February 11 2013 - Nithyanandapedia

Nithyanandapedia

February 11 2013

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February 11 2013

2013-02-11 +1 copies

A seated man with long dark hair wears a saffron-orange sleeveless wrap and a long rudraksha mala of dark seed beads, with a red kumkum mark on his forehead. He sits on a red cushioned seat set within an ornate gold repoussé backdrop, with a microphone visible at the right edge, and his hands rest folded in his lap as he speaks to an unseen audience.

August 09 2010

2010-08-09 +1 copies

February 11 2013

A man with long dark hair and a red bindi sits on an ornate gold repoussé throne backed by a large carved gold halo, with red velvet cushions beside him. He wears a flowing saffron-orange robe draped over one shoulder, a long mala of dark rudraksha beads, and bare feet resting on a gold footstool. He speaks into a microphone on a boom stand, hands resting in his lap. Swamiji (probable): the long hair, saffron robe and rudraksha mala match the page's Swamiji description, presented as a seated discourse at a satsang.

A smiling man with long dark hair and a red bindi sits on a red cushioned seat in front of an ornate gold repoussé throne backrest. He wears a sleeveless orange-saffron wrap and a long necklace of dark rudraksha beads, with both hands raised in front of his chest in an animated gesture. Blurred edges of other objects appear at the lower corners. Swamiji (probable): long swept-back hair, saffron clothing and rudraksha mala on a throne, seated and speaking to an audience. Partial view of an orange-clad figure in the foreground corner is not counted.

A seated man in saffron-orange robes speaks into a microphone while gesturing with one raised hand. He wears a long white flower garland with red and orange accents, a double rudraksha mala, and a red bindi. He sits on an ornate gilded throne with a red zebra-striped cushion and gold carved backrest, bordered by white and orange marigold garlands. He appears to be addressing an audience during a formal event.

A seated man in saffron-orange robes sits before an ornate gold-leaf throne with repoussé floral and scroll patterns, framed by red and white flowers at the upper right. He has long dark hair swept back, a red bindi and white forehead markings, and wears a red and white rudraksha mala with a gold-toned necklace. A red tiger-striped cushion is visible beneath him.

A seated man in an orange-red turban with a green and gold ornament at the centre of the turban, wearing orange-saffron robes, a thick multi-strand rudraksha-style mala and gold chains, gold armlets and bangles, with hands pressed together at the chest. He sits on a red and black tiger-striped cushioned seat in front of an ornate gold-embossed backdrop, with a microphone stand visible at right and long dark dreadlocks hanging behind the seat. The man has a red bindi on his forehead and appears to be speaking to an audience. The depicted figure matches the visual cues associated with Swamiji (probable): a swept turban, saffron clothing, rudraksha mala and ceremonial gold ornaments, seated on a throne-style chair.

A man sits on an ornate gold throne with a red velvet seat and back, speaking into a microphone on a flexible stand. He wears an orange-saffron cloth draped over his torso, a heavy gold bead necklace, and a red bindi on his forehead. His long dark hair falls past his shoulders, and his right hand is raised in a gesture while his left rests on his lap. His bare feet rest on a red cushioned footstool. Behind him is a gold-embossed arched backdrop with floral and scroll patterns, and the setting suggests a seated discourse. a person: long hair, saffron cloth and gold beads on a ceremonial throne.

A seated man with long dark hair and a red bindi, eyes closed and hands clasped in his lap, sits on an ornate gilded throne with a red cushioned back. He wears an orange-saffron shawl over an orange garment with a yellow sleeveless undershirt, and a long necklace of dark rudraksha beads. The carved gold throne with scrolled floral and lion-face motifs frames him, with blurred pink and white floral decorations behind. The scene suggests a seated meditation or satsang, and the man is the only physical person visible.

October 20 2010