Difference between revisions of "January 05 2017"
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− | == | + | ==Title== |
+ | Super Powers of Breadth Dimension by Disciples of Supreme Pontiff HDH Nithyananda Paramashivam – Visual download of GPS, Geo Maps, Art Forms, Medical Insights | ||
− | + | ==Narration == | |
+ | The Supreme Pontiff of Hinduism (SPH), Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of the [[Breadth Dimension]] during the everyday live public talk - [[Nithyananda Satsang]]. During the live public address titled [[Super Powers of Breadth Dimension by Nithyananda Disciples – Visual download of GPS, Geo Maps, Art Forms, Medical Insights]], The Supreme Pontiff of Hinduism (SPH) shared that the Breadth dimension is Breathtaking and invited few of the [[Nithyananda Yogam]] delegates to share their manifestation experience with the [[Balsants]]. | ||
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+ | The SPH expanded further, sharing that all of the 64 [[Arts]] like Dance, Music, Poetry Archery, Temple arts and Sculpting, everything belongs to the [[Breadth dimension]]. The [[Nithyananda Yogam]] delegates shared their experiences with Manifesting the powers of [[Remote vision]] whereby they were able to answer any question, solving any problem, diagnosing rare diseases and giving perfect treatments, drawing any pictures, humming any songs, and even moving coconuts through the power of their minds! | ||
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+ | The SPH concluded by declaring that anyone who comes for the morning [[Satsang]] will experience [[Entanglement]] – [[Shaktinipada]] and will start manifesting the powers of [[Sadashivoham]]. | ||
− | + | ==Video and Audio - Superpowers of Breadth Dimension== | |
− | | | + | {{Audio-Video| |
− | + | videoUrl=https://www.youtube.com/watch?v=hPlxZSHD5JY | | |
− | = | + | audioUrl=<soundcloud url="https://soundcloud.com/nithyananda-radio/2017-01jan-05_superpowers-of-breadth-dimension-nithyananda-disciples-download-gps-maps-art"/> |
− | + | }} | |
− | + | ==Transcript== | |
− | + | (00:23) | |
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− | ==Transcript | ||
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− | 00:23 | ||
nithyānandeśvara samārambhām | nithyānandeśvara samārambhām | ||
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nithyānandeśvari madhyamām | | nithyānandeśvari madhyamām | | ||
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asmat āchārya paryantām | asmat āchārya paryantām | ||
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vande guru paramparām || | vande guru paramparām || | ||
I welcome all of you with my love and respects. | I welcome all of you with my love and respects. | ||
− | So, here we are again, to demonstrate in front of you the powers of breadth. Today early morning, actually, yesterday whole night my body was in such high zone, high frequency | + | So, here we are again, to demonstrate in front of you the powers of breadth. Today early morning, actually, yesterday whole night my body was in such high zone, high frequency. Usually itself I don’t have sleep; yesterday even that few hours of Samadhi was not there. I was continuously waiting ‘when everyone will wake up’. Morning 5 o’clock itself we had a session. From 5 o’clock till 8 we were manifesting the breadth dimension powers. If I have to put it in nutshell, breadth dimension is breathtaking. So, I’ll invite few of the Nithyananda Yogam participants to come and share. Once they share with their Balsants then I’ll explain more and more about this breadth dimension. All the art, dance, music, poetry, archery, everything, 64 arts, temple arts, sculpting, everything belongs to breadth dimension. All the emotion, heart and art related things, everything is, everything belongs to breadth dimension. So, let’s hear from NithyanandaYogam participants and Balasants. |
Alisha with balasant who’s only been in the Gurukul for 3 days Ma Kavipriya. | Alisha with balasant who’s only been in the Gurukul for 3 days Ma Kavipriya. | ||
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Ma Kavipriya: No, Ma. | Ma Kavipriya: No, Ma. | ||
− | + | Alisha: Ok, ok. So, so she drew the face of the girl with the scarf on the head. Actually, she said she is facing this way and looking this way, which is exactly the way she is looking and she said the scarf on her head is blue, which is exactly right. | |
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And then, ‘The persistence of Memory’, so actually most of you probably know these paintings so, when I’m describing it you know exactly what I’m describing, so you know that its right. ‘The Persistence of Memory’ by Salvador Dali. She drew the tree with the branch sticking out on the left with the clock hanging out of it, as well as the ledge with the clock hanging out and the other pink object with the dots on it, which is I’m not sure what it is, but she drew that and she drew the mountain range on the right hand side and she said that, that, was a yellow mountain range and which is all correct. | And then, ‘The persistence of Memory’, so actually most of you probably know these paintings so, when I’m describing it you know exactly what I’m describing, so you know that its right. ‘The Persistence of Memory’ by Salvador Dali. She drew the tree with the branch sticking out on the left with the clock hanging out of it, as well as the ledge with the clock hanging out and the other pink object with the dots on it, which is I’m not sure what it is, but she drew that and she drew the mountain range on the right hand side and she said that, that, was a yellow mountain range and which is all correct. | ||
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And then I asked her have you ever gone to the Batu caves in Malaysia, and she said, ‘No’. So I said, ok can you draw what it looks like. So she drew the whole scene. She drew Subrahmanya with a vel and she drew the temple exactly the way it is and she said there is a lot of greenery there and its exactly the way it is in the picture in Google. | And then I asked her have you ever gone to the Batu caves in Malaysia, and she said, ‘No’. So I said, ok can you draw what it looks like. So she drew the whole scene. She drew Subrahmanya with a vel and she drew the temple exactly the way it is and she said there is a lot of greenery there and its exactly the way it is in the picture in Google. | ||
− | And lastly, Raja Rajeshwari, the temple near Bidadi here, I asked her can you draw this deity and so she drew. She started drawing the deity itself with this pointed crown on her head, with the Prabhavali around it and she named the colour. The picture I was looking at, she named the colours of the flowers in that picture and then the golden colour of the body which was in that picture and as well as, I think that was for that one. She drew it exactly the way I had it in the picture that I found and she’s never been to that temple either. So, I think it’s a very exciting day for Kavipriya and the whole | + | And lastly, Raja Rajeshwari, the temple near Bidadi here, I asked her can you draw this deity and so she drew. She started drawing the deity itself with this pointed crown on her head, with the Prabhavali around it and she named the colour. The picture I was looking at, she named the colours of the flowers in that picture and then the golden colour of the body which was in that picture and as well as, I think that was for that one. She drew it exactly the way I had it in the picture that I found and she’s never been to that temple either. So, I think it’s a very exciting day for Kavipriya and the whole Sangha and the whole world. It is very historic and really happy to be part of it. Thank you, Swamiji. |
− | (7:31) | + | (7:31) |
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− | + | HDH: What a way to start the day! Even I was jealous of them. Early morning 5 o’clock itself you gather and sit at the feet of the Guru and He comes and lies down in His silver swing with a mild background Thevaram and Thiruvasagam. You just sit around him and manifest powers. Come on! I don’t know in which bargain in which business this is right. Only in Sadashiva’s business it happens. | |
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+ | Ma Balananda: So, here we go with the breadth dimension. I went to yoga this morning and I was sitting on my yoga mat and suddenly Jnanatma came out and said everybody get up and go to the courtyard. And I am like Oh, gosh! I just woke up and my hair is all messy. We run to the courtyard and Swamiji initiates the Balasants, as well as the Yogam participants into breadth. Then we started to go on a real adventure and because breadth is visualisation and its art work, culture, drama; it’s a completely different dimension from the length. | ||
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So, Deepa is my Balasant and I started to ask her to draw pictures of different things, so I want to show you what she drew. The first thing that we ask her to draw was the most famous painting in the world, which is Van Gogh’s ‘Sunflowers’ of course we didn’t mention the name Van Gogh and we didn’t mention ‘Sunflowers’ and she immediately started to draw and I am going to show, if you can zoom in on this picture. She started to draw the vase. The vase is very distinctive as you can see it’s on a table and the sunflowers she said were yellow with big dark coloured centres. So you can see that it is in fact the flowers are yellow with dark coloured centres, and she said they are much bigger than this. She had already started drawing the smaller flowers but she said they were much bigger than this. So, she really got that dimension, she really got hold of it. And if you want to see something better than that, wait till you see this. | So, Deepa is my Balasant and I started to ask her to draw pictures of different things, so I want to show you what she drew. The first thing that we ask her to draw was the most famous painting in the world, which is Van Gogh’s ‘Sunflowers’ of course we didn’t mention the name Van Gogh and we didn’t mention ‘Sunflowers’ and she immediately started to draw and I am going to show, if you can zoom in on this picture. She started to draw the vase. The vase is very distinctive as you can see it’s on a table and the sunflowers she said were yellow with big dark coloured centres. So you can see that it is in fact the flowers are yellow with dark coloured centres, and she said they are much bigger than this. She had already started drawing the smaller flowers but she said they were much bigger than this. So, she really got that dimension, she really got hold of it. And if you want to see something better than that, wait till you see this. | ||
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Ma Deepa: Yes, but I didn’t know about her at all. | Ma Deepa: Yes, but I didn’t know about her at all. | ||
− | Ma Balananda: Ok. So she didn’t know anything about her. And, I was visualising this big, tall crown and she had on a small crown. So we thought ehh she missed this one. Then we, she googled the picture after we went on to another image and she found the exact image; she googled it and she found a tiara. Queen Nefertiti with a tiara. So I think Jnanatma, is looking for that right now. When she’s looking for that, let me talk to you about the third image. | + | Ma Balananda: Ok. So she didn’t know anything about her. And, I was visualising this big, tall crown and she had on a small crown. So we thought ehh she missed this one. Then we, she googled the picture after we went on to another image and she found the exact image; she googled it and she found a tiara. Queen Nefertiti with a tiara. So I think Jnanatma, is looking for that right now. When she’s looking for that, let me talk to you about the third image. |
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I got up to go get tea because it was so early in the morning I wanted to wake up a little bit and when I came back I looked down at the paper and here was Kedarnath temple. And I thought ‘wow she’s drawn the Kedarnath temple, that’s amazing.’ So I sat down and sure enough that’s what they had asked her to draw. And she did a little detail over on the side. If you zoom in you’ll see that the flag it exactly the right shape and the right pinnacle on the top of the temple and you can see the mountains in the background and then she said there are big steps, big, huge big granite steps that are leading up to the temple. And that’s exactly what it looks like. So she got that one exactly right as well. | I got up to go get tea because it was so early in the morning I wanted to wake up a little bit and when I came back I looked down at the paper and here was Kedarnath temple. And I thought ‘wow she’s drawn the Kedarnath temple, that’s amazing.’ So I sat down and sure enough that’s what they had asked her to draw. And she did a little detail over on the side. If you zoom in you’ll see that the flag it exactly the right shape and the right pinnacle on the top of the temple and you can see the mountains in the background and then she said there are big steps, big, huge big granite steps that are leading up to the temple. And that’s exactly what it looks like. So she got that one exactly right as well. | ||
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Ma Balananda: So she got that exactly right as well. | Ma Balananda: So she got that exactly right as well. | ||
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+ | HDH: Balasants are giving a precise highway numbers, highway names, directions. You’re going to hear all that next. Literally GPS, Google, Google map and what not. | ||
Ma Balananda: Thank you. | Ma Balananda: Thank you. | ||
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Ma Swarupapriya: Next we have Sunanda with Atmamaya. As Swamiji said the baasants were getting not only like GPS coordinates, they were also telling the latitude and longitude of places, drawing maps to countries they have never previously visited or even looked at maps for. It was really remarkable. And also I want to say one thing for western viewers. To us these kinds of paintings might be too common because it is part of our regular learning process. But for these balasants they haven’t seen these kinds of art because in the culture of Sanatana Hindu Dharma usually things are drawn more precisely more beautifully. So when images were coming out blurry I heard them asking why is it all smeared why does it look a little bit sloppy. For the westerners this might be the most famous painting but for them it is something brand new. So really its remarkable what Ma Balananda was just sharing. | Ma Swarupapriya: Next we have Sunanda with Atmamaya. As Swamiji said the baasants were getting not only like GPS coordinates, they were also telling the latitude and longitude of places, drawing maps to countries they have never previously visited or even looked at maps for. It was really remarkable. And also I want to say one thing for western viewers. To us these kinds of paintings might be too common because it is part of our regular learning process. But for these balasants they haven’t seen these kinds of art because in the culture of Sanatana Hindu Dharma usually things are drawn more precisely more beautifully. So when images were coming out blurry I heard them asking why is it all smeared why does it look a little bit sloppy. For the westerners this might be the most famous painting but for them it is something brand new. So really its remarkable what Ma Balananda was just sharing. | ||
+ | Sunanda: My name is Sunanda Pangarkar. I worked in United States for 20 years as an owner and administrator of a huge child care centre, in Illinois which is closer to Chicago. This morning when Swamiji was explaining us of this morning’s initiation, he said now, to these Balasants you show them any medicines or any tablet and they will be able to give you exact ingredients in that medicine. And we were excited, so we found some tablets and Atmamaya is our Balasant so we showed her the tablet. We did not open the tablet but without seeing how the tablet, these are those tablets. We just showed her, she did not read any ingredients and since it was her first question, she was the first one, she took only 30 seconds and started to write. She did write sodium is one of the component with that combination of chemicals in that tablet including the colour of the tablet. She said the colour of the tablet is pink. And she took a paper and pencil and started to write all the ingredients in detail. We could not confirm all of those because we are not pharmacist. So we took her word but we did confirm the sodium which is one of the components with all those chemicals. And we were very happy when we… | ||
− | + | (18:10) | |
− | + | HDH: You should Google; if you Google you’ll confirm. That’s all. Just Google and get it; that’s all. | |
− | Sunanda: Yes. The colour is pink and whatever component we confirmed with | + | Sunanda: Yes. The colour is pink and whatever component we confirmed with Google they all are exactly like she explained or wrote on the paper. |
18:35 | 18:35 | ||
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Ma Bodhana: Nithyanandam! We gave her another GPS question. The direction to my house which is also very close to the Ohio temple. And for that she drew it out, she drew the picture, name of my house, the temple, the direct road between the river behind the temple as well as the spur road that goes off. So, this was about her third question that she been asked. | Ma Bodhana: Nithyanandam! We gave her another GPS question. The direction to my house which is also very close to the Ohio temple. And for that she drew it out, she drew the picture, name of my house, the temple, the direct road between the river behind the temple as well as the spur road that goes off. So, this was about her third question that she been asked. | ||
+ | Now, if Jnanatma is ready to project the pictures, the next one was much more detailed. I asked Ma Atmamaya to tell the name and draw the church that I had gone to for many, many years as a child. So, she immediately started drawing, if you can do a close up here. She drew a picture of a building. Then what she said was there is a windmill next to the church. I said, ‘I don’t think so’. Then one of us I think it was Vedanta herself said, describe the windmill, what’s on it. So if you can see there’s a Cross here. So, there was a Cross and she called it a windmill and later she kept describing it as the plus sign next to the church. So, this is what she saw. Now see the name and you can see on the paper that she wrote two names for the church, either Jasmine or Rose. The correct name of the church is Saint Rose Catholic Church. And to compare the drawing with the picture of the church she wrote. And there it is. And so we are so excited and happy to be entangling and part of this process. Thank you so much Swamiji, Atmamaya and our sangha. Nithyanandam! | ||
− | + | (21:37) | |
Ma Swarupapritya: Next we have Shaktibama, Dr.Saraswati and Jena with a beautiful Balasant Ma Lopamudra. | Ma Swarupapritya: Next we have Shaktibama, Dr.Saraswati and Jena with a beautiful Balasant Ma Lopamudra. | ||
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Dr.Saraswati: Nithyanandam! As Swamiji mentioned we were working with Balasants this morning. Actually as soon as they were initiated, right after initiation He told you can give them some tablets and they can tell even the composition. Its right after, and I probably took 5 minutes to get there, to go and get the tablets and I gave the tablets to Lopamudra and one other tablet to her sister also, who was initially working with me, so I gave it to Kalpalata also another one. And Lopamudra started writing the composition of the tablet right away, not in an order but all the letters she got it, she – I gave the tablet Fluconozol and she wrote all the letters in that and then she start to arrange, she actually wrote Flu and after that she did random order, but she got it, right after initiation this one. So, it was pretty amazing. And also her sister also at the same time, I gave her Diclofenac Sodium and these tablets actually I opened it and gave it. I didn’t give the strips, I opened it; they don’t know what it is. They just know the colour. So Kalpalata, she immediately said, ‘Ma this has iron, iron’. I said no this doesn’t have iron. I myself was thinking is there some trace of iron in it because she was so confident. But after that she wrote sodium, one component of it, she was able to do that. And that was really good. And Lopamudra, GPS also. Swamiji said, ask the directions and they will be able to give. So, she was able to give – I asked her from Atlanta airport to my home. Can you give the directions? Immediately first thing she said is, it looks like India, it doesn’t look like a foreign country. I don’t know why she felt that. And then she said there are a lot of lights now, is it night Ma there? Actually, it was nine thirty pm there, so she is actually there seeing everything. She saying I’m seeing from the top and I’m seeing the road there are tall buildings next to the road, I’m seeing its dark on the road. And she was able to describe the highway, because it goes through the down town of Atlanta. Tall buildings on the side she said which is exactly right and then when it takes the exit, she says its dark in that area and it was lot of vegetation. It is right. And then when we actually go towards the road, the last road to my house she said it again lighted and there are shops in that area. She was able to describe. | Dr.Saraswati: Nithyanandam! As Swamiji mentioned we were working with Balasants this morning. Actually as soon as they were initiated, right after initiation He told you can give them some tablets and they can tell even the composition. Its right after, and I probably took 5 minutes to get there, to go and get the tablets and I gave the tablets to Lopamudra and one other tablet to her sister also, who was initially working with me, so I gave it to Kalpalata also another one. And Lopamudra started writing the composition of the tablet right away, not in an order but all the letters she got it, she – I gave the tablet Fluconozol and she wrote all the letters in that and then she start to arrange, she actually wrote Flu and after that she did random order, but she got it, right after initiation this one. So, it was pretty amazing. And also her sister also at the same time, I gave her Diclofenac Sodium and these tablets actually I opened it and gave it. I didn’t give the strips, I opened it; they don’t know what it is. They just know the colour. So Kalpalata, she immediately said, ‘Ma this has iron, iron’. I said no this doesn’t have iron. I myself was thinking is there some trace of iron in it because she was so confident. But after that she wrote sodium, one component of it, she was able to do that. And that was really good. And Lopamudra, GPS also. Swamiji said, ask the directions and they will be able to give. So, she was able to give – I asked her from Atlanta airport to my home. Can you give the directions? Immediately first thing she said is, it looks like India, it doesn’t look like a foreign country. I don’t know why she felt that. And then she said there are a lot of lights now, is it night Ma there? Actually, it was nine thirty pm there, so she is actually there seeing everything. She saying I’m seeing from the top and I’m seeing the road there are tall buildings next to the road, I’m seeing its dark on the road. And she was able to describe the highway, because it goes through the down town of Atlanta. Tall buildings on the side she said which is exactly right and then when it takes the exit, she says its dark in that area and it was lot of vegetation. It is right. And then when we actually go towards the road, the last road to my house she said it again lighted and there are shops in that area. She was able to describe. | ||
− | 27:52 | + | (27:52) |
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+ | HDH: Actually they can even give the number and name of the road and all that. You guys should ask them to give a detailed, like a GPS direction. They can see in the Krishtashila and write, take seventh exit, like this they can give a clear idea. | ||
+ | Dr.Saraswati: She was able to do all the exits, description, everything very perfectly actually. So thank you so much Swamiji. | ||
− | + | (28:19) | |
− | Shaktibama: My question to Ma Lopamudra was to describe the view that I get from my house. So she started saying you live in an apartment, you live in a high place. I said yes. She said third floor, I said yes. Then she described it is a creamy building. Yes it is a creamy building. She described the balustrade. And then she said I can see a water feature. And actually she could see greenery and actually it is very green, and she could see a water feature she said. I said yes, there is a river. She described the colour of the water which is green. So, she got everything perfectly right. | + | Shaktibama: My question to Ma Lopamudra was to describe the view that I get from my house. So she started saying you live in an apartment, you live in a high place. I said yes. She said third floor, I said yes. Then she described it is a creamy building. Yes it is a creamy building. She described the balustrade. And then she said I can see a water feature. And actually she could see greenery and actually it is very green, and she could see a water feature she said. I said yes, there is a river. She described the colour of the water which is green. So, she got everything perfectly right. |
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+ | I have one more sharing with your permission Swamiji, because yesterday we did length dimension and at one time Swamiji said, now you participants you start manifesting and we switched the role. Now I want to share because I am one of the very, very hard nuts and hard core SD, HD. I am not proud to say it but I have to say it. So, the moment we switched the role, I had a group of three Ma Vairagyamayananda, she is somewhere around here. She started with me and she said I am projecting something on your Krishta Shila, which is the granite slab. Then she moved on to somebody else and she gave the temperature of Chennai. So I looked at my granite slab and I tried to entangle, think of Swamiji to show me because I am very, very sceptical, am I going to see something or not. I then wrote a number, because I saw a number, I saw many numbers but something flashed and I wrote and I showed it to her. It was 8337. She said correct but there is one missing. I couldn’t believe it, I couldn’t believe it. Did I hear right? Did you say correct and she said yes. I looked again and I saw zero so I added a zero and at the same time I saw a number, because she was asking my partner, the temperature in Chennai at that time. I saw 29 so I wrote 29 degrees Chennai temperature and I showed her the paper and she said ‘Yes, 83370 is the correct number and the temperature in Chennai is 29.’ That was for me a real, real breakthrough, because my partner is a trinetra tilak and she did not find yet the temperature, she was asked and I found it and I got it. So, for me it was like my God. Thank you so much Swamiji, its happening to me now too. Thank you. | ||
− | + | (31:39) | |
− | + | HDH: Wonderful, actually the entanglement is a process where, it’s not that you are only sitting there as a questioner. So much happens inside you, you start answering. It is like complete entanglement of the whole courtyard. Even the sparrows, parrots they were all getting entangled and getting initiated. They are all getting these powers. | |
− | + | Ma Swroopapriya: Next we have Chico with Shivatma Maharaj. | |
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− | Ma Swroopapriya: Next we have | ||
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+ | Chico: Hello my name is Chico Pfeifer . What I wanted to share before I start is that sometimes people asking me like, how are you today. And sometimes I still have to think, I am so speechless because I see so many things happening in front of me, back of me and I think wow, I don’t know; you don’t have words for it. Anyway, this morning when we woke up and wanted to go to the yoga, we were supposed to go to the courtyard, where we did this process. And I was still a little bit tired. I was a little bit like a tired. But the moment I connected with the Gurukuls, I was so fresh and got so much of energy. And also I have to say, sometimes with little children or something, I have sometime not so deep connection. But today I do not know what happened, there was this total connection with them and I saw all this beauty, because I had four of these children next to me and I really felt like, again no words like a grandfather, with all these little grandchildren. I saw them and I loved them all I think and I do not know this feeling. Because with children I sometimes have this feeling. | ||
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Anyway, I asked him the question, first of all, do you know where I live? And he started writing down in a few seconds MAR and he says Madabela though it is Madabaya because its different Spanish pronunciation and I say wow. That was the first thing and I was getting so excited, and I said oh my God it is really happening in front of me. So you get this happy feeling. | Anyway, I asked him the question, first of all, do you know where I live? And he started writing down in a few seconds MAR and he says Madabela though it is Madabaya because its different Spanish pronunciation and I say wow. That was the first thing and I was getting so excited, and I said oh my God it is really happening in front of me. So you get this happy feeling. | ||
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And then I ask him, for me it was a difficult question. I asked him, there is a very famous painting from Vincent Van Gogh. He is a very famous Dutch painter. I said what is on the painting there are some flowers on it. In less than a second he says, sunflowers. And I think, oh my God, yes, yes, yes, yes. | And then I ask him, for me it was a difficult question. I asked him, there is a very famous painting from Vincent Van Gogh. He is a very famous Dutch painter. I said what is on the painting there are some flowers on it. In less than a second he says, sunflowers. And I think, oh my God, yes, yes, yes, yes. | ||
And then the other question was also I ask him, there is a symbol in Amsterdam, and all over the streets you can see them on little pillars and there are three crosses on it. And he’s just drawn it in a few seconds he made a symbol like this and he put the crosses on it, and he says there are three crosses on it. [picture is projected]. Then I was like I love them forever. This beautiful process, you see them happening in front of your eyes and you realise, it is really magic it is really divine. And these are really little gods and goddesses. And I have to say now, yes I love them. Thank you. And thank you Swamiji for doing all this magic. Thank you. | And then the other question was also I ask him, there is a symbol in Amsterdam, and all over the streets you can see them on little pillars and there are three crosses on it. And he’s just drawn it in a few seconds he made a symbol like this and he put the crosses on it, and he says there are three crosses on it. [picture is projected]. Then I was like I love them forever. This beautiful process, you see them happening in front of your eyes and you realise, it is really magic it is really divine. And these are really little gods and goddesses. And I have to say now, yes I love them. Thank you. And thank you Swamiji for doing all this magic. Thank you. | ||
− | + | HDH: Blessings! | |
− | + | ||
(35:18) | (35:18) | ||
− | Ma Darmadarananda: Nithyanandam! my name is Ma Dharmadarananda, Swamiji thank you very much for my spiritual name. I love it. This morning I have the opportunity to entangle with Maha Gita Maharaj and it was amazing. I asked him a question to give direction from my work to my home. He actually drew the highway and the streets, and going to my home when you get off the road there are so many small streets you have to go | + | Ma Darmadarananda: Nithyanandam! my name is Ma Dharmadarananda, Swamiji thank you very much for my spiritual name. I love it. This morning I have the opportunity to entangle with Maha Gita Maharaj and it was amazing. I asked him a question to give direction from my work to my home. He actually drew the highway and the streets, and going to my home when you get off the road there are so many small streets you have to go through…... He even draw, my house is in the middle of the street. He got that so correct even drew the trees on the way to my home. I alo have the opportunity to ask him where in my house, I have Swamijis Atma murthi. He described, from the time you enter in the door, what he saw was on my right side. He explained this light coloured stairs going upstairs, then he proceeds there is a large room, you have to pass a white table. He also says the floor is light colour which is parquet. He said past the white table, you have Swamijis Atma murthy and you also have your puja kit. He described the way my puja kit was set up. That there is a brown mat. And he also said that I have a stool that I sit on to do my puja on the table which was absolutely correct. He goes on and says you have two Swamiji Atma murthy. That’s my son and my Atma murthy are together. That’s awesome and he smiles just like Swamiji when he speaks. Thank you. |
− | David | + | David Masterton: My name is David Masterton from South Africa, I am a town planner and environmental researcher. We decided to give Maha Gita something fun to do. So we googled a whole bunch of Snoopy pictures. There were about 20 pictures of Snoopy that came up and we chose one of them. I don’t know if you can project that picture for us, if you got them Jnanatma. So what he did was, immediately he formed his hand in the shape of a heart and he said, there is a heart and it is pinkish reddish colour it’s got an art line and it’s on the top corner. And then the picture is white, there is some blue in the background. And then he also said down at the bottom there is some sharp stuff, it looks like grass, yes it’s grass. Then he said there was a yellow bird, what he was doing was picking up an image from another picture, that was from the original 20 pictures of Snoopy. And we said yes, OK, then there is that in other pictures. He also picked up a brilliant golden sunset and he said they are sitting on the roof. There was another picture of Charlie Brown and Snoopy sitting on a roof looking at the sunset. So we said to him so what is the main image in the picture we are looking at and he said it has a white outline I think it’s an animal and of course because he is a 9-year-old kid from India, he doesn’t know the familiarity of Snoopy, and which is very Western. And Snoopy is drawn in a particular kind of way if you know Snoopy. But he said it’s a little brown bear, or some little animal and we said yeh that’s correct, its lovely. He really did very well on identifying the images from that. But the nicest thing about him was sitting there entangling with him is the most loveable, calm, collected kid; completely uncomplicated, completely, completely uncomplicated. Just so giving and eager to just share and get involved with a group of like six adults is quite amazing. Seven adults. |
(39:36). | (39:36). | ||
− | Participant: As you can see Mahagita was doing so well, literally we were in the back just fighting over him like ‘Maha Gita come with us, come with us, share what you did with me.’ I was the first one he expressed the power for and initially I was like, describe my house, draw my house and instantly like he just blinked and he started to describing the first floor of my house perfectly. And then he just drew this entire floor plan which was pretty much almost correct, the entire floor plan of the first floor, and this is like 6 am in the morning, and Maha Gita is 9 years old, and he is expressing from the first, from the first, from the get go. Yeah, and there are these young adults in the west struggling to get to uni on time with like 10 coffees and I was sitting there with two coffees drinking like, oh yeah. Oh! Wow, Wow! And so I mean really what’s happening is Swamiji is just making this entire logic irrelevant. He is making the western | + | Participant: As you can see Mahagita was doing so well, literally we were in the back just fighting over him like ‘Maha Gita come with us, come with us, share what you did with me.’ I was the first one he expressed the power for and initially I was like, describe my house, draw my house and instantly like he just blinked and he started to describing the first floor of my house perfectly. And then he just drew this entire floor plan which was pretty much almost correct, the entire floor plan of the first floor, and this is like 6 am in the morning, and Maha Gita is 9 years old, and he is expressing from the first, from the first, from the get go. Yeah, and there are these young adults in the west struggling to get to uni on time with like 10 coffees and I was sitting there with two coffees drinking like, oh yeah. Oh! Wow, Wow! And so I mean really what’s happening is Swamiji is just making this entire logic irrelevant. He is making the western education system irrelevant. He is making Einstein irrelevant he is making the western lifestyle irrelevant. So, if you are watching this and you are hearing this, then come here, do yourself a favour and let Swamiji make you irrelevant to you. |
(41:12) | (41:12) | ||
− | + | Participant: This is like being in Kailasa only place to be, get up here quick. After coming to Shree Paramahamsa Nithyananda Swamiji, these two eyes are completely irrelevant. Here I was entangling with Maha Gita and just thinking to myself, you know what we need to get a pair of glasses and instead of having lenses have a Krishta Shila covered with jnananjana. From one of them I can see what’s in front of me in high definition what is actually there and with the other I could see what exactly on Mars. With Maha Gita I pull out my phone this second, can you tell me what picture I am looking at. In high definition, high detail he explained everything exactly the way it was, to the point where I had to expand it on my phone, look in, squint a little bit, take like 5 seconds to really confirm what he said, Oh! That was it. With my two eyes I couldn’t see, what he did not even look at, he saw everything crystal clear in high definition; it’s amazing. Only Shree Paramahamsa Nithyananda Swamiji could do that for you. Get over here quick. Literally whatever you are doing there is not worth not being over here; completely irrelevant. And mind you he is only 9 years old and these powers he has been entangled only for the past three hours and that happened in the first one hour... literally in one hour. Why wait, just book your flight today and come on over here. These are the powers you should not miss out on. I don’ even feel the need to use these two eyes anymore, literally. | |
42:48 | 42:48 | ||
Ma Shaktirupa: Nithyanandam! This is Ma Shaktirupa and with me there is Ma Lokapriya and today it was just amazing how, just we started manifesting the breadth and it manifested, just like that. Just a very amazing thing, just today, Shaktirupa was running to yoga and Shaktirupa was just feeling, you know, what if today is Swamiji’s session and just when we came to yoga. Oh it is Swamiji’s session and we rushed to the courtyard. So it was cool how it just, the thought just happened. So, today with Lokapriya, Shaktirupa was asking, the former British queen, Queen Victoria, can you draw her. And she was just drawing and drawing and drawing. She drew it so precisely, the necklace she had, the staff she was holding and the crown, like exactly the picture, in such a beautiful way. And how accurately she was drawing was just mind blowing. | Ma Shaktirupa: Nithyanandam! This is Ma Shaktirupa and with me there is Ma Lokapriya and today it was just amazing how, just we started manifesting the breadth and it manifested, just like that. Just a very amazing thing, just today, Shaktirupa was running to yoga and Shaktirupa was just feeling, you know, what if today is Swamiji’s session and just when we came to yoga. Oh it is Swamiji’s session and we rushed to the courtyard. So it was cool how it just, the thought just happened. So, today with Lokapriya, Shaktirupa was asking, the former British queen, Queen Victoria, can you draw her. And she was just drawing and drawing and drawing. She drew it so precisely, the necklace she had, the staff she was holding and the crown, like exactly the picture, in such a beautiful way. And how accurately she was drawing was just mind blowing. | ||
− | + | And right after that the next question was draw the map from Delhi to Varanasi, and she drew the India map, and she put Varanasi and then she put Delhi and Varanasi exactly, Shaktirupa was searching on the maps and just like that it was so precise the angle, everything; from this and the way she drew the line. | |
− | And right after that the next question was draw the map from Delhi to | ||
− | |||
And the next question was Madagascar, draw the island, the shape of the island and exactly she was drawing the line with even the indent or the tip, so precisely. It was so cool, how Swamiji is initiating and just like that every day one more power is manifesting. So, I feel so blessed to be a part of it, and just watch the whole happening. Thank you. | And the next question was Madagascar, draw the island, the shape of the island and exactly she was drawing the line with even the indent or the tip, so precisely. It was so cool, how Swamiji is initiating and just like that every day one more power is manifesting. So, I feel so blessed to be a part of it, and just watch the whole happening. Thank you. | ||
− | |||
Swamiji: I heard some kids were even giving the road directions like a highway number, all that. Come on. Come and share. | Swamiji: I heard some kids were even giving the road directions like a highway number, all that. Come on. Come and share. | ||
− | Valentine: Nithyanandam! Nithyanandam Swamiji. I am Valentine, I am coming from Italy. So this morning we had this very exciting hours, starting hours in the courtyard. So, we are very exciting to introduce our Balasanth Ma Vairagyamaya. Sorry. Well actually, we started with first question. My first question was about Leonardo Da Vinci, of course she did not know Leonardo Da Vinci. She could not even realise the language in which is Leonardo Da Vinci. And I asked her to draw one of the most famous painting that is in Paris in the Louvre Museum, belongs him. So, immediately with a pencil she was starting to draw a long face actually, but the shape was looking like a female shape, then the nose and the eyes, without the eyebrows actually. So I been look at there and it was like Oh! Oh! And then she is going on, she was going on then and she start cancel and playing with the image. So I ask ‘what are you seeing on the | + | Valentine: Nithyanandam! Nithyanandam Swamiji. I am Valentine, I am coming from Italy. So this morning we had this very exciting hours, starting hours in the courtyard. So, we are very exciting to introduce our Balasanth Ma Vairagyamaya. Sorry. Well actually, we started with first question. My first question was about Leonardo Da Vinci, of course she did not know Leonardo Da Vinci. She could not even realise the language in which is Leonardo Da Vinci. And I asked her to draw one of the most famous painting that is in Paris in the Louvre Museum, belongs him. So, immediately with a pencil she was starting to draw a long face actually, but the shape was looking like a female shape, then the nose and the eyes, without the eyebrows actually. So I been look at there and it was like Oh! Oh! And then she is going on, she was going on then and she start cancel and playing with the image. So I ask ‘what are you seeing on the Krishta Shila?’ And she said it’s a female. And the shape of the hair, she started drawing the hair so, everything was perfect. It was Mona Lisa. Very in the less than 5 seconds, she start immediately. |
− | |||
After that many questions because our group was belongs five people. So one of my other question was the Route 66 in the USA. As soon as I said the Route 66, the pencil started to drawing on our paper exactly the route, the street going starting from one point and then on going up and one more and more. [the route was indicated on the map starting from the West Coast travelling Eastwards and up] So, then she told me, I see many points on the map. Yes, it was perfect. I said can you tell me from which one is the starting and the end one. She started saying L-O-S Los Angeles and after she say C-H-I Chicago. Beautiful, beautiful, yeah. | After that many questions because our group was belongs five people. So one of my other question was the Route 66 in the USA. As soon as I said the Route 66, the pencil started to drawing on our paper exactly the route, the street going starting from one point and then on going up and one more and more. [the route was indicated on the map starting from the West Coast travelling Eastwards and up] So, then she told me, I see many points on the map. Yes, it was perfect. I said can you tell me from which one is the starting and the end one. She started saying L-O-S Los Angeles and after she say C-H-I Chicago. Beautiful, beautiful, yeah. | ||
48:00 | 48:00 | ||
− | Manishika Khetoo: Nithyanandam! I am Manishika Khetoo. So, I told her to draw, a drawing from a famous artist Vincent Von Gogh, Starry Night, and then she started immediately, started like doing round like a storm and like a tree, she didn’t know what was it. Then she asked me what is it, she wasn’t sure if it was correct and I said go on its right. Then she started drawing a moon it was a perfect image of drawing of the art work.(The picture of the painting is shown , the drawing by Ma | + | Manishika Khetoo: Nithyanandam! I am Manishika Khetoo. So, I told her to draw, a drawing from a famous artist Vincent Von Gogh, Starry Night, and then she started immediately, started like doing round like a storm and like a tree, she didn’t know what was it. Then she asked me what is it, she wasn’t sure if it was correct and I said go on its right. Then she started drawing a moon it was a perfect image of drawing of the art work.(The picture of the painting is shown , the drawing by Ma Vairagya was held alongside to compare) So, this is the ‘Starry Night’. And then I told her to draw the Sagrada Familia in Barcelona which was designed by a famous architect Gaudi. And she started with the tower and she asked me if it contained more than one tower, if it had two towers and if they were connected, I said yes (The picture of the monument is shown) I said it was two towers connected but there were more than two towers. And then she started drawing, the main entrance. There are three facades of this church and she started drawing the exact, the exact façade, the main entrance (The sketch drawn my Ma Vairagya is held up to compare with the picture). With the four towers and then going down. And then here how it’s going. So, that is amazing, because I know the Sagrada Familia, but I wouldn’t be able to draw it by myself. I would have looked constantly on the drawing and then draw it. But she drew it with all the holes in the tower. |
− | |||
And then my sister Ma Shivani asked her the direction GPS route to her residence in Winnipeg. And she gave the answer - first go straight, after two to three metres, have a turn left after one km you have to turn right, then you have to go straight after 5 km. Then in the turning it is in the left side, keep going straight. So that was perfect. Actually on the Google it was written 64m instead of 2 – 3m but Google was wrong because it is actually three metres. And she told 2 – 3 metres. So, then she was also told to draw the Subramanyam Yantra for worshipping. Then she started drawing exactly how Swamiji was drawing on YouTube. So we put the YouTube and she started at the exact point, and then she drew the Yantra (the drawing is held up to compare alongside Swamijis drawing of the Yantra). That was so amazing, thank you Swamiji. | And then my sister Ma Shivani asked her the direction GPS route to her residence in Winnipeg. And she gave the answer - first go straight, after two to three metres, have a turn left after one km you have to turn right, then you have to go straight after 5 km. Then in the turning it is in the left side, keep going straight. So that was perfect. Actually on the Google it was written 64m instead of 2 – 3m but Google was wrong because it is actually three metres. And she told 2 – 3 metres. So, then she was also told to draw the Subramanyam Yantra for worshipping. Then she started drawing exactly how Swamiji was drawing on YouTube. So we put the YouTube and she started at the exact point, and then she drew the Yantra (the drawing is held up to compare alongside Swamijis drawing of the Yantra). That was so amazing, thank you Swamiji. | ||
− | + | HDH: Next! | |
− | |||
− | |||
− | + | (51:32) | |
− | She looked at her | + | Sona Kamath: Nithyanandam! My name is Sona Kamath and today we entangled with Ma Shivayoga. And what was interesting was minutes after we were entangling I was looking at the Krishta Shila and I could see a very famous land mark, from where I am from. So I asked her, I said the city that I live in, which she does not know, has a very famous land mark. Can you describe it to me or draw it. And she said what is a landmark. So I said well. She said is it a building? I said no it’s not really a statue, it is a structure. So, then she started to draw a curved shape, and she looked up at me and I said yes. Now mind you for the last several days we’d given them very complicated maths that even engineers have difficulty solving. We have given them all kinds of distances that NASA has had to go to extremes to document and so it was as simple as a curved structure. I am from St Louis Missouri and the gateway to the west, The Arch is one of the most famous landmarks in St Louis. She drew it out and I said ok, now take me home from here, to my home. |
+ | She looked at her Krishta Shila and she wrote out the number 6. I said yes, you are right, and then she stopped, there is a roundabout, there is a round way around this structure. I said yes, you have to get out of that area first, you have to go around. Then she said there is a 3, and I said no, 6 is correct but I do not know about the 3. She said no Ma there are three roads, for your road you have to stay to the right. And I said I have to think about which highways and how. And she is right if I stay to right the highway I need to go to my home, starts with a 6. I said alright now tell me the second number after the 6. She was looking and having a hard time, and I said I see it but it is upside down from where you are sitting. She looked at it and said it is a 4. I said yes this highway is 64. Now tell me what direction highway 64 goes into my house. And right away she said it is West Ma, with such confidence. I said OK, now tell me what street you’re going to take to get to my home from this highway. And right away she said it’s another 6 and a 7 and you are going to make a left turn. And she got me to my home from a landmark she doesn’t even know, a city that she doesn’t know and she got me home properly. | ||
Ma Swaroopapriya: What Ma Shivayoga was sharing today was so amazing because the kinds of questions we gave her were each completely different. So from enlightened GPS to identifying the exact location and object in which the Kohinoor diamond is in. | Ma Swaroopapriya: What Ma Shivayoga was sharing today was so amazing because the kinds of questions we gave her were each completely different. So from enlightened GPS to identifying the exact location and object in which the Kohinoor diamond is in. | ||
Ma Bhaktika Swami told her there is a diamond called Kohinoor diamond. Can you tell us where it is now and what it is in, can you draw it out? What she immediately started to draw was like a grid shapes with small shapes inside it. By looking at it, it looked like it could be any kind of structure. Then she drew one larger shape on top of that, and she kind of put the whole thing together. Afterwards, I googled it myself to see and she drew exactly the structure of the crown in which the Kohinoor diamond is in. Besides that she was naming the colours, she said I am seeing a maroon and now I am seeing a pink, describing like different shades. When I did the full google image search, sometimes the velvet within the crown is deep purple sometimes it is maroon, sometimes it is pink. She was not only seeing the crown she was also seeing the variables that come within the crown and then she went even further and described how it is a crown but there is also an opening between each thing how the edges of the crown are curved. She was showing how they come to a peak and how there is space you can see between it. She was giving a more detailed response than any of us have ever observed in that crown before. | Ma Bhaktika Swami told her there is a diamond called Kohinoor diamond. Can you tell us where it is now and what it is in, can you draw it out? What she immediately started to draw was like a grid shapes with small shapes inside it. By looking at it, it looked like it could be any kind of structure. Then she drew one larger shape on top of that, and she kind of put the whole thing together. Afterwards, I googled it myself to see and she drew exactly the structure of the crown in which the Kohinoor diamond is in. Besides that she was naming the colours, she said I am seeing a maroon and now I am seeing a pink, describing like different shades. When I did the full google image search, sometimes the velvet within the crown is deep purple sometimes it is maroon, sometimes it is pink. She was not only seeing the crown she was also seeing the variables that come within the crown and then she went even further and described how it is a crown but there is also an opening between each thing how the edges of the crown are curved. She was showing how they come to a peak and how there is space you can see between it. She was giving a more detailed response than any of us have ever observed in that crown before. | ||
+ | The other thing is, Swamiji told us immediately we can name any medicine and the Balasanths would be able to give us the full ingredients list of that medicine. So I named the first medicine I could think of, which is Anacin and immediately she started to describe not only the ingredients but also the quality of each ingredient; what each ingredient is used for. So she gave a much more detailed description of the ingredient list than what was found on line. She said there is a coding, there is an active ingredient and there is a filler. On line they show only what the ingredients are but she was breaking it down, which is used for what. And then she also gave the full description of what that particular medicine does; even more detailed than what I knew. I thought it was a painkiller, she was describing its other properties also. It is something really amazing. | ||
− | + | (57:06) | |
− | + | HDH: Alright, so we will go and do more work and come back to you with more presentations. I think this is the way the next few days satsang is going to be. And I also strongly urge, recommend all the Sadashivoham participants to come for every morning satsang. Even sitting with Me and listening to all this will be an entanglement – Shaktinipaata. You will manifest powers. You will start manifesting Sadashivoham powers. If you have done Sadashivoham and you want to manifest more and more powers, come for every morning satsang. That’s it. | |
− | So with this I bless you all | + | So with this I bless you all. Let you all radiate with integrity authenticity, responsibility, enriching causing living Shuddhadvaita Saivam, the eternal bliss, Nithyananda. |
Thank you. Be blissful. | Thank you. Be blissful. | ||
− | 58:20 | + | (58:20) |
− | == Photos | + | |
+ | == Photos == | ||
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}} | }} | ||
+ | ===Satsang=== | ||
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{{#hsimg:1|133.498145859085||http://nithyananda.org/sites/default/files/photo-gallery/2017-1jan-5th-nithyananda-diary_DSC_0573_bengaluru-aadheenam-nithya-satsang-swamiji.jpg}} | {{#hsimg:1|133.498145859085||http://nithyananda.org/sites/default/files/photo-gallery/2017-1jan-5th-nithyananda-diary_DSC_0573_bengaluru-aadheenam-nithya-satsang-swamiji.jpg}} | ||
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+ | |||
+ | ==Sakshi Pramana== | ||
+ | <div align="center"> | ||
+ | '''Manifesting Shaktis Testimonial ''' | ||
+ | </div> | ||
+ | {{#evu: | ||
+ | |||
+ | https://www.youtube.com/watch?v=AGLwAqQj1vk&list=PL21WI5_pNwj6FFT_O_wUvxnmlt8r5O9oR&index=376 | ||
+ | |alignment=center }} | ||
+ | |||
+ | ==Enriching Material== | ||
+ | |||
+ | <div align="center"> | ||
+ | ''' Flyer - Nirahara Samyama''' | ||
+ | |||
+ | <img src="https://drive.google.com/uc?export=view&id=1xVau-i-kVVgDBOa98Xmi-DQtfPENaeBR" alt="Nirahara Samyama" height="400"> | ||
+ | </div> | ||
+ | |||
+ | ==Photos Of The Day:== | ||
+ | |||
+ | ===<center>Nithya-Satsang-and-Participant-Sharings</center>=== | ||
+ | |||
+ | |||
+ | <gallery mode=packed-hover heights=300px widths=200px> | ||
+ | File:20170105_Photo_1000_1Z1CNE52SO3LpflT_pPbuy0lrWu5jhqw1.JPG | ||
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+ | File:20170105_Photo_1003_13SimYcUivafI0zNsgK6tSH0PMRBl44JP.JPG | ||
+ | File:20170105_Photo_1004_1cPopiZ0KbkJ-gctOpLunxnyZwsM0F14M.JPG | ||
+ | File:20170105_Photo_1005_1642sNZe5NLdXfiMsawUyN8BfbwVoihQo.JPG | ||
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+ | File:20170105_Photo_1008_1sarWaXYEHcuINywkNV6PdzyogYhph8Ig.JPG | ||
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+ | File:20170105_Photo_1011_1N7kTzncDA8-Gp8k9vYQ_j47YGSVQ5XkV.JPG | ||
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+ | File:20170105_Photo_1019_1fpDI1qfFcg7lkFKSxzgBJ3XbA9qj-3Vo.JPG | ||
+ | File:20170105_Photo_1020_19mbl0ca9ZmIJGtCPrSU1VKsRziMEv-go.JPG | ||
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+ | File:20170105_Photo_1025_1revQXLuBOrV6pbFcImTXibabdNRmXYAY.JPG | ||
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+ | File:20170105_Photo_1061_11L5N2lY76_quXZX_aXhnqxJPdW1LhtoQ.JPG | ||
+ | </gallery> | ||
+ | ==Photos Of The Day:== | ||
+ | |||
+ | ===<center>Nithya-Satsang-and-Participant-Sharings</center>=== | ||
− | [[Category: 2017]] | + | <gallery mode=packed-hover heights=300px widths=200px> |
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+ | File:20170105_Photo_1025_1W1-26aC3ihaQ9T9f61FQBdcGhSugHl5r.JPG | ||
+ | </gallery> | ||
+ | ===<center>01-Nithya-Satsang-and-Participant-Sharings</center>=== | ||
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+ | ===<center>01-Nithya-Satsang-and-Participant-Sharings</center>=== | ||
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Latest revision as of 22:02, 12 September 2021
Title
Super Powers of Breadth Dimension by Disciples of Supreme Pontiff HDH Nithyananda Paramashivam – Visual download of GPS, Geo Maps, Art Forms, Medical Insights
Narration
The Supreme Pontiff of Hinduism (SPH), Jagatguru Mahasannidhanam, His Divine Holiness, Bhagavan Nithyananda Paramashivam, expounded on the Cosmic Principles of the Breadth Dimension during the everyday live public talk - Nithyananda Satsang. During the live public address titled Super Powers of Breadth Dimension by Nithyananda Disciples – Visual download of GPS, Geo Maps, Art Forms, Medical Insights, The Supreme Pontiff of Hinduism (SPH) shared that the Breadth dimension is Breathtaking and invited few of the Nithyananda Yogam delegates to share their manifestation experience with the Balsants.
The SPH expanded further, sharing that all of the 64 Arts like Dance, Music, Poetry Archery, Temple arts and Sculpting, everything belongs to the Breadth dimension. The Nithyananda Yogam delegates shared their experiences with Manifesting the powers of Remote vision whereby they were able to answer any question, solving any problem, diagnosing rare diseases and giving perfect treatments, drawing any pictures, humming any songs, and even moving coconuts through the power of their minds!
The SPH concluded by declaring that anyone who comes for the morning Satsang will experience Entanglement – Shaktinipada and will start manifesting the powers of Sadashivoham.
Video and Audio - Superpowers of Breadth Dimension
Video | Audio |
Transcript
(00:23)
nithyānandeśvara samārambhām nithyānandeśvari madhyamām | asmat āchārya paryantām vande guru paramparām ||
I welcome all of you with my love and respects.
So, here we are again, to demonstrate in front of you the powers of breadth. Today early morning, actually, yesterday whole night my body was in such high zone, high frequency. Usually itself I don’t have sleep; yesterday even that few hours of Samadhi was not there. I was continuously waiting ‘when everyone will wake up’. Morning 5 o’clock itself we had a session. From 5 o’clock till 8 we were manifesting the breadth dimension powers. If I have to put it in nutshell, breadth dimension is breathtaking. So, I’ll invite few of the Nithyananda Yogam participants to come and share. Once they share with their Balsants then I’ll explain more and more about this breadth dimension. All the art, dance, music, poetry, archery, everything, 64 arts, temple arts, sculpting, everything belongs to breadth dimension. All the emotion, heart and art related things, everything is, everything belongs to breadth dimension. So, let’s hear from NithyanandaYogam participants and Balasants.
Alisha with balasant who’s only been in the Gurukul for 3 days Ma Kavipriya.
3:05
Alisha: Nithyanandam! Nithyanandam Swamiji! I’m Alisha from New York city. I’m a marketing professional and a vocalist in New York. And this is Kavipriya, the balasant who I work with. So she’s only been in the Gurukul for 3days and she’s expressing the power of breadth today, which is really exciting. Amazingly, there’s 5 paintings that she was able to draw, that I asked to draw famous paintings and 2 deities. So, the first one was ‘Starry Night’ by Vincent Van Gogh and what she drew, what she drew the stars and the swirls in the sky and she said the exact colours and exactly how it is in the painting. The next one was. Yeah! The next one was ‘The Scream’ by Edvard Munch and what she drew was the face, exact shape of the face of the man who was screaming and she drew the board walk that’s there and the swirls of the river as well as the sky. The swirls and the lines are exactly how it looks like and even the colour. She’s really great at naming the colours, she got the colours right too of ‘The Scream’. And then there’s Johans Meyer’s famous painting. ‘The Girl with the Pearl Ring’. And by the way, she has never seen any of these paintings before. So, this is, she didn’t know about any of this. So how old are you Kavi?
Ma Kavipriya: No, Ma.
Alisha: Ok, ok. So, so she drew the face of the girl with the scarf on the head. Actually, she said she is facing this way and looking this way, which is exactly the way she is looking and she said the scarf on her head is blue, which is exactly right. And then, ‘The persistence of Memory’, so actually most of you probably know these paintings so, when I’m describing it you know exactly what I’m describing, so you know that its right. ‘The Persistence of Memory’ by Salvador Dali. She drew the tree with the branch sticking out on the left with the clock hanging out of it, as well as the ledge with the clock hanging out and the other pink object with the dots on it, which is I’m not sure what it is, but she drew that and she drew the mountain range on the right hand side and she said that, that, was a yellow mountain range and which is all correct.
And the creation of ‘Adam’, by Michael Angelo which she drew is the man on the left, that’s lounging with his arm going this way, sticking out, the exact way that she drew this figure lying down with the arms sticking out is exactly the way it is in the painting which is amazing.
And then I asked her have you ever gone to the Batu caves in Malaysia, and she said, ‘No’. So I said, ok can you draw what it looks like. So she drew the whole scene. She drew Subrahmanya with a vel and she drew the temple exactly the way it is and she said there is a lot of greenery there and its exactly the way it is in the picture in Google.
And lastly, Raja Rajeshwari, the temple near Bidadi here, I asked her can you draw this deity and so she drew. She started drawing the deity itself with this pointed crown on her head, with the Prabhavali around it and she named the colour. The picture I was looking at, she named the colours of the flowers in that picture and then the golden colour of the body which was in that picture and as well as, I think that was for that one. She drew it exactly the way I had it in the picture that I found and she’s never been to that temple either. So, I think it’s a very exciting day for Kavipriya and the whole Sangha and the whole world. It is very historic and really happy to be part of it. Thank you, Swamiji.
(7:31)
HDH: What a way to start the day! Even I was jealous of them. Early morning 5 o’clock itself you gather and sit at the feet of the Guru and He comes and lies down in His silver swing with a mild background Thevaram and Thiruvasagam. You just sit around him and manifest powers. Come on! I don’t know in which bargain in which business this is right. Only in Sadashiva’s business it happens.
Ma Balananda: So, here we go with the breadth dimension. I went to yoga this morning and I was sitting on my yoga mat and suddenly Jnanatma came out and said everybody get up and go to the courtyard. And I am like Oh, gosh! I just woke up and my hair is all messy. We run to the courtyard and Swamiji initiates the Balasants, as well as the Yogam participants into breadth. Then we started to go on a real adventure and because breadth is visualisation and its art work, culture, drama; it’s a completely different dimension from the length.
So, Deepa is my Balasant and I started to ask her to draw pictures of different things, so I want to show you what she drew. The first thing that we ask her to draw was the most famous painting in the world, which is Van Gogh’s ‘Sunflowers’ of course we didn’t mention the name Van Gogh and we didn’t mention ‘Sunflowers’ and she immediately started to draw and I am going to show, if you can zoom in on this picture. She started to draw the vase. The vase is very distinctive as you can see it’s on a table and the sunflowers she said were yellow with big dark coloured centres. So you can see that it is in fact the flowers are yellow with dark coloured centres, and she said they are much bigger than this. She had already started drawing the smaller flowers but she said they were much bigger than this. So, she really got that dimension, she really got hold of it. And if you want to see something better than that, wait till you see this.
Ok, here we go on the adventure. The next thing that we asked, actually this was the first thing we asked her to draw which was ‘Queen Nefertiti’ and Queen Nefertiti, I think she is an Egyptian, may be princess, I’m not too sure. And I remembered her as having a very tall crown; that was what so distinctive about her. Now I’m going to show you the picture and you are gonna see on the very top of this page, is a picture with a beautiful queen and she’s very attractive but she has a very small crown, and Deepa said this is a tiara. Have you ever heard that word before?
Ma Deepa: Yes, but I didn’t know about her at all.
Ma Balananda: Ok. So she didn’t know anything about her. And, I was visualising this big, tall crown and she had on a small crown. So we thought ehh she missed this one. Then we, she googled the picture after we went on to another image and she found the exact image; she googled it and she found a tiara. Queen Nefertiti with a tiara. So I think Jnanatma, is looking for that right now. When she’s looking for that, let me talk to you about the third image.
I got up to go get tea because it was so early in the morning I wanted to wake up a little bit and when I came back I looked down at the paper and here was Kedarnath temple. And I thought ‘wow she’s drawn the Kedarnath temple, that’s amazing.’ So I sat down and sure enough that’s what they had asked her to draw. And she did a little detail over on the side. If you zoom in you’ll see that the flag it exactly the right shape and the right pinnacle on the top of the temple and you can see the mountains in the background and then she said there are big steps, big, huge big granite steps that are leading up to the temple. And that’s exactly what it looks like. So she got that one exactly right as well.
Now the most interesting one is the one at the bottom and that is the Eiffel Tower. And of course, she drew the Eiffel Tower but she also drew the big pool of water with the fountain and the trees that are next to the Eiffel Tower and she said something is moving, and I said, what is that?
Ma Deepa: There’s a river behind the Eifel Tower.
Ma Balananda: So it’s the river, river Sienne, which is behind the Eifel Tower, she drew that and the walkway. And then tell them about the next part.
Ma Deepa: So, actually in the picture is like, it’s a long thing, so I told that there’s like the street lights like 5 to 6 feet away and there’s like one more street light round the whole Eiffel Tower and Ann Marie Ma asked me to track down her, how she goes to her house. So at the bottom I actually drew the path in which she actually uses to go to her house. She told it takes 15 minutes and actually she uses exactly this path for her to go and there’s something here that is why she moves away from there and goes and reaches to her house.
Ma Balananda: So she got that exactly right as well.
(14:16)
HDH: Balasants are giving a precise highway numbers, highway names, directions. You’re going to hear all that next. Literally GPS, Google, Google map and what not.
Ma Balananda: Thank you.
Ma Swarupapriya: Next we have Sunanda with Atmamaya. As Swamiji said the baasants were getting not only like GPS coordinates, they were also telling the latitude and longitude of places, drawing maps to countries they have never previously visited or even looked at maps for. It was really remarkable. And also I want to say one thing for western viewers. To us these kinds of paintings might be too common because it is part of our regular learning process. But for these balasants they haven’t seen these kinds of art because in the culture of Sanatana Hindu Dharma usually things are drawn more precisely more beautifully. So when images were coming out blurry I heard them asking why is it all smeared why does it look a little bit sloppy. For the westerners this might be the most famous painting but for them it is something brand new. So really its remarkable what Ma Balananda was just sharing. Sunanda: My name is Sunanda Pangarkar. I worked in United States for 20 years as an owner and administrator of a huge child care centre, in Illinois which is closer to Chicago. This morning when Swamiji was explaining us of this morning’s initiation, he said now, to these Balasants you show them any medicines or any tablet and they will be able to give you exact ingredients in that medicine. And we were excited, so we found some tablets and Atmamaya is our Balasant so we showed her the tablet. We did not open the tablet but without seeing how the tablet, these are those tablets. We just showed her, she did not read any ingredients and since it was her first question, she was the first one, she took only 30 seconds and started to write. She did write sodium is one of the component with that combination of chemicals in that tablet including the colour of the tablet. She said the colour of the tablet is pink. And she took a paper and pencil and started to write all the ingredients in detail. We could not confirm all of those because we are not pharmacist. So we took her word but we did confirm the sodium which is one of the components with all those chemicals. And we were very happy when we…
(18:10)
HDH: You should Google; if you Google you’ll confirm. That’s all. Just Google and get it; that’s all.
Sunanda: Yes. The colour is pink and whatever component we confirmed with Google they all are exactly like she explained or wrote on the paper.
18:35
Ma Nithya Vedantananda: Nithyanandam! The next question was a GPS question and we asked her to give us the directions from Nithyananda Palace to the temple in Australia. And she immediately drew the path and she also wrote what is on either side of the road which is tall grass and trees. If can zoom in you can see she has written. She also said the distance is 1.5 kilometres which is correct.
Ma Bodhana: Nithyanandam! We gave her another GPS question. The direction to my house which is also very close to the Ohio temple. And for that she drew it out, she drew the picture, name of my house, the temple, the direct road between the river behind the temple as well as the spur road that goes off. So, this was about her third question that she been asked. Now, if Jnanatma is ready to project the pictures, the next one was much more detailed. I asked Ma Atmamaya to tell the name and draw the church that I had gone to for many, many years as a child. So, she immediately started drawing, if you can do a close up here. She drew a picture of a building. Then what she said was there is a windmill next to the church. I said, ‘I don’t think so’. Then one of us I think it was Vedanta herself said, describe the windmill, what’s on it. So if you can see there’s a Cross here. So, there was a Cross and she called it a windmill and later she kept describing it as the plus sign next to the church. So, this is what she saw. Now see the name and you can see on the paper that she wrote two names for the church, either Jasmine or Rose. The correct name of the church is Saint Rose Catholic Church. And to compare the drawing with the picture of the church she wrote. And there it is. And so we are so excited and happy to be entangling and part of this process. Thank you so much Swamiji, Atmamaya and our sangha. Nithyanandam!
(21:37)
Ma Swarupapritya: Next we have Shaktibama, Dr.Saraswati and Jena with a beautiful Balasant Ma Lopamudra.
22:02
Jena : Nithyanandam! I’m Jena Tai. So we actually have our Balasant Lopamudra, we jump on and straight away give her a picture of a very famous artist, named Van Gogh. He actually drew a self-portrait, which we didn’t show her, we put it on the side. She actually, described in detail, the back ground of this portrait. She started with icy black back ground with dark coat jacket, that coat you see. And then she go on to describe the white collar and everything in detail. And then she go on to mention, the next thing was the nose, she drew the nose close to the shape of the nose here, pointing down and the one thing she describe the head this way looking down right at the bottom, which is correct. Then she go on to describe he has eye bag, is correct the eye bag also and she go on to describe the eye is round not sharp and has light eyebrows, which is correct. And then the forehead, she mentioned is kind of bald but not exactly bald and she also mentioned the face, colour, ever she didn’t see so clear, she only say the colour is some beige and all that. And as you go on she said I also saw the wrinkle on the forehead, which there is wrinkle. And then she go on to describe the lips, thin lips and trying to make the face like this and she mentioning that he is not smiling which is true, not smiling like a straight down ward face like that. Exactly in details and eye bags I mentioned, yes!!
And one more the GPS, I asked her about airport to my home in Singapore, she never been. She actually described when I land from the airport how is my trail out of the airport. So in Singapore airport most of them is carpeted red. She said I can see red flooring so its correct and Singapore airport have a lot of glass, glass everywhere and then she go on to baggage area, she said slight slope going down ward, she didn’t mention but the baggage area always has a slope you walk down before you reach the baggage pickup area, that’s correct. And then she go on to the road, she saw the road all very really straight, which is correct. Very clean, Singapore is clean, crazy clean and then we come to, there is no much turning to home, that is correct. Because the highway, all the way to this new estate I moved in and closing to my home, there are lot of green plants, she saw which is correct. That is really like blow my mind, like she is travelling and we are travelling with her and she described it. And she’s really now a walking GPS, seriously yeah! Thank you.
25:03
Dr.Saraswati: Nithyanandam! As Swamiji mentioned we were working with Balasants this morning. Actually as soon as they were initiated, right after initiation He told you can give them some tablets and they can tell even the composition. Its right after, and I probably took 5 minutes to get there, to go and get the tablets and I gave the tablets to Lopamudra and one other tablet to her sister also, who was initially working with me, so I gave it to Kalpalata also another one. And Lopamudra started writing the composition of the tablet right away, not in an order but all the letters she got it, she – I gave the tablet Fluconozol and she wrote all the letters in that and then she start to arrange, she actually wrote Flu and after that she did random order, but she got it, right after initiation this one. So, it was pretty amazing. And also her sister also at the same time, I gave her Diclofenac Sodium and these tablets actually I opened it and gave it. I didn’t give the strips, I opened it; they don’t know what it is. They just know the colour. So Kalpalata, she immediately said, ‘Ma this has iron, iron’. I said no this doesn’t have iron. I myself was thinking is there some trace of iron in it because she was so confident. But after that she wrote sodium, one component of it, she was able to do that. And that was really good. And Lopamudra, GPS also. Swamiji said, ask the directions and they will be able to give. So, she was able to give – I asked her from Atlanta airport to my home. Can you give the directions? Immediately first thing she said is, it looks like India, it doesn’t look like a foreign country. I don’t know why she felt that. And then she said there are a lot of lights now, is it night Ma there? Actually, it was nine thirty pm there, so she is actually there seeing everything. She saying I’m seeing from the top and I’m seeing the road there are tall buildings next to the road, I’m seeing its dark on the road. And she was able to describe the highway, because it goes through the down town of Atlanta. Tall buildings on the side she said which is exactly right and then when it takes the exit, she says its dark in that area and it was lot of vegetation. It is right. And then when we actually go towards the road, the last road to my house she said it again lighted and there are shops in that area. She was able to describe.
(27:52)
HDH: Actually they can even give the number and name of the road and all that. You guys should ask them to give a detailed, like a GPS direction. They can see in the Krishtashila and write, take seventh exit, like this they can give a clear idea.
Dr.Saraswati: She was able to do all the exits, description, everything very perfectly actually. So thank you so much Swamiji.
(28:19)
Shaktibama: My question to Ma Lopamudra was to describe the view that I get from my house. So she started saying you live in an apartment, you live in a high place. I said yes. She said third floor, I said yes. Then she described it is a creamy building. Yes it is a creamy building. She described the balustrade. And then she said I can see a water feature. And actually she could see greenery and actually it is very green, and she could see a water feature she said. I said yes, there is a river. She described the colour of the water which is green. So, she got everything perfectly right.
I have one more sharing with your permission Swamiji, because yesterday we did length dimension and at one time Swamiji said, now you participants you start manifesting and we switched the role. Now I want to share because I am one of the very, very hard nuts and hard core SD, HD. I am not proud to say it but I have to say it. So, the moment we switched the role, I had a group of three Ma Vairagyamayananda, she is somewhere around here. She started with me and she said I am projecting something on your Krishta Shila, which is the granite slab. Then she moved on to somebody else and she gave the temperature of Chennai. So I looked at my granite slab and I tried to entangle, think of Swamiji to show me because I am very, very sceptical, am I going to see something or not. I then wrote a number, because I saw a number, I saw many numbers but something flashed and I wrote and I showed it to her. It was 8337. She said correct but there is one missing. I couldn’t believe it, I couldn’t believe it. Did I hear right? Did you say correct and she said yes. I looked again and I saw zero so I added a zero and at the same time I saw a number, because she was asking my partner, the temperature in Chennai at that time. I saw 29 so I wrote 29 degrees Chennai temperature and I showed her the paper and she said ‘Yes, 83370 is the correct number and the temperature in Chennai is 29.’ That was for me a real, real breakthrough, because my partner is a trinetra tilak and she did not find yet the temperature, she was asked and I found it and I got it. So, for me it was like my God. Thank you so much Swamiji, its happening to me now too. Thank you.
(31:39)
HDH: Wonderful, actually the entanglement is a process where, it’s not that you are only sitting there as a questioner. So much happens inside you, you start answering. It is like complete entanglement of the whole courtyard. Even the sparrows, parrots they were all getting entangled and getting initiated. They are all getting these powers.
Ma Swroopapriya: Next we have Chico with Shivatma Maharaj.
Chico: Hello my name is Chico Pfeifer . What I wanted to share before I start is that sometimes people asking me like, how are you today. And sometimes I still have to think, I am so speechless because I see so many things happening in front of me, back of me and I think wow, I don’t know; you don’t have words for it. Anyway, this morning when we woke up and wanted to go to the yoga, we were supposed to go to the courtyard, where we did this process. And I was still a little bit tired. I was a little bit like a tired. But the moment I connected with the Gurukuls, I was so fresh and got so much of energy. And also I have to say, sometimes with little children or something, I have sometime not so deep connection. But today I do not know what happened, there was this total connection with them and I saw all this beauty, because I had four of these children next to me and I really felt like, again no words like a grandfather, with all these little grandchildren. I saw them and I loved them all I think and I do not know this feeling. Because with children I sometimes have this feeling.
Anyway, I asked him the question, first of all, do you know where I live? And he started writing down in a few seconds MAR and he says Madabela though it is Madabaya because its different Spanish pronunciation and I say wow. That was the first thing and I was getting so excited, and I said oh my God it is really happening in front of me. So you get this happy feeling. And then I ask him, for me it was a difficult question. I asked him, there is a very famous painting from Vincent Van Gogh. He is a very famous Dutch painter. I said what is on the painting there are some flowers on it. In less than a second he says, sunflowers. And I think, oh my God, yes, yes, yes, yes.
And then the other question was also I ask him, there is a symbol in Amsterdam, and all over the streets you can see them on little pillars and there are three crosses on it. And he’s just drawn it in a few seconds he made a symbol like this and he put the crosses on it, and he says there are three crosses on it. [picture is projected]. Then I was like I love them forever. This beautiful process, you see them happening in front of your eyes and you realise, it is really magic it is really divine. And these are really little gods and goddesses. And I have to say now, yes I love them. Thank you. And thank you Swamiji for doing all this magic. Thank you.
HDH: Blessings!
(35:18)
Ma Darmadarananda: Nithyanandam! my name is Ma Dharmadarananda, Swamiji thank you very much for my spiritual name. I love it. This morning I have the opportunity to entangle with Maha Gita Maharaj and it was amazing. I asked him a question to give direction from my work to my home. He actually drew the highway and the streets, and going to my home when you get off the road there are so many small streets you have to go through…... He even draw, my house is in the middle of the street. He got that so correct even drew the trees on the way to my home. I alo have the opportunity to ask him where in my house, I have Swamijis Atma murthi. He described, from the time you enter in the door, what he saw was on my right side. He explained this light coloured stairs going upstairs, then he proceeds there is a large room, you have to pass a white table. He also says the floor is light colour which is parquet. He said past the white table, you have Swamijis Atma murthy and you also have your puja kit. He described the way my puja kit was set up. That there is a brown mat. And he also said that I have a stool that I sit on to do my puja on the table which was absolutely correct. He goes on and says you have two Swamiji Atma murthy. That’s my son and my Atma murthy are together. That’s awesome and he smiles just like Swamiji when he speaks. Thank you.
David Masterton: My name is David Masterton from South Africa, I am a town planner and environmental researcher. We decided to give Maha Gita something fun to do. So we googled a whole bunch of Snoopy pictures. There were about 20 pictures of Snoopy that came up and we chose one of them. I don’t know if you can project that picture for us, if you got them Jnanatma. So what he did was, immediately he formed his hand in the shape of a heart and he said, there is a heart and it is pinkish reddish colour it’s got an art line and it’s on the top corner. And then the picture is white, there is some blue in the background. And then he also said down at the bottom there is some sharp stuff, it looks like grass, yes it’s grass. Then he said there was a yellow bird, what he was doing was picking up an image from another picture, that was from the original 20 pictures of Snoopy. And we said yes, OK, then there is that in other pictures. He also picked up a brilliant golden sunset and he said they are sitting on the roof. There was another picture of Charlie Brown and Snoopy sitting on a roof looking at the sunset. So we said to him so what is the main image in the picture we are looking at and he said it has a white outline I think it’s an animal and of course because he is a 9-year-old kid from India, he doesn’t know the familiarity of Snoopy, and which is very Western. And Snoopy is drawn in a particular kind of way if you know Snoopy. But he said it’s a little brown bear, or some little animal and we said yeh that’s correct, its lovely. He really did very well on identifying the images from that. But the nicest thing about him was sitting there entangling with him is the most loveable, calm, collected kid; completely uncomplicated, completely, completely uncomplicated. Just so giving and eager to just share and get involved with a group of like six adults is quite amazing. Seven adults.
(39:36).
Participant: As you can see Mahagita was doing so well, literally we were in the back just fighting over him like ‘Maha Gita come with us, come with us, share what you did with me.’ I was the first one he expressed the power for and initially I was like, describe my house, draw my house and instantly like he just blinked and he started to describing the first floor of my house perfectly. And then he just drew this entire floor plan which was pretty much almost correct, the entire floor plan of the first floor, and this is like 6 am in the morning, and Maha Gita is 9 years old, and he is expressing from the first, from the first, from the get go. Yeah, and there are these young adults in the west struggling to get to uni on time with like 10 coffees and I was sitting there with two coffees drinking like, oh yeah. Oh! Wow, Wow! And so I mean really what’s happening is Swamiji is just making this entire logic irrelevant. He is making the western education system irrelevant. He is making Einstein irrelevant he is making the western lifestyle irrelevant. So, if you are watching this and you are hearing this, then come here, do yourself a favour and let Swamiji make you irrelevant to you.
(41:12)
Participant: This is like being in Kailasa only place to be, get up here quick. After coming to Shree Paramahamsa Nithyananda Swamiji, these two eyes are completely irrelevant. Here I was entangling with Maha Gita and just thinking to myself, you know what we need to get a pair of glasses and instead of having lenses have a Krishta Shila covered with jnananjana. From one of them I can see what’s in front of me in high definition what is actually there and with the other I could see what exactly on Mars. With Maha Gita I pull out my phone this second, can you tell me what picture I am looking at. In high definition, high detail he explained everything exactly the way it was, to the point where I had to expand it on my phone, look in, squint a little bit, take like 5 seconds to really confirm what he said, Oh! That was it. With my two eyes I couldn’t see, what he did not even look at, he saw everything crystal clear in high definition; it’s amazing. Only Shree Paramahamsa Nithyananda Swamiji could do that for you. Get over here quick. Literally whatever you are doing there is not worth not being over here; completely irrelevant. And mind you he is only 9 years old and these powers he has been entangled only for the past three hours and that happened in the first one hour... literally in one hour. Why wait, just book your flight today and come on over here. These are the powers you should not miss out on. I don’ even feel the need to use these two eyes anymore, literally.
42:48
Ma Shaktirupa: Nithyanandam! This is Ma Shaktirupa and with me there is Ma Lokapriya and today it was just amazing how, just we started manifesting the breadth and it manifested, just like that. Just a very amazing thing, just today, Shaktirupa was running to yoga and Shaktirupa was just feeling, you know, what if today is Swamiji’s session and just when we came to yoga. Oh it is Swamiji’s session and we rushed to the courtyard. So it was cool how it just, the thought just happened. So, today with Lokapriya, Shaktirupa was asking, the former British queen, Queen Victoria, can you draw her. And she was just drawing and drawing and drawing. She drew it so precisely, the necklace she had, the staff she was holding and the crown, like exactly the picture, in such a beautiful way. And how accurately she was drawing was just mind blowing. And right after that the next question was draw the map from Delhi to Varanasi, and she drew the India map, and she put Varanasi and then she put Delhi and Varanasi exactly, Shaktirupa was searching on the maps and just like that it was so precise the angle, everything; from this and the way she drew the line. And the next question was Madagascar, draw the island, the shape of the island and exactly she was drawing the line with even the indent or the tip, so precisely. It was so cool, how Swamiji is initiating and just like that every day one more power is manifesting. So, I feel so blessed to be a part of it, and just watch the whole happening. Thank you. Swamiji: I heard some kids were even giving the road directions like a highway number, all that. Come on. Come and share.
Valentine: Nithyanandam! Nithyanandam Swamiji. I am Valentine, I am coming from Italy. So this morning we had this very exciting hours, starting hours in the courtyard. So, we are very exciting to introduce our Balasanth Ma Vairagyamaya. Sorry. Well actually, we started with first question. My first question was about Leonardo Da Vinci, of course she did not know Leonardo Da Vinci. She could not even realise the language in which is Leonardo Da Vinci. And I asked her to draw one of the most famous painting that is in Paris in the Louvre Museum, belongs him. So, immediately with a pencil she was starting to draw a long face actually, but the shape was looking like a female shape, then the nose and the eyes, without the eyebrows actually. So I been look at there and it was like Oh! Oh! And then she is going on, she was going on then and she start cancel and playing with the image. So I ask ‘what are you seeing on the Krishta Shila?’ And she said it’s a female. And the shape of the hair, she started drawing the hair so, everything was perfect. It was Mona Lisa. Very in the less than 5 seconds, she start immediately. After that many questions because our group was belongs five people. So one of my other question was the Route 66 in the USA. As soon as I said the Route 66, the pencil started to drawing on our paper exactly the route, the street going starting from one point and then on going up and one more and more. [the route was indicated on the map starting from the West Coast travelling Eastwards and up] So, then she told me, I see many points on the map. Yes, it was perfect. I said can you tell me from which one is the starting and the end one. She started saying L-O-S Los Angeles and after she say C-H-I Chicago. Beautiful, beautiful, yeah.
48:00
Manishika Khetoo: Nithyanandam! I am Manishika Khetoo. So, I told her to draw, a drawing from a famous artist Vincent Von Gogh, Starry Night, and then she started immediately, started like doing round like a storm and like a tree, she didn’t know what was it. Then she asked me what is it, she wasn’t sure if it was correct and I said go on its right. Then she started drawing a moon it was a perfect image of drawing of the art work.(The picture of the painting is shown , the drawing by Ma Vairagya was held alongside to compare) So, this is the ‘Starry Night’. And then I told her to draw the Sagrada Familia in Barcelona which was designed by a famous architect Gaudi. And she started with the tower and she asked me if it contained more than one tower, if it had two towers and if they were connected, I said yes (The picture of the monument is shown) I said it was two towers connected but there were more than two towers. And then she started drawing, the main entrance. There are three facades of this church and she started drawing the exact, the exact façade, the main entrance (The sketch drawn my Ma Vairagya is held up to compare with the picture). With the four towers and then going down. And then here how it’s going. So, that is amazing, because I know the Sagrada Familia, but I wouldn’t be able to draw it by myself. I would have looked constantly on the drawing and then draw it. But she drew it with all the holes in the tower. And then my sister Ma Shivani asked her the direction GPS route to her residence in Winnipeg. And she gave the answer - first go straight, after two to three metres, have a turn left after one km you have to turn right, then you have to go straight after 5 km. Then in the turning it is in the left side, keep going straight. So that was perfect. Actually on the Google it was written 64m instead of 2 – 3m but Google was wrong because it is actually three metres. And she told 2 – 3 metres. So, then she was also told to draw the Subramanyam Yantra for worshipping. Then she started drawing exactly how Swamiji was drawing on YouTube. So we put the YouTube and she started at the exact point, and then she drew the Yantra (the drawing is held up to compare alongside Swamijis drawing of the Yantra). That was so amazing, thank you Swamiji.
HDH: Next!
(51:32)
Sona Kamath: Nithyanandam! My name is Sona Kamath and today we entangled with Ma Shivayoga. And what was interesting was minutes after we were entangling I was looking at the Krishta Shila and I could see a very famous land mark, from where I am from. So I asked her, I said the city that I live in, which she does not know, has a very famous land mark. Can you describe it to me or draw it. And she said what is a landmark. So I said well. She said is it a building? I said no it’s not really a statue, it is a structure. So, then she started to draw a curved shape, and she looked up at me and I said yes. Now mind you for the last several days we’d given them very complicated maths that even engineers have difficulty solving. We have given them all kinds of distances that NASA has had to go to extremes to document and so it was as simple as a curved structure. I am from St Louis Missouri and the gateway to the west, The Arch is one of the most famous landmarks in St Louis. She drew it out and I said ok, now take me home from here, to my home. She looked at her Krishta Shila and she wrote out the number 6. I said yes, you are right, and then she stopped, there is a roundabout, there is a round way around this structure. I said yes, you have to get out of that area first, you have to go around. Then she said there is a 3, and I said no, 6 is correct but I do not know about the 3. She said no Ma there are three roads, for your road you have to stay to the right. And I said I have to think about which highways and how. And she is right if I stay to right the highway I need to go to my home, starts with a 6. I said alright now tell me the second number after the 6. She was looking and having a hard time, and I said I see it but it is upside down from where you are sitting. She looked at it and said it is a 4. I said yes this highway is 64. Now tell me what direction highway 64 goes into my house. And right away she said it is West Ma, with such confidence. I said OK, now tell me what street you’re going to take to get to my home from this highway. And right away she said it’s another 6 and a 7 and you are going to make a left turn. And she got me to my home from a landmark she doesn’t even know, a city that she doesn’t know and she got me home properly.
Ma Swaroopapriya: What Ma Shivayoga was sharing today was so amazing because the kinds of questions we gave her were each completely different. So from enlightened GPS to identifying the exact location and object in which the Kohinoor diamond is in.
Ma Bhaktika Swami told her there is a diamond called Kohinoor diamond. Can you tell us where it is now and what it is in, can you draw it out? What she immediately started to draw was like a grid shapes with small shapes inside it. By looking at it, it looked like it could be any kind of structure. Then she drew one larger shape on top of that, and she kind of put the whole thing together. Afterwards, I googled it myself to see and she drew exactly the structure of the crown in which the Kohinoor diamond is in. Besides that she was naming the colours, she said I am seeing a maroon and now I am seeing a pink, describing like different shades. When I did the full google image search, sometimes the velvet within the crown is deep purple sometimes it is maroon, sometimes it is pink. She was not only seeing the crown she was also seeing the variables that come within the crown and then she went even further and described how it is a crown but there is also an opening between each thing how the edges of the crown are curved. She was showing how they come to a peak and how there is space you can see between it. She was giving a more detailed response than any of us have ever observed in that crown before. The other thing is, Swamiji told us immediately we can name any medicine and the Balasanths would be able to give us the full ingredients list of that medicine. So I named the first medicine I could think of, which is Anacin and immediately she started to describe not only the ingredients but also the quality of each ingredient; what each ingredient is used for. So she gave a much more detailed description of the ingredient list than what was found on line. She said there is a coding, there is an active ingredient and there is a filler. On line they show only what the ingredients are but she was breaking it down, which is used for what. And then she also gave the full description of what that particular medicine does; even more detailed than what I knew. I thought it was a painkiller, she was describing its other properties also. It is something really amazing.
(57:06)
HDH: Alright, so we will go and do more work and come back to you with more presentations. I think this is the way the next few days satsang is going to be. And I also strongly urge, recommend all the Sadashivoham participants to come for every morning satsang. Even sitting with Me and listening to all this will be an entanglement – Shaktinipaata. You will manifest powers. You will start manifesting Sadashivoham powers. If you have done Sadashivoham and you want to manifest more and more powers, come for every morning satsang. That’s it.
So with this I bless you all. Let you all radiate with integrity authenticity, responsibility, enriching causing living Shuddhadvaita Saivam, the eternal bliss, Nithyananda.
Thank you. Be blissful.
(58:20)
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