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Five men stand in a row against a pale blue wall in an indoor room, with a framed picture visible at the upper right corner. The man second from the right wears a white shirt and dhoti and holds a pink folded paper against his chest with both hands. The elderly man in the centre wears thick glasses, a white shirt and white dhoti with a blue-striped cloth over his shoulder, and a white tilak on his forehead. Others in white shirts stand on either side, and the man at far right wears a checked shirt with dark trousers and a wristwatch. No saffron robes, crown or rudraksha malas are visible, so no a person candidate is identifiable.

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Vidwan panduranganarFive men stand in a close group against a pale turquoise wall beside a grey stone pillar, with a framed notice at the upper right. All wear white shirts and white dhotis. The man second from left has spectacles, a white forehead mark and carries a dark bag; the man third from left holds a small wrapped red-and-white parcel; the man second from right has a white forehead mark. No identity is established by appearance, and the page gives no printed name in this photo.Five people stand in a row against a pale blue wall beside a stone pillar, with a framed sign partly visible at upper right. From left, a woman in a mustard-yellow blouse and brown sari with a red bindi holds her hands at her chest. Next, an elderly man in white kurta and white dhoti wears glasses and white vibhuti lines on his forehead and holds his hands together. Beside him, a bearded man with white hair and glasses wears a white kurta and white dhoti, hands clasped. The fourth man wears a white shirt, white dhoti and a white forehead mark. At far right, a younger man in a white shirt and white dhoti has a white tilak and holds a small pen in his pocket. No deity murti, saffron robes, crown or rudraksha are visible; the scene reads as a group portrait of devotees.Vidwan panduranganarTwo men stand side by side on a tiled floor in a plain room with cream walls. The man on the left wears an off-white short-sleeved shirt and white dhoti with a small vertical tilak on his forehead. The older man on the right wears glasses, a cream long-sleeved kurta and white dhoti, holding a dark notebook or folder and a small booklet against his side. Behind them a wooden door, a framed grid of small photographs, a dark statue or carving on the wall, and folding chairs. The scene reads as a formal, informal portrait with no visible ritual activity.Indoor photograph of four people standing side by side against a pale blue-grey wall with a concrete pillar at left. On the far left a woman in a green patterned sari with a blue blouse and a red bindi stands with arms at her sides. Next to her a young woman in a red and beige sari with a red shawl draped over one shoulder clasps her hands in front. An elderly man in a white shirt and white dhoti with a white tilak on his forehead and thin-framed glasses holds a black bag. At far right a bearded man in a checked short-sleeved shirt and dark trousers stands with his hands at his sides. No ritual setting or deity is visible.Yogananda Puri +1 copiesVidwan panduranganarPhotograph inside a stone-pillared hall where a bald man in white dhoti and shirt with a white tilak on his forehead bends forward, hands clasped in front of him, beside a seated elderly man in white with white vibhuti tilak, glasses, a shawl with a patterned border and a garland of white flowers and red blossoms across his lap. Behind them sit a row of devotees: a woman in a pink saree, a young boy in a turquoise shirt, an older woman in a pink-and-white saree, and men in white. Blue-green walls and a wooden beam frame the background.Vidwan panduranganarA group of eight men in white dhotis and white shirts sit on blue plastic chairs in front of a gold curtain, with a wall fan and pink tiled wall behind them. Two men stand at the back. The seated man second from left in the front row has glasses and a white-striped vibhuti/tilak mark on his forehead, and another man in front wears glasses and a gold wristwatch. A purple logo with a stylised bird appears on the wall at the upper right. Their hands are folded or resting on their laps. The scene looks like a casual group portrait at a convention-style venue, with no a person visible.Vidwan panduranganar