Skip to content
Nithyanandapedia
Close-up photograph of a smiling man wearing a maroon-red turban decorated with gold ornaments and a gold pendant at the front, with a white-and-red forehead marking and thick rudraksha-style beaded necklaces in dark red over a bare shoulder. He has a black moustache and beard and a microphone clipped near his chest. Behind him is an ornate silver throne or backrest carved with a deity face and gold tassels. Single physical person, in a satsang setting.

More like this

Open the gallery
January 02 20202020-01-02January 02 20202020-01-02 +1 copiesClose portrait of a smiling man in a maroon silk turban decorated with a crescent moon, a white jewelled brooch and rudraksha beads, with white and maroon tilak on his forehead. He presses his palms together in greeting beside a black microphone, wearing layered rudraksha malas, gold and kundan necklaces, a jewelled armlet and multiple rings. Behind him is an ornate silver-embossed throne with gold tassels.2019-12-27A photograph of a smiling man seated on an ornate silver throne with embossed figures and gold fittings, in front of a blurred tree backdrop. He wears a maroon turban with gold and coral ornaments, white and red forehead markings, multiple strands of red rudraksha beads across his chest and arms, a large gold pendant necklace, and a maroon garment. A microphone stand is visible beside him. Appearance-based candidate (probable): this man is shown with a turban, distinctive red rudraksha malas and ornate gold jewellery, seated as a teacher addressing an audience during a satsang discourse.2020-01-02 +1 copiesJanuary 02 20202020-01-02 +1 copiesJanuary 20 20202020-01-20 +1 copiesNovember 09 20192019-11-09January 08 20202020-01-08 +1 copiesA smiling man in a maroon-red turban with a gold and jewelled brooch sits before an ornate silver and gold throne with a lion-face motif. He wears many strands of rudraksha beads, a heavy gold pendant necklace, rudraksha armbands, a gold armlet and a maroon garment, with a white-and-gold trident mark on his upper arm and a vertical kumkum mark on his forehead. A microphone boom is at right. Swamiji (probable): the appearance cues are the layered rudraksha malas, ceremonial gold necklaces, a crown-like turban and ornate ritual clothing, consistent with the page's claim of his presence at a satsang discourse.2020-01-07 +1 copiesA smiling man in a maroon-red turban decorated with rudraksha beads and a silver ornament reclines against an ornate silver backrest with embossed figures, while holding a microphone stand with raised hand. He wears layered rudraksha malas, red-brown bead bangles on the arm, and heavy gold ceremonial necklaces with pendants. A red tilak marks his forehead. The background is deep red. Swamiji (probable) appears as the speaker in this satsang setting, identified by the turban, rudraksha malas, gold necklaces and microphone with ornate throne-like seat.2019-12-31A seated man in a maroon-red turban decorated with beaded red trim and a central jewel, eyes closed and smiling, raising one palm in blessing while the other hand rests on his knee. He wears layered rudraksha malas, heavy gold chains and pendants, red beaded armbands and a red-beaded waist garment with matching red drapery. Behind him is an ornate silver throne with a carved lion face. Swamiji (probable): the figure wears a red turban, ornate gold jewellery and rudraksha malas consistent with the page's Nithyananda Paramashivam context, and is seated on a throne in a ceremonial pose.2019-12-31Close-up photograph of a smiling man wearing a deep maroon turban wrapped with rudraksha beads and a gold serpent ornament. He has a white vibhuti band with a red kumkum dot on the forehead, blue lips and a gold ear ornament. He raises one hand in a gesture with jewelled rings and wears layered rudraksha and gold-bead necklaces and bracelets. Behind him is an ornate silver and gold decorated surface and a purple dusk sky over hills. Swamiji (probable) appears as the central figure, identifiable by the maroon turban, rudraksha and gold ornaments.2019-12-25