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Nithyanandapedia
A man with long dark hair and a full beard sits smiling on an ornate gold and red throne, chin resting on his hand, during a seated talk. He wears rust-orange robes, a bare upper body with a brown rudraksha-style mala, and a long pink and white flower garland. A white tilak marks his forehead. A microphone stand is in front of him, and red velvet curtains and small lanterns fill the background. Swamiji (probable): long hair, orange robes, rudraksha mala and ceremonial garland on a gold throne, seated in a satsang setting.

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January 03 20172017-01-03 +1 copiesJanuary 03 20172017-01-03 +1 copiesA photograph of a smiling bearded man seated on an ornate gold throne with red velvet cushions, speaking into a microphone during a satsang-style talk. He wears a rust-brown robe draped over his shoulders and a long pink-and-white flower garland, with a white tilak on his forehead and a rudraksha-style bead necklace. His bare feet rest on a gold footstool, and a white cup sits on a small wooden table at left. Behind him are deep red curtains and hanging lanterns, with a striped rug on the floor. The page names Swamiji as present, and his appearance matches the presentation cues of long swept-back hair, a crown-less ceremonial garland, rudraksha beads and ornate gold seating, so he is described as Swamiji (probable), seated and speaking as the main subject.2017-01-03January 03 20172017-01-03January 03 20172017-01-03A smiling man with a white and red forehead mark sits on an ornate gold throne with red velvet cushions, wearing a rust-brown robe over bare shoulders and a long pink and white flower garland. He rests his hands together in his lap, a microphone stands beside him, and a red curtain and small lamp are in the background. A small card or framed photo sits on a side table at left.2017-01-03 +1 copiesJanuary 03 20172017-01-03A bearded man with long swept-back dark hair and a white tilak with red dot sits on an ornate gold-carved throne with red velvet cushions, speaking into a microphone. He wears rust-orange saffron robes, is bare-shouldered on one side, and has a long pink and white flower garland draped across his chest with a brown rudraksha mala. His bare feet rest on a gold footstool. Behind him hang deep red curtains and two lantern-style lamps; a white teacup sits on a small wooden side table. The striped rug beneath suggests a satsang setting.2017-01-03January 03 20172017-01-03 +1 copiesA smiling man with a bearded face and white vertical tilak with red dot sits on an ornate gold and red throne, wearing a rust-brown sleeveless garment and brown draped shawl. He wears a long pink and white lotus-bud garland, holds his hands clasped in his lap, and a microphone stands beside him. A red velvet curtain and a hanging lantern with a lit flame are behind him, and a small framed picture sits on a side table. Only one person is visible in the scene.2017-01-03 +1 copiesA smiling man with long dark swept-back hair and a full beard sits on an ornate gold and red throne, wearing a rust-brown saffron-toned robe with a rudraksha-style brown beaded necklace and a long pink and white flower garland. He wears white vertical tilak marks and a red bindi on his forehead, a red thread on his wrist, and has a microphone clipped near his chin. He rests one hand on his chin while looking to the side. A gold-carved footstool holds the end of the garland. Behind him are deep red curtains and a lit oil lamp on a bracket. The scene suggests a seated satsang discourse on a dais.2017-01-03A smiling man with long dark hair and a full beard sits on an ornate gilded throne with red velvet cushions, wearing a rust-brown draped robe over one shoulder and a dark rudraksha-style mala. He wears a white tilak with a red dot on his forehead and has a long pink and white flower garland draped across his body. His bare feet rest on a gilded footstool, and a microphone stand is positioned beside him. Behind the throne hang deep red curtains, and two lanterns and a teacup on a small side table sit to the left. The setting suggests a seated satsang or discourse.2017-01-03