doorway, and red and gold borders frame the shrine.
10

Swasti-Mantra-Amaayantu-Chanting

21 dated photos in previewSource gallery
Two young saffron-robed boys sit on mats holding pink and red hibiscus flowers aloft, smiling, with rudraksha malas around their necks and white vibhuti lines on their foreheads. Behind them, several monks and devotees in saffron and maroon robes, some with white forehead markings and rudraksha beads, raise hands in greeting while others sit in a hall. Brass bowls, a folded cloth and paper cups sit on the floor in front. The scene suggests a satsang or puja gathering; no identifiable a person candidate is clearly present.Seated group of saffron-robed sannyasi and young disciples in a hall, many with white vertical tilak bands and red bindis. Foreground: two boys in orange robes and rudraksha malas each hold up pink and red hibiscus flowers and raise open palms, appearing to chant. Behind them a bearded man in orange with a rudraksha mala and a shaved-head man in orange with ornate earrings and bangles also raise hands. Background shows more seated devotees in white and orange and a few standing people. A small brass vessel and white paper cups sit on the floor, with red and green cloths nearby.Photograph of seated young sannyasi-style devotees in saffron-orange robes with rudraksha malas and white forehead markings, holding pink and red hibiscus flowers raised in devotional gesture during a ritual gathering. Two boys in front smile or speak, one with bare shoulders and gold earrings. Behind them an older bald man in deep red-orange robes and rudraksha mala sits in meditation posture, and other seated participants in orange and red clothing fill the room, with brass cups and folded cloths on the floor in front.
11

Gurukul-Instruments

3 dated photos in previewSource gallery
12

Nithya-Satsang

34 dated photos in previewSource gallery
A man in saffron-orange robes with a gold-bordered dhoti stands on a carpeted stage beside a clear acrylic lectern, waving with one hand and wearing a beaded rudraksha-style mala necklace. Behind him is an ornate golden throne with red velvet cushions and lion-shaped armrests, flanked by two painted deity statues holding ceremonial objects. Brass oil lamps stand along the platform, and burgundy velvet drapes frame a blue and pink temple-style backdrop. The throne-like seat is empty. The man is a presenter on stage; the a person label is not used here because the cues are only a saffron-coloured robe and a mala, with no hair or crown, so identity is unsure.A photograph of a smiling person standing behind a clear acrylic lectern on a stage. The person wears a rust-red garment with a gold-bordered yellow edge draped over the shoulder, and a dense rudraksha-style mala of brown beads hangs down the chest. A small red bindi and white sacred ash mark the forehead, and small gold hoop earrings and a wireless headset microphone are visible. A pale bandage wraps the right hand resting on the lectern. Behind the stage are a blue wall with ornate gold and pink decorative motifs and a brass oil lamp on the right. a person (in_person) giving satsang, with rudraksha mala, saffron-red robe and gold-edged shawl as the qualifying cues.A man in a rust-red and gold-bordered dhoti-style wrap and a matching shawl stands at a clear acrylic lectern, smiling and speaking into a head-mounted microphone. He wears a thick rust-brown beaded mala around his neck, gold hoop earrings, a white vibhuti line and a red kumkum dot on his forehead, and his right hand rests on the lectern while a pink bandage covers his wrist. Behind him are a blue wall, a gold-and-blue decorative arch, a pink and green kalasha-style pillar and a brass oil lamp on the right. a person: the presenter wears saffron-toned ceremonial clothing, a rudraksha-style mala and gold earrings, consistent with the page's discourse context.A smiling person in a red-brown and gold-bordered wrap stands behind a clear acrylic lectern, with a headset microphone at the cheek. A rust-coloured knotted rudraksha-style mala hangs over the shoulders with a thin gold chain beneath, and gold hoop earrings are worn. A white tilak marks the forehead and a red bindi sits between the brows, with hair swept back. The left hand rests on the lectern edge. Behind, a blue wall is decorated with a gold ornamental arch and a pink-and-green pillar, and a brass lamp stands at the right edge. A single person is physically present.
13

Sarva-Darshan

6 dated photos in previewSource gallery
Indoor hall with red curtains and ceiling fans. A smiling person in an orange-and-gold sannyasi-style wrap, a rudraksha mala and gold ornaments extends a hand toward the forehead of a bowing devotee in a white shirt and black track pants. Other devotees kneel and stand with hands folded in namaste, one in a blue striped shirt, and several saffron-clad sadhus with white tilak stand behind. Devotees in white dhotis stand in the background near a projector screen and a microphone stand.A photo inside a hall with red curtains and a golden throne at the back. A person in a saffron-orange and gold-bordered dhoti with long hair and ornate gold-trimmed jewelry stretches out one hand to bless a line of men with folded palms, all standing and looking down. A man in white dhoti and a mala holds a silver tray at right. Several other people in white stand along the room.A photograph in a large hall with red curtains and ceiling lights shows a man with long swept-back dark hair, bare-chested, wearing a rust-brown dhoti-style wrap with a gold border and an orange shawl with a beaded mala, reaching out to bless the head of a devotee. Probable Swamiji's appearance matches the presentation cues of long swept-back hair, ornate gold necklace and saffron-orange shawl, and he is the one giving blessing. Around him, a row of devotees with folded hands and white clothes, some with white vibhuti lines on their foreheads, stand behind stanchions, and a man in orange robes with a rudraksha mala stands at left. Several people in white kurtas and saris are visible in the background. Roughly a dozen physical people are visible.A photograph inside a hall with red curtains and ceiling lights. A person in a bare-shouldered rust-orange wrap with a gold border and a long orange-and-saffron-beaded garland raises a hand in blessing over the head of a bowed man in a white shirt. Around them, devotees in white shirts and white dhotis press palms together in anjali, and a few wear rudraksha malas. Orange-robed attendants stand at the left edge, and a woman in a white sari holds a green-and-silver tray on the right. The person giving the blessing has long hair swept back, a red bindi, and gold earrings, which fits the a person appearance; the figure is shown as a blessing giver.
14

Nithya-Dharmam-Day3

161 dated photos in previewSource gallery
A man seated in a red and black tiger-striped chair on a stage, wearing a saffron-orange turban, orange-brown robe draped over a gold-bordered garment, and a long thick golden rudraksha-style mala necklace with gold earrings and a red bindi on his forehead. Behind him stands a large gilded carved sculpture with a teal-lit panel to the left. Appearance-based candidate: a person, seated in a saffron-robed, turbaned ceremonial presentation with distinctive ornate necklace and earrings; one person physically present.A seated man in saffron-brown and yellow robes, wearing a rust-orange turban, a long brown-gold beaded mala around his neck and a sash, sits on an ornate gold-and-red throne (peetha) with carved lion and floral motifs. He gestures toward a second man, seated at right, wearing a white-and-grey checked shirt and grey trousers, on a red-cushioned seat. Between them stands a gilded lion statue. Behind them, carved golden pillars and a teal circular floral medallion form a temple-like stage set. The seated man resembles the probable Swamiji by his turban, saffron robes and ornate mala.A photograph of a golden-carved stage set with a lion-headed carved pillar and a bronze lion sculpture in the foreground. A man in an orange-brown turban, orange-brown dhoti-style robe with a yellow border, and a long beaded rudraksha-style necklace sits cross-legged on a red cushioned golden throne at left, smiling and gesturing toward a second man seated at right. The seated man wears a white and grey plaid shirt and grey trousers and sits on a red-cushioned bench beside the bronze lion. Behind them stand ornate golden temple-style columns and a teal circular medallion.
15

Temple-Picture

23 dated photos in previewSource gallery
16

1-Paduka-Puja

8 dated photos in previewSource gallery
17

4-Satsang

22 dated photos in previewSource gallery
18

5-Sarva-Darshan

6 dated photos in previewSource gallery

September 21 2013

Original wiki page
Contents

Title:

Supreme Pontiff of Hinduism HDH Bhagavan Nithyananda Paramashivam

Description:

On this Day there was a Morning Paduka Puja that was followed by Satsang on the Tattva of Responsibility.

Link to Video

VideoAudio

Transcription

I welcome all of you with my love and respects. I welcome all the devotees, disciples, samajis, Satsanghis sitting with us around the world through Nithyananda TV, Sadhna TV, Lotus News Channel, and two-way video-conferencing.

Cities sitting with us in two-way video-conferencing: Bangalore North, Monterrey-Kedarnath, Washington, San Diego, Atlanta, Hyderabad-Gupta Kashi, Enriching Temple-Bidadi, Devon-UK, Hong Kong, Warrington-UK, Singapore-Singapuram, New Zealand-Adi Arunachalam, East London-UK, Kathmandu-Nepal, Oman-Sivagangai, Seattle-Chidambaram, Paris Home Temple, Toronto-Kailasam, Muktananda, Ohio, Los Angeles, Houston-Kalahasti, Selangor-Malaysia, Kuala Lumpur, Charlotte, Kastav Croatia, Guadeloupe-Rameshwaram, Vancouver, Oklahoma, San Jose…!

All of you may be having questions about the bandage in my right hand. I just removed the plates and screws yesterday; had a surgery. I was trying to teleport, it got loose and the screw got loose and it got stuck inside and the screw seems to be too big, especially the plate; two big plates are there and to teleport I have to be in Samadhi for quite a long time without moving the body, that’s the reason I opted for surgery itself. Then, in one hour they finished the surgery yesterday; today I’m back for the satsang. That’s it, 15 screws and 2 plates they have removed!

Alright, let’s enter into today’s satsangh.

Today is World Peace Day! Let us all meditate and pray to the ultimate consciousness, ‘Let there be peace in the world, O, the Cosmos, the peace which is in your center be with the world, and in all of us!’

I will continue expanding on Responsibility and Enriching. Day-before-yesterday, I was talking about Integrity and Authenticity. I was defining Integrity and Authenticity, and how Integrity and Authenticity directly work on our being; the deeper understandings about Integrity and Authenticity, I was explaining. Now I will move to Responsibility and Enriching.

Listen! When you bring Integrity into your thinking, the best pranayama happens, the best pranayama happens! When you bring Authenticity into your actions, the best activism, the right activism happens in you! Unfortunately, we become active in wrong zones. I have seen people become active in the wrong zones, not in the right zones. Activism in the right area, right zones, is very important. In a way, I can say, all incompletions you carry towards being active should be completed. All incompletions you carry towards being active should be completed.

One of the biggest diseases human-beings suffer physically is unable to be active, incompletions with being active! Unable to be active mentally, unable to be active mentally is lack of Integrity. Please understand, when you have incompletions mentally, unable to be active; actually when you have incompletions, in your thinking, lack of Integrity in your thinking, mentally you will be inactive. Even if you think, it will not be useful; thinking, not in the direction of useful. Many time, you are awake the whole day, but you are neither useful to yourself nor to others. Mentally you think the whole day, but it is not directed in one direction, you are not useful to yourself and others.

Today, I’ll expand on Responsibility in your being, Integrity in your thinking, Authenticity in your activities, in your actions. Responsibility in your being! Please understand, “Responsibility in your Being”, this word has to be understood very deeply. When you feel responsible in your being, for any problem, or anything, you find solution for that problem or that situation. We will have a question: What does “being” mean? Means, the zone from where you take decision, is “being”. The zone from where you cognize, is “being”. The zone from which the cognition happens in you, is “being”.

Please listen, the zone from which the cognition happens in you, is “being”, which is deeper than thinking. Unfortunately, only when you complete with your thinking, with your emotions, you will even understand the difference between thinking, being, emotions, and all that. Otherwise, it is all messed up! It is all like complete messed up!

Responsibility in your being means, the space from which you cognize, carrying Responsibility in that zone. Please listen! If you don’t feel you are responsible for something, you don’t even think in that line. If you feel you are responsible for something, only then you will even look into that part of your life.

I will give you one example. TV channel headlines reads: “Bomb Blast, 172 People Dead! Two Ministers Injured!” You will jump up and see, ‘Where? Where?’ Iran! You will settle down. How many of you have experienced this? Means what? You are responsible only for India, or your State where you are. You don’t feel responsible for the whole world. Restricting your being feeling responsible is what I call “conditioning”. Every guy who preaches patriotism tries to condition your responsibility to that country. Every man who tries to teach religion, conditions you, restricts your responsibility to that religion. Every person tries to teach you a language or the language-based affiliations, language or the language based affiliations, tries to restrict your responsibility to that language speaking people!

Please listen! I’m not against love for a country, love for a religion, love for a language, but I’m against restricting yourself only to that! Restricting yourself only to that; I’m against reducing your responsibility only towards that!

Understand, restricting your responsibility should never be allowed. You are a human-being; you are responsible for the whole Cosmos, not just Planet Earth! If you have an immediate action plan towards some responsibility, nothing wrong; but you not feeling responsible for the whole, is seriously wrong!

Your being, your being should be completely…..your being should be completely taking Responsibility for everything!

Listen! When you carry Responsibility in your being, please listen, that very carrying Responsibility in your being will raise you to a totally different level. I am really telling you, feeling responsible makes you a hero! Not feeling responsible makes you a comedian! It is feeling responsible that decides whether you are a hero or a comedian in your life. A being without feeling responsible is useless. A being filled with Responsibility is the most powerful energy. Being feeling responsible is an energy center! Listen! Even when you go near that being, you will catch that Responsibility, you will catch that feeling!

Understand, feeling responsible in your being, I can give you all this as a very powerful technique. You don’t need to do any action, you don’t need to do any thinking. Decide from your being you will feel responsible for the whole world! Suddenly, you will see all your actions will have Authenticity, thinking will have Integrity! A person who has ten-thousand crore rupees wealth will not lie for ten rupees. A person who is having ten-thousand crore rupees wealth surely will not cheat, out of Integrity for ten rupees! As a rule, a person with this much of wealth will not be without Integrity. Please understand, if you feel…. Just decide from today, from your being, you will feel responsible for the whole world, whatever way you think the world is, whether the world is suffering with diseases, world is suffering with poverty, the world is suffering with mental illness, world is suffering without peace, whatever! Whatever you think the world is, decide in your being you will carry Responsibility for it. The first thing that will happen is, you will become very integrated and responsible and authentic. Mainly, whatever you are doing, if you take Responsibility for the world, even if you are a doctor, you will become a better doctor; if you are a lawyer, you will become a better lawyer; if you are an engineer, you will become a better engineer; if you are a politician, you will become a better politician.

If your being feels responsible for the world, please listen, if your being feels responsible for the world, immediately Authenticity will happen in your actions, Integrity will happen in your thinking. Authenticity will happen in your actions, Integrity will happen in your thinking. Whether you understand or not, whether you directly apply it or not, please listen, whether you understand or not, directly apply or not, the moment you bring Responsibility in your being, your every action will become authentic.

You need to know a very important truth: The “it’s okay” attitude is the attitude which destroys your life. Like white ants eating the wooden furniture, the “it’s okay” attitude eats your whole life! Feeling responsible in your being, taking Responsibility in your being, takes away the “it’s okay” attitude. Takes away the “it’s okay” attitude! Please listen, it takes away the “it’s okay” attitude. This attitude of “it is okay” eats into your Authenticity, and into your Integrity. Being responsible clears your whole thinking and actions. Being responsible makes you active. Being responsible makes you integrated!

Understand, bringing Responsibility to your being, bringing Responsibility into your cognition! You always feel responsible for little, little, small, small things. If you feel responsible for your home, you expand only that much. If you feel responsible for your street, you expand only that much. If you feel responsible for your village, you expand that much. If you feel responsible for your district, you expand that much. If you feel responsible for your State, you expand that much. If you feel responsible for your country, you expand that much. If you feel responsible for the whole world, you expand to the whole world!

It is the amount of Responsibility you bring into your being that makes your life juicy. I tell you, if you bring more Responsibility into your cognition, your life becomes exciting!

Many a time, I feel why these people live in cognition poverty? Please understand, cognition poverty, poverty in your cognition is boredom! Poverty in your cognition brings boredom in your life! That is why you feel life is boring, dull. If you bring strength in your cognition, Responsibility in your cognition, you will be excited and you will be enlightened! You will be excited and you will be enlightened!

Responsibility in your cognition will bring so much excitement in your life. It will bring so much excitement! Understand, if your cognition shrinks, you also shrink, your actions shrink, your Integrity shrinks. If your cognition expands with more Responsibility, Authenticity happens in your action, Integrity happens in your thinking.

I have a story:

A newly married husband saved his wife’s number in his mobile phone as “My Life”. After one year of marriage, he changed the number to “My Wife”. After two years of marriage, he changed the number to “Home”. After five years of marriage, he changed the number to “Hitler”. After ten years of marriage, he changed the number to “Wrong Number”!!!

When your Responsibility changes in your cognition, your actions change. When your Responsibility

expands in your cognition, your life becomes more authentic, your actions become more authentic, and your thinking becomes more integrated. Please understand! Same way, when Enriching is brought in your whole life, your life expands multiple times – whether it is ability to live, or ability to think, ability to act, ability to feel, in every level it expands multiple level! Multiple level!

I bless you all! Let you all radiate with Integrity, Authenticity, Responsibility and Enriching, with eternal bliss, Nithyananda! Thank you!

Photos From The Day:

Photos Of The Day:

PadukaPuja_Crowds_Individuals

SwastiMantra_Amaayantu_Chanting

Gurukul_Instruments

Swamiji_Satsang

SarvaDarshan

NithyaDharmam_Day3

Temple_Picture

Facebook links

https://www.facebook.com/ParamahamsaNithyananda/posts/534988983255623

Photos Of The Day:

Paduka-Puja

Swasti-Mantra-Amaayantu-Chanting

Gurukul-Instruments

Nithya-Satsang

Sarva-Darshan

Nithya-Dharmam-Day3

Temple-Picture

1-Paduka-Puja

4-Satsang

5-Sarva-Darshan