A framed printed portrait stands on a wooden floor, garlanded with white jasmine strands alternating with yellow and red-maroon flowers and green leaves. The portrait shows a seated smiling man with long dark hair, a red bindi, an orange robe and a white beaded necklace, one hand raised in blessing against a banyan root backdrop. The caption printed beneath the portrait reads - Nithyanandapedia

Nithyanandapedia

A framed printed portrait stands on a wooden floor, garlanded with white jasmine strands alternating with yellow and red-maroon flowers and green leaves. The portrait shows a seated smiling man with long dark hair, a red bindi, an orange robe and a white beaded necklace, one hand raised in blessing against a banyan root backdrop. The caption printed beneath the portrait reads

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A framed photograph of a seated figure in saffron-orange robes sits on a wooden floor, draped with a white jasmine garland and yellow and red marigold garlands. The figure, cross-legged on a patterned cushion against a tree-root backdrop, holds a bundle of green leaves and yellow marigolds. Behind the frame, a gold-coloured ceremonial structure and a person in white with a yellow shawl are partly visible, along with a pink-robed figure and a small white item decorated with yellow flowers. A printed caption on the frame reads Paramahamsa Nithyananda. A date stamp on the right edge reads 11/18/2008.

A framed printed portrait of a smiling man with long dark hair and a red bindi, wearing an orange saffron robe and a long gold necklace, seated cross-legged with one palm raised in blessing against a backdrop of large tree roots. The frame is draped with a garland of white jasmine, yellow marigolds and red flowers, with green leaf garlands hanging at the lower corners. The portrait is a depiction on paper, not a physical person, and the photo is taken outdoors with a green wall visible at the top left.

A framed photographic portrait displayed outdoors, decorated with a garland of white jasmine, yellow marigold and red flowers, with green leaves hanging from the bottom. The portrait labelled "Paramahamsa Nithyananda" shows a smiling man with long dark hair and a red bindi, wearing orange robes and a gold necklace, seated cross-legged on a leopard-print cushion before a large banyan root backdrop with one hand raised in blessing. No physical people are visible in the scene; the figure is a printed portrait in a frame. Trees and foliage surround the display.

A framed photograph portrait displayed on an altar, garlanded with white jasmine strands and yellow and red flower garlands with green leaves. The portrait shows a smiling man with long dark hair and a red bindi, wearing an orange robe and a gold and beaded necklace, seated cross-legged on a patterned cushion in front of a banyan tree root, one hand raised in blessing. Behind the frame stand golden deity metalwork, a gilded hand, red drapery and a purple cloth. The printed caption on the portrait reads Paramahamsa Nithyananda. No people are physically present in the scene.

A framed photograph of a seated man in orange robes, sitting cross-legged on a leopard-print cushion before a backdrop of large tangled tree roots. He has long dark hair, a red tilak on his forehead, a raised right hand in a blessing gesture and a double strand of pale beads around his neck. The framed print is draped with a garland of white jasmine-like flowers, yellow marigolds, red blooms and green leaves. A caption at the bottom reads Paramahamsa Nithyananda. Gold deity murti and a purple cloth are visible at the right edge. A portrait labelled "Paramahamsa Nithyananda" is shown; no physical people are present in the scene.

A photograph of an outdoor homa at a decorated ceremonial stage. A large framed portrait labelled "Paramahamsa Nithyananda" shows a smiling man in orange robes seated cross-legged before a banyan-like tree, wearing a white garland and red-and-yellow floral garland. Below it, a white cloth with gold borders and a yellow-and-red flower garland covers a seat, with a brass kalasha holding a coconut and mango leaves. In the foreground, a man in orange robes with long dark hair sits cross-legged, eyes downcast, beside a second person in white with an orange shawl. A brick fire pit burns with flames and smoke, scattered with yellow and pink flowers and sacrificial sticks, with a brass vessel and cup nearby. Gold-toned carved columns and lions frame the stage, and a row of printed photographs hangs on the left.

Photograph of a framed portrait garlanded with red rose and white jasmine strands, shown at an outdoor event. The portrait shows a smiling man with long dark hair and a red bindi, seated cross-legged in front of a large banyan tree, raising one hand in blessing. He wears an orange saffron robe and a heavy gold necklace with a gold pendant. A caption at the bottom reads Paramahamsa Nithyananda, printed on the portrait. Also visible: a gold ornament at the top edge of the frame and a date stamp in orange digits reading 12.07.2008. No living people are visible in the scene.

February 12 2009

September 23 2006

A framed printed portrait of a smiling man with long dark hair, a red forehead mark and a white beaded necklace, wearing orange-saffron robes and seated cross-legged against a banyan-like tree trunk with one hand raised in a blessing gesture. The gilt frame is garlanded with orange, red, white and green flower strings. A printed caption is visible at the bottom of the portrait. Below the frame, out of focus, a dark red cushioned seat and a dark shape are visible. The portrait is a depiction on paper, not a person present, and no other physical people are clearly visible.

A framed photograph labelled "PARAMAHAMSA NITHYANANDA" sits on a gold-and-maroon throne-style seat. The portrait shows a seated figure in orange-saffron robes with a white beaded necklace, hands in a blessing gesture, with a tree-root backdrop. In front of the frame hangs a long garland of white jasmine and red flowers with green beads, draped over a brass kalasha or lamp set on a plate of white petals and orange marigolds. A black staff leans beside the throne. The portrait is a depiction, not a person physically present.

February 13 2009