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Nithyanandapedia
A smiling man sits on an ornate gilded throne carved with peacock-like and scrolled motifs, with a red cushion beside him and a microphone on a stand in front of him. He wears a rust-red turban with a small red bindi on his forehead, a rust-red shawl over his bare shoulders with a gold edge, a long rudraksha mala and gold bangles on his upper arms. Gold earrings and a gold necklace are visible. Identity is uncertain from appearance alone. A carved golden lion head is partially visible at the left edge.

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January 10 20162016-01-10A man seated on an ornate gilded throne with carved gold scalloped backrest and a golden lion armrest on the left, smiling broadly while speaking into a microphone on a stand. He wears a rust-red turban with a red bindi on his forehead, a rust-red shawl draped over his shoulders with gold edging, a long rudraksha mala with large beads, a thin gold necklace, gold bangles on both upper arms and wrists, and gold earrings. His right hand rests near the mala. Behind him is a dark red backdrop and a red cushioned seat. A small blue bird logo appears in the upper left corner. Swamiji (probable): the figure has a turban, ornate ceremonial gold ornaments, a long rudraksha mala and a shawl, seated on a throne while addressing an audience, matching a role consistent with a discourse.2016-01-10January 10 20162016-01-10January 10 20162016-01-10A smiling man seated on an ornate gilded throne with carved scale-like patterns and red velvet cushions. He wears a rust-red turban with a small red bindi on his forehead, a rust-red drape with gold border, multiple rudraksha mala necklaces, gold bangles on his upper arms and wrists, and gold earrings. A microphone on a stand is near his chest, indicating a discourse or satsang. Swamiji (probable): the rust-red turban, rudraksha malas and ceremonial gold ornaments with a seated throne fit the appearance cues, so he is presented as the in-person speaker.2016-01-10A smiling man seated on an ornate gold throne with carved peacock-feather style backrest, wearing a rust-red turban with a red bindi on his forehead, a rust-red shawl with gold border over his body, and multiple rudraksha mala strands hanging on his chest and shoulders, with gold bangles on his upper arms and wrists. He gestures with his right hand in front of a microphone on a stand, while his left hand rests on his lap. The setting is a stage with a gold-and-red throne.2016-01-10January 10 20162016-01-10 +1 copiesA smiling man seated on an ornate gold throne with embossed scrollwork and carved swirls behind him. He wears a rust-red turban with a red bindi on his forehead, a rust-red shawl over his shoulders with gold border, and a long mala of large brown rudraksha beads. Gold bangles adorn his upper arms and wrists, and gold earrings hang from his ears. A microphone stands in front of him. a person: the distinctive combination of rudraksha mala, ornate gold ceremonial attire and throne setting is consistent with the page's reference to a person at a satsang event.2016-01-10January 10 20162016-01-10A seated man in a red-orange turban and matching saffron-red robe with gold border sits on an ornate gold throne carved with scale and bird motifs, smiling with eyes closed while speaking into a black microphone on a stand. He wears a long multi-strand rudraksha mala, a gold necklace, gold bangles on both upper arms and wrists, and a red bindi on his forehead. Red velvet cushioning lines the throne. Swamiji (probable) cues: a swept-turban headdress, saffron-orange robes, rudraksha malas and ceremonial gold ornaments, seated as a speaker on a throne during a discourse.2016-01-10A smiling man seated cross-legged on an ornate golden throne carved with scrolls and a lion-form armrest at left. He wears a maroon-red turban with a red bindi, a rust-red shawl over the shoulders with a gold border, a long rudraksha mala, gold armbands and bangles, and holds a mala in his hands. A microphone stands at his right. Behind him, a dark backdrop and a partial head of a seated audience member are visible.2016-01-10 +1 copiesJanuary 10 20162016-01-10