July 25 2012 - Nithyanandapedia

Nithyanandapedia

July 25 2012

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A man with a red-and-white tilak on his forehead sits on an elevated red, zebra-patterned throne in front of a painted temple-gate backdrop with stone carvings and green foliage. He wears an orange saffron wrap over his shoulder, a gold ceremonial necklace, gold armlets and bangles, and holds his hands together in his lap. A water bottle and a silver tray of yellow flowers sit on the dais, and a partially visible person is at the right edge. a person appears seated in person, identified by his saffron wrap, gold necklace and the throne setting.

September 12 2012

July 25 2012

October 16 2012

2012-10-16 +1 copies

A man seated on a large red velvet throne with a tall arched back and matching armrests on a raised red stage. He wears an orange-saffron dhoti and shawl, a gold-toned pendant on a gold chain, a long rudraksha mala, and a red tilak on the forehead. His hands rest folded in his lap and he is seated barefoot. Behind him hangs a red and pink cloud-patterned backdrop with pale blue and white arched designs resembling domes. a person: the orange robes, gold necklace and rudraksha mala on the seated figure on the throne are the cues; the seated man is the central presence on the stage. A water bottle sits on a side table beside the throne.

July 25 2012

A photograph of a seated man in orange-saffron sannyasi robes on an ornate red velvet throne with golden lion-head armrests and a gilded backrest. He wears a rudraksha mala, a gold pendant necklace and a copper-coloured arm band, with a white tilak and red bindi on his forehead, and sits with hands clasped. Flanking the throne are red and yellow flower arrangements and brass oil lamps with lit flames. The backdrop shows golden temple-style carvings and a trident.

July 25 2012

2012-07-25 +1 copies

A man in saffron-orange robes sits cross-legged on an ornate red velvet throne with gold lion-head armrests and a gilded canopy behind him. He wears a white and red tilak on his forehead, layered gold and beaded necklaces, gold armlets, and a rudraksha-style mala. He smiles while his feet rest over a brass tray of fruit and flowers, with brass lamps standing on either side. A painted backdrop of arched domes and a mosque-like building decorates the stage. The visible cues include the saffron robes, long hair, ceremonial gold necklaces and the throne setting, so this is a probable Swamiji (Nithyananda Paramashivam) seated in a satsang or darshan setting.

A man in orange saffron robes sits on an ornate red velvet throne with a tall rounded back and a tiger-striped cloth draped over the seat. He wears a white tilak on his forehead, gold armbands, layered gold pendants and beaded necklaces, and gold bangles, and smiles with his hands clasped in his lap. Behind him hangs a red and blue backdrop with arched architectural designs, and a water bottle sits on the left armrest. a person, seated in a satsang-style setting; the throne, saffron robes, gold ornaments and beaded malas are the qualifying cues.

A smiling man in an orange-saffron dhoti and shawl sits barefoot on a red and black zebra-striped throne with a rounded arch. He wears a gold necklace, gold armbands, a red bindi on his forehead and small gold earrings, and holds a small silver object in his hands. Behind him are ornate temple carvings on the left and colourful floral garlands in red, yellow and green on the right, with a water bottle visible at lower left.

A seated man in saffron-orange robes sits on a large red velvet throne with a tiger-stripe pattern and a rope-edged rim, speaking into a small head microphone. He wears a white vertical tilak with a red bindi, layered gold beaded necklaces with round medallions, gold armlets and bangles, and is barefoot on a zebra-patterned cloth. Behind him a colourful backdrop shows a gilded deity murti and floral garlands. The page identifies this talk as a morning satsang, and the sitter's ceremonial gold necklaces, saffron robes and throne fit the page's described a person presentation, though the appearance cues are not conclusive.