Skip to content
Nithyanandapedia
A seated man in saffron-orange robes and a rudraksha mala sits on an ornate golden throne with a gold umbrella canopy on an elevated orange-carpeted stage. Long swept-back hair and gold-toned ceremonial adornments are visible. Behind him hangs a dark navy drape, and brass oil lamps stand on either side of the throne. A microphone stand is at the left and a floor fan sits on the right.

More like this

Open the gallery
February 27 20112011-02-27February 27 20112011-02-27A seated figure in saffron-orange robes and a rudraksha mala sits cross-legged on an ornate gold throne with a gold umbrella overhead, on a stage with an orange carpet and dark blue curtains. Probable Swamiji, identified by long swept-back hair, saffron clothing, a rudraksha mala and the ceremonial throne. Several tall brass oil lamps stand on either side, with a microphone and a pedestal fan nearby.2011-02-27A photograph of a seated figure on an ornate gold-carved throne on a stage, with a gold umbrella-style canopy above. The seated person wears orange robes, has long dark hair and a rudraksha mala with a ceremonial gold necklace, and sits with hands resting on the armrests. Flanking the stage are tall gold lamp stands, an orange carpet covers the floor, and a navy curtain forms the backdrop. A microphone stand and a white standing fan are visible. The appearance cues of long hair, orange clothing and rudraksha beads are distinctive, so this is a probable Swamiji in person on the throne, labelled as such in the description.2011-02-27A figure in saffron-orange robes sits cross-legged on an ornate gilded throne with a gold canopy overhead, seated before a deep blue draped curtain. The throne is carved with floral and scrollwork designs, and brass kuthu vilakku oil lamps stand on either side of the stage. Orange cloth covers the floor, and a pedestal microphone and a standing fan sit at the edges. The seated figure wears a rudraksha mala and holds hands in a gesture while speaking. A small purple bird logo appears in the upper left corner.2011-02-27A seated man on an ornate gilded throne with a golden canopy above him speaks from a stage. He wears an orange-saffron robe and a rudraksha mala, with long dark hair swept back, and his right hand is raised in a gesture while the left rests in his lap. Behind him hangs a dark navy curtain, and on both sides stand tall polished brass oil lamps. A microphone stand and a floor fan sit at the stage edge, and the orange floor covering extends to the front.2011-02-27 +1 copiesA seated figure in orange robes sits cross-legged on an ornate gold throne with a gold canopy umbrella overhead. The figure has long dark hair and a rudraksha mala and raises one hand near the head while speaking into a microphone on a stand. Tall brass oil lamps stand on either side of the throne against a deep blue draped curtain. A floor fan and a red-orange carpet are visible at the base of the stage. A photo credit in the lower right reads Sri Nithyananda Paramashivam, , and the source line2011-02-27February 27 20112011-02-27 +1 copiesA seated man in saffron-orange robes and a rudraksha mala sits on an ornate gold throne (peetha) with a gold canopy umbrella, gesturing with one raised hand on a stage draped with navy curtains. Tall brass oil lamps stand on orange carpets on either side, with a microphone stand and a pedestal fan nearby. Swamiji (probable): long hair and saffron robes with rudraksha beads match the appearance cues for the Nithyananda Paramashivam label.2011-02-27A seated figure in orange robes sits on an ornate gilded throne with a golden canopy and carved lion-style armrests, touching his forehead with one hand while the other rests in his lap. Long dark hair falls past the shoulders and a rudraksha mala hangs at his chest. Behind him is a deep blue draped curtain, with tall brass lamp stands on both sides and a standing fan at the right edge. A microphone stand is in front, and an orange-red carpet covers the stage floor. a person: the orange robes, long swept hair and rudraksha mala on the seated figure match the page's satsang context, though the face is not used for identification.2011-02-27February 25 20112011-02-25 +4 copiesFebruary 25 20112011-02-25 +1 copies