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Nithyanandapedia
A smiling man in a rust-orange turban and matching orange robe sits cross-legged on a red velvet throne with silver-patterned trim. He wears multiple tiers of rudraksha malas, rudraksha armlets and wrist beads, a gold necklace, and a red tilak on his forehead. A microphone stand is at his side, and behind him is a dense arch of red, yellow, white and pink flower garlands. His hands are folded in his lap. Swamiji (probable) is seated in a satsang setting, identified by his rudraksha malas, orange robes and turban.

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A seated man in a rust-orange turban and matching orange robes with beaded trim sits cross-legged on a red-cushioned silver throne, speaking into a headset microphone. He wears layered rudraksha malas and a gold necklace, with a red tilak on his forehead. Behind him are dense garlands of yellow marigolds, white flowers, purple blooms and orange roses, and a gilded ornamental figure stands at the left edge. Swamiji (probable): the orange turban, rudraksha malas and ornate gold necklace on the figure seated on the throne match the page's account of a discourse. The man is the only person visible.2017-11-24 +1 copiesA smiling man seated cross-legged on a red velvet cushioned throne with an ornate silver base, raising one hand in a blessing gesture while the other rests open on his knee. He wears a rust-orange turban with a red tilak on his forehead, an orange-red drape, and several strands of brown rudraksha malas with gold-capped beads and a gold necklace. A microphone on a stand is near his face. Behind him is a backdrop of yellow, white, red and green flower garlands arranged in arches.2017-11-24November 24 20172017-11-24A photograph of a smiling man seated on a red velvet throne-style chair in front of a floral backdrop of red, white, yellow and pink flower garlands arranged in arches. He wears a rust-orange turban with a vertical tilak on the forehead, an orange-saffron wrap and dhoti with a gold border, several layered rudraksha malas across his chest, rudraksha armlets and wrist bracelets, and a gold pendant necklace. He holds his hands together in his lap and speaks into a microphone on a stand. Probable Swamiji cues: long hair, saffron ornate clothing, rudraksha malas and gold necklace, seated as the discourse speaker.2017-11-27November 24 20172017-11-24November 24 20172017-11-24 +1 copiesNovember 27 20172017-11-27A man seated on a red velvet throne speaks into a headset microphone during a satsang. He wears a rust-red turban with a sandalwood-and-kumkum tilak on his forehead, a rust-red sleeveless robe with gold border, layered rudraksha malas, rudraksha bracelets and a gold pendant necklace. Behind him is a wall of garlands of red roses, white and yellow flowers and green leaves. A small framed photograph and a silver-ornamented table stand at his side, with flower petals scattered on the floor.2017-11-27November 24 20172017-11-24A seated man in an orange-rust turban and matching rust-orange robe sits before a backdrop of marigold and yellow flower garlands arranged in bands of red, white and purple. He wears long rudraksha mala garlands with gold spacer beads and a gold necklace, has a red tilak on his forehead, and holds his hands folded in his lap. A small microphone stand is at right. Swamiji (probable): the saffron/orange robes, turban, long hair and rudraksha malas match the page's reference to Paramahamsa Nithyananda at a session, so the identification is appearance-based only.2017-11-24A smiling man in a rust-orange turban and matching orange robe sits cross-legged on a red velvet cushioned seat with a silver-carved base, speaking into a headset microphone. He wears multiple strands of rudraksha mala with gold beads and a gold pendant necklace, and has a red tilak on his forehead. Behind him is a large arrangement of yellow, white, red and purple flower garlands in arching bands. The setting appears to be a satsang or discourse stage. Appearance-based probable identification as a person: his turban, orange robes, rudraksha malas and gold necklace are consistent with the page's claim, though the face is not used for identification.2017-11-24November 27 20172017-11-27