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Nithyanandapedia
A man with long, loose dark hair and a red bindi sits cross-legged on an ornate gold-and-tan throne with a gilded, heavily carved backrest. He wears a saffron-orange garment draped over one shoulder with gold borders, matching orange trousers, and a heavy multi-strand gold bead necklace with a central gold pendant. He gestures with both open hands while speaking into a gooseneck microphone. Gold carved panels with Devanagari-style lettering run along the base of the throne. a person cues: long swept hair, saffron clothing, gold mala and ornate throne seating, though the appearance is only partly distinctive. Only one physical person is present.

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A man with long, swept-back dark hair sits cross-legged on a gold-upholstered throne in front of an ornate gilded backrest, smiling and gesturing with both hands in a meditation-like pose. He wears a saffron-orange draped garment with gold border and a long necklace of large gold beads, and has a red bindi on his forehead. A microphone on a stand is in front of him. The gilded throne edge bears Devanagari lettering. Swamiji (probable) appearance cues include the long swept-back hair, saffron clothing and ceremonial gold necklace, seated on a throne during a teaching setting.2011-01-29A photograph of a man seated cross-legged on a gold-upholstered throne before an ornately embossed gold backdrop, speaking into a gooseneck microphone and gesturing with his raised right hand. He wears a saffron-orange robe with gold-bordered edges, a heavy gold bead necklace with a gold pendant, and a red bindi on his forehead; his long dark hair falls past his shoulders. The gold lower border of the throne bears embossed script. Probable Swamiji, seated on the throne in the orange robe, long swept-back hair and ceremonial gold necklace, giving a discourse.2011-01-29A photograph of a seated man on an ornate gilded throne, dressed in saffron-orange robes with a gold-bordered shawl draped over one shoulder, wearing a heavy gold bead necklace and a red bindi. He sits cross-legged with a microphone stand in front of him and gestures with both hands while speaking. Long dark wavy hair falls past his shoulders. Behind him is a highly detailed gold repoussé backdrop, and the base of the throne carries a gilded inscription band. The setting suggests a seated discourse before an audience, though the audience is not visible. Swamiji (probable): long swept-back hair, saffron/orange robes and a gold bead garland are the qualifying cues for the seated speaker on the throne.2011-01-29A photograph of a man seated cross-legged on a gold-cushioned throne in front of an ornately carved gold backrest, speaking into a microphone on a stand. He wears a saffron-orange robe draped over one shoulder with a golden border, a long golden bead garland with a central pendant, and a red bindi on his forehead; his long dark hair falls past his shoulders. His palms are raised in an explaining gesture.2011-01-29A seated man sits cross-legged in lotus-style posture on a gold-upholstered throne-like seat in front of an ornate gilded backrest carved with floral and scrollwork patterns. He wears a saffron-orange sleeveless robe with gold borders and a matching orange lower garment, long swept-back dark hair, a red bindi on the forehead and a heavy ceremonial necklace of large gold beads. His hands rest open in mudra positions while he speaks, and a gooseneck microphone is positioned beside him. Swamiji (probable) appears as the central figure, shown seated and teaching in a discourse setting, with the distinctive long hair, saffron robes and gold necklace serving as cues.2011-01-29A man with long, dark, swept-back hair sits cross-legged on a golden-brown cushioned throne in front of an ornately embossed gold backdrop. He wears an orange saffron robe with gold border and a heavy gold bead necklace, with a red bindi on his forehead, and his right hand is raised mid-gesture while speaking into a gooseneck microphone. A gold-embossed base below the seat carries decorative Devanagari-style lettering. The figure's distinctive long hair, saffron robe and ornate gold necklace match the probable Swamiji cues described in the instructions, so this appears to be a depiction of a teacher giving a discourse.2011-01-29A seated man in an orange saffron garment with golden borders sits cross-legged on a tan cushioned throne in front of an ornate gold-carved backrest. He wears a heavy gold bead necklace, has long dark swept-back hair and a red bindi on his forehead, and his hands rest open on his knees in a meditative gesture. A microphone on a stand is positioned near his face. Probable Swamiji cues: long swept-back hair, saffron clothing, ceremonial gold necklace and a throne setting, presented as a discourse seat.2011-01-29A long-haired man in an orange saffron dhoti and shawl with gold-striped borders sits on an ornate gold-carved throne, wearing a heavy gold bead garland and a red bindi, raising his right hand in a blessing gesture. In the lower foreground a shaved-headed devotee is seen from behind.2011-01-29January 29 20112011-01-29February 27 20112011-02-27 +2 copiesA seated man with long dark wavy hair and a red bindi on his forehead sits on an ornate gold throne with repoussé floral carvings. He wears an orange saffron wrap with gold-bordered edges and a heavy multi-strand gold bead necklace with a central gold pendant. His right hand is raised in a mudra-like gesture while he gazes to the side. In the foreground, the bald head of another person is partially visible at the bottom edge. Gold-toned decorative panels and an orange cloth on the armrest frame the scene. Appearance-based label: Swamiji (probable), given the long hair, saffron clothing and ceremonial gold necklace.2011-01-29A seated man in saffron-orange robes speaks into a microphone on a stand, raising his right index finger as he teaches. He wears long dark hair, a red bindi, a rudraksha mala and a gold ornamental pendant necklace, and a gold armlet on his upper arm. He sits on an ornate gold throne with a red velvet cushion. Behind him, gold-carved panels and red drapery fill the stage.2011-02-26