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A photograph inside a hall where a bearded man in orange-brown robes with a long rudraksha mala and a shawl sits on an ornate silver-and-red throne, raising one arm. He holds a small trident-topped staff. A silver trident stands at left, and a microphone and small equipment sit on a wooden stand in front. Seated devotees in white and orange clothing fill the background, and a red banner hangs on the wall. The man has long swept-back hair, which matches the page's a person cues, so this is an appearance-based probable identification.

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A seated man in saffron-red robes and a long orange shawl raises his right arm high while seated on an ornate silver throne with a red velvet back. He wears a rudraksha mala and a gold necklace, with a trident-topped silver staff beside him. Seated devotees in white and orange clothing fill the hall behind him, and a laptop sits on a wooden stand in front. a person appears to be leading the session from the throne.2017-03-16A seated man in an orange-saffron dhoti and shawl, with a long rudraksha mala and a gold chain, raises one hand while holding a silver trishula. He sits on an ornate silver-and-red throne in a hall where rows of seated devotees in white and orange clothing are present. A silver trishula stands at left and a small lectern with a microphone is in front. Banners hang on the walls behind. The man's appearance matches the a person cues of a long swept hair, rudraksha mala, saffron garments and ceremonial gold necklace, and he is presiding over the gathering as its teacher. Several people in the foreground wear white ritual clothes with orange shawls.2017-03-16March 16 20172017-03-16A man with long swept-back dark hair, a full beard and a tilak on his forehead sits on an ornate silver-and-red throne, wearing an orange-saffron shawl and a large rudraksha mala with a gold necklace. He holds a silver trident staff and rests his hand on the armrest, speaking into a microphone on a wooden stand near a keyboard. Behind him, a seated audience in white and saffron clothing fills a hall, with a silver trident staff in the left foreground. Swamiji (probable) is seated on the throne, identified by his long hair, saffron shawl, rudraksha mala and ceremonial gold necklace.2017-03-16A man seated on an ornate silver-and-red throne with carved silver armrests and lion-head finials, raising one arm high while holding a silver staff in the other hand. He wears a rust-orange robe, a long gold necklace, rudraksha beads on his wrist, and a tilak on his forehead; his long hair is tied up. Behind him are sheer red-and-pink stained-glass style panels. Several seated devotees in white and orange clothing, some with shaved heads, sit in the audience, and a small silver stand with a lamp sits at the right. Swamiji (probable): the seated figure with long swept-back hair, saffron-orange robe, gold necklace and rudraksha wrist beads, seated on a throne, matches the page's Swamiji appearance cues.2017-07-31A man in a saffron-orange robe and a long rudraksha mala stands at a wooden lectern beside a red velvet throne with an ornate silver frame, holding a small red-and-gold ceremonial implement in one hand. Long dark hair, a full beard and a tika mark are visible. A young man in white with a red tilak and rudraksha beads sits at the right edge with eyes closed. A tall silver trident stands at the left, and a microphone and small mixing unit sit on the lectern. Several seated devotees in white and saffron are in the foreground and background, beneath a red banner with white lettering.2017-03-16March 16 20172017-03-16 +1 copiesA seated speaker in a saffron-orange robe with a rudraksha mala and a tilak on the forehead raises one hand mid-discourse while sitting on an ornate silver-and-red throne beside a tall silver trident. Around him, seated devotees in white clothes and orange shawls listen; a few wear white headbands. A silver lion figurine rests at the base of the throne and a small table holds a white cup and a Yamaha keyboard. A large silver trident stands in the left foreground, and a framed painting hangs on the wall behind the audience. The scene is a satsang discourse hall.2017-03-10A seated man on an ornate silver-and-red throne at a satsang hall, eyes closed, holding a small trident-tipped staff and a mudra with his right hand. He wears a rust-orange robe, a long rudraksha mala draped to the chest, and a white tilak on his forehead. A tall silver trident stands at left. Seated devotees in white and saffron surround him, some with hands in anjali, and a large screen displays red imagery behind. A silver lion figure sits on a side table with a sound unit. a person is seated on the throne as the speaker, with distinctive rudraksha mala and saffron-orange robes.2017-03-10A photograph of a satsang hall where a bearded man with long dreadlocked hair sits on an ornate silver-framed red velvet throne, gesturing with his right hand while speaking. He wears an orange-brown saffron robe, a long brown rudraksha mala around his neck and a tilak on his forehead. A tall silver trident stands beside the throne, and a small table holds a microphone and a red cup. Around him seated devotees in white dhotis with orange shawls and women in white saris listen attentively. A large framed picture hangs on the pink wall behind. The man is an appearance-based probable candidate for Swamiji, given his long hair, saffron clothing and rudraksha mala.2017-03-10A man with long swept-back dark hair, a full beard and a red tilak on his forehead sits on an ornate white-and-red throne, wearing a saffron-orange shawl over his body and a long rudraksha mala with a gold necklace. He gestures with one hand over a small wooden side table holding a microphone, a small tray and incense sticks. A silver trident stands at left. Around him seated devotees in saffron, orange and cream clothes and white saris listen attentively, and a woman in a yellow sari with a red-brown head covering sits at left. The setting is a large hall with a red and white backdrop. A photo credit overlay in the lower right reads the copyright and source line.2017-03-16 +1 copiesMarch 10 20172017-03-10