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Several copies of a book titled Bhagavad Gita laid out in rows on a red surface. Each cover shows a smiling man with long dark hair in an orange robe, seated against a background of green peacock feather eyes, with gold Devanagari title lettering and a blue spine band. Some copies are angled differently at the right edge. No people are physically present in the scene. The cover figure matches the page's a person reference only by orange robe and hair, so identity is uncertain.

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Photograph of many copies of a Hindi-language Bhagavad Gita book with covers printed on a peacock-feather background. Each cover shows a smiling man with long dark hair wearing an orange-saffron top and rudraksha-style beaded necklace, seated and gesturing, with the title Bhagavad Geeta in large yellow Devanagari letters and the publisher name Paramahamsa Nithyananda in the lower corner.2013-04-16A photograph of many copies of a book titled Bhagavad Gita, arranged in rows on a surface. Each cover has a dark green background patterned with blue-and-green peacock feather eyes. The covers show a smiling figure in orange robes seated cross-legged with hands resting on knees, and the Devanagari title भगवद् गीता sits in gold lettering with a subtitle in Hindi and a blue band printed with परमहंस निथ्यानन्द.2013-04-16A grid of identical paperback books titled भगवद् गीता with the subtitle नवीन व्याख्या सहित, laid out in rows on a red surface. Each cover shows a smiling man with long dark hair in orange robes seated in lotus pose against a backdrop of peacock feathers, with the printed name परमहंस नित्यानन्द on a blue band at the bottom. Two of the copies at the top are slightly offset, and the photograph is a close overhead view of the stacked books.2013-04-16April 16 20132013-04-16A close, angled view of several copies of a Bhagavad Gita book standing upright on a glossy surface. Each cover shows a smiling figure with long dark hair seated cross-legged, wearing an orange robe and a beaded necklace, set against a background of peacock feather eyes in green and blue. The covers carry the title in gold Devanagari script with a smaller subtitle below. Reflections of the covers repeat in the glossy surface beneath them.2013-04-16April 16 20132013-04-16Several copies of a Bhagavad Gita book in Hindi are displayed in a row, with glossy covers reflecting on a dark surface beneath them. Each cover shows a smiling man seated cross-legged in saffron-orange robes with a long beaded necklace, hands resting on his knees, set against a background of peacock feathers in green and blue. The image shows book covers as depictions, not a live person, and the cover photograph's subject is a printed image.2013-04-16Several copies of a Hindi book titled Bhagavad Gita, with the subtitle Navin Vyakhya Sahit, arranged in rows on a red surface. Each cover shows a smiling man with long dark hair in an orange robe with a beaded necklace, seated cross-legged in front of a peacock-feather background. The printed name Paramahans Nityanand appears in blue bands at the bottom of each cover. The image is a graphic of printed book covers, with no physical people present.2013-04-16A grid of copies of a book cover, arranged in rows on a red surface. Each cover shows a saffron-robed man with dark hair seated among a peacock-feather background of green and blue eyes. The bold yellow title reads Bhagavad Gita in Devanagari script, with a smaller blue band carrying additional text. The covers are reproduced repeatedly across the frame, so they are printed images, not physical people. A small logo appears in the top left corner and a copyright line in the lower right.2013-04-16April 16 20132013-04-16April 16 20132013-04-16Multiple copies of a Hindi book titled Bhagavad Gita, with the subtitle naveen vyakhya sahit, are laid out in rows on a surface. Each cover shows a smiling person with long dark hair in orange clothing and a beaded necklace, seated in a meditation pose in front of a backdrop of peacock feather eyes. Each cover is labelled Paramahans Nityanand. The covers show a photographed figure rather than physical people in the scene, so no living people are visible.2013-04-16