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Nithyanandapedia
A man seated on an ornate gilded throne with carved golden lion-headed armrests and a dark red velvet backdrop. He wears a red and gold turban with gold dots, a red-gold sash over a bare-shouldered red garment, and a long rudraksha mala across his chest. He has a red tilak on his forehead, white markings on his upper arms and gold armbands. The setting suggests a formal satsang or darshan at a dais. Swamiji (probable): the figure shows a turban, saffron-red ornate clothing and rudraksha mala, matching the page's reference to Swamiji at this event.

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November 20 20132013-11-20A seated man on an ornate golden throne with lion-head armrests and red tiger-striped cushions, smiling. He wears a red-maroon turban with a fan-shaped pleated top, a red-maroon dhoti-style garment, a long rudraksha mala, gold bangles and an earring, with white ash markings on his arms and forehead and a red tilak. Beside him a brass oil lamp with a lit flame and a bird-shaped finial stands on a pink and green painted pillar background. The image is a photograph of a seated figure in a ceremonial setting, a satsang-style scene.2013-11-20A man in a maroon-red turban with a small red bindi sits on an ornate gold throne with carved lion-head armrests and red velvet cushions with black stripes. He wears a red-orange shawl over the shoulder, a dhoti with gold border, a long rudraksha-style mala, a wide beaded waist belt, and beaded armlets and bangles, and speaks into a headset microphone. Behind him stand two painted deity statues with multiple arms holding ritual objects, flanking a gilded arched backdrop. The setting appears to be a stage-like ceremonial hall during a discourse.2013-11-16November 20 20132013-11-20November 20 20132013-11-20 +1 copiesNovember 20 20132013-11-20A man sits cross-legged on an ornate golden throne with carved lion-faced armrests and a gilded arched backrest, draped in red-and-tiger-striped upholstery. He wears a dark red turban with gold beadwork, a rust-red saffron-toned robe with gold border, a long brown rudraksha mala, a gold belt, and gold bangles, with white ash markings on his forehead and arms. A brass oil lamp with a lit flame stands beside him, a golden kalasha-style finial sits at right, and a pink-and-green lotus-patterned column is behind.2013-11-20A seated man in a red-and-maroon turban with gold-bead edging, red-and-gold draped robe, rudraksha mala and gold bangles sits smiling on an ornate gold throne with a red zebra-striped cushion and gold lion-head armrests. Beside him stands a brass oil lamp with a bird-shaped top, and a gold-framed carved panel and pink columns fill the background. The man is barechested with white ash marks on his arms and forehead and a red bindi, with an orange shawl draped to the right. Swamiji (probable) is shown seated on the throne, wearing rudraksha malas and a red turban, consistent with a satsang setting.2013-11-20November 20 20132013-11-20November 20 20132013-11-20A seated man in a deep red turban with a fan-pleated top and gold studs, bare-chested beneath a red-brown dhoti-style wrap, sits on a red velvet throne with zebra-stripe upholstery flanked by golden lion-head armrests. Brown rudraksha-style beads hang across his chest and his forearms wear gold bangles and white ash marks. A brass oil lamp with a lit flame stands beside him near a gilded pillar and a painted lotus capital. A probable Swamiji, with a turban, rudraksha malas and gold ornaments, smiles in a discourse setting. The figure is physically present in the image. A ceremonial throne setting suggests a satsang.2013-11-20A smiling man sits on an ornate gold throne decorated with red and white flower garlands, seated beside a golden lion-head armrest. He wears a rust-red turban with a silver star-shaped brooch and a red tilak on his forehead, a rust-red shawl over bare shoulders, a long rudraksha-style brown bead mala and gold bangles on his arms. A small microphone is clipped near his face. Behind him stands a plain pink wall. a person: the seated man's saffron-red turban, ornate throne and bead mala are the cues for identification; he is shown in a satsang-style seated discourse setting.2013-11-25