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File:APATH-SANYASI---MALE-2022-11-07-1cK3mQO8dIjQignGg1euCyI02myaNKdLe.jpg

Phone screenshot of a video call titled "Apath Sanyas Morning Routine November 7, 2022" on a dark background with a gold label box. A YouTube video frame shows a bearded man in orange robes with folded hands before a seated figure in a black crown with a crescent, white flower garland and gold-embroidered tiger-striped robe, beside an ornate gold throne and a wall of cross-patterned panels. Overlaid Sanskrit purna mantra text is printed on the frame. Lower right, three video call tiles: a man with a gold-and-black headwrap and bare chest, a pink circle with the letter A, and a smiling person labelled Wesley Silva. The seated figure appears to be Swamiji (probable), identified by the black crown with crescent, layered garlands and ornate gold-and-tiger robe; the bearded man is a devotee.
Photo 2 of 93 from 7 November 2022

Similar photos

Photo 9923051A graphic collage titled "Apath Sanyas Morning routine" on a black background with a pink rounded banner reading "NITHYA PUJA & PARAMASHIVA PUJA" over a faded Om symbol. A video thumbnail shows a bearded man in orange robes with hands joined beside a seated figure in a red-and-gold turban, a rudraksha-style white flower garland and ornate gold chair, with a yellow-lit wooden lattice backdrop; a Sanskrit mantra is overlaid. A pink banner reads "November 9, 2022". A small inset photograph shows a smiling man with curly hair and an orange cloth beside a seated figure in an orange robe and red-orange turban, wearing a red flower garland and beads, with a name label reading "Jnanatmananda" below.Photo 8291938Photo 9923068A seated man in a rust-red and gold-bordered sannyasi shawl smiles while speaking into a headset microphone during a satsang. He wears a long rudraksha mala, a red bindi and white forehead markings, and rests his hands near a telephone-style device. Behind him an ornate gold repousse throne back dominates the frame, and to the right a painted deity figure with orange-and-gold jewellery and a raised hand is partly visible above a golden lion-faced armrest. Appearance-based label: a person, seated in the satsang setting, cued by the rudraksha mala, saffron-toned shawl and ornate throne.A graphic poster for a healing vratham, with a red headline reading Till April 4th Pacchaipattini Vratham for Healing across the top. On the left, a small photograph shows a standing bearded figure in saffron-orange robes with a yellow and red floral garland, beside a decorated deity murti of a goddess draped in red and yellow garlands within a shrine niche. Small circular orange-robed portrait thumbnails appear at the top corners. Red-bulleted instructions list prayers, fasting-type diet rules, bathing, sleeping on the floor and observing brahmacharya. The footer reads Message from KAILASA's NHU. Heal And Protect The Whole World.A man seated on an ornate gold throne with carved floral and scrollwork backrest. He wears an orange-saffron robe draped over one shoulder, a long multi-strand rudraksha-style bead mala of pale beads, a small gold chain, and gold hoop earrings. He has white tripundra vibhuti marks on his forehead with a red kumkum dot at the center, and a small clip-on microphone is attached to his robe. Behind him is a warm ochre wall.A smiling man with eyes closed sits on a gilded throne with carved golden lion and serpent-hood motifs, palms pressed together in namaste before his chest. He wears an orange-saffron robe, a long rudraksha mala with bead clusters falling to his chest, a rudraksha headband with a bun of long hair, gold earrings and bangles, and a red bindi with white vibhuti on his forehead. Behind him hangs a deep red velvet curtain. No other physical people are visible.A seated man in a rust-brown robe and rust-red turban with a gold ornament sits on a large ornate gold-and-brown throne with raised palms in greeting. He wears a multicoloured red, white and blue garland and a long beaded rudraksha-style necklace. In front of him, several people sit or kneel with their backs to the camera, with oil lamps lit on the floor and a large painted backdrop of a temple and water behind the throne. Gold lion-like carvings flank the seat. Several more figures sit at the lower edge of the frame.A seated man with a white vertical tilak and red bindi smiles while his hands rest clasped in his lap. He wears a rust-orange garment over the shoulders, a long rudraksha mala with gold beads, and gold-coloured armlets with rudraksha bracelets. He sits on a red tiger-striped cushioned throne with an ornate gold arched backrest and gold lion-head armrests, in front of red velvet drapes. A small microphone is clipped near his face. The arrangement suggests a discourse setting. Appearance-based label: Swamiji (probable), given his long hair, rudraksha malas, ceremonial gold ornaments and orange clothing, seated on a throne.A smiling person in a saffron-orange sannyasi robe sits on an ornate gold throne carved with lion heads and floral motifs. The figure wears a rudraksha mala across the chest and rudraksha beads wound in the hair, a white vibhuti mark on the forehead with a red kumkum dot, a gold armlet and gold earrings. A microphone stands in front during a satsang discourse, with gold temple-style carved panels behind.A photograph of a man seated before a microphone with a foam windscreen, smiling toward the left. He wears long dark swept-back hair, a white forehead band with a central red-brown mark, a gold hoop earring, a thick beard, and a rust-orange wrap over a bare shoulder with layered rudraksha-style beads and gold ceremonial beads around his neck. Behind him, a gold-patterned ornate chair and a leopard-print cushion frame the scene, with blurred orange-robed figures and gold decor in the background. The page reference suggests a discourse setting, but the image itself shows a seated speaker.

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