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Nithyanandapedia
A smiling man in a saffron-orange turban and matching saffron-orange draped robes stands against a plain black backdrop, raising his right hand in a greeting gesture. A small red bindi-style mark is visible on his forehead. The wrapped turban and orange cloth are the prominent visual elements, and a wooden ceiling edge runs across the top of the frame.

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A single man stands against a plain black backdrop with a wooden-slatted border above. He wears an orange-saffron turban and matching saffron robe draped over one shoulder, with a red bindi on his forehead. He smiles and raises his right hand in a palm-out blessing gesture. Visible cues are limited to the orange turban and robe; his identity cannot be confirmed from appearance alone.2002-01-012002 - Glimpses From Various Programs2002-01-012002 - Glimpses From Various Programs2002-01-012002 - Beautiful Pictures2002 - Glimpses From Various Programs2002-01-012003 - Sacred collection UncategorizedDecember 2002 Rare-Collections-From-20022003-01-01December 2002 Rare-Collections-From-20022002 - Beautiful PicturesA smiling man in a saffron-orange turban and saffron-orange draped robe sits against a dark background, with a red kumkum or tilak mark on his forehead. His dark hair is visible at the side below the turban. He looks off to the side with a soft smile. The image is a close-up portrait, with a faint logo in the upper left corner.A standing man in a saffron-orange turban and matching orange draped robe, a red bindi on his forehead, raises his right palm toward the viewer in a blessing gesture against a plain dark backdrop. Light holds the warm fabric folds of the wrapped shawl over his left shoulder. A faint copyright line appears in small print at lower right.A smiling young man stands against a plain black backdrop, wearing a saffron-orange turban and a matching saffron-orange wrap draped over his shoulders and body. He has a small red bindi on his forehead and raises his right hand in a palm-out blessing gesture. The studio portrait is simple and frontal, with no other people, objects or setting visible. The man's appearance is consistent with a sannyasi in saffron robes, but the page does not establish identity and his face is not used for identification, so the figure is described by role only.