A man in saffron-orange robes sits with palms pressed together in namaste on an ornate gold throne with a red velvet cushion, in front of a deep blue curtain. He wears a red tilak on his forehead. In the foreground, the heads of several seated listeners are partially visible at the bottom edge. A small microphone and a wooden stand with a rudraksha mala are at the left edge. - Nithyanandapedia

Nithyanandapedia

A man in saffron-orange robes sits with palms pressed together in namaste on an ornate gold throne with a red velvet cushion, in front of a deep blue curtain. He wears a red tilak on his forehead. In the foreground, the heads of several seated listeners are partially visible at the bottom edge. A small microphone and a wooden stand with a rudraksha mala are at the left edge.

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A man seated on an ornate gold throne with a carved, arched back and red cushions smiles broadly while wearing a full saffron-orange robe draped over his shoulders and body, with a red kumkum dot on his forehead. His hands rest folded in his lap. In the foreground at the bottom edge, the heads of several seated audience members are partly visible against a dark blue-grey drape.

2011-01-21 +1 copies

A seated man in an orange-saffron shawl sits on an ornate gold throne with a red cushioned seat, hands clasped in his lap and a small red bindi on his forehead. Blue draped curtains form the backdrop. In the foreground, the backs of several shaved heads of seated listeners are visible at the bottom edge, and a microphone stand sits at the left. The throne-seated figure is an appearance-based a person, with saffron shawl, short dark hair and bindi on a golden throne, while the others are devotees seen from behind.

A seated man in an orange saffron shawl sits on an ornate gold throne with a red cushioned seat and carved gold scrollwork, before a dark blue draped curtain. He has a red bindi on his forehead and a white forehead mark, hands folded in his lap. Two people's heads and shoulders are partially visible at the lower edge of the frame, one in the foreground left and one bald figure in the centre bottom, plus another at the lower right. A small ritual object sits at the lower left edge. The man's presentation is a shawl-wrapped figure on a throne with a bindi, but the visible cues are limited, so identity is uncertain.

A seated man in an orange saffron shawl sits on an ornate gold throne with carved scrollwork and red cushions, hands clasped in his lap, a red bindi on his forehead. Blue curtains hang behind him. Several people's heads and shoulders are visible in the foreground, including bald and dark-haired devotees, one wearing glasses, and a microphone stands at the left edge. The seated man is an appearance-based a person candidate: orange clothing and a ceremonial throne, with no hair, crown or malas clearly visible, so identity remains uncertain.

November 14 2010

A seated man in saffron-orange shawl sits on an ornate gold throne with a red cushioned seat, against a blue draped backdrop. He has a red bindi and white forehead marks, and his hands rest in his lap. Blurred heads of seated devotees and a bald monk appear in the lower foreground, with a microphone and a gold-trimmed table at the left edge. a person: the man wears a saffron shawl and sits enthroned with a red bindi and forehead markings, consistent with the page's a person label.

October 21 2010

2010-10-21 +2 copies

A seated man in an ornate golden throne with a red cushion sits with palms pressed together in namaste and eyes closed. He wears a saffron-orange garment draped over his shoulders, a black rudraksha mala around his neck, and a red tilak on his forehead. A microphone stand is at his side. Behind him is a backdrop with a painted deity figure and a decorative gold arch. Appearance-based probable Swamiji: long swept-back hair, saffron clothing and rudraksha mala, seated on a throne, presenting as the speaker at a satsang talk.

A seated figure with long swept-back hair and a red bindi on the forehead sits on an ornate gold throne with a red velvet seat and armrests, hands pressed together in namaste with eyes closed. He wears a saffron-orange wrap and a long dark rudraksha mala, with a microphone on a stand beside him. Behind him are gold-coloured temple-style pillars and a red and white backdrop, with a bowl of bananas at the left edge. a person: the flowing hair, saffron clothing, rudraksha mala and ornate throne are consistent with the page's claim, so this is a candidate in person.

A seated man in saffron-orange robes sits on an ornate gold throne with a richly carved, curved back and a deep red cushion. He has a red bindi and white forehead markings, and his hands rest together in his lap while he smiles. Dark blue draped curtains form the backdrop. Partially visible heads of audience members appear in the lower foreground. a person: the seated saffron-robed figure on the golden peetha with a red bindi and white forehead marks fits the page's claim, though the short hair and face-based identity cannot be confirmed from appearance alone.

A man seated in an ornate gold throne with a red cushioned seat, hands pressed together in anjali mudra at his chest, eyes closed. He wears a sleeveless saffron/orange robe and a long rudraksha mala with dark beads, with a red tilak mark on his forehead. Behind him a large colourful backdrop shows a deity figure and an arched shrine-like panel. Swamiji (probable): the figure has long swept-back hair, saffron clothing and a rudraksha mala, consistent with the page's reference to a satsang talk. Two blurred heads of seated devotees are visible at the bottom edge of the frame.

2010-10-21 +1 copies

A seated man in an orange saffron sannyasi robe sits on an ornate gold throne with a red velvet cushion, palms pressed together in anjali mudra with eyes closed. He wears a red tilak on his forehead and a long necklace of dark rudraksha beads. Behind him a backdrop shows a painted deity figure and red draped fabric. In the lower foreground a dark-haired person's head is partly visible. a person: the orange robe, rudraksha mala and tilak are visible cues, and the throne and anjali pose mark a discourse setting.