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October 19 2013

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October 19 20132013-10-19A man seated on an orange-cushioned chair in front of a dark, leafy background. He has a dark bindi on his forehead and wears a rust-red garment with a gold-bordered orange shawl draped over one shoulder, plus a long tan rudraksha-style mala around his neck. His hands rest in his lap and he looks toward the audience. a person: the saffron-orange robes and rudraksha mala are the cues, with the seated stance.2014-11-252013 - Thanthi TV ShowNovember 01 20132013-11-01A photograph of a man seated on an ornate golden throne with plush red velvet cushions behind him. He wears an orange saffron shawl with a maroon border over his shoulders and a long double strand of large brown rudraksha beads across his chest. He has a red kumkum mark on his forehead and a small black thread visible at his neck. The image shows a probable Swamiji in appearance, with long swept-back dark hair and rudraksha malas, seated in a quiet, attentive posture. A small white bird logo appears in the upper left corner of the frame.2011-02-02A man sits on an ornate gold-and-red throne with a plush crimson backrest and carved gilded armrests. He wears an orange saffron wrap with a maroon border over his shoulder, a long rudraksha mala of brown beads falling to his waist, and a red bindi-style tilak on his forehead. His hair is long and swept back, and he gazes forward calmly. Swamiji (probable): the long swept-back hair, saffron clothing, rudraksha mala and ornate throne are the qualifying cues.2011-02-02A seated man in a reddish-orange robe with a gold-edged border sits on an orange upholstered chair against a dark background. He wears a long necklace of tan beads, has a red bindi on his forehead, and has his hands folded in his lap. The scene appears to be an evening satsang or discourse setting, with a red knitted throw draped over the chair arm in the lower left.2014-11-25A man seated in a large orange leather armchair with ornate gold carved detailing behind him. He wears an orange-saffron robe with a gold-striped sash, a layered mala of rudraksha beads and ceremonial gold beads across his chest, a gold earring, and a vertical white-and-red forehead mark with a red bindi. A small lapel microphone is clipped to his robe. His right hand rests on the armrest with a ring on one finger, and he looks off to the side while speaking. a person appears as the seated speaker with rudraksha mala, saffron robe and gold necklace cues; the image is a photo of a single seated person in a satsang or discourse setting.2015-01-14A man seated in a large brown leather throne-style chair with carved wooden armrests and a silver staff with a bird-topped handle beside him. He wears a rust-red and saffron-bordered shawl draped over the shoulder, with a long rudraksha mala of brown beads around his neck, and a small red dot on his forehead. His hands rest together in his lap as he gazes to the side, with a small headset microphone near his face. Behind him are deep red curtains, green plants and a gold deity murti.2015-04-25A man with long swept-back black hair, a red bindi and a long string of rudraksha beads sits on a peach-upholstered throne with carved black wooden armrests. He wears a peach garment with gold border and rests his hands in his lap in front of a microphone stand, with a deep red velvet curtain behind him.2010-12-04A seated man in an orange and maroon saffron wrap sits on an ornate gold-carved throne with plush red velvet upholstery. He wears a long multi-bead rudraksha mala down his chest, a red dot on his forehead, and a dark thread. He has a neat dark hairstyle and faces forward with a calm expression.2011-02-02A seated man in an ornate golden-orange TV studio set, wearing a rust-brown draped robe over one shoulder with a long golden-beaded mala necklace and a small red bindi, sitting on a magenta cushioned gold-trimmed throne beside a carved lion figure and gilded pillars. He sits with hands clasped and gazes to the side with a slight smile. A consistent shoulder-length dark hair, gold earring and rudraksha-style beaded mala cues are visible, but the appearance is not conclusive for identification. +1 copies