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Nithyanandapedia
A seated speaker on a gold-carved throne gestures with both hands, one index finger pointing to the left, while speaking into a headset microphone. He wears an orange-saffron garment, layered gold necklaces, a red-and-green beaded garland, gold bangles and armlets, and a red bindi. Behind him, an ornate gold throne back and deep red velvet drapery frame the stage. A golden lion-headed armrest and a beaded cushion sit in the foreground.

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A man seated on a red velvet chair in front of a large gold-coloured ornate backdrop, speaking into a head-mounted microphone. He wears a saffron-orange shawl over the shoulder and torso, a rudraksha-style bead necklace and a heavy ornate gold pendant necklace, gold bangles on both upper arms and wrists, gold hoop earrings, and a white vertical tilak with a red dot on the forehead. His left hand is raised in a gesture while his right rests on the armrest. Red velvet curtains and a gold lion-headed armrest appear at the edges. Only the one person is physically present.2013-06-26January 15 20132013-01-15A photo of a seated person giving a satsang discourse on a golden throne with an ornately carved gilded backrest and a gilded lion-head armrest in the lower left. The person wears an orange-brown ochre robe, layered rudraksha malas, a gold necklace, gold earrings, a red and gold flower garland, and beaded bracelets. A white tilak and red bindu mark the forehead, and a small microphone is clipped near the ear. The raised right hand gestures mid-talk against a dark maroon curtain. a person is shown in an in-person satsang setting, matching the page's Kathopnishad discourse.2013-01-31A seated man in an orange-saffron shawl draped over one shoulder and bare-shouldered, wearing a long layered gold bead necklace and a lavish gold ornamental pendant, raises his right hand while speaking into a headset microphone. He has long swept-back dark hair, a white vibhuti marking with a red kumkum dot on his forehead, and gold hoop earrings. His left hand rests on a silver staff or ceremonial rod. He sits on a red velvet seat in front of an ornate gold-embossed backdrop and maroon drapes. Probable Swamiji cues include the saffron shawl, ornate gold beads and swept-back hair, consistent with a discourse setting.2013-03-05 +1 copiesFebruary 17 20132013-02-17A man with long swept-back dark hair, a red bindi and a small wireless microphone near his mouth sits smiling on a plush maroon velvet throne. He wears an orange-saffron wrap, a long rudraksha mala, multiple gold chains with pendants, and rudraksha bracelets on his upper arms. Behind him a large ornate gold throne back and a gold lion-head armrest frame the scene against burgundy drapes. The figure is an appearance-based a person (a person) giving satsang discourse from the throne.2013-01-16January 31 20132013-01-31A seated man speaks during a satsang on a red velvet throne with an ornate gold carved backrest and a gold lion-head armrest in the foreground. He wears an orange-saffron garment over his shoulder and bare upper arm, multiple rudraksha malas, a gold chain necklace, beaded armbands, a red bindi and a head microphone. His long dark hair is worn loose and he gestures with one raised hand while speaking. The background is a deep maroon curtain. Probable Swamiji: long swept-back hair, saffron clothing, rudraksha malas and ceremonial gold necklace while seated in the central teaching seat.2013-01-21January 31 20132013-01-31A man seated on an ornate golden throne in front of deep maroon velvet drapery, speaking animatedly with both hands gesturing forward. He wears an orange-saffron cloth draped over his shoulders and a thick multi-strand rudraksha mala with a gold ceremonial necklace. A horizontal white tilak with a red dot marks his forehead, and a small microphone is clipped near his mouth. A golden carved lion head sits at the lower left of the frame. The scene resembles a seated satsang discourse. Swamiji (probable): long dark hair swept back, saffron clothing and rudraksha malas match the page's description of Nithyananda Paramashivam.2013-01-15June 12 20132013-06-12January 21 20132013-01-21