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Nithyanandapedia
A seated man in a deep red-orange turban with a gold brooch and a reddish-orange robe draped over one shoulder sits on an ornate gold throne with a red velvet cushion. A thin headset microphone is at his face and he is smiling and looking to his right while his hands rest on his lap. Behind him a large gold-carved throne back and a golden lion-form armrest are visible, and a large printed portrait of a smiling woman in orange clothing fills the background. Wearing a brown-gold beaded mala. Swamiji (probable): he wears a turban, a rudraksha-style beaded mala and saffron-toned clothing, seated on a throne during a satsang.

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December 09 20132013-12-09December 09 20132013-12-09 +1 copiesA seated man in a red-orange turban and matching saffron-red robe sits on a red zebra-striped couch, smiling and gesturing with one hand. He wears a red bindi, rudraksha-style brown beads and a long ceremonial necklace of gold beads, plus gold hoop earrings. Beside him is a gold lion sculpture, and behind him a large gold ornamental backdrop. A banner portrait behind shows another smiling man in a red turban with a red bindi. Probable Swamiji (in-person candidate) based on the saffron turban, rudraksha and gold ceremonial necklace.2014-03-08A seated man in an orange-red turban and matching saffron-red robe sits on a red upholstered seat beside a gilded golden lion-head armrest. He wears a long multi-strand beaded necklace of pale rudraksha-style beads, a red bindi and white markings on his forehead, and gold earrings, and rests one hand on the armrest. Behind him a large printed portrait of a smiling man in a similar red turban is framed by orange marigold garlands, and a gold ornate throne back fills the right side. The setting is an indoor satsang hall. The seated man appears to be a probable Swamiji, identified by the distinctive saffron turban, ornate red robes, layered rudraksha-style beaded necklace and gold throne setting.2014-03-07A smiling man seated on an ornate red-cushioned throne with gilded lion-head armrest, wearing a saffron-orange turban with a small green-and-white ornament, saffron-orange robe with gold border, layered rudraksha malas, gold necklace, and bangles on the upper arms. A microphone is clipped near his face, and a large portrait of a smiling figure in orange robes stands behind him. Swamiji (probable): the seated man wears saffron robes, a turban, rudraksha malas and ceremonial gold necklace, matching the page's Paramahamsa Nithyananda context.2013-12-04March 18 20142014-03-18March 10 20142014-03-10May 10 20152015-05-10December 09 20132013-12-09A smiling man seated on a red velvet throne with gold lion-head armrests in front of a golden carved backdrop. He wears an orange-red turban with a peacock-feather ornament, bare-chested with an orange-red and gold-bordered wrap, multiple rudraksha malas across the chest, rudraksha bracelets on the upper arms and wrists, and a red bindi with white vibhuti on the forehead. Behind him a large printed portrait shows a smiling figure in a red turban and rudraksha malas.2014-03-16A smiling man in a rust-red turban with a round white ornament and a red bindi sits on a gilded throne with a golden lion-head armrest, wearing rust-orange robes with gold borders, a pearl-and-bead mala and a thin gold necklace. Behind him a standing attendant in rust-orange cloth wears a dark bead mala. Red velvet drapery fills the background, and a lapel microphone is clipped to the seated man's robe.2014-02-07A photograph of a smiling man seated on a red velvet throne with gold carved armrests and a gold backdrop. He wears a red-orange turban with a peacock-feather style brooch, a red-orange wrap over bare shoulders, multiple strands of rudraksha beads and a gold-toned bead necklace, rudraksha armlets, and a red dot on his forehead with white tripundra marks. He rests one hand on the armrest. Behind him a large portrait printed on a banner shows a smiling figure in a red-orange turban and rudraksha malas. Ambiguous candidate in the foreground; appearance is consistent with the page but cues are not conclusive.2014-03-16