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Nithyanandapedia
A photograph of a man seated on an ornate golden throne with lion-head armrests and brown leather upholstery, in front of a seated audience. He wears a dark turban-style hairstyle, a red-orange robe with a draped shawl, a long rudraksha mala and a gold necklace, and a small red bindi on his forehead. He rests one hand against his face while holding his other hand near the armrest. Audience members in the foreground and background, many in orange-toned clothing, watch the event. The scene appears to be a talk or satsang in a large hall. Swamiji (probable) cues: the turban-style hair, rudraksha mala and ornate gold necklace, with the seated throne and audience consistent with an event setting.

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December 21 20152015-12-21Swamiji (probable) sits on an ornate gold-trimmed brown leather throne with golden lion-head armrests, wearing a rust-orange robe, a multi-strand rudraksha mala, a gold necklace, a red bindi and a headset microphone, with his long dark hair swept up. Seated audience members in orange and white clothing fill the foreground and background of a hall.2015-12-21December 22 20152015-12-22A man with a lifted, voluminous dark hairstyle sits on an ornate brown leather throne with gold-carved lion-head arms, speaking into a small head microphone while gesturing with his right hand. He wears a rust-orange wrap over bare shoulders, a dense multi-strand rudraksha mala, a gold pendant necklace, and a red bindi on his forehead. Behind him, a seated audience in casual clothes and orange lanyards listens in a large hall. a person is seated centre on the throne, teaching a convention audience.2015-12-22A person seated on an ornate golden throne with brown leather cushioning, dressed in rust-red and orange-red robes with a rudraksha mala and a gold necklace, wearing a small red bindi and a headset microphone, with a tall swept-back dark hairstyle, smiling and gesturing with one hand. Audience members in orange, white and dark clothing sit around and behind him in a large hall. a person seated as the speaker; the throne, robes and rudraksha mala are the visible cues.2015-12-21December 15 20152015-12-15 +1 copiesDecember 22 20152015-12-22A seated man in a rust-orange robe sits on an ornate gold-and-brown leather throne with carved golden lion heads on its arms, one hand resting against his chin. He wears layered rudraksha mala necklaces, a green bead strand, a gold pendant, a red wrist thread and a gold bracelet, with a red bindi on his forehead and dark hair tied up in a high knot. A small microphone is clipped near his face. Behind him and around the throne sits a large audience of men and women, many in orange lanyards and white or saffron clothing, with a wooden stand edged in orange at the lower right. The hall has gold-toned wall panels.2015-12-22A seated figure in a gold-framed brown leather throne with golden lion armrests sits with palms pressed together in namaste at the centre of the frame. He wears a tall dark wrapped head covering with yellow flowers, a long multi-strand rudraksha mala, a gold pendant, and an orange-saffron dhoti and waist cloth, with bare upper body. A red-orange tilak marks his forehead. Behind and around him, many seated devotees in white, orange and pink clothing sit with hands folded, and a man in white stands at the top of the frame. Another bald man in glasses at the lower left also presses his palms together. The setting appears to be a large hall with wooden wall panels.2015-12-20December 21 20152015-12-21A smiling man with long swept-back dark hair and a red bindi sits on an ornate golden lion-armed throne with a brown leather seat. He wears a saffron-red robe, multiple rows of rudraksha mala beads, a gold necklace and a wrist bracelet, with a small headset microphone at his ear. Audience members in the background, some partially visible, watch from a dim hall. Swamiji (probable): the seated figure's long swept-back hair, rudraksha malas and saffron robe match the appearance cues, and the page flags him as present, though the appearance remains uncertain.2015-12-21December 22 20152015-12-22