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A man with long dark hair sits on an ornate gold throne with a red velvet back and seat, eyes lowered and hands joined at his chest. He wears a red robe with blue trim draped over one shoulder, a red dhoti-style lower garment, a dark red bindi on his forehead, and a heavy gold necklace of beads with a pendant. A microphone on a stand is near his face. Pink roses lie at the base of the throne, and a small purple logo sits at lower left. The outline and bindi are consistent with a saffron-clad guru, but the figure is shown on a throne and the appearance cues are only partly distinctive, so identity is uncertain.

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A man with long dark hair and a red bindi sits on an ornate gold-carved throne with red velvet upholstery, wearing a red draped garment with blue trim and a heavy gold bead necklace. He raises one hand in a teaching gesture while looking to the side. Two people in white clothing, seen from behind, sit below the throne in front of a small offering with pink flowers and incense sticks.2011-01-25A man seated on an ornate gold-and-red throne, wearing a red draped garment with blue-edged borders, a heavy gold bead necklace and a gold pendant, with a red bindi on his forehead and long dark hair. He raises one hand in a gesture while the other rests in a mudra on his lap. Two seated devotees in white clothes are in the foreground, one with a pink wrap on the right, and the lower left shows flowers and incense sticks in front of the throne. The setting appears to be a satsang discourse. The seated figure in red and gold has distinctive ceremonial cues, so this is a person candidate physically present.2011-01-25April 13 20132013-04-13October 27 20112011-10-27January 25 20112011-01-25 +1 copiesFebruary 19 20112011-02-19A man with long dark hair, a red bindi and vibhuti-style marks sits on an ornate gold-and-red velvet throne, dressed in a red shawl and red garment edged with blue. He wears a heavy gold bead mala and a gold pendant. His hands rest folded in his lap. In the foreground a seated devotee in white clothes, with a sacred thread and bead necklace, bows toward him. Lit offerings with pink flowers and burning incense sticks sit on a gold tray before the throne. A devotee in white is seated in front. Photographed in a temple or satsang hall setting, with a second person partly visible at the right edge.2011-01-25February 19 20112011-02-19April 12 20132013-04-12 +1 copiesA seated man in a red saffron-toned robe sits cross-legged on an ornate gold throne with a red velvet seat and back. He holds his palms together in namaste at chest height with eyes closed, wearing a long gold-and-white beaded necklace and a red bindi. A microphone stand stands beside him and a black speaker sits near the throne arm. Pink flower petals lie on the throne base, and an ornate brass lamp stand with lit oil lamps appears at the right, with a painted temple backdrop behind. A figure in red stands in the background.2011-01-25A man with long dark hair and a red bindi sits on an ornate gold-carved throne with red velvet upholstery, dressed in a flowing red robe with dark blue edging and a heavy gold bead necklace. He raises one hand in a mudra while resting the other in his lap, appearing to address the gathering. Two seated people in white garments face him from the lower foreground, one with an orange shawl and hair pulled back, the other partly turned away. Incense sticks rise near the base of the throne beside pink flower offerings. The setting is a satsang-style hall with draped fabric in the background.2011-01-25A seated man in red robes sits on an ornate gilded throne with red velvet upholstery and carved lion-head armrests. He wears a red shawl with blue trim over red garments, a heavy gold bead necklace and a smaller gold chain, and has a red tilak on his forehead. His hands are raised in front of his chest with palms open, and his eyes are lowered. A microphone stand is angled toward his face, and pink roses lie at the base of the throne. a person is seated in the satsang setting, with the throne, garlands and microphone visible in the frame.2011-01-25