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Nithyanandapedia
June 13 2019

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Kailasa Paramparagatha Adi Kailasa Nithyananda PeethamJuly 13 20092009-07-13July 13 20092009-07-13A graphic event poster titled RAMA NIRAHARA SAMYAMA, presented by KAILASA's NHU India (NDT). The left side shows a photograph of a bare-chested man with a tall ornate gold crown, white tilak, and layered rudraksha malas and gold necklaces, with hands raised in a greeting gesture. Behind him is a faded painted image of a deity-like figure with a red background. Gold and white text describes forest-fruit diet, Shiva puja and Upanishad study over 21 days, with the date 19 August 2020 at 7.30 PM IST.2020-08-16A framed painted panel mounted on a temple wall shows a scene on a seashore. A green-skinned figure with a crown and a club kneels with open hands toward three blue-skinned figures: a woman in a yellow sari with blue sash, a figure with a bow and quiver, and another with a bow and quiver, all adorned with white garlands. Before them stands a black lingam on a yoke-shaped base with a small deity murti and flower garland. Sea and trees form the backdrop. The painting is a mounted illustration, not a physical gathering. A Tamil caption sits beneath the panel.2009-07-13A close photograph of a bare-chested man with long dark hair swept back, wearing a white forehead band with a dark vertical mark, multiple dense rudraksha mala necklaces, gold-toned ear studs and a gold amulet, with his right hand raised near his cheek in a gesture. A silver ornate throne-like backdrop and a painted tree landscape fill the background. Probable Swamiji (probable), shown in the appearance-based cues of long swept-back hair, rudraksha malas and ornate gold jewellery.2020-04-16 +1 copiesApril 16 20202020-04-16 +1 copiesA framed painted panel hangs on a temple wall showing a scene from the Ramayana on a seashore. A green-skinned Hanuman with a golden crown and jewelry stands at left, gesturing toward a black Shiva lingam on a stone base. Beside it, a sage-like figure in saffron sits with a rudraksha-style garland. Three figures stand at right: a woman in yellow sari with a white flower garland, and two blue-skinned figures holding bows and quivers, one with a crown and one with a dhoti and bow. Small offerings lie on the sand, and a sea and trees fill the background. The panel carries a Tamil caption below. No physical people are present in the image; the figures are painted.2009-07-13April 02 20202020-04-02 +1 copiesA digitally composed image of a seated figure in meditation posture against a blue swirling background. The figure wears a saffron-orange dhoti and sleeveless orange robe, a long rudraksha mala, and a white horizontal tilak on the forehead, with hair swept up and a cobra coiled over the shoulder. A golden trident stands at left beside a small drum-like object, a brass kalasha sits at lower left, and a glowing flame appears near the lap. Faint text at lower right reads 2010 Sri Nithyananda Paramashivam, , . The figure's appearance matches the page's Shiva-style iconography and orange attire, a person depictionA smiling man with long dark hair, a white vertical tilak on his forehead, gold earrings and a heavy gold-beaded necklace stands bare-chested in a tiger-striped orange shawl, holding a gold trident in his right hand while his left hand forms a ring gesture. Rudraksha malas are worn on his arms and waist. Behind him a blue and pink cosmic nebula backdrop with a faint image of a deity figure. Swamiji (probable): long swept-back hair, ornate gold necklace, and tiger-print shawl with rudraksha adornments identify a presentation matching the page's Swamiji reference; the portrait is a digitally composited studio image.2020-05-24A man with eyes closed sits in a serene meditative pose against a painted blue and gold backdrop. He has long dark curly hair, white vertical tilak with a red dot on his forehead, and a rudraksha crown on top of his head. He wears a leopard-print golden shawl draped over bare shoulders, with multiple strands of gold beads and rudraksha malas around his neck and chest, and a gold chain with a pendant. White ash marks appear on his upper arms. The setting suggests a stage or darshan setting. Only one physical person is visible.2009-06-29