1996 - Puja Manual Handwritten by HDH - Nithyanandapedia

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1996 - Puja Manual Handwritten by HDH

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1996 - Puja Manual Handwritten by HDH

1996 - Puja Manual Handwritten by HDH

A sepia-toned scanned triptych of three seated portrait photographs placed side by side. On the left, a figure in pale white robes and a light turban sits with hands folded. In the centre, an older bearded man with a shaved head wears a white dhoti and shawl and sits cross-legged with hands in his lap. On the right, a figure with long dark hair drapes a light cloth over the head and sits in meditative posture. The backdrop is plain and the panels appear aged, with faded edges.

A painted wall mural shows three figures against a blue and white background on a tan platform. On the left, a woman with long dark hair wears a white sari with a red border and a red bindi, seated cross-legged with hands folded. In the centre, a bearded man sits cross-legged in a white cloth wrap with hands in his lap. On the right, a standing figure wears a red-orange turban, a red-orange robe and a red sash, with arms folded. A small framed plaque is visible at the top right. This is a depiction in painted art, not a physical person present.

A framed sepia photographic print with three side-by-side portraits of seated figures against a dark red cloth background. The left figure wears a white turban and a flowing white robe with hands folded in the lap. The centre figure is bare-chested with a white wrap over one shoulder, seated cross-legged with hands clasped, and has a grey beard. The right figure, a woman with long hair and a white shawl draped over her head, sits with hands folded. Two of the three portraits are of older devotional figures, presented as an archival keepsake in the Pushpa Samadhi collection.

Interior wall of a small room with a framed triptych print of three seated saints on a red-bordered frame. The left figure wears a saffron-orange robe and turban; the centre figure is bare-chested with a white cloth draped over one shoulder, seated cross-legged; the right figure has long dark hair and wears a white shawl, hands folded. Below is a recessed niche holding a folded cloth bundle. A smaller framed portrait of an elderly bearded man hangs at lower left and a framed photo of a smiling woman in white at lower right. Two silver-framed deity images hang higher on the wall at upper right.

A three-panel collage of photographs showing people in a ritual or satsang setting. Top panel: a woman in white clothes sits cross-legged on a mat with her hand raised to her face beside other seated women in red and pink, with an oil lamp and a brass plate in front. Middle panel: two men in white dhotis with white ash markings on their foreheads and arms, one with a dark mala necklace, perform a hand gesture at the nose beside a bare-chested man. Bottom panel: three women in orange robes sit cross-legged, each with a hand raised to the nose, with a brass plate of offerings nearby and a gold-patterned cloth backdrop. The collage depicts a nasal gesture practice during a ritual sitting, with the people shown in the panels.

2011-11-08 +1 copies

May 12 2002

July 14 2010

A four-panel collage of photographs showing a shaved-headed boy and later a young man seated in meditation or yoga postures. Panel one shows a bare-chested boy seated cross-legged on a white cloth against a plain background, with a dhoti-like cloth around his waist. Panel two shows a bare-chested youth in a similar seated pose before a rocky, mountainous backdrop. Panel three shows a seated figure in orange-saffron robes in a meditative posture against green hills. Panel four shows a seated figure in orange robes with a bare head, hands in meditation mudra, against a blue-grey background. The panels are arranged left to right in a horizontal strip.

2022-05-10 +1 copies

Black-and-white studio photograph of a bearded man seated cross-legged on a floor, bare-chested and wrapped in a light cloth draped over one shoulder and around the waist. His hands rest folded in his lap, his mouth slightly open as if speaking, and he looks toward the camera against a plain, softly shaded arched backdrop. The image appears to be an old historical portrait; it shows one physical person and no printed text. The page names Sri Ramakrishna, but nothing visible in the photograph establishes that identity, and no a person candidate is present in the image.