Skip to content
Thursday

2 December 2010

Siddha Tradition: The Secrets To Super Consciousness - Nithyananda Morning Satsang (2 Dec 2010)

865Dated photos
1Source pages
2Media embeds
A photograph of an indoor hall with dark red curtains and brown tiled floor. A woman in a white and gold-patterned sari holds a microphone and speaks beside a girl in a blue patterned kurta and teal leggings who also stands near the microphone. In front, several children with dark hair sit on the floor, one in a blue striped top and another in pink and white. Behind them on an orange-upholstered chair sits a framed photograph labelled "Paramahamsa Nithyananda" showing a figure in orange robes and a white garland, seated and gesturing with one hand, in front of a large tree trunk. The framed portrait is a depiction, not a physical person.A stage in a hall with dark maroon curtains shows a framed portrait of a seated figure in orange robes on a dais draped in orange cloth, with a small orange-covered table nearby. Two girls stand at a microphone on stage: one in a light blue top and teal pants, the other in a white saree with a patterned border holding a microphone. Thirty-odd children and young people sit cross-legged on orange mats facing the stage, including a boy in a white shirt, a child in a blue Rocker shirt, a girl in an orange top and a girl in a pink top. A whiteboard and a standing fan stand at the right edge.A woman in a cream and gold sari with a purple blouse stands at the right, holding a microphone and speaking to a seated group in a large hall with a tiled floor and a thatched roof. Many children sit cross-legged on mats, along with several adults in white and orange clothing. Behind them hang a banner titled 7 Chakras Chart showing a blue human figure with coloured chakra circles, and a second banner reading How the Mind works. No clearly identifiable a person figure is visible in this scene.

Photos of the day

View all 865 photos

865 distinct dated photos. Source gallery sets may overlap. Preview includes 500 photos.

01

Morning-outside-Temple

2 dated photos in previewSource gallery
Outdoor photo in front of the orange-walled Sri Anandeshwara Temple, with a banner reading Life Bliss Program, 2 Days Meditation Camp. A woman in an orange sari with a leopard-print shawl walks across a bare ground toward the temple, carrying a small offering. Other people stand on striped mats and white-and-red steps: a woman in red sari, a woman in blue sari, a man in white kurta with orange scarf, and others in white and grey clothes. Bunting and hanging lanterns decorate the entrance canopy.Outdoor scene at an ashram-style compound beside an orange-painted wall. In the foreground, a woman in a leopard-print shawl over orange trousers bends to help an older woman seated in a silver wheelchair, wearing a dark cardigan and a red-and-maroon sari with a red handbag. Beside them a woman in a light green kurta and a red lanyard stands watching, and a bald man in a white dhoti with an orange-and-red border stands near a grey SUV. Behind them, a red-carpeted stage has an orange banner and a sign reading Life Bliss Program, with a few people in blue and white saris. Banners on the wall show a monk-like figure in orange, and a notice board reads Special features of this sacred Banyan tree.
02

Pada-Puja

86 dated photos in previewSource gallery
A stage event with a dark blue draped backdrop and a golden ornate throne with red cushions at the centre. Floral arrangements in vases flank the throne. In front, a shaved-headed man in white with gold chains sits at a microphone with hands folded, beside a bell. Around six women in white, cream and yellow saris and orange shawls sit on an orange mat with hands joined in devotion, with offerings on brass plates in the foreground.A large indoor hall filled with seated devotees in white and saffron clothing during a satsang. Rows of women in orange and saffron saris and men in white kurtas sit on orange mats, many with brass puja plates, lamps, kalasha-style vessels and small bowls of offerings in front of them. Colourful hanging tassel banners line the pink walls. At the front right, a camera on a tripod and a television screen show a live feed of the event. A few people sit near the front left, and the crowd extends to the back of the room. No clear person in the scene is identifiable as the a person from appearance, so no candidate is noted.A seated man with long dark wavy hair and a white vibhuti marking on his forehead sits eyes closed on an ornate golden throne with a tall gilded back and red velvet cushions. He wears a leopard-print shawl over orange-saffron robes and a long dark rudraksha mala, hands resting in his lap. Beside him on the left stands a flower arrangement of purple and white blooms, and a silver tray holds flowers, an apple and a water bottle. A microphone sits on a gold-trimmed side table behind a dark blue curtain. No other people are visible. a person is seated in meditation on the throne.A man with long, swept-back dark hair sits eyes closed on an ornate gold-and-red throne (peetha) on a stage before a dark blue draped backdrop. He wears an orange saffron dhoti and shawl under a leopard-print jacket, a long rudraksha mala, and a white vibhuti forehead mark with a red dot. Before him on a low wooden table are a silver tray with apples, a water bottle, orange and purple flowers, and a microphone. Appearance-based probable Swamiji with distinctive long hair, saffron clothing and rudraksha mala, seated on a throne, eyes closed in meditation.A man with long swept-back black hair and a white vibhuti mark on his forehead sits eyes closed on an ornate gold and red throne with a tall gilded back. He wears a leopard-print shawl over an orange-saffron robe and a long rudraksha mala. A silver tray holds apples, and a water bottle and flower arrangement stand nearby against a dark blue curtain. Partial heads of audience members are visible at the bottom edge. a person appears seated in meditation on the throne, with the clothing and rudraksha cues noted above.
03

Morning-Message

13 dated photos in previewSource gallery
A seated man in an orange saffron robe with a leopard-print shawl over his shoulders leads a talk, raising his right hand in a gesture of teaching. He wears a long rudraksha mala with dark beads, a red bindi on his forehead and white tilak marks, and has long dark wavy hair. He sits on a red velvet cushioned seat in front of an ornate gold-embossed throne, with a microphone at left and white and orange flower arrangements behind him. Probable Swamiji: long swept-back hair, orange saffron clothing, rudraksha mala and a ceremonial dais setting suggest a satsang discourse, identity uncertain from appearance alone.A man seated on an ornate gold throne with red velvet cushions, in front of a dark blue draped backdrop, with a standing fan and a microphone on a stand beside him. He wears saffron-orange robes, a leopard-print shawl over his shoulders, a rudraksha mala and a tilak on his forehead, with long hair swept back, and sits with palms pressed together in greeting. Flower arrangements of orange and white blooms flank the throne, and his bare feet rest on a gold footstool decorated with petals.A photograph of a seated man on a red velvet throne with an ornate gold backrest, palms pressed together in namaste before a microphone on a stand. He wears an orange saffron robe, a leopard-print shawl over his shoulders, a long rudraksha mala and a red bindi on his forehead, with long swept-back hair. Blue draped curtains and white and purple floral arrangements frame the stage. The appearance and throne setting are consistent with a person, a satsang speaker seated in front of the microphone. No other physical people are visible.A man with long dark hair sits on an ornate gold-carved throne with red cushions, seated on a golden platform with flowers at his feet. He wears an orange saffron robe, a leopard-print shawl over the shoulders, and a black rudraksha mala. He is barefoot and speaks at a microphone stand against a dark blue curtain, with a flower arrangement at the left edge.A seated man in saffron-orange robes sits on an ornate gold throne with red cushions, speaking into a microphone on a stand. He wears a leopard-print shawl over the orange garment and a black rudraksha-style bead necklace with tassels. His long dark hair falls past his shoulders and he is barefoot, with his feet resting on a gold footstool decorated with pink flowers. A dark blue curtain forms the backdrop, with a green plant and purple flowers at the left edge and a whiteboard at the right.A photograph of a single man seated on an ornate gold throne with a large carved gold backrest and red cushioned armrest. He wears a leopard-print shawl over orange saffron robes and a long dark rudraksha mala. He has long swept-back dark hair and a red tilak on his forehead, and sits with hands folded in his lap, facing a microphone on a stand against a dark grey curtain.
04

Sarva-Darshan-Blessings

16 dated photos in previewSource gallery
Photograph of an indoor ritual reception in a hall with grey walls and a draped gold-and-cream fabric valance above. A man with long, swept-back dark hair wears a saffron-orange garment, a leopard-print shawl and a dark rudraksha mala, and raises his right hand in greeting while smiling. Around him, a group of men in white dhotis and white shirts stand or kneel with palms pressed together, some with white and red marks on their skin and bare upper bodies. On the right, a young man in white with an orange scarf holds a silver tray. A camera on a tripod and a gold-framed altar with flowers sit in the background. Probable Swamiji (saffron robe, leopard shawl, long swept-back hair, rudraksha mala) is the central figure receiving the devotees.A photograph inside an indoor hall where a line of men in white dhotis and white shirts stand with palms pressed together in namaskar. Two men at the left wear white and rudraksha malas, and one has white sandalwood-style markings on his arms and forehead. In the centre, a woman in an orange saffron robe with a leopard-print shawl and a long rudraksha mala holds a paper and raises one hand in blessing. At the right, a young man in white with an orange-red shawl holds a silver tray of offerings. A white projection screen, an orange-and-gold hanging banner and a blue-white ashram logo appear in the background. Visible people count is a modest group.A ritual scene in an indoor hall with a white screen at upper left and orange-and-gold drapes overhead. A long-haired figure in an orange saffron robe and a leopard-print shawl stands at centre, raising one hand in blessing and holding a small white card, with a red mark on the forehead and a rudraksha-style necklace. Beside them a young man in white dhoti and orange shawl carries a silver tray of offerings. Around them, shaven-headed men in white dhotis with white and sandalwood-coloured body markings stand with palms pressed together in anjali, and a woman in a sari stands at right. A video camera is visible behind the central figure.A photograph inside a hall with a dark curtain and a striped orange-and-white banner overhead. A smiling man with long dark swept-back hair, a red forehead dot, an orange robe, a leopard-print shawl and a dark rudraksha mala stands at centre holding a small yellow object and a white packet. Facing him at right, a man in white wears an orange sash and holds a silver tray with a gold-coloured object. Before him, a boy in a white shirt and shorts presses his palms together in greeting, and a man in white with an identity lanyard and folded hands stands at left, with other devotees in white behind. Several people in white clothes and lanyards are visible.Indoor ashram hall with a white ceiling canopy and orange-and-patterned hanging drapes. Along a central aisle lined with devotees pressing palms together in anjali, a woman in an orange sari with a dark shawl walks forward, while a man in a white dhoti and orange sash carries a brass aarti tray. Another man in white dhoti with a bare chest raises one arm toward the aisle. Devotees in white kurtas, saffron-trimmed garments and red or green saris stand on colourful woven mats along both sides. Projector screens and a stage backdrop are visible at the far end. The scene resembles an aarti welcome procession.A long-haired man in a saffron-orange robe, a rudraksha mala around his neck and a leopard-print shawl over his shoulders, walks down an aisle in a hall while smiling and raising a hand in greeting. Along both sides, devotees in white kurta-style clothes stand with palms pressed together in namaste. On the right, a young attendant in white with an orange shawl and a tilak on his forehead carries a silver tray with offerings. Tall cloth-wrapped pillars with orange tassels frame the hall, and a stage with white drapery sits in the background. Chairs and seated attendees line the far walls. Several people appear to be pressing their palms together in greeting, consistent with satsang or darshan arrival.
05

Inner-Awakening-Day2-Session

69 dated photos in previewSource gallery
Wide stage photo of a seated man on a brown ornate throne with dark carved frame, wearing an orange robe and a leopard-print shawl over the shoulders, sitting cross-legged with hands in lap. A small brown footstool sits before the throne on a patterned rug. Dark blue draped curtains form the backdrop, with tall floral arrangements in brown urns on either side and a white standing fan. To the right stands a large white board titled 7 Chakras Chart showing a blue meditating figure with coloured chakra circles along the spine. Water bottle on a white side table. No visible audience.A photograph of a seated congregation at a satsang hall with orange-brown mats on the floor. Most attendees wear white or off-white clothing, some with lanyards and name badges, and several wear shawls or dupattas in green, yellow and grey. A woman in the foreground wears a grey head covering and a rudraksha-style mala, and others hold books and notepads. A glass display case on the right holds a small deity murti and ornate ritual objects, and an orange cloth hangs from the ceiling. The scene suggests a seated meditation or discourse session. A printed copyright line appears on the image.A photograph of a seated congregation during a satsang hall session. Many devotees sit cross-legged on orange floor mats with orange cushions, most wearing white kurta-pyjama style clothes; several wear blue lanyard identification badges. A man in the foreground left wears a white polo shirt and grey trousers, and a man at right wears a red-and-black top. Some attendees sit on chairs at the back near curtains of orange and white. A small table with a white cloth and a tall orange banner are visible at the top. Participants appear attentive toward the front, where a speaker would be seated. The room has pink walls, a ceiling speaker and a glass display case at left.A photograph of a large hall with a pale pink wall and orange floor mats, where a crowd of seated devotees attends a satsang. Most people sit cross-legged on orange mats, many in white clothing, with some in green, peach, red and gray; several wear rudraksha malas and carry bags and notebooks. Colourful striped fabric panels hang from the ceiling, and a video camera on a tripod is set up at the right. A seated presenter and a few staff are visible toward the back near a display area.A wide photograph of a large indoor satsang hall with a low-ceilinged white roof and hanging colourful fabric panels. Dozens of seated attendees fill the orange-carpeted floor, many in white clothes, some in green, pink and maroon, with orange shoulder bags and mats beside them. On a raised stage at the far right, a person in orange robes sits on an ornate golden chair in front of a navy curtain, flanked by potted plants, with a projection screen and a fan nearby. Photographers' cameras are visible at the side.A photograph of a large hall where seated devotees sit on orange and purple mats facing a raised white stage. On the stage, a figure in orange clothing sits in a golden armchair beside a microphone stand and potted plants, with a blue curtain behind. Many attendees wear white clothes; some wear green, orange, or pink. Several cameras on tripods film the event, and bags and water bottles lie on the floor. Colourful vertical banners hang from the ceiling on the left. The seated figure's appearance is not clearly distinctive enough to confirm an identity.
06

Inner-Awakening-EnGenius-Session-at-Vaidya-Sarovar

93 dated photos in previewSource gallery
Outdoor photo of a seated audience on red-brick tiered steps beside a pool of still green water. Many people in mostly white clothing sit in rows, with a woman in a light turquoise salwar kameez in the left foreground. On the right, a lone figure in orange robes with long dark hair stands on a metal ladder-like stairway at the water's edge, facing the audience. Red-tiered stands and an unfinished concrete building with bamboo scaffolding sit behind, under an overcast sky.Elevated view of an outdoor satsang at a stepped amphitheatre beside a water tank. A large dark stone shivalinga stands on a square platform in the centre of the water, reached by a metal ladder. A figure in orange robes stands on the ladder near the lingam, appearing to address the gathering. Dozens of seated devotees in white clothing fill the stone steps in the foreground, with some in orange, yellow and red saris and salwar. A red cloth and an orange mat lie on the steps near the front rows. Empty red seating rises behind the water. The appearance-based candidate in orange robes is a probable match to the a person candidate cues of orange clothing and ceremonial presence, with the lingam in the water as a setting cue, so this is a probable in-person presence.A person in orange saffron robes and a leopard-print shawl sits on the steps of a white metal ladder descending into a green, algae-covered water tank. The figure has long dark hair, holds a microphone and a sheet of paper, and appears to be speaking. Behind them is a large dark granite structure atop a grey stone platform with red-and-white striped walls. Partial heads of onlookers appear at the bottom edge. a person: the long swept-back hair and saffron clothing are cues, but the figure's appearance is not certain enough to confirm identity.A person in orange robes and a leopard-print shawl sits on a white metal ladder leading down into a water tank beside a large dark grey Shivalinga on a black stone yoni-peetha base. The person has long dark hair and holds a white cloth or paper in one hand and a microphone-like object in the other. The Shivalinga stands before a red and white striped wall, and the tank water is green with floating vegetation. A few partially visible people stand at the bottom edge of the frame.Outdoor photo of a large Shiva lingam set on a square platform in the middle of a rectangular water tank, reached by a white metal ladder staircase. A figure in an orange robe stands on the ladder near the lingam, with a dark shawl over the shoulders. Several hundred-odd rows of seated devotees fill the red-and-white tiered steps around the pool, mostly dressed in white, with some in yellow, orange and pink. A red cloth and an orange cloth lie on the steps in front of the audience. The tank reflects the grey stone structure and surrounding trees.Outdoor satsang at a stepped pond. A person in orange and dark brown robes stands on a metal ladder leaning into the water, holding a microphone and a sheet of paper. Their long dark hair falls past the shoulders. Dozens of seated devotees in white clothing face them along the stone steps, with some in lavender, pink and cream. Rope railings and wooden poles line the ladder, and a white stone structure with red trim sits at the right edge beside the still, greenish water. a person cues: long hair and saffron-orange ornate robe with a shawl, presented as a speaker at satsang.
07

Inner-Awakening-EnGenius-Darshan

113 dated photos in previewSource gallery
Photograph of a meditation or satsang hall with several people seated on white mattresses on a white stage platform, facing away from the camera. The seated figures wear white clothing; one foreground devotee in a white dhoti with a gold-bordered cloth sits cross-legged, and another in a white shirt sits beside him. A rudraksha-style mala lies on an orange cloth in the foreground. Behind them a deep red velvet curtain hangs, with a projection screen and a wooden stand at the upper left, and a person in white kneels near the stage steps. The seated figures are not visibly identifiable as a person; the scene shows attendees in white in a satsang setting.A photograph of a satsang on a raised stage draped with dark blue curtains. A central figure in an orange robe sits with palms pressed together on an ornate gold throne with red cushions. Flanking the throne are brass lamps with lit flames. Seated on a floral-patterned mat before the throne are devotees: a man in white with a white cloth, a shaved-headed man in orange, and several women in orange and white saris with hands folded or raised in greeting. A woman in orange sits at the far right edge near a lamp. Gold-framed decorative elements and a reflective stage floor are visible.A seated figure in flowing saffron-orange robes sits centrally on an ornate gold throne with a red cushioned seat, hands pressed together in greeting, on a raised white stage with a floral-patterned cloth. Around the throne, several devotees sit on the stage: a bald man in white and orange, a woman in an orange sari, a person in white, and others in orange and grey clothing, some gesturing or seated with hands folded. Lit brass oil lamps stand on both sides of the stage in front of a deep blue curtain, and a camera on a tripod is visible at left. A seated woman in a white and orange sari sits at the right edge of the stage. The scene reads as a satsang or discourse on a dais.Photo of a satsang stage with a central figure seated on an ornate gold throne with red cushions, wearing a saffron-orange robe and holding hands together in namaste. Hair is long and dark, and a crown-like gold ornament is not visible; the figure's presentation shows long hair and saffron clothing, a person cue, though appearance alone is uncertain. Around the stage are a camera on a tripod, a covered patch of floor with a floral sheet, and several devotees: a man in white kneeling at the lower left, a shaved-headed man in orange beside the throne, and women in orange and white seated to the right. Tall brass oil lamps with flames stand on both sides, and a dark blue curtain forms the backdrop.A stage set with a dark blue draped curtain behind a central figure seated on an ornate gold and red throne, hands pressed together in greeting. The seated figure wears an orange robe. Around the stage, several people sit on a cushioned white floral mat: a man in white clothing and a shaved-headed man in orange on the left gesture toward the throne, and women in orange and white garments sit to the right, one holding a microphone. Brass oil lamps with lit flames stand at the edges of the stage, and a woman in orange sits at far right with hands folded. The setting resembles a satsang or discourse.A photograph of a satsang on a raised white stage with a floral-patterned mattress-like cover and a glossy black base. A central figure sits on an ornate gilded throne with red cushions, wearing an orange saffron robe and holding a microphone; the figure has short dark hair and appears to be a person by appearance cues, though the frame is wide and features are not clearly distinguishable. Around the throne, seven people sit on the stage: several in white clothes with orange or red sashes and a man in white with a rudraksha-style necklace seated near the front, and a woman in orange at the right edge. Four tall brass oil lamps with flames stand around the stage, and a camera operator on a tripod is at the left. A woman in a sari sits at the far right beside the stage.
08

LEP

14 dated photos in previewSource gallery
A young boy in a navy, red and grey collared shirt and cream trousers sits cross-legged on the floor, reaching with his right hand toward a brass puja tray. The tray holds brass bowls, a small brass cup, marigold and flower petals, and a white conch shell. Beside him, an adult's hand wearing a gold bangle rests on white cloth, and a yellow cloth lies in the foreground. The background shows blurred seated devotees on a polished floor.Photograph of a large seated congregation inside a hall with pale pink walls and colourful woven bunting hanging from the ceiling. Most attendees wear white dhoti-style garments and white shawls with lanyards, sitting cross-legged on an orange-red mat. Several men in the foreground have shaved heads and white-and-maroon sashes, and a few women in saris sit toward the back. No individual is clearly identifiable as a specific figure, so no a person candidate is confirmed.A large seated audience of devotees in plain white clothing sits on orange mats in a hall for a satsang. Many wear white shirts and lanyard badges; one young man in the foreground wears over-ear headphones and a white shirt with an orange emblem. Some attendees wear saffron and orange garments. Behind them, a gilded deity murti and framed images stand on a raised altar area near glass doors and wooden lattice panels. The mood is attentive and orderly, with participants facing forward toward the teacher.A seated man in orange sannyasi-style robes and a leopard-print shawl sits in an orange upholstered throne-style armchair with carved black wooden armrests and back. He wears a long rudraksha mala with dark beads, has long swept-back dark hair, and smiles toward his left while resting his hands in his lap. A black microphone stand is in front of him against a dark drape, with a white fan to the right and a small red book on a side table. The photo appears to be from a satsang discourse.A seated congregation fills a bright hall during a satsang session. Rows of devotees sit on orange cushions, most dressed in white clothing, with some wearing green, yellow and orange garments. Several women have their heads covered and many hold books or papers. In the far background a few people stand near the front of the room, where a speaker appears to be addressing the gathering. The room has white walls and a simple, open layout. Whether a person candidate is present cannot be determined from the visible appearance at this distance.
09

Darshan

11 dated photos in previewSource gallery
A video still of a satsang stage: a seated man in saffron-orange robes with long swept-back hair sits on an ornate orange-and-gold throne-like seat in front of a circular golden halo-style backdrop. Other people are not clearly visible in this small frame. Appearance-based candidate for a person, seated as the speaker at a live talk.A video still of a speaker in saffron robes seated on an ornate gold throne-style seat in front of a golden backdrop with decorative arches. The speaker has long dark hair, wears an orange-saffron garment with a shawl and a rudraksha mala, and is gesturing with one hand while speaking to an audience. The setting is a satsang hall with a golden, ornamented backdrop.
10

Paadapuja

4 dated photos in previewSource gallery
A photograph of a group of people gathered closely at an indoor event, with several men in white and light-coloured shirts crowding around a table. A woman in an orange-and-brown leopard-print outfit stands in the centre-right, with others reaching toward plates or a food table in the foreground. The setting looks like a casual indoor gathering with bright lighting and a cluttered table.A small indoor photograph of a crowded gathering in a warmly lit room. A woman in the centre wears an orange-and-saffron sari and is smiling, surrounded by men and women in white and light clothes. Several men in the foreground have shaved heads and wear white or light shirts; one man on the right wears an orange top. People stand close together, some with hands folded. No central figure is clearly identifiable as the a person from appearance alone.
11

Panchatapas

1 dated photos in previewSource gallery
A figure in saffron-orange robes sits cross-legged on a low white platform at the centre of a large circular floor design of white and dark-coloured powder lines and dots, set in an open courtyard with a red-brick building, a tall stone pillar and palm trees behind. The seated person's head is bare-shaven and the orange clothing matches the saffron ritual wear of a sannyasi. Surrounding the mandala are small pale dots and patterned rangoli borders, with a green cloth or mat placed near the platform. The scene suggests a ritual or meditation setting in a temple courtyard, though the person's identity cannot be established from appearance.
12

1-En-Genius-Sessions

78 dated photos in previewSource gallery
A photograph of an indoor hall with dark red curtains and brown tiled floor. A woman in a white and gold-patterned sari holds a microphone and speaks beside a girl in a blue patterned kurta and teal leggings who also stands near the microphone. In front, several children with dark hair sit on the floor, one in a blue striped top and another in pink and white. Behind them on an orange-upholstered chair sits a framed photograph labelled "Paramahamsa Nithyananda" showing a figure in orange robes and a white garland, seated and gesturing with one hand, in front of a large tree trunk. The framed portrait is a depiction, not a physical person.A stage in a hall with dark maroon curtains shows a framed portrait of a seated figure in orange robes on a dais draped in orange cloth, with a small orange-covered table nearby. Two girls stand at a microphone on stage: one in a light blue top and teal pants, the other in a white saree with a patterned border holding a microphone. Thirty-odd children and young people sit cross-legged on orange mats facing the stage, including a boy in a white shirt, a child in a blue Rocker shirt, a girl in an orange top and a girl in a pink top. A whiteboard and a standing fan stand at the right edge.A woman in a cream and gold sari with a purple blouse stands at the right, holding a microphone and speaking to a seated group in a large hall with a tiled floor and a thatched roof. Many children sit cross-legged on mats, along with several adults in white and orange clothing. Behind them hang a banner titled 7 Chakras Chart showing a blue human figure with coloured chakra circles, and a second banner reading How the Mind works. No clearly identifiable a person figure is visible in this scene.Children sit cross-legged on an orange tiled floor in a large open hall with a thatched roof, watching a presentation. Many are seated in rows: a boy in a blue shirt in the foreground, a girl with curly blonde hair in a white top, a girl in a pink top, and a boy in an orange shirt. Behind them, a white banner labelled "7 Chakras Chart" shows a blue human silhouette with coloured chakra circles, labelled Sahasrara chakra (crown center), Ajna chakra (brow center), Vishuddhi chakra (throat center) and Anahata chakra (heart center). A few adults sit among the children, including a woman in a white top at left and a woman in a light sari at right. Blue banners with partial logos hang on the left wall.A woman in a cream and gold sari stands on a low stage holding a microphone, in front of a dark maroon curtain and a whiteboard on an easel with blue marker drawings and the handwritten word Dhyana. Several children sit cross-legged on the wooden floor with their backs to the camera, and one girl in a floral dress raises her hand. A loudspeaker sits on a shelf beside the whiteboard and a plastic chair is at the left edge of the stage. No a person candidate is visible in the scene.A photograph of a children's session in a hall with a dark red curtain stage at left and a lattice window at right. A woman in a cream and gold sari holds a microphone and gestures while speaking. Beside her, a boy in a light patterned shirt and beige trousers draws a blue diagram on a large whiteboard on an easel. At right, a man in an orange-peach robe with a white dhoti and a rudraksha mala stands barefoot near the board, listening. About a dozen children sit cross-legged on the tiled floor in the foreground, some with pigtails and bright tops, watching the board. A round white plastic chair and red buckets sit near the stage edge.
13

December 02 2010

365 photosView all

Open the full photo collection to see this set.

December 02 2010

Original wiki page
Contents

Title:

Siddha Tradition: The Secrets To Super Consciousness - Nithyananda Morning Satsang (2 Dec 2010)

Narration:

The Supreme Pontiff of Hinduism, Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of Super Consciousness during the live public talk - Nithyananda Satsang, Siddha Tradition Series. In this talk entitled Siddha Tradition The Secrets To Super Consciousness, The Supreme Pontiff of Hinduism explained that the secrets of Super Consciousness can’t be revealed much by words but through the Master presence, Upanishad it may be revealed. He explained that knowing the secrets of His super consciousness is only a method, or technique to liberate yourself. Also, any understanding, technique or anybody that gives you the feeling you are something more than body is secret knowledge because it leads you to the Super Consciousness.

Today was Day two of the Inner Awakening Program where His Divine Holiness worked on awakening the non- mechanical parts of the brain for all the delegates from around the World.

Video and Audio:

Siddha Tradition: The Secrets To Super Consciousness

VideoAudio

Transcript:

Sadashiva samarambam shankaraacharya madhyamaam Asmadaacharya paryanthaam vande guru paramparaam. 0:52 I welcome you all with my love and respects. Today’s subject for satsang ‘Secrets of Super Consciousness’; secrets to super consciousness. There was a great master Manikyavasagar in Tamil Nadu, an enlightened master, great devotee of Shiva. He composed set of poems called Thiruvaasagam. There is a proverb 'if somebody can’t melt for those words he can’t be melt by anything’. He can’t be melted by anything; a heart pouring experience of his interactions with Shiva and encounters with Shiva. People asked him please give us the meaning of those verses. He sang in poem, poetry form, in different meters. They asked him please give us translation; we need to understand it. We need to understand the secrets of your super consciousness so that we can use that as the secrets to our super consciousness; to understand it. We need to understand the secrets of your super consciousness so that we can use that as a secrets to our super consciousness. He went to the temple, showed the deity that this is the meaning and went inside and disappeared into the deity. Understand literally he disappeared into the deity. He said this is the meaning. 5:45 There are some secrets, can’t be revealed. Words are too poor. It just only can be experienced. May be the secrets to consciousness, secrets to super consciousness, secrets of my super consciousness is the way for your super consciousness. Whatever secrets I reveal about my super consciousness you can use that as a way to your super consciousness because both are one and the same. That is why Krishna says to Arjuna ‘knowing about my births and my qualities, my gunas, let you be liberated’.

6:52 I want to tell all the newcomers, participants of IA, you may be wondering what is going on, where have I landed? I thought this is a place where I will get the super conscious experience. But I see every morning all people are sitting around him and worshipping him as God. I want you to know they are not worshipping me as God; they are worshipping me as an embodiment of all possible gods and goddesses. That is the mantra they are reciting. If I have to translate that words to you, sarva deva devi swaroopaya, means all gods and goddesses ‘O embodiment of all gods and goddesses we offer our self to you’. 7:45 You may be wondering where have I landed. Please understand neither I am enjoying nor I am encouraging or I am rejecting what they are doing. What they are doing is a technique for them self. I am just as witness. Because sun is a witness all grahas move around him. How many grahas move around him, he is there centered as witness. By knowing the nature of my super consciousness they experience their super consciousness. That is what is exactly happening. That is why this worship; this offerings. 9:13 Krishna says very clearly knowing the quality of my inner space let you be liberated. You will be liberated. So knowing the secrets of my super consciousness is not like knowing my glory. No! You can never know. It is only a method to liberate yourself, method to liberate yourself; technique to liberate yourself. Unfortunately the secrets to super consciousness can’t be revealed much by the words. Maybe it can be revealed through the presence or the Upanishad. Words are too poor and too small. 10:47 There is a story: the Ganga, Ganges was got caught in the Shiva’s head. People wanted water in the planet earth. They requested him. Shiva just removed one hair. In that gap the water came out fell on the planet earth is all the rivers and the oceans and underground water. That is the water available in planet earth. One hair fills more than 70% of the planet earth’s space. What will happen if he removes second hair? Sometime the secrets are better to be kept as secrets. Not just because it has to be kept as secret, by its very nature it cannot be verbalized, revealed; it cannot be understood. So by its own innate nature it is secret. It is secret. 12:34 Any understanding which gives you the feeling you are something more than body is secret knowledge because it leads you to the super consciousness. Any technique which gives you the experience of cosmos consciousness; more than body, it is secret technique, because it leads you to super consciousness. Anybody who leads you to the super conscious experience or out of body experience is secret being in your life because he leads to, leads you to super consciousness. 14:03 Krishna says in Gita ‘raja vidya raja guhyam’ - greatest knowledge is the greatest secret. It is not kept as secret because it should not be told. It is kept as secret because it will not be understood. A normal man, new person who comes inside this hall now, he can’t understand what is going on here. Young man sitting somewhere he is just moving his hand and people are rolling on the ground. They are not hypnotized please understand, they are completely balanced. They know what is happening now. They can repeat verbatim what I am talking. They know completely what is happening around them. See not a single person is disturbing their guru puja set. All of them can easily put thread into needle, means they can do any mild minute actions. It’s not they are out of control. No. Feeling more than the body and being centered. Same way they can sit like a statue for hours without moving the body. They can allow it to flow with energy or they can completely make it like statue. It is their conscious will but something extraordinary is happening inside everybody through the presence. 16:27 Many people ask me especially after attending the energy darshan, why is this not shown to the world. Why is this not told to the world? Yesterday somebody asked me I want to experience God, I want to hold him. I said come on how much you can hold, I will pour him on you. I went on and on and on, he was not able to. Then finally he said enough, enough, enough. I said come on now you can go. You read all these only in the fairy tales. You go and ask somebody please give me the experience of God and he just stretches his hands and you experience. You say enough, enough, enough only then he lets you go. 17:23 You read in the story of Ramakrishna he goes to, Vivekananda goes to Ramakrishna and asks ‘Have you seen God?’ Ramakrishna says not only I have seen, I can show you. He just touches Vivekananda. Vivekananda is reeling, rolling on the ground for next three days in that ecstasy. Ramakrishna would have given experience maybe to 50 people when he was in the body like this by touch. You read only all these things in the stories. 18:19 People ask me, Oh God! So much is happening here. This is green house of consciousness, nursery of new humanity. Why is it not being told to the world? It is not that we keep it a secret because it should not be told, it can’t be understood. How will you understand just these phenomena? What will you understand? That is why yesterday I said, the word medium is too poor. They are not mediums. They are divya shariris. The difference between mediums and divya shariris - these people every time they sit as a divya shariri they go through this experience. They become more aware, more intelligent, more blissful. But the mediums, every time they go through that they become more sober, more dull, more dead, more submissive. 19:44 Surrender is not submission. Surrender means expressing your will hundred percent and dedicating your will to the higher will; making your will in tune with the higher will. Submission means destroying your will; bending your will. There’s a big difference. You can see in yourself. Morning if you are feeling fresh, alive, things are more green, more living, more life, no tiredness, no feeling that you have not slept; you had the conscious transmission; glimpse of super consciousness. There are many secrets of super consciousness; can’t be spoken but can be revealed; maybe one strong Upanishad for all of you; Upanishad means just sitting with the intense presence so that you are ready for today’s session. 21:36 So today and tomorrow evening I will work on awakening the non mechanical parts of the brain, from day after tomorrow morning awakening different strands of DNA. Now just sit, if you feel you can sit with open eyes or closed eyes, but I am revealing the secrets of consciousness which can’t be spoken. Which can be spoken I have spoken in last 8000 hours, which can’t be spoken I will reveal it. I bless all the devotees and disciples who are sitting around the world watching this eN satsang message live even you all will experience this revelation; the secrets of super consciousness. 24:35 Let you all achieve, experience, live, express and radiate the eternal bliss Nithyananda. 25:22

Photos Of The Day:

Morning-outside-Temple

Pada-Puja

Morning-Message

Sarva-Darshan-Blessings

Inner-Awakening-Day2-Session

Inner-Awakening-EnGenius-Session-at-Vaidya-Sarovar

Inner-Awakening-EnGenius-Darshan

Photos Of The Day:

LEP

Darshan

Paadapuja

Panchatapas

1-En-Genius-Sessions