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Nithyanandapedia
A framed printed portrait hangs on a wall, decorated with red flowers at its top edge. It shows a seated man in a pink-peach turban and matching draped robes, cross-legged on a striped fur cushion, with a red bindi on his forehead. A caption printed beneath reads "Paramahamsa Sri Nithyananda Swamigal". A red date stamp reading 30 10 2006 runs along the left edge, and a small sticker sits at the upper left.

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Photograph of an indoor wall beneath a fluorescent tube light, with a framed portrait hung at centre bearing a red flower garland. The portrait shows a seated figure on a patterned mat, wearing a pinkish-saffron turban and wrapped shawl, with bare feet and hands resting in the lap. Printed caption beneath reads "Paramahamsa Sri Nithyananda Swamigal". No physical people are present in the scene. Doorways with wooden grilles flank the wall on each side.2006-10-302004 - Acharya's meditation convention in TamilnaduA framed printed portrait stands on a draped white cloth in a plain room with green-banded walls. The portrait shows a seated figure in saffron-orange robes and a saffron turban, with long hair, a red tilak mark, and a tiger-skin seat, garlanded with a red and white flower garland and pink flowers at the top. Below it is a printed caption reading "Paramahamsa Sri Nithyananda Swamigal". Beside it sits a brass oil lamp stand with a small flower-and-powder offering. The portrait is a depiction, not a person physically present.2003 -Glimpses From Various Programs2003-01-01 +1 copiesA large vertical hanging banner on a building stairwell railing shows a smiling man in an orange turban and orange robe with a draped shawl, rendered as a printed portrait. The banner is labelled "Paramahamsa SRI NITHYANANDA SWAMIGAL" with the Dhyanapeetam Bangalore logo beneath. A pale wall, metal railings and a blue emblem sit around it. No physical people are visible; the figure is a printed depiction.A young man seated in a close portrait wears an orange turban and an orange draped robe, with a red bindi and white sandalwood or vibhuti mark on his forehead. Behind him stand a gilded carved pedestal or chair, pink draped cloth and pink flowers at the left edge. The subject's appearance has several cues but the page does not confirm his identity, so he is described by role as a devotee in orange robes.Photograph of a man standing outdoors in front of blurred green foliage. He wears an orange-saffron turban and an orange-saffron shawl wrapped around his body and knotted at the waist. A red bindi-style mark sits on his forehead, and dark curly hair shows at his neck. He looks toward the camera with a slight smile.A smiling man in a saffron-orange turban and saffron-orange draped robe sits against a dark background, with a red kumkum or tilak mark on his forehead. His dark hair is visible at the side below the turban. He looks off to the side with a soft smile. The image is a close-up portrait, with a faint logo in the upper left corner.A photograph of a single man seated against a red draped curtain and a pale wall. He wears an orange-saffron turban and a matching orange-saffron wrap draped over his shoulders, with a red tilak mark on his forehead. He gazes upward and to the side with a calm expression. The page does not indicate a person at this event, and appearance cues are not distinctive enough to confirm identity, so the role is given as a person in saffron attire.December 2002 Rare-Collections-From-2002A photograph of a smiling man seated on an ornate red upholstered throne with a carved wooden frame topped by lotus-like finials. He wears an orange turban and an orange robe draped over the shoulders, with a red bindi on his forehead, and rests one hand on his lap with eyes softly closed. No other people are visible.Close photograph of a smiling man with eyes closed, wearing a saffron-orange turban adorned with white and pink flowers and a saffron-orange shawl draped over his shoulders. A red tilak mark sits on his forehead and a white jasmine garland hangs at his neck against a white cushion dotted with petals. A page-matched appearance cue is weak here, with the turban and saffron clothing consistent with a sannyasi but no unambiguous identity markers, so the person is described by role only.