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Nithyanandapedia
A photograph of a seated figure on an ornate golden throne with a golden lion carving, in front of a large heart-shaped backdrop of yellow, orange, and multicoloured flower garlands and jewelled panels. The central figure wears a red turban with a gold emblem, an orange-red robe, multiple garlands of purple and white flowers, and a rudraksha mala, and holds a small golden object. Beside the throne, a standing attendant in a white dhoti with gold borders and a rudraksha necklace holds a black case, and a golden trident stands behind. A brass oil lamp and a microphone stand are visible at the right, with flower garlands framing the stage pillars. Appearance cues are consistent with a person, but the face is not distinctly clear enough to confirm, so the candidate is marked unsure.

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A photograph of a seated figure on an ornate golden throne with lion-shaped armrests, set before a large heart-shaped backdrop of red, yellow and green bands studded with white and coloured ornaments. The central figure wears a red-orange turban, orange-red robes, layered purple and white flower garlands, and holds a small golden instrument while smiling. A trident stands beside the throne. To the left, a standing attendant in white dhoti with gold borders and a rust-coloured shawl leans toward the throne, holding an open book. Brass lamps and carved stone pillars frame the stage, and garlands decorate the edges.2016-01-03A seated figure in saffron-red robes and a red turban with a silver crescent ornament sits on an ornate golden throne with lion-head armrests, smiling, wearing a white flower garland, a gold pendant and a rudraksha-style bead mala. Beside him a man in white traditional dhoti with gold border and bare upper body, wearing arm bands, holds the robe on the throne and gestures toward it, while a trident stands behind. Behind them a large heart-shaped backdrop of yellow and orange marigolds framed by mirror-work and jewelled panels, with a golden lamp stand at right. The image shows a satsang stage with a microphone on a stand.2016-01-03January 03 20162016-01-03January 03 20162016-01-03January 03 20162016-01-03 +1 copiesJanuary 03 20162016-01-03A photograph of a seated figure on an ornate golden throne flanked by two golden lion sculptures, in a temple-style hall with carved stone pillars. The figure wears a red-orange turban, a saffron-red robe, a rudraksha-style mala with gold ornaments and a purple-white flower garland, and gestures with raised hands before a microphone on a stand. A trident stands beside the throne, and a large heart-shaped backdrop of gold, red, yellow and green flower garlands and jeweled patterns frames the seat, with brass oil lamps on either side. Swamiji (probable): the seated figure has long dark hair falling behind the throne, a red-orange turban, a rudraksha mala and ceremonial gold necklaces, consistent with appearance cues for the page's subject, but this is an appearance-based label only.2016-01-03January 03 20162016-01-03A photograph of a seated guru on a large gold throne with golden lion armrests and a heart-shaped backrest framed in multicoloured stones, garlands of yellow and orange marigolds, and a red-and-gold ornamental arch behind. The seated figure wears a red turban, an orange-red robe, a gold necklace and a purple flower garland, and holds the armrests. A standing attendant in white on the left gestures toward the throne, and another man in white stands near the right edge. A microphone stand and a gold oil lamp stand beside the throne, with an orange cloth draped on the golden platform.2016-01-03A seated man in a rust-red turban and matching rust-red dhoti-style garment sits on an ornate golden throne with a heart-shaped backrest covered in jewelled panels of red, green, blue and purple and pearl-like beading, flanked by golden lion-shaped armrests. He wears a long pink and white flower garland, a heavy gold necklace and multiple gold bracelets, and smiles while speaking into a microphone on a stand. A small wooden stool holds an orange flask and a steel cup, and red velvet drapes frame the stage. The page indicates the discourse of 11 October 2016, but the figure's appearance is not distinct enough to confirm his identity.2016-10-11 +1 copiesJanuary 03 20162016-01-03January 03 20162016-01-03