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Nithyanandapedia
A photograph of a man seated cross-legged on an ornate golden throne with red cushions, speaking at a microphone on a stage with dark blue draped curtains. He wears an orange-saffron robe, a leopard-print shawl over his shoulders, and a dark beaded rudraksha mala around his neck. His long dark hair falls past his shoulders and he has a red forehead mark. Hands are clasped gently in front of him and he is bare-footed. Flower garlands appear at the lower edge of the stage.

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December 02 20102010-12-02December 02 20102010-12-02A photograph of a single seated man on an ornate gold throne with a tall, curved, carved gilt backrest and red cushions. He wears an orange saffron robe, a leopard-print shawl over his shoulders, a long rudraksha-style bead mala with ornaments, and a red tilak on his forehead. His long dark hair falls past his shoulders, and he smiles with hands clasped in his lap. A microphone on a stand is in front of him, and a red-and-gold ceremonial setting with a dark carved stone backdrop surrounds him. Fruit sits on a gold-carved side table at left. Swamiji (probable): long swept-back hair, saffron robe, rudraksha mala and a shawl on a throne, consistent with the page's Swamiji reference.2010-09-19November 08 20102010-11-08A photograph of a single man seated on an ornate gold throne with a large carved gold backrest and red cushioned armrest. He wears a leopard-print shawl over orange saffron robes and a long dark rudraksha mala. He has long swept-back dark hair and a red tilak on his forehead, and sits with hands folded in his lap, facing a microphone on a stand against a dark grey curtain.2010-12-02October 24 20102010-10-24 +1 copiesOctober 03 20082008-10-03A man seated on an ornate golden throne with a red velvet cushioned seat and a large gilded arched backrest, in front of a deep blue draped curtain. He wears a sleeveless saffron-orange robe, a long rudraksha mala around his neck, and a small red tilak on his forehead. He holds a small white card in one hand and speaks into a microphone on a flexible stand, looking off to the side. A gilded platform supports the throne. Appearance-based cues including long swept-back hair, saffron clothing, rudraksha mala and a ceremonial throne match the Swamiji (probable) candidate, though the face is not used for identification.2010-10-19A seated man in saffron-orange robes sits on an ornate gold throne with a red cushion, hands pressed together in namaste at chest level. He wears a black rudraksha mala with dark beads and has long dark hair falling past his shoulders. A microphone on a stand is at right, and a gold-carved wooden table stands at left. Green foliage is behind him. The seated figure matches the page's Swamiji reference only by role and setting, with long hair, saffron robes and rudraksha as cues, so this is a probable identification from appearance.2010-09-17A photograph of a long-haired figure seated on an ornate gold throne with a red velvet cushion, speaking into a microphone on a stand. The person wears a saffron-orange shawl draped over one shoulder and bare arm, a red bindi on the forehead, and a long rudraksha mala of dark beads. Hands rest gently in the lap. Behind the throne, a blurred backdrop shows a figure in purple and white and a shrine-like display with a deity image. Visible cues include long swept hair, saffron clothing, rudraksha mala and a throne, consistent with the page's a person reference, though the face cannot be confirmed. The image shows a seated talk or satsang setting.2010-10-26October 26 20102010-10-26A man with long dark swept-back hair sits on an ornate gold throne with a red cushioned seat and red armrest cushions. He wears an orange saffron robe, a leopard-print shawl over his shoulders, and a long strand of orange and gold beads around his neck. A microphone on a stand is positioned beside him, and a red bindi is on his forehead. Behind the throne are a dark decorative backdrop and green foliage. a person: the man is seated in a saffron robe with a long swept-back hairstyle and ornate ceremonial beads, consistent with a satsang discourse setting.2010-09-19