Skip to content
Nithyanandapedia
A seated man in an ornate gold throne with carved lion-shaped armrests sits on a red-draped stage before a painted backdrop of a large banyan tree. He wears a rust-orange shawl over one shoulder, a gold bead necklace and a dark rudraksha mala, with a red bindi on his forehead and a blue thread on his wrist. He rests his hands on a white table holding a black Yamaha keyboard, and a steel tumbler sits nearby. In the foreground, the backs of seated devotees in white headbands and white clothes, one raising an arm, face the stage. Swamiji (probable): the long hair, orange shawl, gold necklace and rudraksha mala are visible cues for the figure on the throne.

More like this

Open the gallery
May 31 20152015-05-31A man seated on an ornate gold throne with carved lion-head armrests, in front of a painted backdrop of a large banyan tree with hanging aerial roots and orange sunlit sky. He wears an orange-red robe, a long gold bead necklace and a rudraksha mala, with a red tilak on his forehead and a bracelet on his wrist. He is gesturing with one hand while speaking, and a Yamaha keyboard and a white lectern sit in front of the throne with a steel tumbler on a table to the right. Appearance-based probable Swamiji cues include the swept-back hair, ornate gold necklace and saffron-orange robes on the throne. Audience hands are visible at the bottom edge of the frame.2015-05-31A seated man in saffron-orange robes sits on an ornate gilded throne with carved lion-head armrests and red velvet cushions, in front of a painted banyan tree backdrop with glowing orange sunlight. He wears a long rudraksha mala and a ceremonial gold bead necklace, a red bindi, and a bracelet on one wrist. A white lectern with a Yamaha device sits in front of him, with a steel tumbler on a side table. Swamiji (probable) is seated in the centre, addressing a satsang, with long swept-back hair, rudraksha mala and gold necklace.2015-05-31A smiling man in saffron-orange robes sits cross-legged on an ornate golden throne with a brown leather seat and carved golden lion-head armrests, a gold pendant on a beaded necklace and a red-and-gold forehead mark. A bright ornamental lamp-like object and a Yamaha amplifier with a microphone stand sit before him. Behind him, devotees in orange and white clothes sit in an audience. a person: the man has a distinctive combination of cues, including saffron clothing, rudraksha-style beaded mala, ceremonial gold pendant and a throne, and is positioned as the central speaker.2015-09-18May 14 20152015-05-14May 09 20162016-05-09July 26 20152015-07-26 +3 copiesA seated man with eyes closed sits on an ornate gold-and-throne-like seat in front of a stage backdrop of ornate silver and gold sculptural decorations. He wears a maroon and gold-bordered dhoti-style garment, a thick multi-strand beaded rudraksha-style mala, a large gold pendant with a deity-like figure, a red bindi on his forehead, and a red-and-blue thread bracelet on his wrist. A microphone stands near his face, and a Yamaha keyboard unit is in front of him on an orange-draped table. Gold lion or ganesha-style sculptures flank him.2015-09-16July 16 20172017-07-16A man with long dark hair tied back sits cross-legged on an ornate golden throne with lion-shaped armrests and red velvet cushions, in front of a painted backdrop of a large banyan-like tree with hanging aerial roots against orange sunrise rays. He wears an orange-saffron robe draped over one shoulder, a rudraksha mala and a long ceremonial gold bead necklace, and a red bindi on his forehead. His hands rest on a white podium with a Yamaha keyboard unit and a steel cup on it. A raised hand of an audience member appears at the lower left. Only a partly visible hand and arm are seen of the audience, so the persons present cannot be counted beyond that. a person appears on a throne in a satsang setting, though the identification is based on appearance cues: the robe, rudraksha mala, gold necklace and throne are consistent, so this is a probable match.2015-05-31September 12 20152015-09-12 +1 copiesMay 21 20182018-05-21