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Nithyanandapedia
A man seated cross-legged on a brown velvet throne with a carved black wooden back speaks into a microphone on a stand to his right. He wears a bare-chested orange-saffron dhoti-style wrap and a thick necklace of gold beads, with a red bindi on his forehead and long hair swept back. His right hand is raised in a gesture while his left rests on his knee. Behind him hangs a deep maroon velvet curtain. Swamiji (probable) is described by his distinctive saffron clothing, gold bead necklace and swept-back hair while giving discourse on a satsang stage.

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A seated man in saffron-orange robes sits cross-legged on an ornate tan velvet throne with black carved armrests, against a deep maroon curtain. He wears a gold rudraksha-style bead necklace of large golden beads and a red bindi on his forehead, his hair swept back, and he raises one hand in a teaching gesture with eyes closed while speaking into a gooseneck microphone. Two round tan bolster cushions sit on the throne. Probable Swamiji cues: long swept-back hair, saffron clothing and ornate gold bead mala on a ceremonial throne.2011-02-27A man seated cross-legged on an upholstered tan throne with carved black wooden arms and back, in front of deep red velvet drapery. He wears an orange saffron wrap draped over his shoulder and body, a long gold-bead necklace of large beads, and has a red bindi on his forehead. He sits with one hand raised in an open gesture while speaking, and a microphone on a stand is positioned at his mouth. a person: the saffron clothing, gold-bead necklace and throne seating are cues, and the role is a seated speaker giving satsang. A cushion and a small white card lie to the left.2011-02-27A seated man in saffron-orange robes sits cross-legged on a tan upholstered throne with carved black wooden armrests and backrest, in front of deep red velvet drapes. He wears a long gold bead necklace, a red bindi on his forehead, and his hair is long and swept back. His hands rest in meditation mudra on his knees, and a gooseneck microphone stands beside him. This appearance-based candidate fits the Swamiji (probable) description: long swept-back hair, saffron clothing and ornate gold beads. A paper sits on the armrest.2011-02-27A man sits cross-legged on an ornate dark-wood and tan upholstered throne in front of a deep maroon velvet drape, speaking into a gooseneck microphone. He wears a flowing saffron-orange robe with a matching orange sash-like drape over the shoulder, a long necklace of large gold beads, and a red bindi on his forehead. His right hand is raised in an explaining gesture while his left hand rests on his lap. Only one person is visible in the scene. The appearance is consistent with a person, based on the orange robe, gold bead necklace and seated position on the throne.2011-02-27 +1 copiesA man seated cross-legged on an ornate brown velvet throne with black carved wooden armrests and backrest, in front of deep maroon velvet drapes. He wears an orange saffron wrap over his shoulder and torso, orange lower garments, and a long necklace of large gold beads. He has a red bindi on his forehead and his hands are raised in front of him as he speaks into a gooseneck microphone. A purple bird logo appears in the upper left corner.2011-02-27A seated man in saffron-orange robes sits cross-legged on an ornate brown velvet throne with carved black wooden arms and back, in front of deep red velvet drapery. He wears a long gold bead garland (ceremonial necklace) and a red bindi on his forehead, with long dark hair swept back. His hands rest on his knees in a meditative posture while a black microphone on a flexible stand is positioned beside his face. Two round brown cushions sit on the armrests. A logo appears in the upper left corner.2011-02-27A man seated cross-legged on an ornate upholstered tan throne with carved black wooden armrests and backrest, in front of dark maroon velvet drapery. He wears orange saffron robes draped over his shoulders, a long necklace of large gold-toned beads, and a red bindi on his forehead. He gestures with his right hand while speaking into a gooseneck microphone. A small logo appears in the upper left corner.2011-02-27A seated man in saffron-orange robes and a long gold bead necklace sits cross-legged on an ornate dark-brown upholstered throne with carved black wooden armrests and backrest, speaking into a microphone on a stand. He wears a red bindi on his forehead and has his hands resting in his lap. Behind him hangs deep maroon velvet drapery. a person: a saffron-clad figure with gold bead necklace seated on a throne, giving a satsang discourse. A small logo appears in the upper left corner and a copyright line in the lower right.2011-02-27 +1 copiesA man sits cross-legged on a large brown velvet-upholstered throne with ornately carved black wooden armrests and back crest, in front of deep red velvet drapery. He wears a saffron-orange dhoti and matching shawl draped over his left shoulder, a heavy multi-strand gold bead necklace, and a red bindi on his forehead, with his hands resting on his knees. A black microphone on a gooseneck stand sits beside him. The atmosphere is that of a satsang seated discourse.2011-02-27A seated man in saffron-orange robes sits cross-legged on an ornate carved black-and-tan throne against a deep maroon velvet curtain. He wears a heavy gold bead necklace and a red bindi on his forehead, with hands resting on his knees in a meditative pose. A microphone on a gooseneck stand sits beside him. a person: the orange robes, gold necklace, and ornate throne setting are consistent with the page's reference. Dark swept-back hair is visible.2011-02-27A seated man in saffron-orange draped robes sits cross-legged on a brown upholstered throne with a carved black wooden frame, speaking and gesturing with his right hand. He wears a long necklace of gold-toned beads and has a red bindi on his forehead, with dark hair swept back. A microphone on a stand is beside him, and a deep maroon velvet curtain forms the backdrop. A white paper rests on a small table at the lower left. The scene suggests a satsang discourse.2011-02-27February 27 20112011-02-27 +2 copies