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Close-up photograph of an ornate repoussé silver surface on a procession item, showing raised arched and lobed petal-like panels with beaded edging and a fine foliage border along the top rim. A seam or join runs down the center, and a human hand with fingers is visible at the upper edge, holding the object. Tarnish and greenish patina mark the lower areas.

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A large circular silver ritual object with a repoussé petal or lotus-leaf pattern lies on a dark stone floor, viewed from above. It is a ring-shaped silver frame, possibly a base or procession fitting, with a central opening and hinged clasps. At the top edge, a partial view of a person in white clothing and a hand is visible, along with a dark stone pillar, ribbon-like cloth, and a glimpse of orange fabric.Close-up photograph of an ornate silver procession item. Each petal is embossed with leafy scrollwork, beaded borders and a central raised ridge, with a polished, slightly tarnished silver surface. Dark background and dim interior lighting. No people are visible.Close-up photograph of a curved silver ceremonial item with embossed arched panels and beaded ridges, its rim joined by riveted metal sections with green patina and oxidation. The silver surface shows hammered texture and wear. The item rests on a dark grey stone surface. No people are visible.Close-up photograph of an ornate silver ceremonial item. Dark background, reflective metal surface with highlights. No people visible.Close overhead photograph of a large circular silver procession item lying on a grey stone floor. Two hinged or joined segments meet at the centre, with metal clasps and hooks at the outer edges. At the lower left and bottom edge, a person in pale clothing and an orange cloth holds a measuring tape against the piece, and hands are visible at the bottom. No deity or a person is visible.A large ornate silver ceremonial base or pedestal for a procession item, shown on a grey granite floor in a storage area. The upper rim has a band of embossed floral rosettes and leafy scrollwork, and a row of small circular bead motifs. The lower section is a bulbous lotus-petal form with vertical repoussé petals and beaded ridges. Wire loops and tags hang from the sides, and a wooden crate and bamboo items sit in the background. No people are visible.Close-up of the ornately engraved silver base of a processional deity murti or palanquin pedestal. The lower section shows a wide lotus-petal style band with repeated floral and leaf engravings, and a bottom rim decorated with a continuous row of small flower motifs. Dark stone-like background at right. No people are visible.A photograph of a large ornate silver ritual vessel, a circular base with a petal-like embossed lotus pattern and hinged clasp fittings, set on a stone floor. Two people are partly visible at the edges: a man in a white dhoti and shirt bends over it at the lower left, and another in white dhoti stands at the upper right, with a hand holding a metal rod or pin across the top. Reference to a silver procession item, with the image showing a close view of the ornamented silver piece rather than a full scene.A photograph of a disassembled silver procession item resting on a dark stone floor inside a building. A curved, embossed silver panel with floral and scroll relief and small metal hooks lies on top of a lower, lobed silver base carved with petal-like scallops. A metal tape measure and a red pencil lie on the floor at left, and a wooden stool and dark stone wall appear at right. No people are visible.Making Of Sacred Arts UniversityA photograph of a large, ornate silver procession item lying on a stone floor. Its rim is embossed with repeating petal or lotus-like relief patterns and it is split into sections joined by metal hinges and clasps. At the lower left, the bare legs and feet of a person in a white striped cloth are visible. At the lower right, a hand holding a measuring tape is working on the metal base. No a person candidate is present in the image.Close-up photograph of ornate silver procession items. The metal shows tarnish, scratches and green patina at the joints. The background is a grey stone or granite surface. No people are visible.